Orchestra - Grade 2 SKU: AP.49059S Composed by Anthony Granata. MakeMusic...(+)
Orchestra - Grade 2
SKU: AP.49059S
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 12
pages. Duration 3:05.
Highland/Etling
#00-49059S. Published by
Highland/Etling
(AP.49059S).
ISBN
9781470645779. UPC:
038081565255.
English.
Written
specially to help young
players gain confidence
and build upon their
beginning playing
abilities, Sinfonietta
for Strings by Anthony
Granata echoes the
composition style of the
classical period. A
Sinfonietta is a smaller
and lighter version of
the symphony. Set in the
key of G major, students
will love the broad and
vigorous unison opening,
the sudden change to E
minor, and the mixture of
dialogue and easy
counterpoint interwoven
throughout the piece.
This piece will help your
students develop skills
in proper right-hand bow
facility, simple slur and
bowing patterns, common
rhythms, identification
of accidentals, and use
of dynamics to achieve a
very strong and dramatic
sound. (3:05) This title
available in MakeMusic
Cloud.
Orchestra - Grade 2 SKU: AP.49059 Composed by Anthony Granata. MakeMusic ...(+)
Orchestra - Grade 2
SKU: AP.49059
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 74 pages.
Duration 3:05.
Highland/Etling
#00-49059. Published by
Highland/Etling
(AP.49059).
ISBN
9781470645762. UPC:
038081565248.
English.
Written
specially to help young
players gain confidence
and build upon their
beginning playing
abilities, Sinfonietta
for Strings by Anthony
Granata echoes the
composition style of the
classical period. A
Sinfonietta is a smaller
and lighter version of
the symphony. Set in the
key of G major, students
will love the broad and
vigorous unison opening,
the sudden change to E
minor, and the mixture of
dialogue and easy
counterpoint interwoven
throughout the piece.
This piece will help your
students develop skills
in proper right-hand bow
facility, simple slur and
bowing patterns, common
rhythms, identification
of accidentals, and use
of dynamics to achieve a
very strong and dramatic
sound. (3:05) This title
is available in MakeMusic
Cloud.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra - Grade 1.5 SKU: AP.31580 Featuring: Good King Wenceslas / W...(+)
Orchestra - Grade 1.5
SKU: AP.31580
Featuring: Good King
Wenceslas / We Three
Kings / Joy to the
World. Arranged by
Bob Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). 72 pages.
Highland/Etling
#00-31580. Published by
Highland/Etling
(AP.31580).
UPC:
038081349817. English.
Traditional.
Let
the earth receive her
King! So rings the
closing chord of this
lovely setting of Good
King Wenceslas, We Three
Kings and Joy to the
World. Unison parts and
varied section features
provide interest and
skill building for all
instruments in this truly
easy holiday piece.
Correlates with String
Explorer Book One, page
32.
Orchestra - Grade 0.5 SKU: AP.45867S Composed by Andrew H. Dabczynski. Ma...(+)
Orchestra - Grade 0.5
SKU: AP.45867S
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score. 12 pages.
Duration 2:40.
Highland/Etling
#00-45867S. Published by
Highland/Etling
(AP.45867S).
UPC:
038081525594.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
Major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Orchestra - Grade 0.5 SKU: AP.45867 Composed by Andrew H. Dabczynski. Mak...(+)
Orchestra - Grade 0.5
SKU: AP.45867
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score and
Part(s). 144 pages.
Duration 2:40.
Highland/Etling
#00-45867. Published by
Highland/Etling
(AP.45867).
UPC:
038081525587.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). 126 pages.
Duration 2:45.
Highland/Etling
#00-44846. Published by
Highland/Etling
(AP.44846).
UPC:
038081518480. English.
Traditional.
Nothin
g says Noel better than a
16th century courtly
dance. Also known as Un
Flambeau, Jeanette,
Isabelle, this piece was
originally performed for
the French nobility. The
variations in this new
setting by Vince Gassi
will lift your spirits as
they pass from a joyous
opening, through a brief
moment of reflection, and
on to a jubilant ending.
This little bit of
effervescence is a great
addition to any part of
your Christmas program.
(2:45).
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score. 12 pages.
Duration 2:45.
Highland/Etling
#00-44846S. Published by
Highland/Etling
(AP.44846S).
UPC:
038081518497. English.
Traditional.
Nothin
g says Noel better than a
16th century courtly
dance. Also known as Un
Flambeau, Jeanette,
Isabelle, this piece was
originally performed for
the French nobility. The
variations in this new
setting by Vince Gassi
will lift your spirits as
they pass from a joyous
opening, through a brief
moment of reflection, and
on to a jubilant ending.
This little bit of
effervescence is a great
addition to any part of
your Christmas program.
(2:45).
Primal Strings Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.47480S Composed by Gary Fagan. Performance Mu...(+)
Orchestra - Grade 3
SKU: AP.47480S
Composed by Gary Fagan.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Highland/Etling
#00-47480S. Published by
Highland/Etling
(AP.47480S).
UPC:
038081544892.
English.
The word
primal is defined as
relating to an early
stage in development or
basic, fundamental,
essential, elemental.
Imagine this tune
challenging your players
who fit that definition.
Many young and
developing musicians
experience difficulty
with mastering rhythmic
accuracy with confidence.
Yet, rhythm is essential
to music performance.
Student proficiency in
reading rhythmic figures
and being able to move
comfortably from one
meter to another should
be a goal of the
orchestra director. This
work provides rhythmic
challenges and uses
multiple meter changes to
create interesting,
appealing, and unique
rhythmic textures.
Orchestra - Grade 3 SKU: AP.47480 Composed by Gary Fagan. Performance Mus...(+)
Orchestra - Grade 3
SKU: AP.47480
Composed by Gary Fagan.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 124 pages.
Highland/Etling
#00-47480. Published by
Highland/Etling
(AP.47480).
UPC:
038081544885.
English.
The word
primal is defined as
relating to an early
stage in development or
basic, fundamental,
essential, elemental.
Imagine this tune
challenging your players
who fit that definition.
Many young and
developing musicians
experience difficulty
with mastering rhythmic
accuracy with confidence.
Yet, rhythm is essential
to music performance.
Student proficiency in
reading rhythmic figures
and being able to move
comfortably from one
meter to another should
be a goal of the
orchestra director. This
work provides rhythmic
challenges and uses
multiple meter changes to
create interesting,
appealing, and unique
rhythmic textures.
Orchestra - Grade 2 SKU: AP.46708S Arranged by Richard Meyer. MakeMusic C...(+)
Orchestra - Grade 2
SKU: AP.46708S
Arranged by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Christmas;
Sacred; Traditional;
Winter. Score. 8 pages.
Highland/Etling
#00-46708S. Published by
Highland/Etling
(AP.46708S).
UPC:
038081532820. English.
Traditional.
Teachi
ng opportunities abound
in this fresh and
creative arrangement of
the carol We Three Kings.
The piece depicts the
kings' famous nocturnal
trek across the desert
and is a great way to
introduce your students
to low finger patterns
(B-flats and E-flats),
simple time-signature
changes, and the concept
of tone painting.
Percussion parts have
been added to enhance the
mysterious mood. A real
change of pace on your
next holiday concert!
This title is available
in MakeMusic Cloud.
Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob ...(+)
Classic Rock for the
String Orchestra
(Teacher's Score).
Arranged by Bob Phillips
and Daryl Silberman.
Book; CD; Play-Along;
String Orchestra
Collection. Rock. 48
pages. Published by
Alfred Music (AP.40742).
(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Conduct...(+)
(Warm-up Exercises for
Tone and Technique for
Advanced String Orchestra
(Conductor's Score)). By
Bob Phillips and Kirk
Moss. Orchestra. For
Conductor's Score. This
edition: Conductor's
Score.
Method/Instruction;
Score; SmartMusic; String
Orchestra Method/
(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Bass))....(+)
(Warm-up Exercises for
Tone and Technique for
Advanced String Orchestra
(Bass)). By Bob Phillips
and Kirk Moss. Orchestra.
For Bass. This edition:
Bass. Book;
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations Series for
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
(Warm-up Exercises for Tone and Technique for Advanced String Orchestra (Piano A...(+)
(Warm-up Exercises for
Tone and Technique for
Advanced String Orchestra
(Piano Acc.)). Composed
by Bob Phillips and Kirk
Moss. Orchestra. For
Piano Acc.. This edition:
Piano Accompaniment.
Book; Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations Series for
Strings. 108 pages.
Published by Alfred Music
Orchestra SKU: HL.14028038 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14028038
Composed
by Poul Ruders. Music
Sales America. Classical.
Score. 95 pages. Music
Sales #KP00294. Published
by Music Sales
(HL.14028038).
ISBN
9788759854730.
12.0x16.5x0.3 inches.
English.
The word
GONG is saturated with
associations: the
splendour of the Orient,
mysticism, drama, loud
metallic clangour,
violent impact, etc. The
present piece draws upon
all those connotations,
but it is primarily a
symphonic drama about the
life and behaviour of the
sun, our closest star and
prime source of life on
Earth. Describing the sun
in music is not a new
idea, of course; during a
visit to Greece, Carl
Nielsen was inspired by
the orbit of the sun and
its very un-Danish
ferocity and thus wrote
the Helios Overture. GONG
is a Helios Overture too,
of sorts, albeit more
abstract. Recent
astronomical research
shows, that the surface
of the sun reverberates
like a gong, in four
different, simultaneous
tempi (not directly
depicted in the score,
though); the sun looks
like a GONG, - the O in
the written work looks
like the sun; there is
even a solar research
group called GONG (Global
Oscillation Network
Group). Formally the
composition follows the
life and fate of the sun,
from the initial
explotional birth through
the hyper-activity as
energy source as we know
it today to the final,
predicted flaring up and
collapse into a so-called
white dwarf. But - being
a musical composition,
not an astrophysical
thesis - GONG is brought
to its compositional
conclusion by a real
concert-ending, a chord
taken from the middle of
the piece and sustained
over several bars, from
virtual nothingness to
full force.
Arranged by R. J. Hume. Orchestra. Full Orchestra; Score. Highland Full Orchestr...(+)
Arranged by R. J. Hume.
Orchestra. Full
Orchestra; Score.
Highland Full Orchestra.
Form: Suite. Folk. Grade
2.5. 32 pages. Published
by Highland/Etling
Orchestra - Grade 1.5 SKU: AP.38484 Composed by Sara Bongo and Robert Moo...(+)
Orchestra - Grade 1.5
SKU: AP.38484
Composed by Sara Bongo
and Robert Moore.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: March.
Programmatic; Winter.
Score and Part(s). 124
pages. Highland/Etling
#00-38484. Published by
Highland/Etling
(AP.38484).
UPC:
038081432410.
English.
Delight
and instruct young
players with passages of
waddling penguin
pizzicato and lumbering
polar bear arco in an
evocative and timely work
set to the theme of South
Pole meets North Pole on
a hot day at the zoo.
This elementary orchestra
piece will introduce
emerging musicians to
slurs, double-stops,
pizzicato, staccato, and
a wide range of dynamic
interplay in a charming
new way.
Composed by Kirt Mosier.
Performance Music
Ensemble; String
Orchestra.
Highland/Etling String
Orchestra. Latin. Score.
Duration 3:40.
Highland/Etling
#00-49937S. Published by
Highland/Etling
(AP.49937S).
ISBN
9781470662295. UPC:
038081579498.
English.
Tango
Traicionero, by Kirt
Mosier, means treacherous
tango. The tango is a
Latin dance that first
developed in Buenos
Aires, Argentina, in the
mid-19th century. Imagine
a gathering of bohemian
nomads and workers having
a dance party in the
streets. There is a
natural tension in this
tango which mirrors the
intoxicating nighttime
atmosphere. All orchestra
sections work together to
perform slides and shifts
between notes of the
melodic figures to add
intrigue to the sound. A
lively middle section
builds to a key change
and recapitulation. The
work culminates with
tense chords to an
exciting finish.
(3:40).
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Spring. Score.
8 pages. Highland/Etling
#00-46715S. Published by
Highland/Etling
(AP.46715S).
UPC:
038081532424.
English.
Beginning
students will respond to
the confident, heroic
style of Spring at Last
as they work on important
technical skills like
string crossings,
approachable cut-time
rhythms, repeats,
endings, and easy slurs.
This grade 1.5 string
orchestra piece is a
great concert piece for
beginners to show off
their proficiencies.
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Spring. Score
and Part(s). 62 pages.
Highland/Etling
#00-46715. Published by
Highland/Etling
(AP.46715).
UPC:
038081532417.
English.
Beginning
students will respond to
the confident, heroic
style of Spring at Last
as they work on important
technical skills like
string crossings,
approachable cut-time
rhythms, repeats,
endings, and easy slurs.
This grade 1.5 string
orchestra piece is a
great concert piece for
beginners to show off
their proficiencies.
Orchestra - Grade 2 SKU: AP.49054S Composed by John Playford. Arranged by...(+)
Orchestra - Grade 2
SKU: AP.49054S
Composed by John
Playford. Arranged by
Andrew H. Dabczynski.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Light Concert;
TV. Score. 8 pages.
Duration 2:10.
Highland/Etling
#00-49054S. Published by
Highland/Etling
(AP.49054S).
ISBN
9781470645670. UPC:
038081564159.
English.
English
country dancing has been
popular for over 300
years, and The Dancing
Master features two
delightful folk tunes in
that timeless style
arranged by Andrew H.
Dabczynski. The first
lively tune, Jamaica, has
been used in the theme to
the British TV comedy,
Upstart Crow, and the
second, The Goddesses,
offers a charming
contrast. Attributed to
John Playford, these
melodies fall under the
fingers of beginning
string students with
interesting, rhythmic
parts for all players. An
optional hand-drum part
adds to the upbeat 17th
century dance atmosphere.
(2:10).
Orchestra - Grade 2 SKU: AP.49054 Composed by John Playford. Arranged by ...(+)
Orchestra - Grade 2
SKU: AP.49054
Composed by John
Playford. Arranged by
Andrew H. Dabczynski.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Form: Dance.
Light Concert; TV. Score
and Part(s). 47 pages.
Duration 2:10.
Highland/Etling
#00-49054. Published by
Highland/Etling
(AP.49054).
ISBN
9781470645663. UPC:
038081564142.
English.
English
country dancing has been
popular for over 300
years, and The Dancing
Master features two
delightful folk tunes in
that timeless style
arranged by Andrew H.
Dabczynski. The first
lively tune, Jamaica, has
been used in the theme to
the British TV comedy,
Upstart Crow, and the
second, The Goddesses,
offers a charming
contrast. Attributed to
John Playford, these
melodies fall under the
fingers of beginning
string students with
interesting, rhythmic
parts for all players. An
optional hand-drum part
adds to the upbeat 17th
century dance atmosphere.
(2:10).
Orchestra - Grade 2 SKU: AP.38474 Arranged by Gary Fagan. Performance Mus...(+)
Orchestra - Grade 2
SKU: AP.38474
Arranged by Gary Fagan.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Folk;
Multicultural. Score and
Part(s). 62 pages.
Highland/Etling
#00-38474. Published by
Highland/Etling
(AP.38474).
UPC:
038081431550.
English.
A lovely
setting of two
traditional folk songs,
Star of the County Down
and Brennan on the Moor,
that takes us back to
days of long ago in
Ireland. Perfect for
young groups.
Boreas Orchestre [Conducteur et Parties séparées] - Facile Highland/Etling
(The Cold, North Wind). Composed by Todd Parrish. Orchestra. Part(s); Score; Str...(+)
(The Cold, North Wind).
Composed by Todd Parrish.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Orchestra. Winter. Grade
2.5. 124 pages. Published
by Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45870S Themes from Deck the Halls and In...(+)
Orchestra - Grade 2.5
SKU: AP.45870S
Themes from Deck the
Halls and In the Hall of
the Mountain King, with
apologies to Edvard
Grieg.. Composed by
Edvard Grieg. Arranged by
Richard Meyer.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Masterwork Arrangement;
Romantic; Secular;
Winter. Score. 12 pages.
Duration 2:10.
Highland/Etling
#00-45870S. Published by
Highland/Etling
(AP.45870S).
UPC:
038081523729.
English.
This
totally unique (and
somewhat crazy!)
selection by Richard
Meyer will be the hit of
your holiday concert!
Your audience will be
delighted when they hear
what happens when the
festive Welsh carol Deck
the Halls is combined
with the dark and
mysterious Hall of the
Mountain King from
Grieg's Peer Gynt Suite.
Many key playing
skills---including
accidentals, tempo
changes, and important
balance issues---are
reinforced throughout.
Sleigh bells and crash
cymbals add just the
right amount of color to
this fun, good-natured
seasonal gem. (2:10).
New York, New York Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dy...(+)
Recorded by Frank
Sinatra. Edited by
Rob DuBoff, Jeffrey
Sultanof, and Dylan
Canterbury. Arranged by
Don Costa. Jazz, Swing.
Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-9510).