Composed by Patrick M. Liebergen. Octavo. With Standard notation. 12 pages. Carl Fischer #CM09084. Published by Carl Fischer

By Harry James, Duke Ellington, Johnny Hodges, And Don George. Arranged by Russell L. Robinson. For Choir. (SATB). Choral Octavo. Pop Choral Series. Level: Moderate (grade 3). Choral Octavo. 12 pages. Published by Alfred Publishing.

((incorporating This Little Light of Mine)). Arranged by Russell L. Robinson. SATB. Festival Choral. 12 pages

Composed by Camille Saint- Saens (1835-1921). Edited by Christina M. Stahl. This edition: urtext edition. Stapled. Barenreiter Urtext. Choral score. Opus 12. 12 pages. Baerenreiter Verlag #BA11304-91. Published by Baerenreiter Verlag

SATB and organ

SKU: CL.021-7093-00

March of the Y. M. C. A.. Composed by Barnhouse. Choral. Satb and organ part. Composed 1901. C.L. Barnhouse #021-7093-00. Published by C.L. Barnhouse (CL.021-7093-00).

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Choral. Sacred. Octavo. 8 pages. Published by GIA Publications (GI.G-8597).

SSATB Choir, Piano - Level 3

SKU: CA.925400

Composed by Gabriel Faure. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Op. 8,1. Duration 2 minutes. Carus Verlag #CV 09.254/00. Published by Carus Verlag (CA.925400).

ISBN M-007-24916-8. Key: C sharp minor. Language: French. Text: Prudhomme, Sully.

In Au bord de l'eau (By the water) two lovers sit as in a dream, removed from the real world with all its conflicts. They only take themselves seriously, the surrounding nature lies as beneath a dream-like veil: steadily like the river flowing by, the passing clouds, the babbling brook, time also passes. The poet Sully Prudhomme, the first Nobel prizewinner for literature (1901), ends the poem with the assertion that only love is immortal. With this knowledge, Gabriel Faure's setting turns from a dreamy, deceptive C sharp minor to a more promising C sharp major. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

SATB choir

SKU: GH.LUN-570-0775

Majsang. Composed by L. M. Been. Arranged by Ivar Wideen. Octavo. With Language: Swedish. Gehrmans Musikforlag #LUN 570 0775. Published by Gehrmans Musikforlag (GH.LUN-570-0775).

Key: G dur / g major. Text: J L Runeberg.

Composed by Joseph M. Martin. Shawnee Sacred. Communion, General Worship, Lent, Sacred. Octavo. 12 pages. Published by Shawnee Press

By Giovanni Anerio. Edited by And Arr., With English Text, By Patrick M. Liebergen. For Choir. (SATB). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Robert L. Morris. Octavo. Alliance Music Publications #AMP 0675. Published by Alliance Music Publications

SATB choir

SKU: GH.N01720

Majsang. Composed by L M Been. Octavo. With Language: Swedish. Published by Gehrmans Musikforlag (GH.N01720).

ISBN 9790070004640. A4 inches. Text: Johan Ludvig Runeberg.

Valkanda vartoner for blandad kor, SATB.

Mixed Choir

SKU: BT.ALHE32213

Composed by Reibel. Score Only. 96 pages. Heugel & Cie #ALHE32213. Published by Heugel & Cie (BT.ALHE32213).

French.

Reibel Ballade Des Menus Propos Coll V L M A Mixed Choir Score.

Choral (SATB)

SKU: HL.35007834

Eartraining. Composed by Tomá and s Luis de Victoria. Arranged by James McKelvy. Mark Foster. Advent, Christmas Sacred, Christmas/Advent Sacred, Classical, Concert. Octavo. 8 pages. Shawnee Press #MF0404. Published by Shawnee Press (HL.35007834).

UPC: 747510051954. 7.0x10.5x0.016 inches. French.

Avoir une bonne oreille musicale fait indéniablement partie des éléments requis pour être ou devenir un bon pianiste. C’est bien simple... tout part de là ! Et tout passe par là !Mais à l’instar des doigts qui sont au contact du clavier, l’oreille doit aussi être formée et entraînée pour devenir performante. Et cela passe inévitablement par des exercicesspécifiqu es, tels que ceux qui vous sont proposés dans cette méthode. Savoir reconnaître les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C’estpourquoi un premier grand chapitre est consacré ici à leur étude approfondie. Dans les suivants, vous serez alors en mesure d’aborder, pas à pas, les arpèges et accords de 3 et 4 sons,ainsi que les gammes... qui sont autant d’outils indispensables pour identifier à l’oreille les mélodies et accompagnements joués par le piano. Chaque étape de l’apprentissage estponctuée d’un quiz musical, permettant d’évaluer vos acquis, vos progrès... mais aussi votre aptitude à passer à la suite. Vous trouverez sur le disque MP3 joint tous lesenregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la méthode.

Avoir une bonne oreille musicale fait indeniablement partie des elements requis pour etre ou devenir un bon pianiste. C'est bien simple... tout part de la ! Et tout passe par la ! Mais a l'instar des doigts qui sont au contact du clavier, l'oreille doit aussi etre formee et entrainee pour devenir performante. Et cela passe inevitablement par des exercices specifiques, tels que ceux qui vous sont proposes dans cette methode. Savoir reconnaitre les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C'est pourquoi un premier grand chapitre est consacre ici a leur etude approfondie. Dans les suivants, vous serez alors en mesured'aborder, pas a pas, les arpeges et accords de 3 et 4 sons, ainsi que les gammes... qui sont autant d'outils indispensables pour identifier a l'oreille les melodies et accompagnements joues par le piano. Chaque etape de l'apprentissage est ponctuee d'un quiz musical, permettant d'evaluer vos acquis, vos progres... mais aussi votre aptitude a passer a la suite. Vous trouverez sur le disque MP3 joint tous les enregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la methode.

By Max Janowski. (SATB). Transcontinental Music Choral. Jewish. Size 8.4x10.5 inches. 140 pages. Published by Transcontinental Music Publications.

SATB choir, assembly, keyboard accompaniment, B-flat clarinet, alto saxophone - Beginning

SKU: GI.G-8593

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Celebration Series. Tune Name: Wada Tune. Sacred. Octavo. 8 pages. GIA Publications #8593. Published by GIA Publications (GI.G-8593).

UPC: 785147859307. English. Text by Adam M. L. Tice.

Adam M. L. Tice presents us with a text identifying the myriad ways we hear the voice of God. Sally Ann Morris’ careful treatment of Adam’s text allows us to meditate on his words. Having made (and continuing to make) significant contributions in their individual fields, Morris and Tice are establishing themselves as noteworthy collaborators dedicated to enhancing congregational song. B-flat Clarinet or Alto Saxophone.

SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10297

Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297).

UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición

A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope.  ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, tenor saxophone, guitar - Beginning

SKU: GI.G-8596

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Christmas Day, Ordinary Time 4 C. Celebration Series. Tune Name: Donna Marie. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8596. Published by GIA Publications (GI.G-8596).

UPC: 785147859604. English. Text by Adam M. L. Tice. Scripture: John 1:14, 1 Corinthians 13.

SATB choir, assembly, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-9420

Composed by Daniel Kantor. Celebration Series. Tune Name: Isidore. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9420. Published by GIA Publications (GI.G-9420).

UPC: 785147942009. English. Text by Adam M. L. Tice. Scripture: Philippians 2:5–9, James 2:1–5.

A gentle tune cradles this heartfelt text from Adam M. L. Tice. The piece starts simply with a soloist and piano accompaniment introducing the tune, then grows musically and textually as more voices are added to carry the message.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar, C instrument - Beginning

SKU: GI.G-8600

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Holy Thursday. Celebration Series. Tune Name: Wilkers. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8600. Published by GIA Publications (GI.G-8600).

UPC: 785147860006. English. Text by Adam M. L. Tice.

Here is a catchy, lively, joyous tune! Verses 3 and 4 take an excursion into the relative minor with a slightly altered melody line. The piece then returns to the original major key. Very flexible in terms of when to use a soloist, the choir, or the assembly—in any combination. Appropriate for the washing of feet on Holy Thursday and when themes of mercy, justice, call, and social concern are highlighted. The Cantor or Solo parts are optional.

SATB choir, assembly, keyboard accompaniment, C instrument, violin 1, violin 2, viola, cello, guitar - Beginning

SKU: GI.G-8842

Composed by Marty Haugen. Celebration Series. Tune Name: Everett. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8842. Published by GIA Publications (GI.G-8842).

UPC: 785147884200. English. Text by Adam M. L. Tice.

Adam M. L. Tice’s graceful, prophetic, and challenging text encourages us to create peace and to be thoughtful stewards of creation. We are called to “live what we believe.” Moving from a unison verse to choral harmony and then to the melody with soaring descant, this fervent hymn gathers energy from beginning to end. Haugen’s piece is offered both as an extended choral anthem and as a traditional hymn for assembly. Octavo contains a hymn version.

SATB choir, keyboard accompaniment, cello, percussion - Early intermediate

SKU: GI.G-10038

Composed by Sally Ann Morris. Choral. Tune Name: Fifths. Sacred. Octavo. 12 pages. GIA Publications #10038. Published by GIA Publications (GI.G-10038).

UPC: 785147003816. English. Text Source: Adam M. L. Tice, alt. Text by Adam M. L. Tice.

The percussion part is for bass drum.

SATB choir, assembly, keyboard accompaniment, C instrument - Beginning

SKU: GI.G-8598

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Eastertide, OT 28 A, Body and Blood of Christ, OT 22 C, Easter PM, Easter 3 A, Holy Thursday, Easter Vigil, OT 13 A. Celebration Series. Tune Name: Banquet, Ewing. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8598. Published by GIA Publications (GI.G-8598).

UPC: 785147859802. English. Text by Adam M. L. Tice. Scripture: Matthew 22:1–14, Mark 14:22–24, Luke 14:7–24, Luke 24:30–31, John 6:35, 1 Corinthians 11:23–26, Romans 6:8–13, Romans 12:1–2.

Patt erns, a new hymn tune by Sally Ann Morris, is the setting for an intriguing but simple text by Adam Tice that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. Coming Together for Wine and for Bread has a tune that sounds as though it has always been with us—but in actuality, it is from the creative mind of Sally Ann Morris. The coupling of a Morris tune with an Adam Tice text can prove to be very enriching to those who sing the new creation, as well as to those who hear it. This edition offers two such gems! EWING is yoked with an intriguing but simple text that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. C Instrument part is only for This Is My Body, Holy and Good.