Die
Leggerierissmo-Rei
he von Editio Musica
Budapest umfasst
Stücke, mit und an
welchen
Kinderstreichorchester
wachsen können. Jede
Ausgabe ist in der ersten
Lage spielbar und
enthält Partitur und
Stimmen (Violine 3
entspricht Viola).Die
Ausgabe Schubert:
Tänze enthält
Tänze, die im Wien des
beginnenden 19.
Jahhunderts sehr beliebt
waren: Ländler,
Écossaises und
Deutsche Tänze.
Enthaltene Stimmen: 3x
Violine 1, 3x Violine 2,
3x Violine 3, 2x
Cello.
This
volume in Leggierissimo
series contains character
pieces and dances, most
of them transcriptions of
piano pieces, though they
also include excerpts
from the ballets Swan
Lake, The Nutcracker and
The Sleeping Beauty.
This volume in
the Leggierissimo
series contains character
pieces and dances, most
of them transcriptions of
piano pieces, though they
also include excerpts
from the ballets Swan
Lake, The Nutcracker
and The
SleepingBeauty.Instru
mentation: 3 vl1, 3 vl2,
3 vl3, 2 vlcThe
Leggierissmo
series - growing
repertoire for children's
and youth string
orchestras (position
1)
Die
Leggerierissmo-Rei
he von Editio Musica
Budapest umfasst
Stücke, mit und an
welchen
Kinderstreichorchester
wachsen können. Jede
Ausgabe ist in der ersten
Lage spielbar und
enthält Partitur und
Stimmen (Violine 3
entspricht Viola).Die
Ausgabe Tchaikovsky:
Dreizehn leichte
Stücke enthält
Charakterstücke und
Tänze, die meisten
davon ursprünglich
für Klavier
geschreiben, aber auch
Auszüge aus
Schwanensee, dem
Nussknacker und
Dornröschen.
Enthaltene Stimmen: 3x
Violine 1, 3x Violine 2,
3x Violine 3, 2x
Cello.
Followin
g the Renaissance volume,
this time it is Baroque
works (more precisely,
transcriptions of Baroque
vocal and instrumental
works) that are presented
in the Leggierissimo
series, extending the
repertoire of junior
string orchestras.
Roughly half of the
selection consists of
well-known pieces by the
greatest composers of the
period (Purcell: Dido and
Aeneas, Rameau: Pi ces de
clavecin, Händel:
Water Music, Music for
the Royal Fireworks, J.S.
Bach: B major partita, C
major orchestral suite),
but works by composers
less well known nowadays
(for example, G. Böhm
and J. C. F. Fischer) are
also included, together
with such unusual items
as Polish, German and
Hungarian dancesfrom
17th- and 18th-century
Hungarian manuscripts:
the Kájoni and
Vietórisz codexes, and
Eleonóra Lányi s
music book.
Nach
dem Renaissance-Band
erscheint die
Leggierissimo-Serie
nunmehr mit Barockwerken
(genauer: mit
Transkriptionen nach
vokalen und
instrumentalen
Barockwerken), die das
Repertoire der
Kinderstreichorchestern
erweitert. Etwa die
Hälfte der Sammlung
machen die Stücke der
allgemein bekannten Werke
der größten
Komponisten der Epoche
(H. Purcell: Dido und
Aeneas, J. Ph. Rameau: Pi
ces de clavecin, G. F.
Händel: Wassermusik,
Feuerwerksmusik, J. S.
Bach: Partita B-Dur,
Ouverture C-Dur) aus. Es
kommen in ihr aber auch
Stücke von heute
weniger bekannten
Komponisten (G. Böhm,
J. C. F. Fischer u.a.),
daneben als Besonderheit
polnische, deutsche und
ungarische Tänze aus
dem 17. und
18.Jahrhundert aus dem
Kájoni- und
Vietórisz-Kodizes und
aus dem Notenbuch der
Eleonora Lányi
vor.
The Lamb Orchestre à Cordes [Conducteur et Parties séparées] Chester
(String Orchestra). By John Tavener (1944-). For Orchestra (Score and Parts). So...(+)
(String Orchestra). By
John Tavener (1944-). For
Orchestra (Score and
Parts). Songbooks and
Methods. Music Sales
America. Chester Music
#CH7115901. Published by
Chester Music
String Orchestra SKU: HL.14004140 Composed by Lennox Berkeley. Music Sale...(+)
String Orchestra
SKU:
HL.14004140
Composed
by Lennox Berkeley. Music
Sales America. Classical.
Studyscore. Composed
2003. 52 pages. Chester
Music #CH66308. Published
by Chester Music
(HL.14004140).
ISBN
9780711998322. UPC:
502067952679.
7.0x10.0x0.156
inches.
A new
edition of one of
Berkeley's most
frequently performed
works, in this the
composer's centenary
year. This work is a
classic in the repertoire
of British Music for this
medium. The first
movement has the
sparkling elegance of
Mozart whom Berkeley
idolised, but also the
driving rhythm of a Bach
Brandenburg Concerto; the
second is a serenade; the
third a kind of scherzo;
but the final movement
seems to reflect the
tragic war years with a
slow reminiscence of the
opening theme at the very
end. A critical
commentary by Berkeley
expert, Peter Dickinson,
is provided.
(String Orchestra). By Eric Whitacre (1970-). For String Orchestra (Score). Musi...(+)
(String Orchestra). By
Eric Whitacre (1970-).
For String Orchestra
(Score). Music Sales
America. Softcover. 4
pages. Chester Music
#CH79409. Published by
Chester Music
SKU: HL.50606986 For String Orchestra. Composed by Esa-Pekka Salon...(+)
SKU: HL.50606986
For String
Orchestra. Composed
by Esa-Pekka Salonen.
Score. Softcover. 56
pages. Duration 720
seconds. Chester Music
#CH88224. Published by
Chester Music
(HL.50606986).
ISBN
9798350128697. UPC:
196288215332.
9.0x12.0x0.138
inches.
Commissione
d by the Stockholm
Concert Hall Foundation,
Stockholm Diary is a
powerful and virtuosic 13
minute piece for string
orchestra. Written in
2004 for Esa-Pekka
Salonen's Composer
Portrait, October 2004,
the work is a prime
example of the composer's
use of harmonies and
rich, creamy
textures.
String Orchestra SKU: HL.14019637 Study Score. Composed by Witold ...(+)
String Orchestra
SKU:
HL.14019637
Study
Score. Composed by
Witold Lutoslawski. Music
Sales America. 20th
Century. Studyscore.
Composed 1999. 12 pages.
Chester Music #CH61092.
Published by Chester
Music (HL.14019637).
(Chester).
Composed by William
Billings. Arranged by
Elliot Del Borgo. Accent
String Orchestra. Kendor
Music Inc #08143S.
Published by Kendor Music
Inc (KN.08143S).
UPC:
822795081435.
Willi
am Billings' illustrious
hymn Chester is scored
here in a very playable
concert setting that
allows for a full sound
and interesting lines in
all parts. The simple
nobility of the melodic
line and its strong,
solid harmonies are major
factors in the enduring
popularity of this song.
Duration 2:55. Available
in SmartMusic.
String Orchestra - Intermediate SKU: HL.14005636 Composed by Charles Wilf...(+)
String Orchestra -
Intermediate
SKU:
HL.14005636
Composed
by Charles Wilfred Orr.
Music Sales America.
Classical. Sheet Music,
Score and Parts. With
Text language: English.
Chester Music #CH61640.
Published by Chester
Music (HL.14005636).
String Orchestra SKU: HL.14043724 Composed by Kaija Saariaho. Music Sales...(+)
String Orchestra
SKU:
HL.14043724
Composed
by Kaija Saariaho. Music
Sales America. Classical.
Softcover. Composed 2015.
58 pages. Chester Music
#CH83853. Published by
Chester Music
(HL.14043724).
UPC:
196288024569.
11.75x16.5x0.478
inches.
Nym
phea Reflection
is a work by renowned
composer Kaija
Saariaho, arranged
for String Orchestra.
Commissioned by the
Schleswig Holstein
Festival, it was first
performed on the 16th of
August 2001 inElmshorn,
Germany by Sinfonietta
Cracovia, conducted by
John Axelrod.
From Shakespeare's England. Composed by Nicholas Hare. Arranged by Nicholas Hare...(+)
From Shakespeare's
England. Composed by
Nicholas Hare. Arranged
by Nicholas Hare.
Playstrings. Classical.
Book Only. Composed 2005.
16 pages. Chester Music
#MUSCH55340. Published by
Chester Music
Composed by Witold Lutoslawski (1913-1994). Music Sales America. Post-1900. Book...(+)
Composed by Witold
Lutoslawski (1913-1994).
Music Sales America.
Post-1900. Book Only.
Composed 1999. 38 pages.
Chester Music
#MUSCH60924. Published by
Chester Music
String Orchestra SKU: BT.EMBZ14411 Partitur und Stimmen. Composed ...(+)
String Orchestra
SKU:
BT.EMBZ14411
Partitur und
Stimmen. Composed by
Edvard Grieg. EMB
Leggierissimo.
Educational Tool. Book
Only. Composed 2005. 102
pages. Editio Musica
Budapest #EMBZ14411.
Published by Editio
Musica Budapest
(BT.EMBZ14411).
Hungarian-English-Germ
an-French.
The
latest volume in this
popular series contains
little character pieces
and dances (Heroic
ballad, Lullaby, Peasant
song, Religious song, The
Suitor's song, Solveig's
song, Peasant dance,
etc.), most of which are
transcriptions of piano
pieces. As in the case of
the other volumes in the
Leggierissimo series,
these works scored for a
junior orchestra
consisting of 1st, 2nd
and 3rd violin and cello
can be played in the
first position.
Der neueste Band
der beliebten Serie
beinhaltet kleine
Charakterstücke und
Tänze (Heroischer
Gesang, Wiegenlied,
Bauernlied, Religiöser
Gesang, Lied des Freiers,
Solveigs Lied, Dorftanz
usw.), die in ihrer
Mehrheit Ãœbertragungen
von Klavierstücken
darstellen. Wie bei
anderen Stücken der
Leggierissimo-Serie
lassen sich die Werke
für ein mit 1., 2., 3.
Violine und Cello
besetztes Kinderorchester
in der ersten Lage
spielen.
String Orchestra SKU: BT.EMBZ14159 Für Jugendstreichorchester mit K...(+)
String Orchestra
SKU:
BT.EMBZ14159
Für
Jugendstreichorchester
mit Klavier und
Schlagzeug. Composed
by Zsolt Hamar. EMB
Leggiero. Educational
Tool. Book Only. Composed
1997. 100 pages. Editio
Musica Budapest
#EMBZ14159. Published by
Editio Musica Budapest
(BT.EMBZ14159).
By Katy Perry, Mikkel Eriksen, Tor Erik Hermansen, Sandy Wilhelm, and Ester De...(+)
By Katy Perry, Mikkel
Eriksen,
Tor Erik Hermansen, Sandy
Wilhelm, and Ester Dean.
Arranged by Todd Parrish.
Orchestra. Score; String
Orchestra. Pop Beginning
String Orchestra. Light
Concert; Pop/Rock. Grade
2.5.
16 pages. Published by
Alfred
Music Publishing
Katy Perry: Firework Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
By Katy Perry, Mikkel Eriksen, Tor Erik Hermansen, Sandy Wilhelm, and Ester ...(+)
By Katy Perry, Mikkel
Eriksen,
Tor Erik Hermansen, Sandy
Wilhelm, and Ester Dean.
Arranged by Todd Parrish.
Orchestra. Part(s);
Score;
String Orchestra. Pop
Beginning String
Orchestra.
Light Concert; Pop/Rock.
Grade
2.5. 148 pages. Published
by
Alfred Music Publishing
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
The
stopping-places in this
Musical journey are
various countries of
Europe, Albania,
Bulgaria, Denmark,
Poland, Hungary, Germany,
Italy, Russia, Spain,
Switzerland, Ukraine ?
each is represented in
this volume by a very
easy, short arrangement
of a folksong or
children?s song. In the
string orchestra violas
are replaced by 3rd
violins, among the parts
included with the score
there is an ad libitum
part for double bass.
Every piece is playable
in the first position by
all sections of the
orchestra.
The
stopping-places in this
Musical Journey
are various countries of
Europe such as Albania,
Bulgaria, Denmark,
Poland, Hungary, Germany,
Italy, Russia, Spain,
Switzerland, and Ukraine.
Each is represented in
this volume bya very
easy, short arrangement
of a folksong or
children's song. In the
string orchestra violas
are replaced by 3rd
violins, among the parts
included with the score
there is an ad libitum
part for double bass.
Every piece is playablein
the first position by all
sections of the
orchestra.Instrumentation
: 3 vl1, 3 vl2, 3 vl3, 2
vlc, cbSeries
Leggierissmo -
growing repertoire for
children's and youth
string
orchestras.
Die
Leggerierissmo-Rei
he von Editio Musica
Budapest umfasst
Stücke, mit und an
welchen
Kinderstreichorchester
wachsen können. Jede
Ausgabe ist in der ersten
Lage spielbar und
enthält Partitur und
Stimmen (Violine 3
entspricht Viola).Die
Stationen dieser
Musikalischen
Reise sind Albanien,
Bulgarien, Dänemark,
Polen, Ungarn,
Deutschland, Italien,
Russland, Spanien, die
Schweiz und die Ukraine.
Jedes Land wird von einem
kurzen leichten
Arrangement oder
Volkslied
repräsentiert.
Enthaltene Stimen: 3x
Violine 1, 3x Violine 2,
3x Violine 3,
Kontrabass.
String orchestra SKU: BR.PB-4879-07 Study score. Composed by Jean ...(+)
String orchestra
SKU:
BR.PB-4879-07
Study score.
Composed by Jean
Sibelius. Softcover.
Partitur-Bibliothek
(Score Library).
Sibelius composed this
short (only five minutes
long) Romance in C Op. 42
in 1903; the work was
first performed in Turku
in March 1904. The
Romance is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Early modern;
Late-romantic. Study
Score. 8 pages. Duration
5'. Breitkopf and Haertel
#PB 4879-07. Published by
Breitkopf and Haertel
(BR.PB-4879-07).
ISBN
9790004206768. 5.5 x 7.5
inches.
Sibelius
composed this short (only
five minutes long)
Romance in C Op. 42 in
1903; the work was first
performed in Turku in
March 1904. The Romance
is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
Die Zauberflote Orchestre à Cordes EMB (Editio Musica Budapest)
Composed by Wolfgang Amadeus Mozart (1756-1791). Set (Score & Parts). Co...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791). Set
(Score & Parts).
Composed
2009. Editio Musica
Budapest
#EMBZ14657. Published by
Editio Musica Budapest
Frozen Liquid Orchestre à Cordes [Conducteur] Fennica Gehrman
String orchestra SKU: FG.55011-504-0 Composed by Jennah Vainio. Score. Fe...(+)
String orchestra
SKU:
FG.55011-504-0
Composed by Jennah
Vainio. Score. Fennica
Gehrman #55011-504-0.
Published by Fennica
Gehrman (FG.55011-504-0).
ISBN
9790550115040.
Jenn
ah Vainio on taidokkaasti
yhdistellyt lukuisia
soittotekniikoita
muodostaen niista
kirkkaan jatkumon
jousiorkesteriteoksessaan
vuodelta 2001. Mikkelin
kaupunginorkesterin
tilaama n. 9-minuuttinen
Frozen Liquid kayttaa
monia keinoja ja niiden
yhdistelmia kokoonpanon
sointimaailman
varittamiseksi.
Composed by Greg Bartholomew. For "trumpet, timpani & string orches...(+)
Composed by Greg
Bartholomew.
For "trumpet,
timpani & string
orchestra". Pathways
Series.
Level 4. Score and set of
parts. Duration "3
minutes, 40
seconds". Published
by Imagine
Music
Composed by Greg Bartholomew. For "trumpet, percussion & string orc...(+)
Composed by Greg
Bartholomew.
For "trumpet,
percussion &
string orchestra".
Pathways
Series. Level 4. Score
and set
of parts. Duration
"3 minutes,
40 seconds".
Published by
Imagine Music