by William Bay. For Guitar (All). technique. All Styles. Level: Beginning. Book. Size 8.75x11.75. 48 pages. Published by Mel Bay Publications, Inc.

Guitar - intermediate

SKU: M7.DUX-867

Edited by Michael Langer. Sheet music with CD. Performance book. 110 pages. Edition Dux Verlag #DUX 867. Published by Edition Dux Verlag (M7.DUX-867).

ISBN 9783868493221.

46 Stücke von südamerikanischen Komponisten mit Gitarrenmusik verschiedenster Länder und Stile. Nach Schwierigkeitsgrad gereiht mit detaillierten Fingersätzen.

Guitar & Folk, Methods. Jazz Guitar Soloing: The Cellular Approach. Jazz. Spiral Bound. 189 pages. Sher Music Company #9781883217815. Published by Sher Music Company

Classical. Textbook. Trinity College London #TCL019288. Published by Trinity College London

Guitar - Grade 6-8

SKU: TL.TCL015273

Repertoire. Trinity College London #TCL 015273. Published by Trinity College London (TL.TCL015273).

ISBN 9780857364852.

Sele cted pieces featured on Trinity College London's plectrum guitar syllabus, Grades 6-8, valid from 2016. Expertly graded and edited by leading music educators.

Written by Nelson Faria. Instructional Book and CD for guitar. Samba, bossa nova and other brazillian styles. Published by Sher Music Company.

Guitar

SKU: FG.55011-324-4

Composed by Kai Nieminen. Fennica Gehrman #55011-324-4. Published by Fennica Gehrman (FG.55011-324-4).

ISBN 9790550113244.

Quad ri Morandi (2014) ties together two essential themes of Kai Niminen's (b. 1953) compositional style: guitar and a subject inspired by Italy. The strong presence of the guitar in his works is natural since he is in an actively performing guitarist himself, and guitar works indeed play a significant role in his oeuvre. Moreover, he has written plenty of orchestral music; for instance two symphonies, numerous concertos, and chamber music. In the field of Finnish music he is a composer who can be characterized as free from any specific school or style. In his musical language, free tonal in essence, one can detect traces of Impressionism, Neoromanticism and even Expressionism at times, but he is also willing to employ more recent 20th-century stylistic devices. Nieminen has mentioned that he finds himself very similar to Japanese Toru Takemitsu both musically and in thought.

Mediterannean culture and Italy especially have been close to Nieminen's heart ever since he first visited the country and appeared in the jury of the international Fernando Sor guitar competition in 1981. He has composed a great number of works which refer to Italian landscapes or artists. The work Quadri Morandi (Morandi's pictures) is written in four movements. It has at its centre the painter Giorgio Morandi (1890-1964), who is known as a master of still lifes and landscapes painted in a plain manner and is subdued colours. Their atmosphere typically reflects a calm spirit. This is the third guitar work that nieminen has written for Kleemola.

It is easy to find a counterpart for the encaptivating realm of Morandi's art in Nieminen's clear and pure expression. The titles and expression markings also include several references to Morandi. For example, in the opening movement Prelude the words la Natura morta (still life) appear as an additional note on the chord sequence following the freely flowing opening section. At the end of the movement one can hear rhythmic motif coloured with flageolets that repeats the syllables of the painter's name: Gior-gio Moran-di. A similar motif can be heard at the end of the second movement Quasi cadenza. The tranquilly breathing third movement Paesaggio (landscape) creates an illusion of landscape by imitating the echo of monastery bells (come campane del monastero) and at the same time refers to il monaco (the monk), the name by which Morandi was often called. The final movement Ritratto (Portrait) is the most extensive of all the movements and can be seen, with its recurring motifs, as a reflection of the stable yet subtly varying elements of Morandi's art. The work ends with the rhythmic motif that once more echoes Morandi's name, like signature.

By Scott Tennant. For Guitar. Classical Guitar Method or Supplement. Pumping Nylon Series. Book and CD. 64 pages. Published by Alfred Publishing.

(A Complete Course in Techniques and Styles). For Guitar. Book. Hardcover with CD. 256 pages. Published by Backbeat Books

Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 348. Published by Ut Orpheus

9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc.

Compiled and edited by Rico Stover. For Guitar (Classical). Solos. Classic. Level: Advanced. Book. Size 8.75x11.75. 264 pages. Published by Mel Bay Publications, Inc.

By Esteban De Sanlucar. For flamenco guitar. Plucked Instruments. Published by Editorial de Musica Boileau (Spanish import).

133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 128 pages

By Debbie Cracknell. For Guitar tutor. Enjoy Playing Guitar. 64 pages. Published by Oxford University Press

Composed by Santiago de Murcia (1685-1732). Edited by Olaf Van Gonnissen / Johannes Monno / Thomas Muller-Pering. Neue Karl Scheit Gitarren Edition. Full score (study). Universal Edition #UE34481. Published by Universal Edition (PR.UE034481).

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern

By Rico Stover. For classical guitar and lute. Saddle-stitched. Multiple Levels. Book/CD Set. 40 pages. Published by Mel Bay Publications, Inc

By Groeber, Hoge, Sanchez, Welch. For Guitar. Lesson Book 2 provides a seamless transition from Book 1. Guitar. Level: Late Elementary. Book. Published by The FJH Music Company Inc.

Guitar

SKU: BT.HITPCPTGUITTAB01

Composed by M. Khalifa. Collection Rama. Book with CD. Composed 2015. 96 pages. Hit Diffusion #HITPCPTGUITTAB01. Published by Hit Diffusion (BT.HITPCPTGUITTAB01).

Le Petit Guitarama tablatures est la version tablatures du Petit Guitarama. Ce répertoire de morceaux tous styles, connus, pour guitaristes débutants, permet de jouer aussi bien du classique (Vivaldi, Bach...), des légendes de la pop (Beat It, LoveMe Tender...), des musiques de films (Le parrain, La panthère rose...), du répertoire francophone (Brassens, Cabrel...), ou des airs traditionnels de différents horizons (Orient, Irlande, Italie...), dans une progression logique etmotivante.

Cet ouvrage est écrit en tablatures enrichies : une système qui intègre les signes d’interprétatio n et les valeurs rythmiques, pour une lecture facilitée, mais précise. Chaque morceau est le fruitd’un travail d’arrangement, précis,adapté l’instrument et au niveau de l’élève (du tout débutant deux ans de pratique).En plus des nombreuses pièces en solo, l’ouvrage propose des duos, trios, et quatuors. La mise en page assure une grande lisibilité, en couleur. Richementillustré, ce recueil s’adresse tous. Le CD, outil de travail précieux, permet la découverte et l’écoute des pièces, facilitant le déchiffrage et la mise en place des morceaux. Fabrication de qualité : papier sans reflet (meilleure lisibilité),relié spirale.

(28 Guitar Solos). By Flavio Henrique Medeiros and Carlos de Lemos Almada. For Guitar (Classical). Solos. Bill's Music Shelf. Classic. Intermediate. Book. 136 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: GI.G-006425-B2

Sacred. Guitar part. GIA Publications #006425-B2. Published by GIA Publications (GI.G-006425-B2).

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at (missalsandhymnals@giamus ic.com) for pricing. Click on this link to view music index pages from the We Celebrate Hymnal. .

Book 3 - Book Only. By Charles Duncan. Guitar. Soundsheet (for record players). Size 9x12 inches. 80 pages. Published by Hal Leonard.

By Ben Monder. By Ben Monder. For Guitar (All). Solos. Jazz. Level: Intermediate-Advanced. Book. 264 pages. Published by Mel Bay Publications, Inc.

Revised Order of Mass 2010. Composed by Jan Michael Joncas. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 32 pages. GIA Publications #7693G. Published by GIA Publications

(75 Hymns and Choruses). By David Winkler. String ensemble. For medium voice, guitar. Easy. Published by Lillenas Publishing Company