|
| Mary (IV)
Chorale SATB - Intermédiaire/avancé
Barenreiter
The Royal Swedish Court commissioned this piece for the celebration of the Mass ...(+)
The Royal Swedish Court commissioned this piece for the celebration of the Mass on Annunciation to the Blessed Virgin Mary (March 17, 2013). The music depicts Mary's sorrow as the mother of a child that belongs not to her, but to all mankind.'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as 'so sad that it sounds like birds who have lost their wings' but also as 'the happiest classical music that we have ever heard'.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of 'Carmen?, one of the most prominent womens' vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala. / Choeur Mixte (SATB)
Délais: 2-5 jours - En Stock Fournisseur | | |
| The Lost Birds
Chorale SATB
Boosey and Hawkes
An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial t...(+)
An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial to bird species driven to extinction by humankind. Sweeping and elegaic, it's a haunting tribute to those soaring flocks that once filled our skies, but whose songs have since been silenced. It's a celebration of their feathered beauty: their symbolism as messengers of hope, peace, and renewal. But it's also a warning about our own tenuous existence on the planet: that the fate that befell those once soaring flocks foreshadows our own extinction. / Niveau : moyen - avancé / Date parution : 2024-02-16/ Répertoire / Ch?ur Mixte et Piano
Délais: 2-5 jours - En Stock Fournisseur | | |
| The Choirmaster's
Burial
Chorale SATB
Barenreiter
This piece uses word painting to re-tell Thomas Hardy's classic poem about an ol...(+)
This piece uses word painting to re-tell Thomas Hardy's classic poem about an old tenor and the death of his choirmaster. The men and women are divided into two choirs - the men represent the old tenor telling the story and the women represent an angelic chorus singing the antiphon 'In Paradisium? from the Requiem Mass.'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as 'so sad that it sounds like birds who have lost their wings' but also as 'the happiest classical music that we have ever heard'.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.?Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of 'Carmen?, one of the most prominent womens' vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala. / Choeur Mixte (SSATBB)
Délais: 2-5 jours - En Stock Fournisseur | | |
| Symphony #2
Chorale SATB
SATB, Piano
Universal Edition
Over the years, the need for a new edition of Mahler's Symphony #2 became appare...(+)
Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano
Délais: En Stock | | |
| Stabat Mater
Chorale SATB
Soli, chœur mixte et piano
Boosey and Hawkes
Une nouvelle oeuvre majeure chorale/orchestrale du compositeur de Adiemus et The...(+)
Une nouvelle oeuvre majeure chorale/orchestrale du compositeur de Adiemus et The armés Man. La séquence latine du XIIIe siècle, définie par de nombreux compositeurs célèbres du passé, reçoit une expression douce et une intensité dans le paramètre de Karl Jenkins. Le travail est divisé en twe / Alto (Mezzo-Soprano), Choeur Mixte Et Orchestre
Délais: En Stock | |
|