with Trombone Feature. Par SHERIDAN BONNIE. Superstar was a pop hit for several artists in the '70s and '80s, and Mark Taylor has given it fresh life as a contemporary-sounding jazz waltz. A solo trombone is featured throughout, with plenty of support from the rest of the ensemble. Also included are solos for tenor sax, trumpet, and drums. A distinctive new take on a classic tune. / Date parution : 2022-11-29/ Répertoire / Jazz Ensemble

Correlated to Unit 5 of Jazz Expressions?, Sweet Georgia Brown is a great jazz classic arranged by Mike Lewis at the easy level. The focus in this chart is on syncopation using easy rhythms, modest ranges, and clear articulation to provide an effective and consistent foundation for learning jazz. No improvised solos, only ensemble and section work in a traditional swing setting. Optional parts for flute, clarinet, horn, baritone horn, tuba, AND STRINGS - violin (2), viola, and cello. Wow!

Par ZINDARS EARL. This sophisticated and enduring jazz standard was composed by Earl Zindars, and most notably recorded by pianist Bill Evans. Mike Tomaro's well-crafted chart for big band retains the medium swing style of the original, including the meter alternating from 4/4 to 3/4. A true classic! / Date parution : 2023-01-24/ Répertoire / Jazz Ensemble

Young Jazz Classics. Par MANCINI HENRY. / TV, Film, Comédie musicale / Répertoire / Jazz Ensemble

This timeless classic has long been a favorite with jazz singers. Mark's version is in a medium swing style and provides a terrific background for your featured vocalist. / Partitions classique / Ensemble et orchestre / Ensemble vents / HAL LEONARD

A Basie classic arranged by Neal Hefti, this is a swinger played at 156 BPM. It features a written trumpet 2 solo, nice section solis, and the trumpet 1 range is up to written G on top of the staff. Ideal for the young band, check this one out. (3:15) / Ensemble De Jazz

The first movement of Ellington's masterpiece, 'Deep South Suite' from 1946, begins with a slow introduction, followed by a build up to an exciting break for the trumpet section. Riffs and solos abound, trumpet, trombone, and clarinet are featured. The end is classic Ellington with a small 'band within a band' and then a long crescendo to a final tutti chord. / Ensemble De Jazz

'Christopher Columbus' is a classic chart that became a hit of the swing era! Well-known riff tune in a medium tempo that features solos for trumpet, tenor saxophone and clarinet. / Ensemble De Jazz

This classic New Orleans standard has been given the full Ellington treatment---with a beautiful alto opening, and solos for baritone sax, trumpet, and clarinet. / Ensemble De Jazz

The classic holiday tune scored for young band accessibility. 'Sleigh Ride' arranged by Mike Story includes written melodic solos for alto and tenor sax, easy brass ranges, simple rhythms, and all the optional parts to include flute, clarinet, and vibraphone. Ride on! (2:13) / Ensemble De Jazz

Par BERLIN IRVING. Irving Berlin's tuneful standard was put back on the map with the classic scene from Mel Brooks' movie Young Frankenstein. This clever arrangement alternates between a 2-beat feel and straight ahead swing, and features solo space for tenor sax, trumpet, and even a short solo for bass. Fun! / Date parution : 2022-04-26/ Répertoire / Jazz Ensemble

Par BERLIN IRVING. In the skilled hands of arranger Michael Mossman, this Irving Berlin classic feels completely at home as a mambo! With some harmonic wrinkles and a terrific mix of scoring styles, this chart has a great flow and pacing. Solo space is included for alto sax./ Répertoire / Jazz Ensemble

This timeless classic has long been a favorite with jazz singers. Mark's version is in a medium swing style and provides a terrific background for your featured vocalist. / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Featured in all of the popular Toy Story movies, the big band version recorded by Robert Goulet (as the voice of Wheezy) is the most memorable. In a similar style, Mark Taylor brings a fresh setting of this modern day classic for vocal soloist and big band.

Nat King Cole's classic recording from 1951 and then the 'duet' version recorded by his daughter Natalie in 1991 helped to make this tune truly 'unforgettable.' This well-paced version for vocal soloist stays true to the original style and includes a brief instrumental interlude for the band.