Hymn of Cittaslow Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1196181-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1196181-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Score Only.
Composed 2020. 11 pages.
De Haske Publications
#DHP 1196181-140.
Published by De Haske
Publications
(BT.DHP-1196181-140).
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1196181-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1196181-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2020. De
Haske Publications #DHP
1196181-010. Published by
De Haske Publications
(BT.DHP-1196181-010).
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-010 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053830-010
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053830-010. Published by
De Haske Publications
(BT.DHP-1053830-010).
English-German-French-
Dutch.
Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-140 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053830-140
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Score Only. Composed
2005. 44 pages. De Haske
Publications #DHP
1053830-140. Published by
De Haske Publications
(BT.DHP-1053830-140).
English-German-French-
Dutch.
Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito.
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-426-010
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Set
(Score & Parts). Composed
2017. Anglo Music Press
#AMP 426-010. Published
by Anglo Music Press
(BT.AMP-426-010).
English-German-French-
Dutch.
The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€â„
¢ motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert. The Way to Heaven
beginnt mit einer
unruhigen Figur in den
Holzbläsern und mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt, um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way to Heaven Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-426-140
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Score
Only. Composed 2017.
Anglo Music Press #AMP
426-140. Published by
Anglo Music Press
(BT.AMP-426-140).
English-German-French-
Dutch.
The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven<+O> is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€â„
¢ motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to
Heaven beginnt mit
einer unruhigen Figur in
den Holzbläsern und
mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000447-010 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000447-010
Composed by Carl
Wittrock. Set (Score &
Parts). 174 pages.
Gobelin Music
Publications #GOB
000447-010. Published by
Gobelin Music
Publications
(BT.GOB-000447-010).
In Scotland,
the monster of Loch Ness
is a hot issue, but the
American state of Montana
enjoys a comparable
phenomenon going by the
name of Montana
Nessie. In the
western part of this
remote state lies
Flathead Lake: a lake of
45 kilometres /38miles in
lenght and 24 kilometres
/15 miles breath. At
several places, its depth
exeeds 100
metres. Nessies
discovery takes us back
to the year 1889, when
captain James Kerr aboard
the passengership
U.S.Grant was startled by
a ship unknown to
himsuddenly approaching
his vessel across
Flathead Lake.
However, it turned
out not to be a ship but
an undefinable animal of
immense size.From that
moment onwards, life
would never be the same
again in and around
Flathead Lake. The
composer wasinspired by
the story, and summarized
the events into a
symphonic poem, but from
a surprising angle:that
of the monster.
The exiting opening
allows us to follow the
monster in its natural
surroundings. The fast
follow-up movement
depictsMontana Nessie
trotting and frolicking
about the Montana woods
and prairies.From its
abode, it thorougly
enjoys everything around
it. This period abruptly
ends in a short climax
(Chimes). The solo
for cor anglais marks a
new period in themonsters
life.The presence of
people has a paralizing
effect and the
apprehensive atmosphere
of the slow movement may
be felt
profoundly. The
monster observes and
mildly teases the ship.
Abhor sounds force the
ship to a
withdrawal. The
movingmusical
continuation depicts the
triumphant monster
dancing an ironic
waltz. The monsters
fear and anger at the
intrusion of his freedom
run through the piece
like continuous threads,
and develop into the
works final
theme.
Ook Amerika
kent, in navolging van
Loch Ness, haar monster
met alle sterke verhalen
eromheen. Dit Amerikaanse
monster werd in 1889 voor
het eerst gezien door de
kapitein van een
toeristenboot, varende op
Flathead Lake in de staat
Montana. Wittrock
schildert niet enkel de
gebeurtenissen maar
kruipt in de huid van het
monster.
Het
programmatische werk
beschrijft op vaak
ontroerende en soms
angstaanjagende wijze het
leven van Montana Nessie.
Aanknopingspunten in
dit werk zijnde geboorte
(het begin), de eerste
levensfase met oerkreten
(allegro) en de
verwondering en
bewondering van de natuur
(hobosolo). Het
tweede gedeelte
symboliseert de spanning
tussen mens en monster
tijdens de spannende
boottocht op
FlatheadLake. Het
derde deel brengt het
monster aan het dansen in
een aandoenlijke wals vol
ironie en zelfspot. Rode
draad en afsluitend thema
is de angst en boosheid
van Montana Nessie op de
vrijheidsinbreuk. Een
meesterwerk!
Dit
werk isopgenomen in het
Klein repertorium,
harmonie - 2e
divisie
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000447-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000447-140
Composed by Carl
Wittrock. Score Only. 30
pages. Gobelin Music
Publications #GOB
000447-140. Published by
Gobelin Music
Publications
(BT.GOB-000447-140).
In Scotland,
the monster of Loch Ness
is a hot issue, but the
American state of Montana
enjoys a comparable
phenomenon going by the
name of Montana
Nessie. In the
western part of this
remote state lies
Flathead Lake: a lake of
45 kilometres /38miles in
lenght and 24 kilometres
/15 miles breath. At
several places, its depth
exeeds 100
metres. Nessies
discovery takes us back
to the year 1889, when
captain James Kerr aboard
the passengership
U.S.Grant was startled by
a ship unknown to
himsuddenly approaching
his vessel across
Flathead Lake.
However, it turned
out not to be a ship but
an undefinable animal of
immense size.From that
moment onwards, life
would never be the same
again in and around
Flathead Lake. The
composer wasinspired by
the story, and summarized
the events into a
symphonic poem, but from
a surprising angle:that
of the monster.
The exiting opening
allows us to follow the
monster in its natural
surroundings. The fast
follow-up movement
depictsMontana Nessie
trotting and frolicking
about the Montana woods
and prairies.From its
abode, it thorougly
enjoys everything around
it. This period abruptly
ends in a short climax
(Chimes). The solo
for cor anglais marks a
new period in themonsters
life.The presence of
people has a paralizing
effect and the
apprehensive atmosphere
of the slow movement may
be felt
profoundly. The
monster observes and
mildly teases the ship.
Abhor sounds force the
ship to a
withdrawal. The
movingmusical
continuation depicts the
triumphant monster
dancing an ironic
waltz. The monsters
fear and anger at the
intrusion of his freedom
run through the piece
like continuous threads,
and develop into the
works final
theme.
Ook Amerika
kent, in navolging van
Loch Ness, haar monster
met alle sterke verhalen
eromheen. Dit Amerikaanse
monster werd in 1889 voor
het eerst gezien door de
kapitein van een
toeristenboot, varende op
Flathead Lake in de staat
Montana. Wittrock
schildert niet enkel de
gebeurtenissen maar
kruipt in de huid van het
monster.
Het
programmatische werk
beschrijft op vaak
ontroerende en soms
angstaanjagende wijze het
leven van Montana Nessie.
Aanknopingspunten in
dit werk zijnde geboorte
(het begin), de eerste
levensfase met oerkreten
(allegro) en de
verwondering en
bewondering van de natuur
(hobosolo). Het
tweede gedeelte
symboliseert de spanning
tussen mens en monster
tijdens de spannende
boottocht op
FlatheadLake. Het
derde deel brengt het
monster aan het dansen in
een aandoenlijke wals vol
ironie en zelfspot. Rode
draad en afsluitend thema
is de angst en boosheid
van Montana Nessie op de
vrijheidsinbreuk. Een
meesterwerk!
Dit
werk isopgenomen in het
Klein repertorium,
harmonie - 2e
divisie
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744690
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A744690.
Published by
LudwigMasters
Publications
(AP.36-A744690).
UPC:
659359882814.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744601
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A744601.
Published by
LudwigMasters
Publications
(AP.36-A744601).
ISBN
9798888529805. UPC:
659359863653.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in...(+)
Concert Band; Orchestra
2.0.0.0: 2.0.0.0: Str
(4-4-3-3-3 in set): Solo
Violin in set
SKU:
AP.36-A744648
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A744648.
Published by
LudwigMasters
Publications
(AP.36-A744648).
ISBN
9798888529812. UPC:
659359901379.
English.
It is
widely believed that
Wolfgang Amadeus Mozart
(1756-1791) wrote the
Adagio in E major, K. 261
in or around 1776 as a
replacement for the
second movement of his
Violin Concerto No. 5 in
A, K. 219. The likely
reason for the
replacement is a
complaint by Italian
violinist Antonio
Brunetti, recently
brought to the Salzburg
court orchestra by the
Prince-Archbishop of
Salzburg, Heironymus
Colloredo, that the
original movements was
too artificial, according
to a letter from Leopold
Mozart. The Mozarts,
finding Brunetti boorish
and morally
objectionable, also would
have thought his
complaint regarding the
artificial second
movement to confirm their
worst opinions of Italian
taste. Still, young
Mozart wrote the
replacement Adagio as
requested, and its serene
beauty in sonata form
remains a fine example of
his lyrical ability.
Instrumentation: 2.0.0.0:
2.0.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.