| A Brazilian Carol Chorale SATB SATB, Cordes Shawnee Press
(Sleep Peacefully). Composed by Northeast Brazilian Lullaby. Arranged by Ken Lit...(+)
(Sleep Peacefully).
Composed by Northeast
Brazilian Lullaby.
Arranged by Ken Litton.
For Choral, Violin (SATB
W/ VIOLIN). Harold
Flammer. 16 pages.
Published by Shawnee
Press
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Love Came Down to Bethlehem Chorale SATB Shawnee Press
By Matt Maher. By Jon Guerra and Matt Maher. Arranged by Ken Litton. Shawnee S...(+)
By Matt Maher. By Jon
Guerra
and Matt Maher. Arranged
by
Ken Litton. Shawnee
Sacred.
Christmas. Octavo.
Duration
235 seconds. Published by
Shawnee Press
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| And When It Was Evening Chorale 3 parties SAB Shawnee Press
Choral (SAB Choir) SKU: HL.1104101 Composed by Ken Litton. Shawnee Sacred...(+)
Choral (SAB Choir)
SKU: HL.1104101
Composed by Ken Litton.
Shawnee Sacred.
Communion, Easter,
General Worship, Holy
Week, Sacred. Octavo.
Duration 150 seconds.
Published by Shawnee
Press (HL.1104101).
UPC: 196288101819.
6.75x10.5x0.019 inches.
Mark 14:17-25. The
example of Christ's
servanthood at the Last
Supper is expressed in
this poignant anthem. A
precious, almost fragile
melody carries this
elegant scripture-based
lyric in loving arms, and
the thinner texture
allows for the words to
truly speak to the
listener. $2.20 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alleluia to the Newborn King Chorale 2 parties Shawnee Press
Composed by Ken Litton. Shawnee Sacred. Christmas Sacred. Octavo. 8 pages. Pu...(+)
Composed by Ken Litton.
Shawnee Sacred. Christmas
Sacred. Octavo. 8 pages.
Published by Shawnee
Press
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Stop and Go [Set de Parties séparées] Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr SKU:
PE.EP68488A Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A). ISBN
9790300758909.
English. At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor) As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011) $39.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stop and Go [Conducteur] Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr SKU:
PE.EP68488 Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488). ISBN
9790300758893.
English. At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor) As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011) $18.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sinfonia Per Banda Sc/pts Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Concert Band/Harmonie (Score & Parts) - Grade 5 SKU: HL.44011379 -1872...(+)
Concert Band/Harmonie
(Score & Parts) - Grade 5
SKU: HL.44011379
-1872. Composed by
Amilcare Ponchielli.
Arranged by Franco
Cesarini. Mitropa Music
Concert Band.
Transcription. Score
Only. Composed 2010. Hal
Leonard #173110M.
Published by Hal Leonard
(HL.44011379). UPC:
884088892678. 9x12
inches.
English(US)/Deutsch/Franc
ais/Nederlands. Thi
s overture, called
Sinfonia, is
without doubt one of the
best original works for
concert band to emerge
from the 19th century. It
is characterised by its
fluid spontaneity as well
as its rich texture. This
arrangement off ers bands
the opportunity to
perform a work of high
artistic value, which
otherwise would be
forgotten.
Deze
ouverture met de titel
Sinfonia is zonder
twijfel een van de beste
oorspronkelijke
19e-eeuwse werken voor
blaasorkest. De componist
Ponchielli werkte
jarenlang als dirigent in
Cremona en Piacenza (waar
hij een blaasorkest
leidde). Zijn oeuvre, dat
wordt bewaard in de
Nationale Bibliotheek in
Cremona, omvat ongeveer
150 originele partituren,
waaronder composities en
fantasieen die zijn
gebaseerd op lyrische
opera's van belangrijke
componisten uit zijn
tijd. De Sinfonia per
banda uit 1872 is een
volwassen werk waarin het
grote vakmanschap van
Ponchielli goed tot zijn
recht komt. Het wordt
gekenmerkt door een
vloeiende spontaniteit en
rijke textuur, enzoals
gezegd is het een van
Ponchielli's fraaiste
werken voor
blaasinstrumenten. Het
originele manuscript was
geschreven voor de
volgende bezetting:
Ab-klarinet, Eb-klarinet,
Bb-klarinetten 1-2-3,
Eb-bugel, Bb-cornetten
1-2, flugelhorn 1-2,
Eb-genis/hoorns 1-2-3,
Bb-trompetten 1-2-3,
Eb-bastrompet, trombones
1-2-3, Bb-basbugel,
Bb-tenorhoorn,
'pelittone'
(basinstrument), kleine
trom, grote trom en
pauken. Deze bewerking
geeft orkesten de
mogelijkheid om een werk
van een hoog artistiek
niveau uit te voeren dat
anders in vergetelheid
zou raken.
Diese
mit Sinfonia
betitelte Ouvertüre
ist zweifellos eines der
besten originalen Werke
für Blasorchester
aus dem 19. Jahrhundert.
Sie ist gepragt von
flüssiger
Spontaneitat und
Einfallsreichtum. Diese
Bearbeitung von Franco
Cesarini bietet modernen
Blasorchestern die
Chance, ein Werk von
hohem
künstlerischem Wert
aufzuführen, das
sonst in Vergessenheit
geraten ware.
Cette ouverture
du compositeur italien
Amilcare Ponchielli
(1834-1886) est une des
oeuvres majeures du
repertoire pour Orchestre
a Vent du XIXe siecle.
Sinfonia per Banda
(Ouverture pour Orchestre
a Vent - 1872), oeuvre de
maturite, revele
l'immense talent du
compositeur. Elle se
caracterise par un style
fluide et spontane, et
une texture riche. En
readaptant cette oeuvre,
Franco Cesarini offre aux
Orchestres a Vent
d'aujourd'hui
l'opportunite de faire
revivre une composition
quelque peu
oubliee.
Questa
sinfonia e indubbiamente
una delle migliori opere
originali per banda che
si siano tramandate dal
XIX secolo. Essa si
sviluppa con scorrevole
spontaneita e ricchezza
d'invenzione ed e una
delle migliori opere per
fiati di Ponchielli.
L'arrangiamento di Franco
Cesarini ha l'obiettivo
di restituire alle
orchestre di fiati
contemporanee un'opera di
notevole pregio
artistico, altrimenti
destinata ad essere
dimenticata. $153.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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