(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Williams. For trombone. Softcover book. 64 pages. Published by Carl Fischer

Composed by William Bill Hill. Arranged by Charles Vernon. Classical. Score and Parts. Cherry Classics #CC3022. Published by Cherry Classics

By John O'Reilly and Mark Williams. For Trombone. Band Method. Accent on Achievement. Level: Beginning. Book and CD. 48 pages. Published by Alfred Publishing.

Trombone

SKU: HL.374361

Trombone Play-Along. By Various. Instrumental Play-Along. Pop. Softcover Audio Online. 24 pages. Duration 255 seconds. Published by Hal Leonard (HL.374361).

ISBN 9781705150146. UPC: 196288016885. 9.0x12.0x0.098 inches.

A baker's dozen of hot hits are included in this collection perfect for new instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Adore You (Harry Styles) • Bad Habits (Ed Sheeran) • Blinding Lights (The Weeknd) • drivers license (Olivia Rodrigo) • Kings & Queens (Ava Max) • Therefore I Am (Billie Eilish) • Willow (Taylor Swift) • and more.

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, is giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Nick Lane will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Trombone" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Nick Lane Nick Lane has been active in the Los Angeles music scene for over twenty five years. He joined Maynard Ferguson's Band after graduating from Bostones Berklee College of Music and remained on the road for three years before moving to Los Angeles. He continued touring while based in L. A. with Rod Stewart, The Who and Tom Petty and The Heart Breakers. Nick Lane continues to perform with Etta James, Chicago, Shakira, Alejandro Sans and has even performed with Jennifer Lopez. Nick has also been featured in a special PBS broadcast about "the blues" with T-Bone Burnett. Nick remains active in the commercial recording fields for movies, television, commercials and has recorded with such Pop artists as; Macy Gray, Tim Mc Graw, Baby Face, Destiny's Child, The Offspring, The Wallflowers, Fast Ball, Green Day, No Doubt, Natalie Merchant, Everclear, Barbara Streisand and Joe Cocker. Nick has recorded with such Jazz artists as; Rick Braun, Jeff Golub, David Benoit, Dave Koz, Kombo, Greg Karukus and Warren Hill. Nick's popular "lounge jazz" CD performed with baritone saxophonist Greg Smith and an organ trio is recorded on the Oakland Stroke Label.

By Michael Davis. Composed by Michael Davis. For trombone. The 20 Minute Warm-Up Routine is a dynamic, comprehensive set of 15 exercises and 15 play-along tracks that will both warm you up and work you out. Book and CD. C bass clef edition. 27 pages. Published by Hip-Bone Music. (182) Level: intermediate.

Trombone

SKU: HL.870077

Composed by Various. Essential Elements Band Folios. Pop. Softcover. 16 pages. Published by Hal Leonard (HL.870077).

ISBN 9781705150269. UPC: 196288017004. 9.0x12.0x0.077 inches.

30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more.

Composed by John Williams. For trombone. Includes instrumental solo book and accompaniment CD. With standard notation. Movies. 9x12 inches. Published by Warner Brothers.

Composed by John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. For trombone solo. Includes trombone solo book and accompaniment CD. With standard notation, fingering chart and color photos. Movies. 24 pages. 9x12 inches. Published by Warner Brothers.

(Selections from Harry Potter and the Prisoner of Azkaban) Composed by John Williams. Instrumental solo book, accompaniment CD and set of performance parts for trombone and piano accompaniment. With fingering chart, black & white photos and color photos. 24 pages. Published by Alfred Publishing.

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

Trombone - intermediate

SKU: BT.DHP-1084481-400

Composed by Erik Veldkamp. Play 'em Right! Book with CD. Composed 2008. 24 pages. De Haske Publications #DHP 1084481-400. Published by De Haske Publications (BT.DHP-1084481-400).

ISBN 9789043129930. 9x12 inches. English-German-French-Dut ch.

Play â??em Right! is the ultimate series for wind players who want to learn popular music styles in a practical and exciting way. In Play â??em Right! - More Play-Along you will find thirteen amazing pop and jazz pieces: join in with RandB from the sixties, boogaloo, funk, gospel, jive, rock-shuffle, swing, latin and modern RandB. On the enclosed CD all thirteen can be found (demo play-along) - played â??liveâ?? by a professional combo. Thereâ??s plenty to discover in Play â??em Right! - More Play-Along!

Play â??em Right! is dé serie voor blazers die op een praktische en boeiende manier lichtemuziekstijlen willen leren. In Play â??em Right! - More Play-Along! vind je tien geweldige pop- en jazzstukken: speel mee met RandBuit de jaren zestig, boogaloo, funk, gospel, jive, rock-shuffle, swing, latin en moderne RandB. Op de bijgevoegde cd staan ze alle 13 (demo play-along) - â??liveâ?? ingespeeld door een professioneel combo. Er valt genoeg te ontdekkenin Play â??em Right! - More Play-Along!

Play 'em Right! ist die ultimative Reihe für Bläser, die auf praktische und spannende Weise Popmusikstile lernen möchten. In Play 'em Right! - More Play-along ist dies gleich mit 13 unglaublichen Jazz- und Popstücken möglich: RandB aus den Sechzigern, Boogaloo, Funk, Gospel, Jive, Rock-shuffle, Swing, Latin und moderner RandB. Auf der beiliegenden CD sind alle 13 Stücke zu finden (als Demo- und als Play-Along-Version) - live eingespielt von einer professionellen Combo. Es gibt viel zu entdecken in Play 'em Right! - More Play-along!

Play â??em Right! est la collection incontournable que tout instrumentiste vent se doit de posséder sâ??il souhaite se familiariser avec les styles de la musique pop, de façon simple, efficace et plaisante. Play â??em Right! - More Play-Along! réunit treize superbes morceaux pop et jazz dans des styles aussi divers que variés allant du RandB des années 60 au RandB moderne en passant par le boogaloo, le funk, le gospel, le jive, le rock-shuffle, le swing et les musiques latines. Sur le compact disc inclus, vous trouverez une version de démonstration et une version play-along de chaque pièce. Lâ??accompagnement a été confié un combo professionnel. Play â??em Right! - MorePlay-Along! : une aventure musicale !

Una pubblicazione che rappresenta una sfida per tutti gli strumentisti con allâ??attivo alcuni anni dâ??esperienza. Playâ??em Right - More Play Along copre una vasta paletta di stili musicali consentendo, grazie ad introduzioni sui vari generi ed esercizi tecnici, di avere un approccio efficace e gratificante. I 10 brani proposti spaziano dal pop al jazz, passando per il funk, il gospel, il rock-shuffle, lo swing e la musica latina. Molta importanza è data alla creativit , allâ??interpretazione e alla musicalit . Il CD incluso è un prezioso aiuto per lâ??acquisizione delle tecniche.

Trombone - advanced

SKU: CY.CC2905

Composed by Ludwig Milde. Arranged by Ralph Sauer. Studies. Romantic. Coil booklet. Published by Cherry Classics (CY.CC2905).

Ralph Sauer has beautifully edited Volume I of the Milde Concert Studies. They will add much to the Trombone study/etude literature. We look forward to many performers using these valuable studies to improve their technique and musicianship.
Origina lly written for the bassoon, these studies were favorites of the great trombone teacher, Emory Remington (1891-1971). While perhaps not “concertà ¢â‚¬Â material, they provide much more musical interest than the typical etude book.bBr />I have added dynamics and changed phrasings to be more suitable for the trombone while keeping the wide tessitura and the many clef changes of the original. Alternate positions are included to make the music more fluid. I have not indicated whether an alternate position is to be played slightly higher or lower. The trombonist should know what adjustments are needed, and adding the small sharps or flats would only clutter the notation.
These enjoyable and challenging studies will provide many hours of pleasurable practice. I have returned to these two volumes often over the years and hope that you will also find them useful and rewarding.
Ralph Sauer.

Trombone

SKU: GF.JPTB

Composed by Greg Fishman. Play-Along (Book+CD). Published by Greg Fishman Jazz Studios (GF.JPTB).

Milwaukee Avenue

Ogden Avenue

Narragans ett Avenue

Belden Avenue

Chicago Avenue

Quincy Street

Rockwell Street

Dearborn Street

Franklin Street

Pearson Street

Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.

This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone.

In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions.

Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Special Features of Jazz Phrasing for Trombone:

o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book.
Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading
Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.
Endorsements for Jazz Phrasing for Trombone:
Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. - Jamey Aebersold
This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms (with their appropriate phrasing) and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students! - Jerry Coker
Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University
Songs included in Jazz Phrasing for Trombone - Volume 1:
o Milwaukee Avenue
Ogden Avenue
Narragansett Avenue
Belden Avenue
Chicago Avenue
Quincy Street
Rockwell Street
Dearborn Street
Franklin Street
Pearson Street

A few words from the preface of the book:

Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music.

Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea.

Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development.

While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath.

Read the following sentences aloud to compare examples of good and bad phrasing.

Good phrasing, spoken in one continuous breath:

Ladies and gentlemen, it gives me great pleasure to introduce the senior class president.

Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words:

Ladies and gentlemen, it gives (breath) me great pleasure to introduce the senior class (breath) president.
The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing.

Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player.

These are pieces that will be fun for all musicians who love melodic writing with good thematic development..

Composed by Ludwig Milde. Arranged by Ralph Sauer. Romantic Russian. Coil booklet. 56 pages. Cherry Classics #3000. Published by Cherry Classics

By Amos Miller. For Trombone. A New Tune A Day. Level: Beginner. Sheet Music, Audio CD and DVD (Region 0), Instrumental Tutor. 48 pages. Published by Boston Music.

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Hal Leonard

By Corey Christiansen. For Trombone. Improvisation. Essential Jazz Lines. Jazz. Level: Intermediate. Book/CD Set. Size 8.5x11. 32 pages. Published by Mel Bay Publications, Inc.

By Walter Moeck. Solo. Trombone warm up. Composed 1976. Published by C.L. Barnhouse.

By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard.

Trombone

SKU: M7.AHW-2054

Or Bass Clef Baritone. Composed by Ernest S. Williams. Edited by Roger Smith. Sheet music. Method. 97 pages. Charles Colin Corp. #AHW 2054. Published by Charles Colin Corp. (M7.AHW-2054).

English.

Read below what Roger Smith had to say about completing this momumental work from the manuscripts of Ernest Williams. We are all thankful for his hard work: 'The Ernest S. Williams Modern Method for Trumpet or Cornet is generally recognized by teachers and students alike as the finest and most complete ' School ' for Trumpet and Cornett hat has ever been written. Both the technical and the musical aspects of these volumes reflect the genius of Dr. Williams as a musician, and as a teacher.' 'I was privileged to study both Trombone and Baritone with Dr. Williams, in fact he was my only teacher on either instrument. After graduation from the Ernest Williams School of Music, I became a member of the faculty, and assisted Dr. Williams with the teaching of Brasses, under his direct guidance, and using this material. Dr. Williams commenced the revision of the books at that time for Trombone and Baritone, a task which he was never to complete. This revision, based largely on his manuscripts, is the result of my training as his pupil and assistant, and of my experience as teacher of Trombone at the Juilliard School of Music.' 'The principal problems were two; proper introduction of the positions on the trombone, which are more difficul to learn than the valve combinations on Baritone or Trumpet, and the contrasting techniques of legato and slur on the two instruments. For these reasons some chapters of the book have been revised considerably, and some new material added from time to time.' If you do not know this book, you have to take a look.

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Trombone

SKU: HL.49000697

Score and Parts. Composed by Willy Schneider. Edited by Willy Schneider. Arranged by Kurt Sturzenegger. This edition: Saddle stitching. Sheet music. Blaserkreis. Classical. Score and Parts. 40 pages. Schott Music #BLK 321. Published by Schott Music (HL.49000697).

ISBN 9790001119948. UPC: 073999357240. 7.5x10.75x0.126 inches.

Composed by Charles Stacy. Arranged by Ira Nepus. Method Book. Coil bound book. Published by Cherry Classics (CY.CC2694).

Trombone - intermediate

SKU: BT.DHP-1094886-400

Arranged by Peter Kleine Schaars. Trioflex. Book with CD. Composed 2010. 28 pages. De Haske Publications #DHP 1094886-400. Published by De Haske Publications (BT.DHP-1094886-400).

ISBN 9789043133449. 9x12 inches. English-German-French-Dut ch.

Trio Flex is a clever concept that offers you a range of possible options. As well as a demo version played by live instruments, the enclosed CD contains two play-along tracks for each piece. One track features the combo only, and the other track features the combo plus the second and third parts of the trio. Peter Kleine Schaars has arranged ten well-known numbers for three wind instruments in various styles and genres. Play the melody with the combo on the CD, or play the trio version with the other two recorded parts. That will sound great in itself. But you can also form a trio with two co-players, and have yourselves accompanied by the combo on the CD. No matterwihich variation you choose, get ready for a musical experience that will amaze your audience!

Trio-Flex is een uitgekiend concept dat verschillende mogelijkheden met zich meebrengt. De meegeleverde cd bevat - naast een live ingespeelde demoversie - van elk nummer twee begeleidingstracks. Op de ene track hoor je alleenhet combo en op de andere track hoor je het combo met daarbij de tweede en derde stem van het trio.Fun Favorites Peter Kleine Schaars bewerkte tien bekende nummers voor drie spelers in diverse genres en stijlen. Speel demelodie met het combo op de cd, of speel de trioversie met de tegenstemmen. Dat klinkt al geweldig. Maar je kunt ook met twee medespelers een trio vormen en je door het combo op de cd laten begeleiden. Welke variant je ook kiest:bereid je voor op een muzikale belevenis die je publiek versteld zal doen staan!

Trio-Fle x ist ein cleveres Konzept, das verschiedene Möglichkeiten bietet. Neben einer live eingespielten Demoversion enthält die beiliegende CD zwei Mitspielversionen jedes Stückes. Eine wird nur von der Combo gespielt, die andere von der Combo zusammen mit der zweiten und dritten Stimme des Trios.Peter Kleine Schaars arrangierte zehn bekannte Titel für drei Posaunen in verschiedenen Genres und Musikstilen. Die Melodie zur Combo auf der CD gespielt oder die Trioversion mit den Gegenstimmen auf der CD - das alleine klingt schon wunderbar. Am schönsten ist allerdings, wenn sich zwei Mitspieler finden und dann im Trio zur Combo-Begleitung auf der CD musiziert werdenkann. Ganz egal, für welche Variante man sich entscheidet: Es wird eine musikalische Erfahrung, die jedes Publikum begeistert!

Trio Flex est un concept malin qui offre plusieurs possibilités de jeu. Chaque pièce est enregistrée dans trois versions : une version intégrale, jouée par un vrai combo, suivie de deux versions play-along qui correspondent une version combo seul et une version combo avec les les voix 2 et 3. Peter Kleine Schaars a arrangé dix morceaux orientés grand public, de styles et de genres variés, pour trois instruments vent. Il y a plusieurs options de jeu : jouer la ligne mélodique avec l'accompagnement du combo seul, jouer la ligne mélodique avec la version combo + voix 2 et 3 ou encore former un trio avec deux amis jouant du même instrument et swinguer avec les musiciens ducombo. Quelle que soit l'option choisie, vous ferez sensation auprès du public!

Fun Favorites è una pubblicazione basata sul concetto di TRIO-FLEX; si può quindi fare musica con tre strumentisti, da soli con il combo, o da soli con il combo e le parti del trio.