SKU: CL.013-0885-00

March or Galop. Composed by Kooyman. Band. Score and set of parts. Composed 1927. C.L. Barnhouse #013-0885-00. Published by C.L. Barnhouse (CL.013-0885-00).

SKU: CL.013-0774-00

March. Composed by Buys. Band. Score and set of parts. Composed 1922. C.L. Barnhouse #013-0774-00. Published by C.L. Barnhouse (CL.013-0774-00).

Grade 4

SKU: CL.013-2855-00

March. Composed by King. Band. Score and set of parts. C.L. Barnhouse #013-2855-00. Published by C.L. Barnhouse (CL.013-2855-00).

Thayer Military Band.

Grade 3

SKU: CL.014-0053-00

March. Composed by Huffine. Band. Score and set of parts. Composed 1928. C.L. Barnhouse #014-0053-00. Published by C.L. Barnhouse (CL.014-0053-00).

Note: This is a reprint from a vintage publication of 1928. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Concert band. Walking Frog Records. CD. Composed 2004. Published by C.L. Barnhouse

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-140

Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140).

9x12 inches. English-German-French-Dut ch.

Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettes� �) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.

Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettes� �) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders , met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.

Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.

Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L†™ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094759-010

Composed by Jacques Morali. Arranged by Naoyuki Honzawa. New Sounds for Concert Band. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094759-010. Published by De Haske Publications (BT.DHP-1094759-010).

9x12 inches. English-German-French-Dut ch.

Y.M.C.A. is without a doubt the biggest hit of the outlandish pop group The Village People. In their own unique way this band stood out with its colourful, American, clichee-referencing costumes, mixed with the disco fever that swept the 70’s away. Y.M.C.A. is a song for all ages. Your audience will dance along to this fun and energetic arrangement!

Y.M.C.A. ist der größte Hit der vom Produzentenduo Morali und Belolo ins Leben gerufenen Gruppe The Village People. Wie kaum eine andere Band steht diese Formation mit ihren bunten, amerikanischen Klischees reflektierenden Kostümen, für die Discobewegung der siebziger Jahre. Mit Y.M.C.A bringen Sie Ihr Publikum dazu, aufzustehen und mitzufeiern!

Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y.M.C.A., le groupe connaît un succès mondial et devient emblématique de la musique disco.

Fondato nel 1977 da Jacques Morali e Henri Belolo, il gruppo Village People si contraddistinse per l’originalit quasi politica del suo concetto artistico che intendeva denunciare il non-riconoscimento delle minoranze. Con canzoni come In the Navy, Macho Man e l’indimenticabile Y.M.C.A., il gruppo conobbe un successo mondiale.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094759-140

Composed by Jacques Morali. Arranged by Naoyuki Honzawa. New Sounds for Concert Band. Concert Piece. Score Only. Composed 2009. 28 pages. De Haske Publications #DHP 1094759-140. Published by De Haske Publications (BT.DHP-1094759-140).

9x12 inches. English-German-French-Dut ch.

Y.M.C.A. is without a doubt the biggest hit of the outlandish pop group The Village People. In their own unique way this band stood out with its colourful, American, clichee-referencing costumes, mixed with the disco fever that swept the 70’s away. Y.M.C.A. is a song for all ages. Your audience will dance along to this fun and energetic arrangement!

Y.M.C.A. ist der größte Hit der vom Produzentenduo Morali und Belolo ins Leben gerufenen Gruppe The Village People. Wie kaum eine andere Band steht diese Formation mit ihren bunten, amerikanischen Klischees reflektierenden Kostümen, für die Discobewegung der siebziger Jahre. Mit Y.M.C.A bringen Sie Ihr Publikum dazu, aufzustehen und mitzufeiern!

Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y.M.C.A., le groupe connaît un succès mondial et devient emblématique de la musique disco.

Fondato nel 1977 da Jacques Morali e Henri Belolo, il gruppo Village People si contraddistinse per l’originalit quasi politica del suo concetto artistico che intendeva denunciare il non-riconoscimento delle minoranze. Con canzoni come In the Navy, Macho Man e l’indimenticabile Y.M.C.A., il gruppo conobbe un successo mondiale.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Band Concert Band - Grade 2

SKU: CF.YPS200F

Composed by Matthew R. Putnam. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS200F. Published by Carl Fischer Music (CF.YPS200F).

ISBN 9781491152881. UPC: 680160910380.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-1001934-140

Composed by Jacques Morali. Arranged by Roland Kernen. De Haske Pop Collection. Pop & Rock. Score Only. Composed 2000. De Haske Publications #DHP 1001934-140. Published by De Haske Publications (BT.DHP-1001934-140).

Y.M.C.A. ist der größte Hit der vom Produzentenduo Morali und Belolo ins Leben gerufenen Gruppe The Village People. Wie kaum eine andere Band steht diese Formation mit ihren bunten, amerikanischen Klischees reflektierenden Kostümen, für die Discobewegung der siebziger Jahre. Mit Y.M.C.A. bringen Sie Ihr Publikum dazu, aufzustehen und mitzufeiern!

Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y.M.C.A., le groupe connaît un succès mondial et devient emblématique de la musique disco.

Concert Band/Harmonie - Grade 3

SKU: BT.1552-08-140-MS

Composed by Bobby Hebb, Frank Farian, and George Reyam. Arranged by Stefan Schwalgin. Ovation Series. Pop & Rock. Score Only. Composed 2008. 38 pages. Music Sales #1552-08-140 MS. Published by Music Sales (BT.1552-08-140-MS).

9x12 inches. English-German-French-Dut ch.

De discogroep Boney M, opgericht door de Duitse platenproducer Frank Farian, was een groot internationaal succes in de jaren zeventig, met name in Europa. De drie exotische dames en de bijzondere verschijning Bobby Farrell, met zijnopvallende dansstijl, hadden een geheel eigen, aanstekelijke sound. Deze medley voor harmonieorkest, waarin Stefan Schwalgin de hits Sunny, Daddy Cool en Ma Baker verwerkte, is een feest der herkenning.

Die Magie von Boney M“ breitete sich in den 70er Jahren wie ein Lauffeuer über Deutschland und Europa hinweg aus. Ganz oben auf der Discowelle schwimmend, brachte die von Frank Farian produzierte Formation mit unzähligen Hits - davon acht auf Nr. 1 in Deutschland - die Tanzböden zum Beben und noch heute erkennt jeder nach ein paar Tönen die Songs. Stefan Schwalgin verarbeitete drei Nr. 1-Hits in seinem Blasorchestermedley.

Quatuor jama co-antillais formé en 1976 Munich par le producteur allemand Frank Farian, Boney M. s’est imposé comme un pilier du phénomène disco des années 70. L’excellence des mélodies et des orchestrations ont assuré le triomphe phénoménal que remporta la formation en Europe avec des titres comme Rasputin, Rivers of Babylon, El Lute ou encore Daddy Cool, Sunny, Ma Baker rassemblés dans ce medley. Le groupe se sépare en 1985. Boney M. a vendu près de 150 millions de disques.

Concert Band/Harmonie - Grade 3

SKU: BT.1552-08-010-MS

Composed by Bobby Hebb, Frank Farian, and George Reyam. Arranged by Stefan Schwalgin. Ovation Series. Pop & Rock. Set (Score & Parts). Composed 2008. Music Sales #1552-08-010 MS. Published by Music Sales (BT.1552-08-010-MS).

9x12 inches. English-German-French-Dut ch.

De discogroep Boney M, opgericht door de Duitse platenproducer Frank Farian, was een groot internationaal succes in de jaren zeventig, met name in Europa. De drie exotische dames en de bijzondere verschijning Bobby Farrell, met zijnopvallende dansstijl, hadden een geheel eigen, aanstekelijke sound. Deze medley voor harmonieorkest, waarin Stefan Schwalgin de hits Sunny, Daddy Cool en Ma Baker verwerkte, is een feest der herkenning.

Die Magie von Boney M“ breitete sich in den 70er Jahren wie ein Lauffeuer über Deutschland und Europa hinweg aus. Ganz oben auf der Discowelle schwimmend, brachte die von Frank Farian produzierte Formation mit unzähligen Hits - davon acht auf Nr. 1 in Deutschland - die Tanzböden zum Beben und noch heute erkennt jeder nach ein paar Tönen die Songs. Stefan Schwalgin verarbeitete drei Nr. 1-Hits in seinem Blasorchestermedley.

Quatuor jama co-antillais formé en 1976 Munich par le producteur allemand Frank Farian, Boney M. s’est imposé comme un pilier du phénomène disco des années 70. L’excellence des mélodies et des orchestrations ont assuré le triomphe phénoménal que remporta la formation en Europe avec des titres comme Rasputin, Rivers of Babylon, El Lute ou encore Daddy Cool, Sunny, Ma Baker rassemblés dans ce medley. Le groupe se sépare en 1985. Boney M. a vendu près de 150 millions de disques.

Concert Band - Grade 3

SKU: BT.EMBZ14737

Composed by Árpád Balázs. EMB Concert Band Series. Concert Piece. Score Only. Composed 2012. 20 pages. Editio Musica Budapest #EMBZ14737. Published by Editio Musica Budapest (BT.EMBZ14737).

9x12 inches.

The title of the suite Early Hungarian Dances from Gömör suggests the arrangement and harmonization of dance tunes, but this three-movement cycle is far more than that: in fact, the old court dances that provide the thematic material have been freely thought through and brought to completion. The composer has breathed new life into the 18th-century melodies, as Zoltán Kodály did with the Galanta and Marosszék dances, Antonin Dvo ák with Slav dances, and Johannes Brahms with those of Hungary. The chief virtues of the work are its colourful, varied instrumentation, the tasteful combination of its archaic style with the musical language of our day, and not least the fact thatits every bar is enjoyable to play and easy to listen to.

Der Titel der Suite Alte ungarische Tänze aus Gömör lässt die Bearbeitung und Harmonisierung von Tanzmelodien erahnen, doch der dreisätzige Zyklus ist viel mehr als das: Es ist die freie Weiterentwicklung und Vollentfaltung alter höfischer Tanzmelodien, die den Themenstoff geben. Der Komponist erweckt die Melodien aus dem 18. Jahrhundert in einer Art und Weise, wie das von Zoltán Kodály mit jenen aus Galánta und Marosszék oder von Antonin Dvo ak mit den slawischen oder von Johannes Brahms mit den ungarischen Tänzen gemacht wurde. Die Hauptvorzüge des Werkes sind die bunte und abwechslungsreiche Instrumentierung, die geschmackvolle Verknüpfung des archaisierenden Tons mit derSprache der zeitgenössischen Musik und nicht zuletzt, dass alle Takte gut zu spielen und leicht aufzunehmen sind.

As performed by the Gipsy Kings. Arranged by Gerald Oswald. Ovation Series. Pop and Rock. Score Only. Composed 2019. 24 pages. Mitropa Music #2171-19-140 M. Published by Mitropa Music

Concert band - Grade 2

SKU: CL.011-4270-01

Composed by Orcino. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 2 minutes, 17 seconds. C.L. Barnhouse #011-4270-01. Published by C.L. Barnhouse (CL.011-4270-01).

Who doesn't like a sunny day in the midst of winter? Who is that statuesque figure all decked out in his winter finery? Who stands proud, guarding the family home? Why it's Milton the Melting Snowman! But alas, as the day progresses and temps rise a transformation begins. Listen, as the music evokes Milton's dismay, I'm melting! The musical adventure pays tribute to this gallant guardian, soon to be a fond memory until next year. Set your mind free wander with this whimsical winter musical offering as the band pays tribute to this pillar of packed snow.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

As performed by the Gipsy Kings. Arranged by Gerald Oswald. Ovation Series. Pop and Rock. Set (Score and Parts). Composed 2019. Mitropa Music #2171-19-010 M. Published by Mitropa Music

Grade 2.5

SKU: CL.011-2701-01

Composed by Sheldon. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR130). Extra full score. Composed 1995. Duration 4 minutes, 20 seconds. C.L. Barnhouse #011-2701-01. Published by C.L. Barnhouse (CL.011-2701-01).

Robert Sheldon’s imaginative collection of three songs from the American Civil War including The Bonnie Blue Flag, O, I’m a Good Old Rebel and Come You From The Battlefield. A very impressive and challenging piece for mid-level bands. Perfect!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert band - Grade 2

SKU: CL.011-4270-00

Composed by Orcino. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR383). Score and set of parts. Composed 2014. Duration 2 minutes, 17 seconds. C.L. Barnhouse #011-4270-00. Published by C.L. Barnhouse (CL.011-4270-00).

Who doesn't like a sunny day in the midst of winter? Who is that statuesque figure all decked out in his winter finery? Who stands proud, guarding the family home? Why it's Milton the Melting Snowman! But alas, as the day progresses and temps rise a transformation begins. Listen, as the music evokes Milton's dismay, I'm melting! The musical adventure pays tribute to this gallant guardian, soon to be a fond memory until next year. Set your mind free wander with this whimsical winter musical offering as the band pays tribute to this pillar of packed snow.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2701-00

Composed by Sheldon. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR130). Score and set of parts. Composed 1995. Duration 4 minutes, 20 seconds. C.L. Barnhouse #011-2701-00. Published by C.L. Barnhouse (CL.011-2701-00).

Robert Sheldon’s imaginative collection of three songs from the American Civil War including The Bonnie Blue Flag, O, I’m a Good Old Rebel and Come You From The Battlefield. A very impressive and challenging piece for mid-level bands. Perfect!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band/Harmonie/Fanfare and Alto Saxophone Solo - Grade 2

SKU: BT.DHP-0880124-015

Composed by Koen de Wolf. Solo Spectrum. Festive and Solemn Music. Set (Score & Parts). Composed 1988. De Haske Publications #DHP 0880124-015. Published by De Haske Publications (BT.DHP-0880124-015).

Through time, many composers have written music for their loved ones. This lovely piece features the alto saxophone.

Door de geschiedenis heen hebben componisten altijd al werken geschreven voor hun geliefden. Koen De Wolf deed dit voor zijn eigen uitverkoren saxofoniste.

Schon immer haben Komponisten auf der ganzen Welt ihre Werke der Liebe gewidmet. Diese Romanze wurde für die Geliebte des Komponisten, eine Saxophonistin, geschrieben.

Au cours du temps, beaucoup de compositeurs ont écrit des œuvres de musique dédiées ceux qu’ils aiment. Les lignes mélodiques et les motifs rythmiques de cette romance placeront votre saxophoniste en vedette.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-0880124-215

Composed by Koen de Wolf. Solo Spectrum. Festive and Solemn Music. Score Only. Composed 1988. De Haske Publications #DHP 0880124-215. Published by De Haske Publications (BT.DHP-0880124-215).

Through time, many composers have written music for their loved ones. This lovely piece features the alto saxophone.

Door de geschiedenis heen hebben componisten altijd al werken geschreven voor hun geliefden. Koen De Wolf deed dit voor zijn eigen uitverkoren saxofoniste.

Schon immer haben Komponisten auf der ganzen Welt ihre Werke der Liebe gewidmet. Diese Romanze wurde für die Geliebte des Komponisten, eine Saxophonistin, geschrieben.

Au cours du temps, beaucoup de compositeurs ont écrit des œuvres de musique dédiées ceux qu’ils aiment. Les lignes mélodiques et les motifs rythmiques de cette romance placeront votre saxophoniste en vedette.

Concert band - Pre 1

SKU: CL.023-4292-01

Arranged by Robert W. Smith. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 2 minutes, 43 seconds. C.L. Barnhouse #023-4292-01. Published by C.L. Barnhouse (CL.023-4292-01).

Based on the folk song I Know Where I'm Going, this setting of Scottish Lullaby by Robert W. Smith is an excellent choice for concert or contest. Dramatic and poignant, this is written in a British band tradition and will be an excellent addition to your regular concert repertoire. Very musical!

SKU: CL.013-1046-00

March. Composed by M. Evans. Band. Score and set of parts. Composed 1931. C.L. Barnhouse #013-1046-00. Published by C.L. Barnhouse (CL.013-1046-00).