Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).
Violin and Piano SKU: IS.VLP4190EM Composed by Flor Alpaerts. Strings - V...(+)
Violin and Piano
SKU:
IS.VLP4190EM
Composed
by Flor Alpaerts. Strings
- Violin. Metropolis
Music Publishers
#VLP4190EM. Published by
Metropolis Music
Publishers
(IS.VLP4190EM).
ISBN
9790365041909.
In
1901, Flor Alpaerts
finished his music
studies at the Flemish
School of Music of
Antwerp, which later
became the Royal Flemish
Conservatory. He studied
harmony and composition
with Jan Blockx. In 1903
he became professor at
this institute and from
1934 until 1941 its
director. For one season
(1922-1923) he was also
director of the Royal
Flemish Opera House of
Antwerp together with the
bass Arthur Steurbaut.
His fame, as a composer
and a conductor, came
shortly after World War
I, when he succeeded
Eduard Keurvels in 1919
as conductor of the
concerts organized by the
Royal Zoological Society
of Antwerp and as
artistic director of the
Peter Benoit Fonds. He
also conducted the choral
group Arti Vocali. As a
composer, Flor Alpaerts
was the leading figure in
the Flemish
impressionistic movement,
utilizing an
impressionism that came
closer to Richard Strauss
and Ottorino Respighi
than to Claude Debussy. A
highlight in this
direction was the
symphonic poem Pallieter
(1921-1924). With his
suite James Ensor,
inspired by four works of
the Ostend painter, he
created an
expressionistic work. In
his later compositions he
turned to
neo-classicism.
Violin SKU: HL.48180833 For Violin and Piano. Composed by Johann S...(+)
Violin
SKU:
HL.48180833
For
Violin and Piano.
Composed by Johann
Sebastian Bach. Leduc.
Baroque. Softcover. 4
pages. Alphonse Leduc
#AL19371. Published by
Alphonse Leduc
(HL.48180833).
UPC:
888680857158.
9.0x12.0x0.02
inches.
Parisian
violinist Georges
Catherine (1872-1958)
compiles an exciting
collection for the violin
repertoire. J. S. Bach's
Menuet and Gigue is
clearly printed with all
edited and necessary
performance directions.
J.S. Bach (1685-1750) is
one of the greatest
composers of all time.
His compositions for the
violin were significant,
most of which remain
popular today in the
advanced violinist's
repertoire. The violin
solo line of Menuet and
Gigue makes use of
harmonics, bow
techniques,
aritculations, fast
semiquavers, and
ornamentation.
Catherine's series,
Violin Classics provides
essential access to
significant repertoire of
the violin, preparing
advanced violinists for
the major works of the
repertoire.
Violin & piano - Advanced SKU: EC.LMP044 Composed by Kareem Roustom. Inst...(+)
Violin & piano - Advanced
SKU: EC.LMP044
Composed by Kareem
Roustom. Instrumental
part. E.C. Schirmer
Publishing #LMP044.
Published by E.C.
Schirmer Publishing
(EC.LMP044).
ISBN
9781962585026.
This
work was especially
arranged for Thomas
Stumpf and Joanna
Kurkowicz and was adapted
from the second movement
of my Violin Concerto No.
1. The inspiration comes
from the melodic shapes
and sentiments of the
hymns and chants of the
Syrian Orthodox Church.
Though there is no direct
reference to any
particular hymn or chant
in that repertoire, it is
the formal structure and
melodic contour from that
tradition that provided
inspiration for Hymn;
especially in the opening
and closing sections. The
inner feelings of Hymn
reflect on one aspect of
the nature of faith, and
how one holds on to it in
a tumultuous world. This
is reflected in the
middle section where the
piano's jagged rhythms
attempt to throw off the
steady pulses of the
violin. Only faith in
one's own inner rhythm
can keep the violinist
moving steadily forward.
-Kareem Roustom.
For Violin and Piano. Composed by Nico Muhly. Music Sales America. Classi...(+)
For Violin and
Piano. Composed by
Nico Muhly. Music Sales
America. Classical.
Softcover. Music Sales
#SRO100133. Published by
Music Sales
(HL.14048062).
3rd and 5th Position. Composed by Friedrich Seitz. Easy Concertos And Concertino...(+)
3rd and 5th Position.
Composed by Friedrich
Seitz. Easy Concertos And
Concertinos. Romantic.
Book Only. 24 pages.
Bosworth and Co.
#BWH004580. Published by
Bosworth and Co.
Violin and Piano SKU: AY.VLP3174PM Composed by Carles M. Eroles. Strings ...(+)
Violin and Piano
SKU:
AY.VLP3174PM
Composed
by Carles M. Eroles.
Strings - Violin. Score &
Parts. Duration 9'.
Periferia Publishing
#VLP3174PM. Published by
Periferia Publishing
(AY.VLP3174PM).
ISBN
9790543572980.
The
material introduced by
the piano of the
beginning a solo is the
one that serves of
vertebral axis of the
work, that has nearly the
form of a rondo. This
introduction is based on
isolated, naked notes,
with a constant rythm of
the eighths that create a
big intervalic space
between them. Later on,
that will be used as a
support to an espressive
melody of the violin,
that will take this
material and will expose
it in pizzicato. In this
way will be used as
accompaniment to a very
suggestive and lyric
fragment of the piano
that covers nearly all
the registers of the
instrument. This will
lead to a second section
of the work, of a very
rythmic and intense
character of both
instruments. The third
section, the most
expressive of the work,
it's iniciated with some
chords of the piano that
little by litlle
dissapear and remembers
the introduction. Here,
the violin develops a
melody of big lirism,
supported by the piano
witht he material of the
introduction, but this
time there are non
isolated notes but full
chords that disintegrate
again at the end, taking
up again the idea of a
fragment of the first
section of the piece by
means of the piano. Far
from free instrumental
effects, the work looks
mainly for a direct
communication with the
listener.
Violin, Piano SKU: HU.F0571506577 For Violin and Piano. Composed by Paul de Key...(+)
Violin, Piano
SKU: HU.F0571506577
For Violin and Piano.
Composed by Paul de
Keyser. Strings,
Repertoire, Collections.
The Young Violinist's
Repertoire Book 2.
Softcover Book. 36 pages.
Faber Music #F0571506577.
Published by Faber Music
(
Il Diavolo Violon et Piano SATB, Orchestre Editorial de Musica Boileau
Violin and piano SKU: BO.B.3673 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3673
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3673).
It is a work
for violin and piano
inspired directly by
Paganini's Capriccio No.
13, known as La risata
del diavolo and one of
the most renowned
capriccios from the
series of twenty-four
composed by the
celebrated Genovese
violinist and composer.
In my version for violin
and piano, I have singled
out the two essential
features of the work: the
third notes on a double
string that emulate the
devil's laughter, and the
quick eighth notes that
follow, all of it within
a light and humorous
chromaticism.
Il
diavolo begins with a
slow and fragmented but
suggestive violin
cadenza. It then follows
the Allegro deciso, built
on the two features
mentioned above. In the
central part, yet another
violin cadenza of a
similar character but
which recalls the devil's
laughter more evidently.
The Allegro deciso goes
on up to a carefree and
virtuosic
finale.
Chamber Music violin, piano SKU: PR.144407050 Composed by James Primosch....(+)
Chamber Music violin,
piano
SKU:
PR.144407050
Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 28+12
pages. Duration 20
minutes. Theodore Presser
Company #144-40705.
Published by Theodore
Presser Company
(PR.144407050).
UPC:
680160655519. 9 x 12
inches.
Celebrating
30 years, the
Philadelphia Chamber
Music Society
commissioned a work of
20-25 minutes for violin
and piano from James
Primosch, University of
Pennsylvania professor of
music. Primosch had
originally thought to
create a new sonata, but
what developed is more
appropriately a set of
five character pieces,
two of which were
directly inspired by
poems. Five Poems was
premiered in May, 2016,
and Primosch's thoughts
are recorded at his
website:
https://jamesprimosch.com
/2016/05/10/five-poems-pr
emiere/. Upon
receiving a commission
from the Philadelphia
Chamber MusicSociety for
a violin and piano piece
in honor of its 30th
anniversary, myplan was
to write a sonata, a term
suggesting a relatively
abstractdiscourse. But as
the piece developed, the
movements struck me
ascharacter pieces rather
than music employing a
more
“symphonicâ€ap
proach. When specific
poems started to attach
themselves in my mindwith
two of the movements, the
overall title Five Poems
became clear.The title of
the second movement is a
line from Susan
Stewart’s“De
scentâ€, which deals
with Aeneas’s
visit to the underworld.
The musicis alternately
fiercely driving and
quite still, though
tense.
RobertFrost’s
Nothing Gold Can Stay
summons fleet scale
passages framinglyrical
counterpoint. The
remaining movements do
not refer to
specificpoems, but have
titles reflecting their
expressive tone.
Dreamscape ismusing with
an improvisatory violin
line over shifting pairs
of pianochords. Nightsong
is a bluesy lullaby that
turns highly
dramatic.Vision begins
with a closely argued
struggle but breaks
through tosomething
spacious and clear.