Composed by John Higgins. MusicWorks Grade 3. Contemporary Band. Score and parts. Published by Hal Leonard

Orchestra

SKU: PE.EP11114B

Concert Edition. Composed by Earle Brown. Chamber Orchestra. Peters Contemporary Library. 20th Century. Score and Part(s). 112 pages. Edition Peters #98-EP11114B. Published by Edition Peters (PE.EP11114B).

ISBN 9790014123192.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: PE.EP14096

Composed by Daníel Bjarnason. Full Score. Peters Contemporary Library. Living Composer. Score. 48 pages. Edition Peters #98-EP14096. Published by Edition Peters (PE.EP14096).

ISBN 9790014122768.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: PE.EP71041

For Orchestra. Composed by James Dillon. Score. Peters Contemporary Library. Living Composer. Score. 76 pages. Edition Peters #98-EP71041. Published by Edition Peters (PE.EP71041).

ISBN 9790577009483.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Orchestra

SKU: PE.EP72293A

Composed by James Dillon. Score. Peters Contemporary Library. Living Composer. Score. 94 pages. Edition Peters #98-EP72293A. Published by Edition Peters (PE.EP72293A).

ISBN 9790577003856.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

About Peters Contemporary Library

Ma rk Andre
Milton Babbitt
Daniel Bjarnason
Earle Brown
John Cage
Henry Cowell
James Dillon
Jonathan Dove
Brian Ferneyhough
Roxanna Panufnik
Rebecca Saunders
Erkki-Sven Tuur
Charles Wuorinen

These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike.

Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra

SKU: LO.30-2894L

Composed by Phill McHugh. Arranged by Greg Nelson. Choral. Sacred Anthem, General, Holy Week, Lent, Palm/Palm-Passion Sunday. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/2894L. Published by Lorenz Publishing Company (LO.30-2894L).

UPC: 000308132915.

This contemporary Christian classic, made popular in the 1980s by singer Steve Green, receives a brilliant setting by This contemporary Christian classic, made popular in the 1980s by singer Steve Green, receives a brilliant setting by Mary McDonald. We are reminded by the lyrics that the love shown by Christ on the cross still reaches out to those in need today. Orchestration by Michael Lawrence for 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Harp, Pno, Perc, Timp, 2 Vln, Vla, Cello, Bass.

Orchestra String Orchestra

SKU: PE.EP14581

For String Orchestra. Composed by Clara Iannotta. String Orchestra. Peters Contemporary Library. Classical; Contemporary. Book. 36 pages. Edition Peters #98-EP14581. Published by Edition Peters (PE.EP14581).

ISBN 9790014137175.

< em>Memory jolts. Flashes of pink in the brain. by Clara Iannotta is a 17-minute work for string orchestra. Written for the non bthvn project of the Cologne Philharmonic, the work reflects Beethoven's hearing loss and the unbearable condition when his ears began to buzz and roar. The title describes the memory jolts that take place in the inner ear.

Memory jolts. Flashes of pink in the brain. was premiered by Ensemble Resonanz on 31 October 2021 at the Philharmonic Hall Cologne.

The full score (EP 14581) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

By Mark Hayes, Bart Millard. For full orchestra (conductor's score). Sacred Anthem. Published by Monarch Music. (30/2274M)

Orchestra (Score)

SKU: HL.50600624

For Orchestra (Score only). By Gyorgy Kurtag. By Gyorgy Kurtag. Contemporary Music. EMB. Contemporary Hungarian Works. Softcover. Composed 2016. 16 pages. Duration 7'30''. Editio Musica Budapest #Z14966. Published by Editio Musica Budapest (HL.50600624).

ISBN 9790080149669. 9.0x12.0x0.075 inches. Gyorgy Kurtag.

Kurtag-s newest orchestral work was commissioned by the Lucerne Festival on the occasion of Pierre Boulez-s 90th birthday. It was first performed on 23 August 2015 by the Lucerne Festival Academy Orchestra under the direction of Matthias .

By Donald Martino. For Orchestra. This edition: Full Score. Contemporary Classical. Contemporary Classical. Level: Conservatory. Sheet Music. Published by Dantalian, Inc.

Composed by Sebastian Fagerlund. Orchestra; Single Titles. Peters Contemporary Library. Form: Symphony. Classical; Contemporary. Score. 100 pages. Edition Peters #98-EP14583. Published by Edition Peters

By Louise Farrenc (1804-1875). Edited by Heitmann. Contemporary Large Ensemble/Orchestra. For [2.2.2.2-2.0.0.1], Timpani, Strings. Contemporary. Conductor's score. Composed 1847. Published by Heinrichshofen Verlag

Orchestra 2 Natural Trumpets, Percussion (2 players) & String Orchestra

SKU: PE.EP14361

For 2 Natural Trumpets, Percussion (2 players) and String Orchestra. Composed by Bernhard Gander. Chamber Orchestra. Form: March. Contemporary; Funeral. Score. 24 pages. Edition Peters #98-EP14361. Published by Edition Peters (PE.EP14361).

ISBN 9790014133177. German.

Maximal Funeral by Bernhard Gander is a 13-minute work for two natural trumpets, percussion (two players) and string orchestra. The piece is a long funeral march and was inspired by the fact that years before his death Emperor Maximilian always took a coffin with him on his travels to be prepared for it.

Maximal Funeral was made possible by the Hilde Zach Scholarship 2017 by the City of Innsbruck. The premiere performance by the Tiroler Kammerorchester InnStrumenti conducted by Gerhard Sammer took place on 9 March 2019 at the Canisianum, Innsbruck (Austria).

The full score (EP 14361) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

By Jack Curtis Dubowsky. For Chamber Orchestra (2221/2211/timpani/percus sion/strings/orator). Orchestra. Contemporary. Full score. Composed 2008. Duration 30:00. Published by De Stijl Music . full score. contemporary.

Chamber Ensemble Chamber Orchestra

SKU: PE.EP73669

For Ensemble. Composed by Emily Howard. Performance Music Ensemble; Single Titles. Book. 56 pages. Edition Peters #98-EP73669. Published by Edition Peters (PE.EP73669).

ISBN 9790577023298.

Dual ities by Emily Howard is a contemporary work for an ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.

For Orchestra. Composed by Roxanna Panufnik. Chamber Ensemble; Single Titles. Peters Contemporary Library. Classical; Contemporary. Book. 20 pages. Edition Peters #98- EP72402. Published by Edition Peters

For Orchestra. Composed by Gloria Coates. Full Orchestra; Performance Music Ensemble; Single Titles. Peters Contemporary Library. Contemporary. Score. 68 pages. Edition Peters #98-EP14590. Published by Edition Peters

By Jack Curtis Dubowsky. For Chamber Orchestra (2221/2211/timpani/percus sion/strings/orator). Orchestra. Contemporary. Set of parts. Composed 2008. Duration 30:00. Published by De Stijl Music . Set of Parts. contemporary.

Orchestra (Full Score)

SKU: HL.14048342

Full Score. Composed by Kevin Volans. Music Sales America. Classical. Softcover. Composed 2016. 180 pages. Chester Music #CH85624. Published by Chester Music (HL.14048342).

12.0x14.25 inches. English.

Kevin Volans' Piano Concerto No. 4 was commissioned by Birmingham Contemporary Music Group, with financial assistance from Arts for All and many individuals through BCMG's Sound Investment Scheme. The world premier took place on 11th November 2016, performed by Barry Douglas (Piano) with Birmingham Contemporary Music Group, conducted by Geoffrey Paterson. Spiral bound.

Orchestra

SKU: HL.50499087

Pour Grand Orchestre - Partitura. Composed by Malec I. MGB. Contemporary Music. Score Only. Composed 2008. Ricordi #NR138028. Published by Ricordi (HL.50499087).

Orchestra

SKU: HL.50499085

Pour Grand Orchestre - Partitura. Composed by Malec I. MGB. Contemporary Music. Score Only. Composed 2008. Ricordi #NR136760. Published by Ricordi (HL.50499085).

Orchestra

SKU: LM.28043

Composed by Bruno Mantovani. Classical: 20th Century (Contemporary). Score. 101 pages. Editions Henry Lemoine #28043. Published by Editions Henry Lemoine (LM.28043).

ISBN 9790230980432.

Orchestra

SKU: HL.50494308

Per 5 Piccole Orchestre - Partitura. Composed by Marcello Abbado. MGB. Contemporary Music. Score Only. Composed 1984. Ricordi #NR130821. Published by Ricordi (HL.50494308).

PER 5 PICCOLE ORCHESTRE - PARTITURA.

Orchestra

SKU: LM.JJ14850

Composed by Olivier Penard. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ14850. Published by Editions Jobert (LM.JJ14850).

ISBN 9790230814850.

Orchestra

SKU: LM.JJ09290

Composed by Emmanuel Nunes. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ09290. Published by Editions Jobert (LM.JJ09290).

ISBN 9790230809290.

Dawn Wo - Purlieu.

By Mack Wilberg (1955-). For Mezzo-soprano and baritone solo voices, SATB choir and full orchestra (3 flutes (III piccolo), 2 oboes (both oboe d'caccia), 2 clarinet, 2 bassoon, 4 horn, celeste (or glockenspiel), harp, piano, organ (optional), strings). Mixed Voices. Contemporary Choral Works. Vocal score. Duration 40'

Orchestra

SKU: LM.JJ17073

Composed by Dao. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ17073. Published by Editions Jobert (LM.JJ17073).

ISBN 9790230817073.