Piano and orchestra

SKU: FG.042-08243-0

Composed by Pekka Kostiainen. Parts. Published by Fennica Gehrman (FG.042-08243-0).

ISBN 979-0-042-08243-0.

This is a fully-fledged concerto in three movements specially aimed at the young soloist and school/youth orchestra.

(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. For Orchestra, Piano (Full Score). PWM. Polskie Wydawnictwo Muzyczne #51600026. Published by Polskie Wydawnictwo Muzyczne

Study Score. By Sir Michael Tippett. Study Score. 172 pages. Published by Eulenburg London (Schott).

(Chopin National Edition Series A Vol. XVf). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For Orchestra, Piano (Score). PWM. Softcover. Polskie Wydawnictwo Muzyczne #51600005. Published by Polskie Wydawnictwo Muzyczne

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 19 No. 2. Duration 28 minutes. Published by Baerenreiter Verlag (BA.TP922).

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 15 No. 1. Duration 40 minutes. Published by Baerenreiter Verlag (BA.TP921).

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 73 No. 5. Duration 38 minutes. Published by Baerenreiter Verlag (BA.TP925).

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 58 No. 4. Duration 33 minutes. Published by Baerenreiter Verlag (BA.TP924).

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 37 No. 3. Duration 34 minutes. Published by Baerenreiter Verlag (BA.TP923).

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.

Piano and orchestra

SKU: HL.49011963

Composed by Robert Schumann. Edited by Akio Mayeda and Bernhard R. Appel. This edition: Full-cloth binding. Sheet music. Robert Schumann - Neue Ausgabe samtlicher Werke. Classical. Score. Op. 54. 305 pages. Schoenberg #RSA1007-10. Published by Schoenberg (HL.49011963).

ISBN 9783795793197. UPC: 073999799019. 10.0x13.25x1.268 inches.

Schumann's Piano Concerto is known all over the world, yet despite its popularity it remains in a certain sense an undiscovered work. The aim with this edition is not only to provide a critical score of the work, but at the same time to indicate what questions of detail should form the focus of future research. The critical analysis offered here thus offers discussion of the relationship between the one-movement Fantasia version and the three-movement concerto version, the problem of the transition from the second to the third movement and a series of questions relating to the version completed in 1853. A booklet of facsimiles completes the volume.

(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged by Douglas McLain. For Piano and Concert Band. Grade 4. Score. Duration 08:30

(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged by Douglas McLain. For Piano and Concert Band. Grade 4. Full score and set of parts. Duration 08:30

Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.0.0.0 - str)

SKU: BR.PB-15107

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst-Gunter Heinemann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance.You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. Our ISBN 9790004211922. 10 x 12.5 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15123

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10825 is printed in score form; two copies are needed for performance. Our ed ition EB 8579 contains a Ferrucci Busoni cadenza for the Piano. Solo concerto; Classical. Full score. 88 pages. Duration 33'. Breitkopf and Haertel #PB 15123. Published by Breitkopf and Haertel (BR.PB-15123).

ISBN 9790004212738. 10 x 12.5 inches.

The C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.0.0.0 - str)

SKU: BR.PB-15111-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst-Gunter Heinemann. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance. You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Our edition EB 8579 contains a Ferrucci Busoni cadenza. Solo concerto; Classical. Study Score. 76 pages. Duration 26'. Breitkopf and Haertel #PB 15111-07. Published by Breitkopf and Haertel (BR.PB-15111-07).

ISBN 9790004212684. 6.5 x 9 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (solos: pno - 1.2.0.2 - 2.0.0.0 - str)

SKU: BR.PB-15108

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Stephan Horner. Orchestra; Softbound. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag EB 10765 is printed in score form; two copies will be needed for performance. Solo concerto; Classical. Full score. 72 pages. Duration 30 '. Breitkopf and Haertel #PB 15108. Published by Breitkopf and Haertel (BR.PB-15108).

ISBN 9790004212004. 10 x 12.5 inches.

Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.