(Cantate for harvest festivals (Tempore Messis) and other festivals of thanksgiving). Composed by Georg Philipp Telemann (1681-1767). Edited by Jurgen Neubacher. For SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Nun danket alle Gott. Cantatas, Praise and thanks. Full score. Language: German/English. TVWV 1:1166. 32 pages. Duration 15 minutes. Published by Carus Verlag

Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) - Level 5

SKU: BA.BA09594

Composed by Jan Dismas Zelenka. Edited by Václav Luks. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. ZWV 12. Baerenreiter Verlag #BA09594_00. Published by Baerenreiter Verlag (BA.BA09594).

ISBN 9790260107526. 31 x 24.3 cm inches. Text language: Czech, English, German. Preface: Stockigt, Janice B. / Luks, Václav.

The â??Missa Divi Xaveriiâ? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the uvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.

The first performance to use the present new edition took place in the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, has been released by the label Accent (ACC 24301).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910909

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. 1x 39.109/21 flute, 3x 39.109/31 trumpet/timpani. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott 4. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. 26 pages. Duration 15 minutes. Carus Verlag #CV 39.109/09. Published by Carus Verlag (CA.3910909).

ISBN 9790007215422. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910911

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/11. Published by Carus Verlag (CA.3910911).

ISBN 9790007215439. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910949

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Organ. TVWV 1:1166. 12 pages. Duration 15 minutes. Carus Verlag #CV 39.109/49. Published by Carus Verlag (CA.3910949).

ISBN 9790007215477. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910912

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/12. Published by Carus Verlag (CA.3910912).

ISBN 9790007215446. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910919

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. Duration 15 minutes. Carus Verlag #CV 39.109/19. Published by Carus Verlag (CA.3910919).

ISBN 9790007139278. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910914

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello. TVWV 1:1166. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.109/14. Published by Carus Verlag (CA.3910914).

ISBN 9790007215460. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910913

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/13. Published by Carus Verlag (CA.3910913).

ISBN 9790007215453. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117309

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. 2x 31.173/21 flute. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1728ca. BWV 173. Duration 15 minutes. Carus Verlag #CV 31.173/09. Published by Carus Verlag (CA.3117309).

ISBN 9790007209575. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and parts available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117349

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/49. Published by Carus Verlag (CA.3117349).

ISBN 9790007209629. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117314

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/14. Published by Carus Verlag (CA.3117314).

ISBN 9790007209612. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117312

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/12. Published by Carus Verlag (CA.3117312).

ISBN 9790007209599. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117313

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1728ca. BWV 173. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.173/13. Published by Carus Verlag (CA.3117313).

ISBN 9790007209605. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117311

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Carus Verlag #CV 31.173/11. Published by Carus Verlag (CA.3117311).

ISBN 9790007209582. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score and part available separately - see item CA.3117300.

SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo

SKU: CA.3117303

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Vocal score. Composed 1728ca. BWV 173. 24 pages. Duration 15 minutes. Carus Verlag #CV 31.173/03. Published by Carus Verlag (CA.3117303).

ISBN 9790007144135. Text language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3117307

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1728ca. BWV 173. 40 pages. Duration 15 minutes. Carus Verlag #CV 31.173/07. Published by Carus Verlag (CA.3117307).

ISBN 9790007165710. Language: German/English.

Bac h created the cantata Erhohtes Fleisch und Blut by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost. Score available separately - see item CA.3117300.

(2+1.2.2.4/4.2+2.3.0,timp ,perc,2hp,str)

SKU: TM.08393SET

Composed by Hector Berlioz. Set Type: D. Set of parts. Lucks Music Library #A1317. Published by Lucks Music Library (TM.08393SET).

Part 2, 1st movement: Romeo Seul (Romeo Alone), Tristesse, Bruits lointains de Concert et de Bal, Grande Fete chez Capulet.

(2+1.2.2.4/4.2+2.3.0,timp ,perc,2hp,str)

SKU: TM.08393SC

Composed by Hector Berlioz. Score. Lucks Music Library #A1317. Published by Lucks Music Library (TM.08393SC).

Part 2, 1st movement: Romeo Seul (Romeo Alone), Tristesse, Bruits lointains de Concert et de Bal, Grande Fete chez Capulet.

(1+1.2.2.2/4.3.3.0,timp,p erc,str)

SKU: TM.08070SET

Composed by Johann Strauss Jr. Set Type: D. Set of parts. Lucks Music Library #A6552. Published by Lucks Music Library (TM.08070SET).

P/C in set.

(0.2.0.0/2.2.0.0,timp,str =4-4-1.3.2.2)

SKU: TM.01106SET

Composed by Christoph W. von Gluck. Set Type: M. Set of parts. Lucks Music Library #A5607. Published by Lucks Music Library (TM.01106SET).

Set includes violin III; continuo in sc; cembalo in score.

(1.1.2.1/2.2.1.0,perc,str )

SKU: TM.05829SET

Composed by Victor Herbert. Set Type: C. Set of parts. Lucks Music Library #A3361. Published by Lucks Music Library (TM.05829SET).

In The Streets & Byways, The Fragrance Of Night, Morning Of The Festival Day.

(2+1.2.2.2+1/4.3.3.1,timp ,perc,str)

SKU: TM.05199SET

Composed by Johannes Brahms. Set Type: D. Set of parts. Lucks Music Library #A1354. Published by Lucks Music Library (TM.05199SET).

Transposed: Hns1-4, Tpt1-3, Tbn1&2. Cl orig in Bb.

(2.2.2.2/2.2.3.1,timp,per c,str)

SKU: TM.07627SC

Composed by Franz Liszt. Score. Lucks Music Library #A5291. Published by Lucks Music Library (TM.07627SC).

No score.

(2+2.2+1.2+1.2+1/4.3.3.1, timp,perc,cel,hp,str)

SKU: TM.09946SET

Composed by Gian Francesco Malipiero. Set Type: D. Set of parts. Lucks Music Library #A6088. Published by Lucks Music Library (TM.09946SET).

1) Colloquio di Campane 2) I Cipressi e il Vento 3) Baldorio Campestre(Rustic Festival).

(2.2.2.2/2.2.3.0,timp,per c,str,SATB chorus)

SKU: TM.02862SET

Composed by Gustav Holst. Set Type: A. Set of parts. Lucks Music Library #A8315. Published by Lucks Music Library (TM.02862SET).

Key of f# (high voice). Voice in set.