Songbook for Voice and Guitar. Original Versions from the Complete Lute Songs Ed...(+)
Songbook for Voice and
Guitar. Original Versions
from the Complete Lute
Songs Edition as composed
by John Dowland. By John
Dowland, Sting. Edited by
Werner J. Wolff. Voice
and guitar. For voice(s)
and guitar. Published by
Doblinger (Austrian
import).
Guitar SKU: BT.MUSAM1001440R Composed by Justin Sandercoe. JustinGuitar. ...(+)
Guitar
SKU:
BT.MUSAM1001440R
Composed by Justin
Sandercoe. JustinGuitar.
Tuition. Book with Online
Audio. Composed 2015. 192
pages. Wise Publications
#MUSAM1001440R. Published
by Wise Publications
(BT.MUSAM1001440R).
ISBN 9781783058921.
English.
Hailed as
the most comprehensive
and complete beginner's
Guitar method ever, the
Justinguitar.com
Beginner's Course from
Justin Sandercoe will
take you through
everything from buying a
Guitar to basic
improvisation, now
including two CDs full of
content. If you have ever
thought about picking up
a Guitar, this book
should be your first port
of call. In renowned
music teacher Justin
Sandercoe 's friendly and
authoritative way, he
takes you through the
basics of being a
Guitarist from the
absolute beginning to
playing some impressive
songs. You will learn all
the essential chords, the
fundamental scales and
rhythm strumming and
picking. giving you
demonstrations of every
chord, technique and
exercise to help you hear
exactly how everything
should sound.
Justinguitar.com
has been
world-renowned since it
was initially set up in
2003. The Independent The
CDs have been specially
recorded by Justin
newspaper has
called him one of the
most influential
guitarists in history,
and his combined total of
100 million viewers would
certainly agree. His
online videos have gained
him huge recognition, but
he is also a teacher at
the Guitar Institute, and
has taught thousands of
students privately,
including Katie Melua and
Cathy Dennis. The
course has been 20 years
in the making, and has
incorporated everything
that a beginning
guitarist needs to know,
but that is often skipped
over in less rewarding
methods; things like
music theory, aural
training and songs
specifically chosen to
reinforcetechniques
learned. Speaking of
songs, if you want more
songs to learn as a
fantastic complement to
this book, check out
the
Justinguitar.com
Beginner's Songbook
. Topics covered in
this Beginner's
Course include:
Choosing equipment like a
Guitar, an amplifier and
accessories Open, barre
and power chords as well
as rhythm Guitar
techniques Scorching lead
playing such as the
12-bar blues and basic
improvisation.
Composed by Justin
Sandercoe. JustinGuitar.
Book Only. Composed 2017.
104 pages. Wise
Publications
#MUSAM1012099. Published
by Wise Publications
(BT.MUSAM1012099).
ISBN 9781785583704.
English.
21 classic
and contemporary
Christmas songs to
accompany the
world-famous
justinguitar.com courses
for Guitar!
Arranged
by Dominic Miller. Guitar
Solo. Classic Rock,
Classics, Folk.
Softcover. Published by
Hal Leonard (HL.1756100).
UPC:
196288298885.
Known
for his longtime
collboration with Sting,
Dominic Miller is
recognized for his
exceptional guitar skills
and fascinating fusion of
jazz and world music.
This new collection
features 15 handpicked
classics arranged for
solo fingerstyle guitar
with Dominic's signature
accompaniment style,
including: Air on a G
String ⢠All by
Myself ⢠Another Day
in Paradise â¢
Blackbird ⢠The
Boxer ⢠Candle in
the Wind ⢠Easy on
Me ⢠Fields of Gold
⢠From the Beginning
⢠Heart of Gold
⢠Shape of My Heart
⢠Wild World â¢
The Winner Takes All
⢠Your Song.
Guitar SKU: HL.333141 A Showcase of Artists' Editions, Limited Edition...(+)
Guitar
SKU:
HL.333141
A
Showcase of Artists'
Editions, Limited
Editions and Custom
Guitars. Book. Guitar
Reference. Hardcover. 146
pages. Published by Hal
Leonard (HL.333141).
ISBN 9781568527628.
UPC: 884088536169.
9.75x14.0x0.756 inches.
Text by Dick Boak
Foreword by Steve Miller
Introduction by C.F.
Martin IV.
Martin
guitars are
internationally revered,
collected and played by
performers, singers,
songwriters and by
legions of avid
collectors and
enthusiasts. This book
features more than a
hundred of Martin's most
desirable guitars,
including instruments
belonging to Bob Dylan,
Willie Nelson, Joan Baez,
Sting and Eric Clapton.
Dick Boak
enthusiastically outlines
his experiences as
liaison in these
collaborations. We also
get a sneak preview of
Martin's millionth
instrument, due in 2004.
Dick Boak is the head of
artist relations and
publicity at C.F. Martin
& Co., collaborating
with artists in the
design of their Limited
Edition and Signature
Models. A prolific
artist, luthier and
musician in his own
right, he is a founder of
the Association of
Stringed Instrument
Artisans, and has
organized numerous
national
instrument-making
symposiums.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Flute; Guitar SKU: HL.49010856 Composed by Friedrich Zehm. Edited by Anto...(+)
Flute; Guitar
SKU:
HL.49010856
Composed
by Friedrich Zehm. Edited
by Anton Stingl. Arranged
by Anton Stingl. Sheet
music. Gitarren-Archiv
(Guitar Archive).
Classical. Composed 1969.
18 pages. Duration 9'.
Schott Music #GA443.
Published by Schott Music
(HL.49010856).
ISBN
9790001096928. UPC:
073999323948.
9.0x12.0x0.076
inches.
Guitar SKU: HL.49010874 Guitar Solo. Composed by Felix Bartholdy M...(+)
Guitar
SKU:
HL.49010874
Guitar
Solo. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Anton Stingl. Arranged by
Anton Stingl. This
edition: Saddle
stitching. Sheet music.
Gitarren-Archiv (Guitar
Archive). Classical.
Playing score. 21 pages.
Schott Music #GA461.
Published by Schott Music
(HL.49010874).
ISBN
9790001097109. UPC:
842819112723.
9.0x12.0x0.104
inches.
Lakes Road Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4313 Composed by Michel Dalle Ave. ...(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4313
Composed
by Michel Dalle Ave.
Score. Les Productions
d'OZ #DZ 4313. Published
by Les Productions d'OZ
(DZ.DZ-4313).
ISBN
9782898522307.
Lake
s Road is a piece for
solo guitar. Composed
in a style very popular
with many guitarists of
the 70s: Finger-picking.
This is distinguished by
an often joyful melody
built on alternating
bass, thus creating a
sustained and dynamic
rhythm. This
composition is in line
with this
style, reminiscent of
Ragtime, a musical genre
originating from
Louisiana originally
written for
piano.
Guitar SKU: GI.G-4523G Composed by Francis Patrick O'brien. This edition:...(+)
Guitar
SKU:
GI.G-4523G
Composed
by Francis Patrick
O'brien. This edition:
Guitar edition. Sacred.
Guitar part. With guitar
chord names. 4 pages. GIA
Publications #4523G.
Published by GIA
Publications
(GI.G-4523G).
An Introduction and First Lesson for Teens and Preteens for Acoustic or Electric...(+)
An Introduction and First
Lesson for Teens and
Preteens for Acoustic or
Electric Guitar. Guitar
DVD; Method/Instruction.
UBSJr. DVD. Alfred Music
#00-905665. Published by
Alfred Music
Gitariskola - Guitar
Tutor. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
1. Children, Classical,
Hungarian. Book
[Softcover]. 68 pages.
Editio Musica Budapest
#Z8418. Published by
Editio Musica Budapest
(HL.50489495).
ISBN
9790080084182. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since the
first edition, the
musical interests of our
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty, so that our
students can spend longer
on a varied repertoire at
their respective level.
We have first of all
selected works from the
Viennese classics for
this purpose but have
also enriched the
repertoire of the tutor
with numerous pieces from
the Renaissance and
Baroque periods. In
volumes I and II of the
tutor we have given
Hungarian folk songs and
children's songs a
significant amount of
space. In the course of
revision, we have
expanded the material of
these two volumes with
simple arrangements of
folk songs, nursery
rhymes and flower songs,
and we have provided very
easy, but valuable
material for instrumental
study in particular for
children aged between 6
and 10. We have also
expanded the chamber
music material to be
found at the end of the
volumes, because we
believe that playing
music together is the
best way to make
instrumental study a
lasting experience for
our students. The parts
are relatively simple,
sothe works provide a
musical experience almost
immediately.
Guitar SKU: BT.EMBZ12280 Composed by Erzsebet Nagy and Miklos Mosoczi. EM...(+)
Guitar
SKU:
BT.EMBZ12280
Composed
by Erzsebet Nagy and
Miklos Mosoczi. EMB Music
Lesson - Methods. Method.
Book Only. Composed 1983.
64 pages. Editio Musica
Budapest #EMBZ12280.
Published by Editio
Musica Budapest
(BT.EMBZ12280).
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since the
first edition, the
musical interests of our
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor.We have increased
the number of recital
pieces at all levels of
difficulty, so that our
students can spend longer
on a varied repertoire at
their respective level.
We have first of all
selected works from the
Viennese classics for
this purpose but have
also enriched the
repertoire of the tutor
with numerous pieces from
the Renaissance and
Baroque periods. In
volumes Iand II of the
tutor we have given
Hungarian folk songs and
children's songs a
significant amount of
space. In the course of
revision, we have
expanded the material of
these two volumes with
simple arrangements of
folk songs, nursery
rhymes and flower songs,
and we have provided very
easy, but valuable
material for instrumental
study in particular for
children aged between 6
and 10. We have also
expanded the chamber
music material to be
found at the end of the
volumes, because we
believe that playing
music together is the
best way to make
instrumental study a
lasting experience for
our students. The parts
are relatively simple, so
the works provide a
musical experience almost
immediately.
Guitar SKU: HL.48184334 Composed by Robert Coinel. Leduc. Classical. Soft...(+)
Guitar
SKU:
HL.48184334
Composed
by Robert Coinel. Leduc.
Classical. Softcover. 1
pages. Alphonse Leduc
#AL27313. Published by
Alphonse Leduc
(HL.48184334).
UPC:
888680847999. 9x12
inches.
“Born
in 1937 in Argentina,
Raül Maldonado has
led a significant career
as an internationally
acclaimed lecturer on
music. He has also
enjoyed success as a
guitarist and composer
for the instrument. The
Dead Tree is no exception
to the composer's
achievements. With a
typical performance
lasting about 1 minute
and 45 seconds, The Dead
Tree provides beginner to
intermediate level
guitarists with an
exciting, alternative
piece to learn.
Containing use of
triplets, scotch snap
rhythms, chords, and
alternating time
signatures, Maldonado
work for Guitar addresses
variation and technique
to a suitable level. The
Dead Tree is an exciting
addition to the beginner
to intermediate classical
Guitar repertoire and
cannot be missed by
aspiring players of the
instrument. &rdquo.
Guitar - intermediate to advanced SKU: HL.49019283 Guitar. Compose...(+)
Guitar - intermediate to
advanced
SKU:
HL.49019283
Guitar. Composed
by Enjott Schneider.
Edited by Stefan Barcsay.
This edition: Saddle
stitching. Sheet music.
Guitar. Classical.
Softcover. Composed 2010.
16 pages. Duration 12'.
Schott Music #GA558.
Published by Schott Music
(HL.49019283).
ISBN
9790001179652.
9.0x12.0x0.061
inches.
Nocturnes
have a long tradition -
from the notturni by
Mozart and Haydn via the
nocturnes of the Romantic
era to Chopin who
elevated the genre to
fascinating character
piece: He created
ambivalently shining gems
in an unreal world of
human nature which were
as close to the extremely
sublime as to a demonic
abyss. Enjott Schneider's
'3 Nocturnes', the core
of each of which is
characterized by a Latin
motto, stand in this
tradition. Cicero's
'Somnus est imago mortus'
sees sleep as a
resemblance of death.
'Die Zeit eilt weg, die
Liebe aber bleibt' [Time
passes but love remains]
explores the ambivalence
between that what is
hurrying and that what
stays eternally. Ovid's
'Der Tropfen hohlt den
Stein nicht durch Kraft,
sondern durch stetes
Fallen' [The drop hollows
the stone, not by force
but by constant dripping]
has its counterpart in a
minimalist motif which
has a lasting influence
on the listener through
its constant
sounding.
Guitar SKU: GI.G-4513G Composed by Francis Patrick O'brien. This edition:...(+)
Guitar
SKU:
GI.G-4513G
Composed
by Francis Patrick
O'brien. This edition:
Guitar edition. Sacred.
Guitar part. With guitar
chord names. GIA
Publications #4513G.
Published by GIA
Publications
(GI.G-4513G).
CONTENTS: YOUR
WONDERFUL LOVE (G-4520)
• MY GOD IN WHOM I
TRUST (G-4516) •
FROM THIS TABLE (G-4525)
• COME AND FOLLOW
ME (G-4514) • TO
THE POOR, A LASTING
TREASURE (G-4523) •
MARANATHA, COME (G-4526)
• OUT OF THE DEPTHS
(G-4521) • COME TO
ME AND LIVE (G-4515)
• THE CROSS OF
JESUS (G-4517) •
SING ALLELUIA (G-4524)
• LET ALL CREATION
(G-4519) • LORD,
SEND OUT YOUR SPIRIT
(G-4518) • ANCIENT
AND NEW (G-4522)Â .
Expanded, revised
edition. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
2. Children, Classical,
Hungarian. Softcover. 64
pages. Editio Musica
Budapest #Z12280.
Published by Editio
Musica Budapest
(HL.50487106).
ISBN
9790080122808. Bach (23 x
30,2 cm) inches. Erzsebet
Nagy; Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since the
first edition, the
musical interests of our
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty, so that our
students can spend longer
on a varied repertoire at
their respective level.
We have first of all
selected works from the
Viennese classics for
this purpose but have
also enriched the
repertoire of the tutor
with numerous pieces from
the Renaissance and
Baroque periods. In
volumes I and II of the
tutor we have given
Hungarian folk songs and
children's songs a
significant amount of
space. In the course of
revision, we have
expanded the material of
these two volumes with
simple arrangements of
folk songs, nursery
rhymes and flower songs,
and we have provided very
easy, but valuable
material for instrumental
study in particular for
children aged between 6
and 10. We have also
expanded the chamber
music material to be
found at the end of the
volumes, because we
believe that playing
music together is the
best way to make
instrumental study a
lasting experience for
our students. The parts
are relatively simple,
sothe works provide a
musical experience almost
immediately.
Advanced Studies, Op.
6 & 29. Composed by
Fernando Sor. Edited by
Erik Stenstadvold.
Collection. Theodore
Presser Company #GHE0801.
Published by Theodore
Presser Company
(PR.GHE0801).
We proudly
present a new critical
edition of the collected
guitar works by Fernando
Sor. Some titles in this
edition may be new to
some readers, eg the
contents of volume 10.
This new edition is the
biggest new publishing
undertaking for the music
of Sor since the
1970s.Our editor Erik
Stenstadvold is a noted
expert on 19th century
guitar music and
publishes regularly in
leading professional
journals such as
‘Soundboard’ and
‘Early Music’. His
life-long preoccupation
with Sor and his music,
both as a performer and
researcher, has resulted
in an unsurpassed edition
in terms of scholarly
accuracy and practical
usefulness.All relevant
early sources have been
consulted, often several
different printed
editions and manuscripts
of a particular work. In
each case the most
dependable source has
been chosen as copy text,
on the basis of
historical evidence and
textual
reliability.Variances and
errors in the original
scores are corrected and
discussed in the
comprehensive critical
commentaries. All volumes
contain detailed
introductory notes that
place the individual
works in their historical
context and discuss
particular notation
problems. Suggestions for
the interpretation of
ornaments are also
provided. In Volume 1 and
2 (Studies), Sor’s
likely purpose of each
individual study is
discussed in relation to
the technique and
fingering principles he
describes in his 1830
Méthode.The music scores
are produced at
‘concert size’ with
clear and accurate music
engraving and
high-quality German
printing. Original
fingering is retained,
but in order to make the
music more accessible to
players in general,
editorial fingering has
been judiciously added in
works with little or no
indications in the
original editions. Added
fingerings are easily
distinguishable from the
original ones by their
different typefaces.