By Edward Drewett, Wayne Hector, Julian Bunetta, and John Ryan. Arranged by Alan...(+)
By Edward Drewett, Wayne
Hector, Julian Bunetta,
and John Ryan. Arranged
by Alan Billingsley.
Choir Secular. SATB
choir. Choral Octavo. Pop
Choral. 16 pages.
Published by Alfred Music
By Glee Cast and One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Ar...(+)
By Glee Cast and One
Direction. By Carl Falk,
Rami Yacoub, and Savan
Kotecha. Arranged by Ed
Lojeski. For Choral
(SATB). Pop Choral
Series. 12 pages.
Published by Hal Leonard
SATB chorus and piano - Medium-easy SKU: JK.01694 Composed by Janice Kapp...(+)
SATB chorus and piano -
Medium-easy
SKU:
JK.01694
Composed by
Janice Kapp Perry.
Arranged by Janice Kapp
Perry. Choral SATB,
Difficulty Easy Medium,
Piano Choir, Seasonal
Music Patriotic, God the
Father, Patriotism,
Unity. Christian,
Inspirational. Duration
3:30. Jackman Music
Corporation #01694.
Published by Jackman
Music Corporation
(JK.01694).
2 Nephi
1:5-7, 1 Nephi
13:12-16.
Sacre
d patriotic anthem
arranged for mixed chorus
(SATB) and piano, written
in the style of a hymn,
firmly reminding
listeners that we are a
nation founded and
directed by the hand of
the Almighty. He will
guide us in the cause of
liberty if we trust in
Him. Composer: Janice
Kapp Perry Arranger:
Janice Kapp Perry
Lyricist: Orrin Hatch
Difficulty:
Medium-easy
Performance time:
3:30 Reference: 2
Nephi 1:5-7, 1 Nephi
13:12-16.
SATB Choir a cappella SKU: BT.PMC3603 From Nocturnes. Composed by ...(+)
SATB Choir a cappella
SKU: BT.PMC3603
From Nocturnes.
Composed by Morten
Lauridsen. Peermusic
Classical. Classical.
Choral Score. 14 pages.
Peermusic Classical
#PMC3603. Published by
Peermusic Classical
(BT.PMC3603).
Four poems
sharing a common motif of
'Night' provide the texts
for my choral cycle
Nocturnes, the American
Choral Directors
Association's
commissioned work for its
2005 national convention.
For Rilke's atmospheric
Sa nuit d'ete,several
melodic themes are
supported by dense,
colorful harmonies in
both the choral and piano
parts, leading to a
climactic section where
all are combined and
stated simultaneously.
Neruda's Soneto de la
Noche, from his
CienSonetos de Amor,
speaks of an eternal love
that transcends death
while reaffirming life.
My a cappella setting of
this gorgeous poem is
predominantly quiet,
serene and folk-like,
utilizing direct
harmonies accompanying
long,lyrical vocal lines.
Agee's wondrous Sure on
this Shining Night is set
much like a song from the
American musical theater,
a genre for which I have
held a life-long esteem.
Rilke's poignant Voici le
soir recalls the opening
bellsounds and
jazz-tinged chords of the
first movement and serves
as an epilogue, quietly
concluding this cycle of
night songs as darkness
descends. --Morten
Lauridsen.
My Immortal Chorale SATB SATB divisi, A Cappella Alfred Publishing
Composed by Ben Moody, Amy Lee, and David Hodges. Arranged by J. D. Frizzell. Ch...(+)
Composed by Ben Moody,
Amy Lee, and David
Hodges. Arranged by J. D.
Frizzell. Choir Secular.
SATB choir. Choral
Octavo. Pop Choral.
Secular. 16 pages.
Published by Alfred Music
Composed by
Barrett Yeretsian,
Christina Perri, and Drew
Lawrence. Arranged by J.
D. Frizzell. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-45578.
Published by Alfred Music
(AP.45578).
UPC:
038081513171.
English.
Christina
Perri's heart-wrenching
debut single is perfect
for pop a cappella groups
of all levels. Recording
provided by Briarcrest
OneVoice, directed by J.
D. Frizzell.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir
SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP.
Tell the World Chorale SATB SATB, Clavier GIA Publications
SATB choir, keyboard accompaniment SKU: GI.G-10666 Spirituals and Gosp...(+)
SATB choir, keyboard
accompaniment
SKU:
GI.G-10666
Spirituals and Gospel
Songs. Composed by
Valeria A. Foster.
Arranged by Valeria A.
Foster. Sacred.
Collection. 34 pages. GIA
Publications #10666.
Published by GIA
Publications
(GI.G-10666).
ISBN
9781622776511.
English.
Ms.
Foster’s deep
faith and musicology are
amplified in one another
to a profound degree. Her
gifts and skills in
performance, choir
direction and
congregational singing
are exceptional. The goal
of her work, however, is
worship, and the songs in
this collection easily
invite us there.
—The Reverend
Msgr. Eddie
Tolentino, Saint
Michael the Archangel
Catholic
Church, Silver Spring,
Maryland As You Go, Tell
the World • Go Tell
it on the Mountain
• God Is a Wonder
to My Soul • He
Arose / They Crucified
My Savior • I
Know the Lord Has Laid
His Hands on Me • I
Will Bless the Lord
• Is There Any Room
in Your Heart for
Jesus? • Jesus
• Oh, Freedom
• Take Me to the
Water • We Are One
• What a Friend
We Have in Jesus.
Mixed Choir a Cappella [SATB] SKU: BT.PMC4516 Mixed chorus (SATB) a ca...(+)
Mixed Choir a Cappella
[SATB]
SKU:
BT.PMC4516
Mixed
chorus (SATB) a
cappella. Composed by
Russell Horton. Choral
Score. Composed 2020. 12
pages. Peermusic
Classical #PMC4516.
Published by Peermusic
Classical (BT.PMC4516).
Evening
Waterfall comes from a
cycle of eleven a
cappella choral pieces
derived from Early Moon,
a collection of poetry by
Carl Sandburg. The images
in these simple, direct
lyrics have a depth and
resonance that all but
cry outfor musical
expression. Evening
Waterfall is one of the
easiest, certainly the
most diatonic, of the
Early Moon pieces.
Imagine yourself, or
perhaps, your childhood
self, sitting in a tree
or lying on the grass in
the gloaming ofa summer's
evening. The sounds of
birds, the feel of wind
on your skin, the sight
of early stars: all seem
to conspire to give you a
name...to call you by
your real name. But such
knowledge--a kind of
certainty about one's
selfand place--is
ephemeral. It cannot be
willed to appear, or to
stay. We are left alone,
wondering what was the
name you called me? and
why did you go so
soon?
Choral (SSATBB choir) SKU: HL.288472 6 part chorus. Composed by Ma...(+)
Choral (SSATBB choir)
SKU: HL.288472
6 part chorus.
Composed by Maja S. K.
Ratkje. Classical.
Softcover. 18 pages.
Edition Wilhelm Hansen
#WH33124. Published by
Edition Wilhelm Hansen
(HL.288472).
ISBN
9788759841150. UPC:
888680911348. 8.5x11
inches.
Maja S.
K. Ratkje's A
Dismantled Ode To The
Moral Value Of Art
for 6 Part
Chorus.
It was
performed under the
direction of Leonard
Bernstein at a concert to
mark the fall of the
Berlin Wall, it appears
in Stanley Kubrick's A
Clockwork Orange. Hitler
celebrated his birthdays
with it, and the
government of Rhodesia
made it their anthem. And
the prisoners in German
concentration camps
played it. It also
figured prominently at
Mitterand's 1981
investiture. In 2012, we
celebrate the Ode to
Joy's 40 years
anniversary as National
Anthem of the EU.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Cello/Double Bass.
Composed 1725. BWV 108. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.108/14. Published by
Carus Verlag
(CA.3110814).
ISBN
9790007047986. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Viola. Composed 1725. BWV
108. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.108/13. Published by
Carus Verlag
(CA.3110813).
ISBN
9790007047979. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Choral Score.
Composed 1725. BWV 108.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.108/05. Published by
Carus Verlag
(CA.3110805).
ISBN
9790007047924. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800.
Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Study score.
Composed 1725. BWV 108.
68 pages. Duration 20
minutes. Carus Verlag #CV
31.108/07. Published by
Carus Verlag
(CA.3110807).
ISBN
9790007047931. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 2. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/12. Published by
Carus Verlag
(CA.3110812).
ISBN
9790007047962. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut, dass ich hingehe.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
108. Duration 20 minutes.
Carus Verlag #CV
31.108/19. Published by
Carus Verlag
(CA.3110819).
ISBN
9790007136581. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800.
Soli ATB, SATB Choir, 2 Obda, Vl solo, 2 Vl, Va, Bc - Level 3 SKU: CA.3110849...(+)
Soli ATB, SATB Choir, 2
Obda, Vl solo, 2 Vl, Va,
Bc - Level 3
SKU:
CA.3110849
Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun.
Single Part, Organ.
Composed 1725. BWV 108.
20 pages. Duration 20
minutes. Carus Verlag #CV
31.108/49. Published by
Carus Verlag
(CA.3110849).
Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane
Mariane.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 1. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/11. Published by
Carus Verlag
(CA.3110811).
ISBN
9790007047955. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.108/21 oboe d'amore 1,
1x 31.108/22 oboe d'amore
2. German title: Es ist
euch gut 2. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun. Set
of Orchestra Parts.
Composed 1725. BWV 108. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.108/09. Published by
Carus Verlag
(CA.3110809).
ISBN
9790007047948. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800.
SKU: HL.1139324 For SATB Choir, Narration and Instrumental Ensemb...(+)
SKU:
HL.1139324
For
SATB Choir, Narration and
Instrumental
Ensemble. Composed by
Isabelle Aboulker. Vocal.
Softcover. Alphonse Leduc
#AL30921. Published by
Alphonse Leduc
(HL.1139324).
ISBN
9781705183939. UPC:
196288114888.
Defen
ders of the oppressed and
fighters against
injustice, Victor Hugo
and Emile Zola often put
their genius to the
service of great causes:
the abolition of the
death penalty and child
labor, the advancement of
women in society, the
awareness of the Dreyfus
affair... Conceived in
the same years and under
the same sky, the much
less profound words of
Baroness Staffe in her
manual of good manners,
vehemently denounce both
the wearing of white
socks and the dangers of
orientalism. This musical
chronicle will educate
and intrigue middle and
high school students and
amuse adults as well.
Priority
Direct Import titles are
specialty titles that are
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retailers. These items
must be obtained from our
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Direct Import title, our
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the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Set of
Orchestra Parts. Composed
1725. BWV 245. Duration
120 minutes. Carus Verlag
#CV 31.245/69. Published
by Carus Verlag
(CA.3124569).
ISBN
9790007097097. Language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
and parts available
separately - see item
CA.3124500.