Glasnost Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0890140-020 Composed by Dizzy Stratfor...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0890140-020
Composed by Dizzy
Stratford. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 1989. De
Haske Publications #DHP
0890140-020. Published by
De Haske Publications
(BT.DHP-0890140-020).
This
composition by Dizzy
Stratford symbolises the
birth of the new Russia
in the time of Mikhail
Gorbachev with its new
openness in public
affairs (glasnost)
accompanied by political
and economic reform
(perestroika). Glasnost
is a work offering a
modern vision of Russian
music. Dizzy Stratford
has chosen to combine the
national hymn of the
Soviet Union with two
traditional melodies
which, with a steady,
energetic rhythm portray
the wind of change and
freedom in Russian
society.
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Choral SKU: HL.48023292 CME In High Voice. Composed by Kris Boerge...(+)
Choral
SKU:
HL.48023292
CME In
High Voice. Composed
by Kris Boerger. In High
Voice. Contemporary.
Octavo. 8 pages. Boosey &
Hawkes #M051499962.
Published by Boosey &
Hawkes (HL.48023292).
This is
the second in the trilogy
called “Widow
Poems,” written
after the sudden death of
a lover. Each of the
three represents a
different stage in the
arc of the poet's grief.
In this one, the bereaved
begins to handle the
material affairs of the
deceased as she, glossing
Shakespeare's famous
funeral poem, contrasts
his state of peace with
her own dread.
Opera Buffa in One Act Vocal Score. Composed by Jacques Offenbach (1819-1880...(+)
Opera Buffa in One Act
Vocal
Score. Composed by
Jacques
Offenbach (1819-1880).
Edited
by Jean-Christophe Keck.
Boosey & Hawkes
Scores/Books.
Classical, Opera.
Softcover.
88 pages. Boosey &
Hawkes
#M202534762. Published by
Boosey & Hawkes
Critical Edition
Hardcover. Composed
by Karol Szymanowski.
PWM. Classical.
Hardcover. 60 pages.
Polskie Wydawnictwo
Muzyczne #9267030.
Published by Polskie
Wydawnictwo Muzyczne
(HL.370494).
ISBN
9781705147009. UPC:
840126994025.
The
First String Quartet in C
major, Op. 37, was
written in the autumn of
1917 and earned
Szymanowski the first
prize in a competition
organized by the Ministry
of Religious and in a
competition organized by
the Ministry of Religious
and Educational Affairs
in January 1922. The
First String Quartet is
notable for its clar and
simple construction. The
first movement is in the
formof a sonata allegro;
the Andantino semplice
(in modo iuna canzone) in
the middle is a cross
between ternary and
variation form. The final
Scherzando alla burlesca
also keeps to the form of
a sonata allegro. The
combinations and
proportions of formal
factors and the treatment
of thematic material
betray a fairly
conventional adoption of
classical models.
Similarly, the expressive
and structural use of
melodic material shows a
respect for traditional
norms. Szymanowski
created, in other works
from the same period, his
own individual type of
melodic line, which was
strongly expressive and
achieved its effect
chiefly by its tonal
qualieties; nevertheless
in this Quartet he
returns to a fluid,
cantilena-like,
symmetrically shaped
melodic line, which runs
along in broad phrases of
a concentrated,
reflective character.
Melody becomes the chief
factor in the development
of the form, both in
thematic usage and in the
application of a more
polyphonic texture.
Harmonic and tonal means
are considerably
simplified in the Quartet
[]. Most of the writing
is linear, or horizontal,
with individual treatment
of each part, the
parallel continuation of
the four sound planes,
almost a matter of
principle. The functions
of the particular
instruments in realizing
these planes are
constantly changing,which
accounts for the even
greater variedy of
tone-colour. The decision
to forego experiment with
forms and sonorities is
reflectedin the overall
approach to musical
expression. The
predominant atmosphere of
restrained emotion, quiet
lyricism and serenity is
strongly suggestive of
classical aestetic
models. (Based on Zofia
Helman Commentary on
Szymanowski Complete
Edition, Vol. B6) (II)
The ''Second String
Quartet'' represents an
interesting attempt to
revert to classical form
coupled with the new
harmonic and tonal
vocabulary worked out
previously in the
''Slopiewnie'', ''Stabat
Mater'' and ''Mazurkas''.
It was also the first
time the composer had
used folk elements in the
framework of a major
classical form. The
''Second String Quartet''
is in a special category
among Szymanowski's
works. Though it dates
from the composer was
still occupied with folk
music, it nevertheless
shows him returning to
classical models, but at
the same time using an
aesthetic of subjective
expression, which gives
the work its own
individual stamp. The
''Second String Quartet''
synthesis of the various
directions in which
Szymanowski was
attempting to develop.
The sonority and texture
used in the first.
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
Fantasia Helvetica Orchestre d'harmonie - Intermédiaire De Haske Publications
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.44013214 C...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.44013214
Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert, Festival.
Softcover. Duration 460
seconds. De Haske
Publications #1175760010.
Published by De Haske
Publications
(HL.44013214).
UPC:
888680793630.
Pfarr
eimusik Wunnewil-Flamatt
requested a new work to
be commissioned for the
celebration of its 111th
anniversary. They asked
the composer to create a
piece lasting
approximately 11 minutes
and 11 seconds. The band
asked Jan Van der Roost
to reflect on a number of
aspects from the past, as
well as the current state
of affairs. The piece
contains lyrical
movements, cheerful and
jubilant parts, as well
as light introverted
sequences. Fantasia
Helvetica is a varied
concert piece with a
number of challenging
passages, but is also fun
to play! (Grade 4) Dur:
11:10 (De Haske).
Internal Affairs Ensemble d'Accordéons [Conducteur] - Intermédiaire De Haske Publications
Accordion Orchestra - intermediate SKU: BT.DHP-0960674-160 Composed by Ma...(+)
Accordion Orchestra -
intermediate
SKU:
BT.DHP-0960674-160
Composed by Maja Lipa.
Accordion. Concert Piece.
Score Only. Composed
1996. 20 pages. De Haske
Publications #DHP
0960674-160. Published by
De Haske Publications
(BT.DHP-0960674-160).
Fantasia Helvetica Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175760-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175760-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2017.
De Haske Publications
#DHP 1175760-010.
Published by De Haske
Publications
(BT.DHP-1175760-010).
English-German-French-
Dutch.
Pfarreimusik
Wünnewil-Flamatt
requested a new work to
be commissioned for the
celebration of its 111th
anniversary. They asked
the composer to create a
piece lasting
approximately 11 minutes
and 11 seconds. The band
asked Jan Van der Roost
to reflect on a number of
aspects from the past, as
well as the current state
of affairs. The piece
contains lyrical
movements, cheerful and
jubilant parts, as well
as light introverted
sequences. Fantasia
Helvetica is a varied
concert piece with a
number of challenging
passages, but is also fun
to
play!
Pfarreimusik
Wünnewil-Flamatt uit
Zwitserland gaf de
opdracht voor dit werk om
haar 111-jarig bestaan
gestalte te geven en
verzocht de componist om
er een ongeveer elf
minuten en elf seconden
durende compositie van te
maken. Verder vroeg het
orkest Jan Van der Roost
om een aantal aspecten
uit het verleden en de
huidige samenstelling
(als bloeiende vereniging
met veel jeugd) weer te
geven. Het werk bevat
lyrische momenten en
opgewekte tot zelfs
uitbundige delen, maar
ook ingetogen passages.
Al met al is Fantasia
Helvetica een
afwisselend en welluidend
concertwerk met een paar
uitdagende passages, maar
het draait vooral om het
speelplezier!
Die
Pfarreimusik
Wünnewil-Flamatt gab
aus Anlass ihres
111-jährigen Bestehens
ein neues Werk in
Auftrag. Sie baten den
Komponisten, ein Stück
zu komponieren, das etwa
elf Minuten und elf
Sekunden dauert. Jan Van
der Roost sollte
außerdem einige
Aspekte aus der
Geschichte des Orchesters
sowie aktuelle Ereignisse
darstellen. Das Stück
enthält lyrische
Passagen, fröhliche
und triumphierende
Abschnitte sowie leicht
introvertierte Sequenzen.
Fantasia Helvetica
ist ein
abwechslungsreiches
Konzertstück mit
einigen anspruchsvollen
Passagen, aber es macht
vor allem Spaß, es zu
spielen!
ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques.
Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Fantasia Helvetica Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175760-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175760-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2017. 52
pages. De Haske
Publications #DHP
1175760-140. Published by
De Haske Publications
(BT.DHP-1175760-140).
English-German-French-
Dutch.
Pfarreimusik
Wünnewil-Flamatt
requested a new work to
be commissioned for the
celebration of its 111th
anniversary. They asked
the composer to create a
piece lasting
approximately 11 minutes
and 11 seconds. The band
asked Jan Van der Roost
to reflect on a number of
aspects from the past, as
well as the current state
of affairs. The piece
contains lyrical
movements, cheerful and
jubilant parts, as well
as light introverted
sequences. Fantasia
Helvetica is a varied
concert piece with a
number of challenging
passages, but is also fun
to
play!
Pfarreimusik
Wünnewil-Flamatt uit
Zwitserland gaf de
opdracht voor dit werk om
haar 111-jarig bestaan
gestalte te geven en
verzocht de componist om
er een ongeveer elf
minuten en elf seconden
durende compositie van te
maken. Verder vroeg het
orkest Jan Van der Roost
om een aantal aspecten
uit het verleden en de
huidige samenstelling
(als bloeiende vereniging
met veel jeugd) weer te
geven. Het werk bevat
lyrische momenten en
opgewekte tot zelfs
uitbundige delen, maar
ook ingetogen passages.
Al met al is Fantasia
Helvetica een
afwisselend en welluidend
concertwerk met een paar
uitdagende passages, maar
het draait vooral om het
speelplezier!
Die
Pfarreimusik
Wünnewil-Flamatt gab
aus Anlass ihres
111-jährigen Bestehens
ein neues Werk in
Auftrag. Sie baten den
Komponisten, ein Stück
zu komponieren, das etwa
elf Minuten und elf
Sekunden dauert. Jan Van
der Roost sollte
außerdem einige
Aspekte aus der
Geschichte des Orchesters
sowie aktuelle Ereignisse
darstellen. Das Stück
enthält lyrische
Passagen, fröhliche
und triumphierende
Abschnitte sowie leicht
introvertierte Sequenzen.
Fantasia Helvetica
ist ein
abwechslungsreiches
Konzertstück mit
einigen anspruchsvollen
Passagen, aber es macht
vor allem Spaß, es zu
spielen!
Glasnost Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0890140-030 Composed by Dizzy Stratford....(+)
Brass Band - Grade 3
SKU:
BT.DHP-0890140-030
Composed by Dizzy
Stratford. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 1989. De
Haske Publications #DHP
0890140-030. Published by
De Haske Publications
(BT.DHP-0890140-030).
This
composition by Dizzy
Stratford symbolises the
birth of the new Russia
in the time of Mikhail
Gorbachev with its new
openness in public
affairs (glasnost)
accompanied by political
and economic reform
(perestroika). Glasnost
is a work offering a
modern vision of Russian
music. Dizzy Stratford
has chosen to combine the
national hymn of the
Soviet Union with two
traditional melodies
which, with a steady,
energetic rhythm portray
the wind of change and
freedom in Russian
society.
Internal Affairs Ensemble d'Accordéons [Conducteur et Parties séparées] - Facile De Haske Publications
Accordion Orchestra - Grade 3 SKU: BT.DHP-0960674-060 Composed by Maja Li...(+)
Accordion Orchestra -
Grade 3
SKU:
BT.DHP-0960674-060
Composed by Maja Lipa.
Accordion. Opening
Pieces. Set (Score &
Parts). Composed 1996. De
Haske Publications #DHP
0960674-060. Published by
De Haske Publications
(BT.DHP-0960674-060).
An Invaluable Resource of Keyboard Concertos from Baroque Through Contempora...(+)
An Invaluable Resource of
Keyboard Concertos from
Baroque Through
Contemporary
Periods for Teachers,
Students, and Performers.
Composed by Karen Beres
and
Christopher Hahn. Book;
Graded Standard
Repertoire;
Masterworks; Reference
Textbooks; Textbook -
Piano.
Form: Concerto.
Masterwork.
144 pages. Published by
Alfred Music
SKU: BA.BA05855 Singspiel in three acts. Composed by Georg Philipp...(+)
SKU: BA.BA05855
Singspiel in three
acts. Composed by
Georg Philipp Telemann.
Edited by Wolfgang
Hirschmann. This edition:
Edition of selected
works, Urtext edition.
Linen. Telemann Musical
Works. Volume 37.
Singspiel (Choral).
Edition of selected
works, Score. TWV 21.
Duration 1 hour, 39
minutes, 59 seconds.
Baerenreiter Verlag
#BA05855_00. Published by
Baerenreiter Verlag
(BA.BA05855).
ISBN
9790006497942. 33.1 x
26.1 cm inches. Text:
Christoph Gottlieb
Wend.
In Die
Last-tragende Liebe oder
Emma und Eginhard (1728)
several strands and
levels of plot are
interwoven in complex
fashion. The serious is
intertwined with the
comic, affairs of state
with the individually
human. People of high
rank and lower rank
communicate with each
other, one group
perfectly understanding
the language of the other
and even capable of
speaking it if
necessary.
Charlem
agne, emerging victorious
from a war, learns that
his daughter Emma and his
secretary Eginhard have
fallen in love with each
other. As Emperor,
Charlemagne, pressed by
his wife Fastrath, has to
oppose this relationship,
but as a loving father he
comes into conflict, as
Emma has to decide
between her love or a
marriage befitting her
social standing. In
addition to this, Emma is
wooed by Prince Heswin
who in turn is loved by
Emma’s friend
Hildegard. The servant
Barbara, who is pursued
by the factotum Urban, is
in love with Eginhard,
but it is Steffen, the
commentator on
everything, who succeeds
in winning
her.
Telemannâ€
™s highly complex
music, expressive and
emotional, artistic and
stylish, is suited to
each and every situation
and level –
“an incomprable
masterpiece by Herr
Telemann who is never
praised enoughâ€, as
the printed libretto
stated.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Fantasia Helvetica Orchestre d'harmonie - Intermédiaire De Haske Publications
Score Only Concert Band (Score) - Grade 4 SKU: HL.44013215 Composed by Ja...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.44013215
Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert, Festival.
Softcover. Duration 460
seconds. De Haske
Publications #1175760140.
Published by De Haske
Publications
(HL.44013215).
UPC:
888680793647.
Pfarr
eimusik Wunnewil-Flamatt
requested a new work to
be commissioned for the
celebration of its 111th
anniversary. They asked
the composer to create a
piece lasting
approximately 11 minutes
and 11 seconds. The band
asked Jan Van der Roost
to reflect on a number of
aspects from the past, as
well as the current state
of affairs. The piece
contains lyrical
movements, cheerful and
jubilant parts, as well
as light introverted
sequences. Fantasia
Helvetica is a varied
concert piece with a
number of challenging
passages, but is also fun
to play! (Grade 4) Dur:
11:10 (De Haske).