Composed by Dubrovay L and Dubrovay László. EMB. Classical. Editio Musica Budapest #Z14493SET. Published by Editio Musica Budapest

(4 Songs for Soprano and Wind Ensemble: February / August / May / December). By David Liptak. Concert Band. For soprano voice solo and piano reduction. Concert Band. Donald Hunsberger Wind Library. Contemporary. Grade 5. Piano/Vocal Reduction. 32 pages. P. Piano/Vocal Reduction. Contemporary.

By Roland Barrett. Concert Band. Concert Band. Belwin Concert Band. Grade 3. Conductor Score and Parts. 256 pages

Concert Band - Grade 1

SKU: AP.35337S

Composed by Ralph Ford. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Contemporary; programmatic. Score. 20 pages. Belwin Music #00-35337S. Published by Belwin Music (AP.35337S).

UPC: 038081408675. English.

Areopogus [ar-ee-op-uh-guhs], the hill of Ares (Mars), was a rocky hill located northwest of the Acropolis in ancient Athens, Greece. This original Ralph Ford work, created with eerie modal melodic content, was inspired by this alien hill. The work is composed in G minor; your ensemble will sound mature beyond their years. A dynamic contemporary original composition for your beginners!

Grade 3

SKU: CL.012-3899-01

Composed by Huckeby. Concert Band. Symphony Band Series. Audio recording available separately (item CL.WFR372). Extra full score. Composed 2011. Duration 6 minutes, 10 seconds. Opus III Wind Orchestra Publications #012-3899-01. Published by Opus III Wind Orchestra Publications (CL.012-3899-01).

Clearly a signature work for Ed Huckeby, Innova incorporates fresh contemporary elements of changing meter and syncopation characteristic of his work. The melodic lines are fresh and insightful, the rhythmic ideas are upbeat and creative, and the harmonic elements are unique. Also incorporating a beautifully written lyrical section, this work for concert band is sure to become a standard in contemporary concert band literature.

By Ed Huckeby. Concert band. Symphony Band Series. Audio recording available separately (item CL.WFR372). Grade 3.5. Score and set of parts. Composed 2011. Duration 6 minutes, 10 seconds. Published by C.L. Barnhouse

Concert Band - Grade 1

SKU: AP.38302S

Composed by Roland Barrett. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Form: Overture. Contemporary. Score. 16 pages. Belwin Music #00-38302S. Published by Belwin Music (AP.38302S).

UPC: 038081430881. English.

Scirocco comes from the name given to a Mediterranean wind that originates as a dry and dusty breeze in the Sahara Desert, accumulates moisture and velocity as it crosses the Mediterranean Sea, and often reaches hurricane speeds. With an inspiration like that, you can be sure the energy level will be at a peak. The work has an elementary introduction to contemporary aleatoric notation that enhances the dynamic sparkle! (2:00) This title is available in MakeMusic Cloud.

Concert Band (Score) - Grade 4

SKU: HL.50490254

For symphonic band. Composed by Dubrovay László. EMB. Classical. Score. 54 pages. Duration 615 seconds. Editio Musica Budapest #Z14493. Published by Editio Musica Budapest (HL.50490254).

ISBN 9790080144930. UPC: 884088531386. 9.0x12.0x0.21 inches. Hungarian, English. Laszlo Dubrovay.

This work was written in 2005, prompted by the composer's determination that young members of junior, music school and conservatoire wind ensembles should not be limited to transcriptions for lack of original compositions, especially contemporary ones. The new devices used in the Little Suite are suitable for student players to try out. Indeed, they enjoy them – for instance, purring or whistling into the instrument. Each of the three- or four-minute movements of this four-movement work can also be performed separately. The titles of the movements are the following: 1. In cheerful mood, 2. Song, 3. Joke, 4. March. This music in modern idiom, full of interesting new effects, offers young players an opportunity for enjoyable music-making together, and at the same time prepares them for playing more difficult contemporary works.

By Harry T. Bulow. By Harry T. Bulow. For Concert Band. Concert Band. Donald Hunsberger Wind Library. Level: Medium Advanced (grade V). Conductor Score and Parts. 325 pages. Published by Alfred Publishing.

Concert Band (Score) - Grade 6

SKU: HL.50490252

Composed by Dubrovay, Lá, and szló. Contemporary Music. EMB. Classical, Contemporary. Softcover. 104 pages. Duration 23:00. Editio Musica Budapest #Z14686. Published by Editio Musica Budapest (HL.50490252).

ISBN 9790080146866. UPC: 884088524364. 9.0x12.0x0.306 inches. Laszlo Dubrovay.

Symphony no. 6 dates from the spring of 2009. It is dedicated to the conductor Karoly Neumayer and his orchestra, the Pecs Railway Workers' Concert Wind Ensemble. About the work, the composer writes: This three-movement composition follows the classical traditions, but the first movement further develops the Scriabin-type sonata form, combining two fast movements. In contrast to the lyricism of the second movement a subterranean, negative force also makes its presence felt but in a dramatic conflict is overcome by the massive, inspired communal singing of the lyrical material, which becomes chorale-like as it emanates from the modal scales. The third movement is a cheerful, dance-like scherzo, with comical, humorous sound-effects..

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000557-140

Composed by Torstein Aagaard-Nilsen. Score Only. 10 pages. Gobelin Music Publications #GOB 000557-140. Published by Gobelin Music Publications (BT.GOB-000557-140).

Torstein Aagaard-Nilsen’s (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir.
In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual.
Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony.
The first part of Aagaard-Nielsen’s composition (Introduction) is a texture based mainly on one short theme.
This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead.
In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third).
This motif is alternated with very powerful percussion beats and later on shrill harmonies.

De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien.
Midden zeventiger jaren ontstaat er eenstroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt.
Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidttot zelfspot.
Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist.
Tijdens de ‘heftige’Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken.Dit alles zorgt voor een bombastisch geheel.
Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000557-010

Composed by Torstein Aagaard-Nilsen. Arranged by Marten van der Wal. Set (Score & Parts). 80 pages. Gobelin Music Publications #GOB 000557-010. Published by Gobelin Music Publications (BT.GOB-000557-010).

Torstein Aagaard-Nilsen’s (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir.
In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual.
Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony.
The first part of Aagaard-Nielsen’s composition (Introduction) is a texture based mainly on one short theme.
This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead.
In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third).
This motif is alternated with very powerful percussion beats and later on shrill harmonies.

De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien.
Midden zeventiger jaren ontstaat er eenstroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt.
Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidttot zelfspot.
Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist.
Tijdens de ‘heftige’Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken.Dit alles zorgt voor een bombastisch geheel.
Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

Concert Band - Grade 1.5

SKU: AP.44984S

Composed by Franklin D. Adams, Jr. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Jazz; Latin; Light Concert; Rock. Score. 12 pages. Duration 2:00. Alfred Music #00-44984S. Published by Alfred Music (AP.44984S).

UPC: 038081517742. English.

Young band students will get a charge out of the pulsating energy of this original composition which features contemporary harmonies and a fusion of rock, Latin, and jazz styles. (2:00).

By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Band. Concert Band; Masterworks. Donald Hunsberger Wind Library. Form: Transcription. Baroque; Masterwork Arrangement. Grade 4. Score. 84 pages. Published by Alfred Music Publishing

By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Band. Concert Band; Masterworks. Donald Hunsberger Wind Library. Form: Transcription. Baroque; Masterwork Arrangement. Grade 4. Conductor Score and Parts. 444 pages. Published by Alfred Music Publishing

Concert Band Alto Saxophone, Baritone Saxophone, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Flute, Flute II, Horn, Oboe, Snare Drum, Tambourine, Tenor, Tenor Saxophone, Timpani, Triangle, Trumpet, Tuba - Grade 1

SKU: CF.BPS7F

Full Score. Composed by Larry Clark. SWS. Carl Fischer Beginning Performance Series. Full score. With Standard notation. Carl Fischer Music #BPS7F. Published by Carl Fischer Music (CF.BPS7F).

ISBN 9780825837364. UPC: 798408037369. 9 X 12 inches.

Using only six notes (Bb, C, D, Eb, F and G), Larry Clark has fashioned a powerful concert opener ideal for the beginning band. Though there is limited rhythmic difficulty, the piece does employ some syncopation, along with contemporary harmonies that will appeal to young students and colorful, active percussion writing. Duration: 2'.

Composed by Franklin D. Adams, Jr. Concert Band; Part(s); Score. Alfred Debut Series. Jazz; Latin; Rock. 126 pages. Published by Alfred Music (AP.44984).

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-140

Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140).

9x12 inches. English-German-French-Dut ch.

Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettes� �) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.

Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettes� �) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders , met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.

Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.

Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L†™ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire.

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.50606648

For Cimbalom or Marimba and Concert Band Score and Parts. Composed by Arpad Balázs. EMB. Contemporary, Hungarian. Softcover. 276 pages. Duration 660 seconds. Editio Musica Budapest #Z15167SET. Published by Editio Musica Budapest (HL.50606648).

ISBN 9781705199800. UPC: 196288153559.

Ár pád Balázs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to beplayed have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music.

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-0293-99-010

Composed by Johann Sebastian Bach. Arranged by Elliot Del Borgo. Passport Plus Series. Concert Piece. Set (Score & Parts). Composed 1999. Curnow Music #CMP 0293-99-010. Published by Curnow Music (BT.CMP-0293-99-010).

Based on JS Bach’s chorale ‘Sleepers Awake’ this very dignified work presents the chorale and then in turn an exciting treatment of reworked fragments of the melody in a colourful and contemporary harmonic setting.

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-000612-010

Arranged by David Well. Set (Score & Parts). 58 pages. Gobelin Music Publications #GOB 000612-010. Published by Gobelin Music Publications (BT.GOB-000612-010).

According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years.
In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette).
In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater.

His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls.
David Well arranged the theme and created a contemporary march in rock style.

Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’

Volgens zijn leraren was Pjotr Iljitsj Tsjaikovski (1840-1893) niet bijzonder begaafd. Zijn speciale talenten werden alleen erkend in 1865, toen hij enkele jaren had gewerkt voor het ministerie van Financiën.
In 1866 werd hijbenoemd tot docent aan het Conservatorium en legde zich toe op het componeren. Zijn oeuvre is vrij uitgebreid en veel van zijn composities krijgen een hoge ranking op de internationale lijst van klassieke muziek, met inbegrip vanzijn zes symfonieën, soloconcerten (viool en piano), balletten (De Notenkraker, Het Zwanenmeer), en zijn ouvertures (1812 en Romeo en Juliette).
In 1893 is Tsjaikovski gestorven aan cholera na het drinken van een glas van besmetwater.

Zijn Slavische Mars is een populair concertwerk voor symfonie orkest.
David Well maakte een mooi arrangement van het thema en creëerde een mars in een hedendaagse rock stijl.

Tchaikovsky zei ooittegen een ontevreden leraar: 'Ik zal een groot componist zijn binnen 10 jaar tijd'.

Winds (Score) - difficult

SKU: HL.49012041

For Wind Band - Score. Composed by Hans Werner Henze. Arranged by Marcel Wengler. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1982. 99 pages. Duration 14'. Schott Music #SHS1004. Published by Schott Music (HL.49012041).

ISBN 9790001100731. UPC: 073999895995. 9.0x12.0x0.315 inches.

This work was originally written for brass band (see there). At the composer's request, his former pupil Marcel Wengler wrote an arrangement for Symphonie wind band, which is equal to the original in ever-yway. Here Henze and Wengler have given wind players a work which successfully combines a popular style and to some extent extremely witty elements with the resources of new music. It is excellent concert music for advanced and Professional orchestras.Hans Werner Henze belongs to a small circle of internationally known cornposers of serious contemporary music. In his operas, symphonies, and music for ensembles and chamber music groups, as well as in his contributions to music for amateurs, there are works with a distinctive sense of form, delicate tonality and rhythmic variety which nonetheless never lose sight of that dimension of humanity.Marcel Wengler (born 1946) is now a freelance composer. He lives in Luxemburg.

Picc. * 1 * 2 (ad lib.) * Engl. Hr. (ad lib.) * Es-Klar. * 3 * Altklar. (ad lib.) * Bassklar. (ad lib.) * 2 Altsax. * 2 Tenorsax. * Baritonsax. (ad lib.) * 1 (ad lib.) - 4 * 2 Flhr. * Tenorflhr. * 3 * 3 * 2 Bombardini * 2 * 2 Kb.-Tb. - P. S. (Glsp. * Xyl. [oder 3 Tempelbl.] * Trgl. * Beckenpaar * 3 Bong. * kl. Tr. * 3 Tomt. * gr. Tr. * Woodbl.) (3 Spieler).

Concert Band/Harmonie - Grade 2.5

SKU: BT.GOB-000293-140

Composed by Halfdan Kjerulf. Score Only. Gobelin Music Publications #GOB 000293-140. Published by Gobelin Music Publications (BT.GOB-000293-140).

Melancholy and romance in a contemporary setting.
A small but brilliant gem of sonority based on a melody by the Norwegian composer Halfdan Kjerulf (1815-1868). Romance and a full command of timbre are the challenging cornerstones of any succesful interpretation of Love Song.
An ideal moment of tranquillity in your programme. Melancholie en romantiek in een eigentijds jasje.
Een eenvoudig doch schitterend klankwerkje gebaseerd op een melodie van de Noorse componist Halfdan Kjerulf (1815-1868).
De romantiek en klankbeheersing zijn de uitdagende pijlers van Love Song.
Het meditatieve moment in uw programma!

Gobelin Music Publications.

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-000612-140

Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000612-140. Published by Gobelin Music Publications (BT.GOB-000612-140).

According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years.
In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette).
In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater.

His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls.
David Well arranged the theme and created a contemporary march in rock style.

Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’

Volgens zijn leraren was Pjotr Iljitsj Tsjaikovski (1840-1893) niet bijzonder begaafd. Zijn speciale talenten werden alleen erkend in 1865, toen hij enkele jaren had gewerkt voor het ministerie van Financiën.
In 1866 werd hijbenoemd tot docent aan het Conservatorium en legde zich toe op het componeren. Zijn oeuvre is vrij uitgebreid en veel van zijn composities krijgen een hoge ranking op de internationale lijst van klassieke muziek, met inbegrip vanzijn zes symfonieën, soloconcerten (viool en piano), balletten (De Notenkraker, Het Zwanenmeer), en zijn ouvertures (1812 en Romeo en Juliette).
In 1893 is Tsjaikovski gestorven aan cholera na het drinken van een glas van besmetwater.

Zijn Slavische Mars is een populair concertwerk voor symfonie orkest.
David Well maakte een mooi arrangement van het thema en creëerde een mars in een hedendaagse rock stijl.

Tchaikovsky zei ooittegen een ontevreden leraar: 'Ik zal een groot componist zijn binnen 10 jaar tijd'.

Concert band - very easy

SKU: HL.49016226

Waltzing song. Composed by Fred Raymond. Arranged by Norbert Studnitzky. This edition: Folding. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Condensed score and parts. 46 pages. Duration 4'. Schott Music #SHS 2008-70. Published by Schott Music (HL.49016226).

ISBN 9790001101073. German.

Norbert Studnitzky has made a new arrangement in a contemporary style of this popular waltz and song traditionally sung whilst rocking to and from in time to the music with linked arms and so it can now be played by wind bands. Set of parts does not include parts in Benelux notation.

(1 Flote, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Horner in F oder in Es, 3 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 1 Tenorhorn in B, 1 Bariton, 2 Tuben, Schlagzeug: kleine Trommel, grosse Trommel, Triangel, Becken).

Concert Band/Harmonie - Grade 2.5

SKU: BT.GOB-000293-010

Composed by Halfdan Kjerulf. Set (Score & Parts). 82 pages. Gobelin Music Publications #GOB 000293-010. Published by Gobelin Music Publications (BT.GOB-000293-010).

Melancholy and romance in a contemporary setting.
A small but brilliant gem of sonority based on a melody by the Norwegian composer Halfdan Kjerulf (1815-1868). Romance and a full command of timbre are the challenging cornerstones of any succesful interpretation of Love Song.
An ideal moment of tranquillity in your programme. Melancholie en romantiek in een eigentijds jasje.
Een eenvoudig doch schitterend klankwerkje gebaseerd op een melodie van de Noorse componist Halfdan Kjerulf (1815-1868).
De romantiek en klankbeheersing zijn de uitdagende pijlers van Love Song.
Het meditatieve moment in uw programma!

Gobelin Music Publications.