Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Viola. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/13. Published by
Carus Verlag
(CA.3116513).
ISBN
9790007209100. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Bassoon. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/21. Published by
Carus Verlag
(CA.3116521).
Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Soli SATB, SATB Choir, 2 Vl, Va, Fg, Bc SKU: CA.3116549 Cantata for th...(+)
Soli SATB, SATB Choir, 2
Vl, Va, Fg, Bc
SKU:
CA.3116549
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Organ. Composed
1715(?). BWV 165. 12
pages. Duration 13
minutes. Carus Verlag #CV
31.165/49. Published by
Carus Verlag
(CA.3116549).
ISBN
9790007209131. Language:
German/English. Text:
Franck, Salomo.
The
cantata O heilges Geist-
und Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/11. Published by
Carus Verlag
(CA.3116511).
ISBN
9790007209087. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/12. Published by
Carus Verlag
(CA.3116512).
ISBN
9790007209094. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, basso continuo.
Composed 1715(?). BWV
165. 8 pages. Duration 13
minutes. Carus Verlag #CV
31.165/14. Published by
Carus Verlag
(CA.3116514).
ISBN
9790007209117. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Chorale
cantata. Composed by
Max Reger. Edited by
Gunther Massenkeil.
German title: O wie selig
seid ihr doch. Sacred
vocal music, Mourning,
death. Single Part,
Double Bass. Composed
1903. Op. WoO V/4 Nr. 2.
2 pages. Duration 15
minutes. Carus Verlag #CV
50.405/15. Published by
Carus Verlag
(CA.5040515).
ISBN
9790007081751. Key: D
minor. Language:
German/English.
The
choral cantatas are
Reger's most personal and
most substantial
contribution to one of
the principal categories
of Protestant church
music, and they are only
major works in this field
by one of the foremost
composers of his time.
This is true despite the
fact that Reger himself
does not appear to have
considered the cantatas
to figure among his
principal compositions,
as he gave them no opus
numbers. In contrast to
the three other chorale
cantatas of Reger which
exist in a definitive
form, there is no record
of the place or date of
the first performance of
O wie selig, or indeed of
any performance of it
during the composer's
lifetime. Score and part
available separately -
see item CA.5040500.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Argre Dich,
O Seele, Nicht Bwv 186A.
Sacred vocal music,
Cantatas, Advent,
Whitsun. Full score.
Composed 1716. BWV 186a.
Duration 20 minutes.
Carus Verlag #CV
31.186/00. Published by
Carus Verlag
(CA.3118600).
ISBN
9790007050641. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50).
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Viola. Composed
1716. BWV 186a. 4 pages.
Duration 20 minutes.
Carus Verlag #CV
31.186/13. Published by
Carus Verlag
(CA.3118613).
ISBN
9790007050702. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Cello/Double Bass.
Composed 1716. BWV 186a.
8 pages. Duration 20
minutes. Carus Verlag #CV
31.186/14. Published by
Carus Verlag
(CA.3118614).
ISBN
9790007050719. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Organ. Composed
1716. BWV 186a. 24 pages.
Duration 20 minutes.
Carus Verlag #CV
31.186/49. Published by
Carus Verlag
(CA.3118649).
ISBN
9790007050726. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Choral
Score. Composed 1716. BWV
186a. 8 pages. Duration
20 minutes. Carus Verlag
#CV 31.186/05. Published
by Carus Verlag
(CA.3118605).
ISBN
9790007050665. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score
available separately -
see item CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Argre Dich,
O Seele, Nicht Bwv 186A.
Sacred vocal music,
Cantatas, Advent,
Whitsun. Set of Orchestra
Parts. Composed 1716. BWV
186a. Duration 20
minutes. Carus Verlag #CV
31.186/19. Published by
Carus Verlag
(CA.3118619).
ISBN
9790007136970. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
parts available
separately - see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. 1x 31.186/21 oboe
1, 1x 31.186/22 oboe 2,
1x 31.186/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Argre Dich, O
Seele, Nicht Bwv 186A.
Sacred vocal music,
Cantatas, Advent,
Whitsun. Set of Orchestra
Parts. Composed 1716. BWV
186a. 12 pages. Duration
20 minutes. Carus Verlag
#CV 31.186/09. Published
by Carus Verlag
(CA.3118609).
ISBN
9790007050672. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
parts available
separately - see item
CA.3118600.
Quartetto da
camera. Composed by
Gioachino Rossini. Edited
by Guido Johannes Joerg.
German title: O giorno
sereno. Secular choral
music. Full score.
Composed 1827. Duration 5
minutes. Carus Verlag #CV
40.281/90. Published by
Carus Verlag
(CA.4028190).
ISBN
9790007066307. Key: C
major. Language:
Italian.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1725. BWV
3. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.003/13. Published by
Carus Verlag
(CA.3100313).
ISBN
9790007041465. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 3. 4 pages. Duration
27 minutes. Carus Verlag
#CV 31.003/12. Published
by Carus Verlag
(CA.3100312).
ISBN
9790007041458. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 1. Sacred vocal
music, Cantatas, Advent.
Single Part, Violin 1.
Composed 1723. BWV 186.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.186/61. Published by
Carus Verlag
(CA.3118661).
ISBN
9790007209902. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Basso continuo. Sacred
vocal music, Cantatas,
Advent. Single Part,
basso continuo. Composed
1723. BWV 186. 20 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/64. Published by
Carus Verlag
(CA.3118664).
ISBN
9790007209933. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Advent.
Single Part, Violin 2.
Composed 1723. BWV 186.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.186/62. Published by
Carus Verlag
(CA.3118662).
ISBN
9790007209919. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/05. Published by
Carus Verlag
(CA.3100305).
ISBN
9790007041410. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score
available separately -
see item CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.003/21 oboe
1, 1x 31.003/22 oboe 2,
1x 31.003/31 horn, 1x
31.003/32 trombone.
German title: Ach Gott,
wie manches Herzeleid 4.
Sacred vocal music,
Cantatas, Epiphany. Set
of Orchestra Parts.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/09. Published by
Carus Verlag
(CA.3100309).
ISBN
9790007041434. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Cantatas, Advent.
Single Part, Viola.
Composed 1723. BWV 186. 8
pages. Duration 40
minutes. Carus Verlag #CV
31.186/63. Published by
Carus Verlag
(CA.3118663).
ISBN
9790007209926. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
O clap your hands Soli, choeur mixte et accompagnement [Octavo] Galaxy Music Corporation
Composed by Stephen Chatman. Children's Sabbath/Emphasis, 21st Century, Praise/T...(+)
Composed by Stephen
Chatman. Children's
Sabbath/Emphasis, 21st
Century,
Praise/Thanksgiving.
Octavo. Galaxy Music
Corporation #7.0577.
Published by Galaxy Music
Corporation