Solo and SS choir divisi (a cappella) - Early Intermediate SKU: MN.56-0031(+)
Solo and SS choir divisi
(a cappella) - Early
Intermediate
SKU:
MN.56-0031
Composed
by Howard Goodall. 21st
Century. Instrument
parts. Duration 4
minutes, 39 seconds.
MorningStar Music
Publishers #56-0031.
Published by MorningStar
Music Publishers
(MN.56-0031).
Written for
the Enchanted Voices CD,
this is one of many
settings of texts either
from the Beatitudes (or
springing from them)
available from this
composer. For Solo and SS
divisi, a cappella, the
music has a light,
ethereal feeling.
ââ¬ÅBeatiââ
¬Â can be taken as
a sort of
ââ¬ÅBlessed are
theyââ¬Â prefix
for the movements which
are not direct quotes
from the Beatitudes. This
movement is a unison,
chant-like setting of the
Latin texts for Genesis
20:13 (ââ¬ÅThou
shalt do me this
kindnessââ¬Â¦Ã
â¬Â) and Numbers
11:17 (ââ¬ÅAnd
I will take of thy
spiritââ¬Â).
The soloist begins and
sometimes takes over from
the choral voices. Mostly
unison except for about
ten measures (out of the
69) in two-part texture
and four measures in
three parts. Duration
4:39
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
My Boy Jack Soli, choeur mixte et accompagnement Galaxy Music Corporation
Composed by David Ashley White (1944-). 21st Century. Duration 3 minutes, 30 ...(+)
Composed by David Ashley
White (1944-). 21st
Century.
Duration 3 minutes, 30
seconds. Galaxy Music
Corporation #1.3429.
Published by Galaxy Music
Corporation
Mass in A major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Carus Verlag
Orchestra version.
Composed by Cesar Auguste
Franck. Edited by
Wolfgang Hochstein. Set
of Orchestra Parts.
Composed 1860. FWV 12.
Duration 46 minutes.
Carus Verlag #4064600.
Published by Carus Verlag
(CA.4064669).
ISBN
9790007293598. Key: A
major. Latin.
The
Mass in A major published
here is one of the
compositions which Franck
wrote for liturgical use
at Ste. Clotilde. It
received ist first
performance there, under
the composer's direction,
on the 2nd April 1861.
Regarding the vocal
scoring of the Mass it is
noticeable that only a
few bars in the
Ordinarium movements are
expressly given to the
solo vooices. Several
other passages can,
however, by sung by the
soloists rather than the
choir, and in this
edition these are
indicated. Score and
parts available
separately - see item
CA.4064600.
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series I, Voume 18, Nos.
1 2. Complete edition,
Score. Composed 1743. HWV
57. Duration 3 hours.
Baerenreiter Verlag
#BA04099_00. Published by
Baerenreiter Verlag
(BA.BA04099).
ISBN
9790006550111. 33 x 25.7
cm inches. Text Language:
English. Preface: Hans
Dieter Clausen. Text:
Newburgh
Hamilton.
Handel
composed Samson directly
after completing the
Messiah. After its
premiere in 1743 in the
Covent Garden Theatre in
London, the work rapidly
became one of the
composerâ??s most
successful oratorios
alongside Esther and
Judas Maccabaeus. This
probably had as much to
do with the popular Old
Testament story of the
libretto as with
Handelâ??s masterly
shaping of the arias and
choruses.
By
including some movements
in the appendix, this
edition makes it possible
for the first time to
perform the work in its
original 1741 version.
The edition is based
on the complete edition
volume of the Halle
Handel Edition (BA 4099),
offering the complete
music text of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1725. BWV
3. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.003/13. Published by
Carus Verlag
(CA.3100313).
ISBN
9790007041465. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 3. 4 pages. Duration
27 minutes. Carus Verlag
#CV 31.003/12. Published
by Carus Verlag
(CA.3100312).
ISBN
9790007041458. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/05. Published by
Carus Verlag
(CA.3100305).
ISBN
9790007041410. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score
available separately -
see item CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.003/21 oboe
1, 1x 31.003/22 oboe 2,
1x 31.003/31 horn, 1x
31.003/32 trombone.
German title: Ach Gott,
wie manches Herzeleid 4.
Sacred vocal music,
Cantatas, Epiphany. Set
of Orchestra Parts.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/09. Published by
Carus Verlag
(CA.3100309).
ISBN
9790007041434. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Saul Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix...(+)
Oratorio. Composed
by George Frideric Handel
(1685-1759). Edited by
Felix Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel.
Oratorios. Vocal score.
Composed 1739. HWV 53.
216 pages. Published by
Carus Verlag
(CA.5505303).