Guitar Solo

SKU: IS.G6764EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6764EM. Published by Metropolis Music Publishers (IS.G6764EM).

ISBN 9790365067640.

This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By Marty Haugen. Text: Marty Haugen. For Chorus, Keyboard accompaniment, Synthesizer, 2 C Instruments, Bass, and Percussion. Music Collection. Includes guitar chord names. Sacred. 128 pages. Published by GIA Publications.

Guitar

SKU: BT.MUSPS11649

By Tom Farncombe. By Paul Simon. Arranged by David Weston. Easy Pickings. Pop & Rock. Book Only. Music Sales #MUSPS11649. Published by Music Sales (BT.MUSPS11649).

ISBN 9781847722683.

Easy Pickings Paul Simon lets you play some of this legendary artist’s greatest songs, finger picking style.

It’s easier than you thought possible with Easy Pickings, the exciting new way to master the technique.

The music in this book doesn’t use standard notation. Instead, a combination of chord boxes and crosses on the strings illustrate the picking pattern.

For Guitar. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist, and then again with accompaniments only, minus the soloist. Published by Music Minus One.

Performed by Various. For easy guitar. Strum It (Guitar). Size 9x12 inches. 64 pages. Published by Hal Leonard.

(Book Only). By Various. Guitar Method. Softcover. 24 pages. Published by Hal Leonard

Correlates with Any Book 1. By Various. Guitar Method. Christmas, Holiday, Pop. Softcover Audio Online. 24 pages. Published by Hal Leonard

Edited by Doug Boduch. Guitar Educational. Pop, Rock. Softcover. Published by Hal Leonard

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar

SKU: GI.G-3966

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. Sacred. Collection. With guitar chord names. GIA Publications #3966. Published by GIA Publications (GI.G-3966).

Text by various.

Hear these once and the tunes and lyrics will remain with you for a long time. One Is has become an instant success that unites the living, the unborn, the dead. Covenant Hymn is perfect for weddings and anniversaries. Now bespeaks our need for peace and justice. Four new psalm settings bring ancient words to life. Three inspired liturgical musicians combined their talents once again to create this hit. Rory Cooney wrote all the music and lyrics except for the music of Covenant Hymn which was written by Gary Daigle who also produced the recording. The incredible vocal talent of Theresa Donohoo contributes to wonderfully pleasant listening. CONTENTS: I AM FOR YOU (G-3967) • ONE IS (G-3968) • PSALM 1:ROOTS IN THE EARTH (G-3969) • IF/SI (G-3970) • PSALM 85:YOUR MERCY LIKE RAIN (G-3971) • BE THOU MY VISION (G-3973) • NOW (G-3974) • PSALM 51:CREATE ME AGAIN (G-3975) • ALL THINGS NEW (G-3976) • COVENANT HYMN (WHEREVER YOU GO) (G-3977) • MISSION SONG (G-3978) • SPIRITS SEEKING LIGHT AND BEAUTY (G-3979) .

(Play 24 Worship Songs with Three Chords: G-C-D). By Various. Guitar Collection. Softcover. 32 pages. Published by Hal Leonard

Taught by Harry Lewman. For Guitar (Finger). Solos. Grossman-Gtr Workshop. Blues. Level: Intermediate. DVD. Size 5.25x7.5. Duration 81 minutes. Published by Grossman's Guitar Workshop.

Gospel/Sacred, Perfect binding, Christian. Classics. Book/online audio/pdf. 36 pages. Mel Bay Publications, Inc #30948M. Published by Mel Bay Publications, Inc

Book. Performed by Various Artists. Guitar Method. Size 9x12 inches. 32 pages. Published by Hal Leonard Corporation.

Hal Leonard Guitar Method. By Various. Guitar Method. Softcover Audio Online. 32 pages. Published by Hal Leonard (HL.697440).

By Various. For Guitar. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1303. Published by Hal Leonard

Arranged by Dave Wolpe. For Guitar. Jazz Ensemble Collection. Jazz. Level: Intermediate Plus. Book. 24 pages. Published by Alfred Publishing.

Book/CD Pack. Hal Leonard Guitar Method. Book and CD package. Size 9x12 inches. 24 pages. Published by Hal Leonard.

Composed by Various. Chord Buddy. Pop. Softcover. 104 pages. Published by ChordBuddy

Guitar - Easyhymn along, hymnalongs, hymnalong, hymn alongs

SKU: JK.01988

Composed by Various. Arranged by Brent Jorgensen. Christian, Christmas, Christmas Carols, Contemporary Christian, Gospel, Holiday, Inspirational. Christian, Inspirational. Score. Jackman Music Corporation #01988. Published by Jackman Music Corporation (JK.01988).

Presenting the newest addition to the popular Hymn-Alongs series: Christmas Hymn-Alongs!
The Hymn-Alongs series includes over 20 different instrumental books. They are simple enough for developing musicians to master, yet beautiful and fun for those advancing in music.
The accompaniment book features beautiful, yet simple arrangments for piano, guitar (chord symbols), and voice. The many instrumental books can be played together in any combination. All instrument books include a melody part; treble instruments have a duet part, and bass instruments also include a bass part.
View all Christmas Hymn-Alongs products HERE.


Songs included in Christmas Hymn-Alongs:
Angels We Have Heard on High
Away in a Manger
Hark! The Herald Angels Sing
I Heard the Bells on Christmas Day
It Came upon the Midnight Clear
Joy to the World
O Come, O Come, Emmanuel
O Little Town of Bethlehem
Oh, Come, All Ye Faithful
O Holy Night
Silent Night
The First Noel
We Three Kings
What Child Is This?

Composer: Various
Arranger: Brent Jorgensen
Difficulty: Easy
hymn along, hymnalongs, hymnalong, hymn alongs.