Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: LO.30-2651L Composed by Pepper Choplin. Arranged by Stan P...(+)
Orchestra
SKU:
LO.30-2651L
Composed
by Pepper Choplin.
Arranged by Stan Pethel.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2651L.
Published by Lorenz
Publishing Company
(LO.30-2651L).
UPC:
000308125962.
With
pulsating energy, Pepper
Choplin's creative genius
vividly conveys the
excitement and the
tension of the crowd as
Jesus rode through the
Jerusalem streets. There
are opportunities for
soloists in this anthem
and the option of using
trumpet and percussion or
full orchestra for
accompaniment. Questions
from the people are
answered with shouts of
affirmation in this
perfect choice for Palm
Sunday. (From the cantata
Come, Touch the Robe
SATB--55/1123L;
SAB--55/1124L) The
orchestra includes a
Conductor's Score and
parts for Flute, Oboe,
Clarinet, 2 Horns, 2
Trumpets, 2 Trombones, 2
Percussion, Piano, Guitar
(nylon strings), 2
Violins, Viola, Cello,
and Bass.
Themyscira Orchestre - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49010 From the Wonder Woman 1984 Soundtr...(+)
Orchestra - Grade 3.5
SKU: AP.49010
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Movie. Score and Part(s).
133 pages. Duration 4:00.
Alfred Music #00-49010.
Published by Alfred Music
(AP.49010).
ISBN
9781470646875. UPC:
038081566108.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island. (4:00)
This title is available
in MakeMusic Cloud.
Themyscira Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49010S From the Wonder Woman 1984 Soundt...(+)
Orchestra - Grade 3.5
SKU: AP.49010S
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Movie. Score. 20 pages.
Duration 4:00. Alfred
Music #00-49010S.
Published by Alfred Music
(AP.49010S).
ISBN
9781470646882. UPC:
038081566115.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island. (4:00)
This title available in
MakeMusic Cloud.
Orchestra SKU: PO.UME12 Composed by Eve de Castro-Robinson. Sws. Full sco...(+)
Orchestra
SKU:
PO.UME12
Composed by
Eve de Castro-Robinson.
Sws. Full score.
Promethean Editions
#UME12. Published by
Promethean Editions
(PO.UME12).
ISBN
9781877564888.
Comm
issioned by the Royal
Plunket Society for the
New Zealand Symphony
Orchestra, Eve de
Castro-Robinson's These
arms to hold you channels
both tender adoration and
the excitement of a new
arrival. The children's
choir maintains an
expectant energy in this
work with handclaps,
overlapping chants,
glissandi, ecstatic yelps
and lullabies. Esteemed
New Zealand poet Bill
Manhire provided text for
the choir, with excerpts
taken from actual Plunket
books heard alongside
Manhire's own prose.
Castanets and temple
blocks are made curious
and playful in this
setting as they provide a
bubbling rhythmic drive
for the orchestra. These
arms to hold you was the
winner of the 2007 SOUNZ
Contemporary Award.
Orchestra - Grade 2.5 SKU: AP.47458S Featuring: Silent Night / Joy to ...(+)
Orchestra - Grade 2.5
SKU: AP.47458S
Featuring: Silent
Night / Joy to the
World. Arranged by
Chris M. Bernotas.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Traditional. Score. 12
pages. Alfred Music
#00-47458S. Published by
Alfred Music (AP.47458S).
UPC: 038081545004.
English.
This piece
will get you ready to
saddle up for the
Christmas rush. Two
familiar tunes, Silent
Night and Joy to the
World, are set with a
fun, western flair.
Silent Night features the
use of portamento as a
special effect, bringing
the cowboy swagger to
your string orchestra.
The excitement picks up
with a faster tempo and
upbeat rhythms for the
hoedown treatment of Joy
to the World. Once your
students play this one
they will want to sit by
the fireplace and swap
their favorite Christmas
stories! (Correlates with
Sound Innovations for
String Orchestra, Book 2,
level 2).
Orchestra - Grade 2.5 SKU: AP.47458 Featuring: Silent Night / Joy to t...(+)
Orchestra - Grade 2.5
SKU: AP.47458
Featuring: Silent
Night / Joy to the
World. Arranged by
Chris M. Bernotas.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Traditional. Score and
Part(s). 164 pages.
Alfred Music #00-47458.
Published by Alfred Music
(AP.47458).
UPC:
038081544991.
English.
This piece
will get you ready to
saddle up for the
Christmas rush. Two
familiar tunes, Silent
Night and Joy to the
World, are set with a
fun, western flair.
Silent Night features the
use of portamento as a
special effect, bringing
the cowboy swagger to
your string orchestra.
The excitement picks up
with a faster tempo and
upbeat rhythms for the
hoedown treatment of Joy
to the World. Once your
students play this one
they will want to sit by
the fireplace and swap
their favorite Christmas
stories! (Correlates with
Sound Innovations for
String Orchestra, Book 2,
level 2).
The Complete Harry Potter Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Themes from all eight movies). Arranged by Jerry Brubaker. Orchestra. Full Orch...(+)
(Themes from all eight
movies). Arranged by
Jerry Brubaker.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Light Concert; Movie.
Grade 4. 388 pages.
Published by Alfred Music
Publishing
(Themes from all eight movies). Arranged by Jerry Brubaker. Orchestra. Full Orch...(+)
(Themes from all eight
movies). Arranged by
Jerry Brubaker.
Orchestra. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Form: Medley. Light
Concert; Movie. Grade 4.
56 pages. Published by
Alfred Music Publishing
Into the Stars Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; ...(+)
A Galactic Journey.
Composed
by Anthony Granata.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Belwin
Intermediate String
Orchestra. Part(s);
Score.
Alfred Music #00-49031.
Published by Alfred Music
A Galactic
Journey. Composed by
Anthony Granata.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Score. 12
pages. Duration 1:45.
Belwin Music #00-49031S.
Published by Belwin Music
(AP.49031S).
ISBN
9781470645472. UPC:
038081564012.
English.
Written by
Anthony Granata, Into the
Stars: A Galactic Journey
is an exciting
space-themed adventure
piece that will captivate
your developing
orchestras and have them
feeling and playing
confidently in 6/8 time.
With an epic and
memorable sounding main
theme, your students will
be transported into a
world of simple and
compound meters as they
dig into their strings
for this fun programmatic
piece of music. Students
will feel as though they
have stepped into the
sound stage for a film
score of a Hollywood
science fiction movie.
(1:45).
The Doors on Tour Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Light My Fire / People Are Strange / Hello, I Love You). Composed by...(+)
(Featuring: Light My Fire
/ People Are Strange /
Hello, I Love You).
Composed by The Doors.
Arranged by Patrick
Roszell. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Rock. Grade 3. 226 pages.
Published by Alfred Music
Suite from Hamilton Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet Upt...(+)
Featuring: You'll Be Back
/ Helpless / My Shot /
Dear Theodosia / It's
Quiet Uptown / One Last
Time. Composed by
Lin-Manuel Miranda
(1980-). Arranged by
Jerry Brubaker. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Broadway. 214
pages. Published by
Alfred Music
Suite from Hamilton Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Featuring: You'll Be Back / Helpless / My Shot / Dear Theodosia / It's Quiet Upt...(+)
Featuring: You'll Be Back
/ Helpless / My Shot /
Dear Theodosia / It's
Quiet Uptown / One Last
Time. Composed by
Lin-Manuel Miranda
(1980-). Arranged by
Jerry Brubaker. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Broadway. 28 pages.
Published by Alfred Music
(I. Thrice Welcome, II. In the Shadow of the Mountain). Composed by Howard Shore...(+)
(I. Thrice Welcome, II.
In the Shadow of the
Mountain). Composed by
Howard Shore. Arranged by
Victor L�³pez.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Suite.
Movie. Grade 3.5. 230
pages. Published by
Alfred Music
(I. Thrice Welcome, II. In the Shadow of the Mountain). Composed by Howard Shore...(+)
(I. Thrice Welcome, II.
In the Shadow of the
Mountain). Composed by
Howard Shore. Arranged by
Victor L�³pez.
Orchestra. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Form: Suite. Movie. Grade
3.5. 24 pages. Published
by Alfred Music
The Quest Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(from 'The Ponce De Leon Suite'). By Robert Kerr. Orchestra. Full Orchestra; Par...(+)
(from 'The Ponce De Leon
Suite'). By Robert Kerr.
Orchestra. Full
Orchestra; Part(s);
Score. Highland Full
Orchestra. Grade 3.5. 200
pages. Published by
Alfred Music Publishing
(Featuring: Rise / On Thin Ice / Imagine the Fire). By Hans Zimmer (1957-). Arra...(+)
(Featuring: Rise / On
Thin Ice / Imagine the
Fire). By Hans Zimmer
(1957-). Arranged by
Ralph Ford. Orchestra.
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Movie. Grade 3.5. 226
pages. Published by
Alfred Music Publishing
(Featuring: Rise / On Thin Ice / Imagine the Fire). By Hans Zimmer (1957-). Arra...(+)
(Featuring: Rise / On
Thin Ice / Imagine the
Fire). By Hans Zimmer
(1957-). Arranged by
Ralph Ford. Orchestra.
Full Orchestra; Score.
Pop Concert Full
Orchestra. Form: Medley.
Movie. Grade 3.5. 36
pages. Published by
Alfred Music Publishing
The Fairy-Queen Orchestre [Conducteur d'étude / Miniature] Eulenburg
Opera. Composed by Henry Purcell (1659-1695). Edited by Michael Burden. This edi...(+)
Opera. Composed by Henry
Purcell (1659-1695).
Edited by Michael Burden.
This edition:
Paperback/Soft Cover.
Sheet music. Eulenburg
Miniature Scores.
Classical, Opera. Study
score. 388 pages.
Eulenburg Edition #ETP
8027. Published by
Eulenburg Edition
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Bran...(+)
Orchestra
SKU:
LO.30-2425L
Composed
by Joseph M. Martin.
Arranged by Brant Adams.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2425L.
Published by Lorenz
Publishing Company
(LO.30-2425L).
UPC:
000308121858.
Fill
your sanctuary with Palm
Sunday majesty and
excitement with this
anthem from Joe Martin.
The first of three verses
is a lively
call-and-response setting
of the scripture:
“Who is this King
of glory?†The
contrasting middle verse
is an inventive pairing
of the traditional hymn
tune LEONI with the text
“All Glory, Laud
and Honor.†The
final verse returns the
lively theme of the first
in counterpoint with
drum-like hosannas. An
energetic accompaniment
that ties all three
verses together, whether
provided by piano alone
or orchestra, makes this
anthem the perfect choice
for Palm Sunday. (From
the cantata Who Is This
King? SATB –
55/1096L; SAB –
55/1097L.)
Instrumentation: 2
Flutes, Oboe, 2
Clarinets, Bassoon, 2 F
Horns, 3 Trumpets, 2
Trombones, Tuba, Timpani,
2 Percussion, Violin 1 &
2, Viola, Cello,
Bass.
Orchestra - Grade 1.5 SKU: AP.49056S Composed by Susan H. Day. 5 or More;...(+)
Orchestra - Grade 1.5
SKU: AP.49056S
Composed by Susan H. Day.
5 or More; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 12 pages. Duration
2:15. Highland/Etling
#00-49056S. Published by
Highland/Etling
(AP.49056S).
ISBN
9781470645717. UPC:
038081564197.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Perfect for
advanced beginning
orchestra, Apache Peak by
Susan H. Day, takes its
title from the Apache
Peak, the 2nd highest
mountain peak (13,441 ft)
in the Indian Peaks
Wilderness of Colorado.
This piece tries to
capture the excitement
and wonder of the
breathtaking mountain
scenery with melodies for
all, easy rhythms,
terraced dynamics, and an
exciting conclusion.
(2:15) This title
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.41241S As Performed by Trans-Siberian Orch...(+)
Orchestra - Grade 3
SKU: AP.41241S
As Performed by
Trans-Siberian
Orchestra. Arranged
by Bob Phillips and Paul
O'neill. Performance
Music Ensemble; Single
Titles; String Orchestra.
Pop Concert String
Orchestra. Form: March.
Christmas; Rock; Sacred;
Traditional; Winter.
Score. 32 pages. Alfred
Music #00-41241S.
Published by Alfred Music
(AP.41241S).
UPC:
038081508016. English.
Traditional.
Celebr
ate the season with
energy and excitement! As
seen in the
Trans-Siberian Orchestra
stage show, these beloved
Christmas carols will
shine at any concert. An
optional electric violin
part provides the perfect
spot to feature an
electric instrument. If
you haven't seen TSO,
check them out online and
then share this one with
your students. Perhaps
include a field trip to
see the band live with
lights and effects.
Orchestra - Grade 3.5 SKU: AP.49913S Featuring: The Secrets of Dumbled...(+)
Orchestra - Grade 3.5
SKU: AP.49913S
Featuring: The Secrets
of Dumbledore / Lally /
Countersight / The Room
We Require / Hedwig's
Theme. By Contains
Hedwig's Theme by John
Williams and James Newton
Howard. Arranged by Chris
M. Bernotas. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Concert Full
Orchestra. Form: Suite.
Movie; Pop. Score.
Duration 4:15. Alfred
Music #00-49913S.
Published by Alfred Music
(AP.49913S).
ISBN
9781470652463. UPC:
038081574936. English.
James Newton Howard;
Contains Hedwig's Theme
by John
Williams.
Fantastic
Beasts: The Secrets of
Dumbledore is as
musically intriguing as
the motion picture's
storyline with its
stunning music by James
Newton Howard. The magic
and mystery of this
installment of J.K.
Rowling's adventure will
come to life with this
exciting arrangement by
Chris M. Bernotas. This
arrangement can be
performed as a string
orchestra alone or with
any combination of winds
and percussion up to a
full orchestra. Featuring
these highlights from the
score: The Secrets of
Dumbledore, Lally,
Countersight, The Room We
Require, and Hedwig's
Theme. (4:15).
Orchestra - Grade 3.5 SKU: AP.49913 Featuring: The Secrets of Dumbledo...(+)
Orchestra - Grade 3.5
SKU: AP.49913
Featuring: The Secrets
of Dumbledore / Lally /
Countersight / The Room
We Require / Hedwig's
Theme. By Contains
Hedwig's Theme by John
Williams and James Newton
Howard. Arranged by Chris
M. Bernotas. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Concert Full
Orchestra. Form: Suite.
Movie; Pop. Score and
Part(s). Duration 4:15.
Alfred Music #00-49913.
Published by Alfred Music
(AP.49913).
ISBN
9781470652456. UPC:
038081574929. English.
James Newton Howard;
Contains Hedwig's Theme
by John
Williams.
Fantastic
Beasts: The Secrets of
Dumbledore is as
musically intriguing as
the motion picture's
storyline with its
stunning music by James
Newton Howard. The magic
and mystery of this
installment of J.K.
Rowling's adventure will
come to life with this
exciting arrangement by
Chris M. Bernotas. This
arrangement can be
performed as a string
orchestra alone or with
any combination of winds
and percussion up to a
full orchestra. Featuring
these highlights from the
score: The Secrets of
Dumbledore, Lally,
Countersight, The Room We
Require, and Hedwig's
Theme. (4:15).
Full orchestra SKU: LO.30-3694L Composed by Marty Parks. Choral, cantatas...(+)
Full orchestra
SKU:
LO.30-3694L
Composed
by Marty Parks. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/3694L. Published by
Lorenz Publishing Company
(LO.30-3694L).
UPC:
000308154399.
Set
of Parts for 65/2098L
This celebratory work
from Marty Parks is
filled with festive
interpretations of
classic carols and
worshipful original songs
that highlight the beauty
of the Christmas story.
Arranged with
practicality in mind, it
is sure to make choirs of
all sizes and skill
levels sound their best.
The choral voicings are
rich and full while the
vocal ranges maintain an
accessibility throughout.
The orchestration, also
written by Marty,
beautifully complements
the choral writing. From
the anticipatory,
joy-filled opener, O
Come, Emmanuel!, to the
exciting finale that
combines O Come, All Ye
Faithful and Son of the
Father’s Love,
this incredible selection
is filled with the sounds
and spirit of
Christmas!
Full orchestra SKU: LO.30-3693L Composed by Marty Parks. Choral, cantatas...(+)
Full orchestra
SKU:
LO.30-3693L
Composed
by Marty Parks. Choral,
cantatas. Advent,
Christmas, Sacred. Full
score. Lorenz Publishing
Company #30/3693L.
Published by Lorenz
Publishing Company
(LO.30-3693L).
UPC:
000308155006.
Full
Score for 65/2098L This
celebratory work from
Marty Parks is filled
with festive
interpretations of
classic carols and
worshipful original songs
that highlight the beauty
of the Christmas story.
Arranged with
practicality in mind, it
is sure to make choirs of
all sizes and skill
levels sound their best.
The choral voicings are
rich and full while the
vocal ranges maintain an
accessibility throughout.
The orchestration, also
written by Marty,
beautifully complements
the choral writing. From
the anticipatory,
joy-filled opener, O
Come, Emmanuel!, to the
exciting finale that
combines O Come, All Ye
Faithful and Son of the
Father’s Love,
this incredible selection
is filled with the sounds
and spirit of
Christmas!