Violin and Piano. Composed by Edvard Greig. Edited by Einar Steen-Nokleberg ...(+)
Violin and Piano.
Composed by
Edvard Greig. Edited by
Einar
Steen-Nokleberg and
Ernst-
Gunter Heinemann. Henle
Music
Folios. Classical.
Softcover.
G. Henle #HN1105.
Published
by G. Henle
Violin, Piano - Grade 2 SKU: FL.FX071924 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 2
SKU: FL.FX071924
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071924.
Published by FLEX
Editions (FL.FX071924).
The wind
carries away the yellow
leaves fallen on the
pavement, the cafes put
tables and chairs in... I
evoke here a fall tour
that is difficult to do
quietly in Paris. How to
take your time in this
city with so many streets
to cross (musical phrases
of 3 measures), cars or
buses to avoid (musical
phrases starts on the
second time). While the
chestnut vendors are on
subway entrances, how not
to hurry like others
(theme B) to 'catch' the
subway...
With a CD of Performance and Backing Tracks Complete Edition (Violin, Guitar...(+)
With a CD of Performance
and
Backing Tracks Complete
Edition (Violin, Guitar,
Piano). Composed by
Various.
Edited by Edward Huws
Jones.
Arranged by Edward Huws
Jones. Boosey &
Hawkes
Chamber Music. Bluegrass,
Blues, Jazz, Ragtime.
Softcover with CD. 28
pages.
Boosey & Hawkes
#M060124228.
Published by Boosey &
Hawkes
Violin, Piano - Grade 3 SKU: FL.FX071574 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071574
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071574.
Published by FLEX
Editions (FL.FX071574).
The purpose of
this composition is to
familiarize yourself with
the unusual 5/4 metric,
often associated to the
famous jazz standard by
Paul Desmond, Take Five.
Rhythms and articulation
are varied but without
major difficulty. This
iece is dedicated to the
saxophonist Michel
Itier.
Three Selected Pieces. Composed by Hyung-ki Joo / Aleksey Igudesman. Scor...(+)
Three Selected
Pieces. Composed by
Hyung-ki Joo / Aleksey
Igudesman. Score and
part(s). Universal
Edition #UE34170.
Published by Universal
Edition (PR.UE034170).
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).
Violin and Piano SKU: YM.GTW01100445 Composed by Various. Japanese Tradit...(+)
Violin and Piano
SKU:
YM.GTW01100445
Composed by Various.
Japanese Traditional
Songs; Strings. Score and
part. Yamaha Music Media
#GTW01100445. Published
by Yamaha Music Media
(YM.GTW01100445).
ISBN
9784636103052. 8.5 x 12
inches.
Here, you
can enjoy the beautiful
Japanese classic tunes
expressing the changing
seasonal sentiments in
this book. It features 25
songs, mainly nursery
rhymes, children's songs,
and shoka songs, and it
comes with a karaoke CD
of piano accompaniment.
Please enjoy these
wonderful arrangements,
which are perfect for
recitals and
concerts.
Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. ...(+)
Violin and Piano.
Composed by César
Franck. Edited by Monica
Steegmann. Henle Music
Folios. Softcover. 66
pages. G. Henle #HN1351.
Published by G. Henle
(HL.51481351).
Sonatas Violon et Piano [Part|Solo Part|Performance Score] Shawnee Press
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Hiromi Hoshino; Takeshi Ki...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Hiromi Hoshino;
Takeshi Kiriyama. For
Piano, Violin. Playing
Score; Single Part;
Urtext Edition
(paperbound)
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf...(+)
Violin, Piano
SKU: HU.HN688
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Strings, Repertoire,
Solos. Violin Concerto
No. 3 G major K. 216.
Classical. Softcover
Book. 62 pages. G. Henle
#HN688. Published by G.
Henle (HU.HN688).
Piano SKU: HL.48021306 Piano Accompaniment. Composed by Geza Szilv...(+)
Piano
SKU:
HL.48021306
Piano
Accompaniment.
Composed by Geza Szilvay
and Laszlo Rossa. Boosey
& Hawkes Chamber Music.
Classical. Softcover. Hal
Leonard #M550111035.
Published by Hal Leonard
(HL.48021306).
This
publication paves the way
for intimate chamber
music and recital
playing. The popular
melodies are taken from
the early volumesof the
Colourstrings Violin ABC.
The violin part is
printed in two ways: with
coloured notes and with
traditional note
writings. Theparts for
violin and piano are
available in two separate
books.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.51481164 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.51481164
For Violin and
Piano. Composed by
Edvard Grieg. Edited by
Egon Voss, Einar
Steen-Nö, and kleberg.
Henle Music Folios.
Classical. Softcover. 222
pages. G. Henle #HN1164.
Published by G. Henle
(HL.51481164).
UPC:
196288215875.
9.25x12.0x0.7
inches.
Grieg's
violin sonatas are a firm
staple of violin
repertoire and are
popular with amateurs and
professionals alike. G.
Henle Publishers takes
this into account with a
practical single-volume
edition of the three
sonatas. Thus, you are
simply spoilt for choice
as to whether you prefer
the youthful zest of the
first, the
Nordic-folkloristic charm
of the second or the
mature drama of the third
sonata. The opulent
volume is rounded off by
a small piece that is
ideal as an encore: a
march from Grieg's
incidental music to
Sigurd Jorsalfar, which
the composer himself
arranged for violin and
piano. Therefore, this
Henle Urtext edition
actually offers
GriegÂs complete
oeuvre for this
instrumentation â a
âmust-haveâ for
all fans of the great
Nordic melodist.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Six Easy Pieces Violon et Piano [Conducteur et Parties séparées] - Intermédiaire Faber Music Limited
By Edward Elgar (1857-1934). For Violin and Piano. Masterworks; Part(s); Score; ...(+)
By Edward Elgar
(1857-1934). For Violin
and Piano. Masterworks;
Part(s); Score; Solo;
String - Violin and
Piano. Faber Edition.
Masterwork; Romantic.
Intermediate. Published
by Faber Music
Violin SKU: HL.48021305 Violin Part. Composed by Geza Szilvay and ...(+)
Violin
SKU:
HL.48021305
Violin
Part. Composed by
Geza Szilvay and Laszlo
Rossa. Boosey & Hawkes
Chamber Music. Classical.
Softcover. Hal Leonard
#M550111028. Published by
Hal Leonard
(HL.48021305).
This
publication paves the way
for intimate chamber
music and recital
playing. The popular
melodies are taken from
the early volumesof the
Colourstrings Violin ABC.
The violin part is
printed in two ways: with
coloured notes and with
traditional note
writings. Theparts for
violin and piano are
available in two separate
books.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.14048258 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.14048258
For
Violin and Piano.
Composed by Joby Talbot.
Music Sales America.
Classical. Softcover.
Composed 2006. 12 pages.
Chester Music #CH70103.
Published by Chester
Music (HL.14048258).
ISBN 9781846099212.
UPC: 196288140962.
8.25x12.0x0.064
inches.
Taken from
Once Around The Sun, this
is the month of June.
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
Composed by Camille Saint- Saens (1835-1921). Edited by Celine Dreze. This edit...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Celine Dreze. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Transcription for Violin
and
Piano by the Composer.
Performance score, Part
(1).
Opus 40. Baerenreiter
Verlag
#BA10941. Published by
Baerenreiter Verlag