By Chris Tedesco. This edition: Paperback. Instructional. Jazz Method. Conductor's score with CD. Text Language: English. 104 pages. Published by Santorella Publications

Composed by Steve Hodges. Concert Band. Concert Band; Part(s); Score. Challenger Band Series. Light Concert; Rock. Grade 1.5. 176 pages. Published by Alfred Music

By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.

String Quartet

SKU: HL.14008374

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 2006. 24 pages. Chester Music #CH68629. Published by Chester Music (HL.14008374).

ISBN 9781846096150. UPC: 884088435202. 8.25x11.75x0.105 inches.

The Full Score for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo, Norway, as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than its predecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq. I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixth Strathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of the work. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movement juxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be present in, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase (from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that I was reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B progression underlying the whole construction derives from a passage in the development of the first movement of Mahler's Third Symphony, and the opening of Schoenberg's Second String Quartet. However, unlike in these models, here a real - if temporary - sense of resolution occurs at the close of the quartet: as when the curtain falls on the reconciled Count and Countess in 'Figaro' one wonders how long the F/B truce will hold, and games break out again. The quartet is dedicated to Giuseppe Rebecchini, Roman architect, and friend since the nineteen-fifties.

Concert Band - Grade 1.5

SKU: AP.41927S

Composed by Steve Hodges. Concert Band; Performance Music Ensemble; Single Titles. Challenger Band Series. Light Concert; Rock. Score. 8 pages. Duration 2:35. Alfred Music #00-41927S. Published by Alfred Music (AP.41927S).

UPC: 038081482507. English.

Break out of the daily doldrums with this dynamic rock piece! Featuring a driving bass line, expanded percussion, and exciting themes, each section of the band gets a chance to rock the house! (2:35).

By Horace Silver. Arranged by Rob McConnell. For little big band (ATB Saxophones, 2 Trumpets, 1 Trombone, and Rhythm). Score and parts. Published by Walrus Music Publishing

Performed by Kenny G. For saxophones (soprano, alto, tenor), keyboard, guitar, bass and drum set. Format: full score (includes separate pull-out saxophone part). With full score notation, chord names and drum notation. Adult contemporary and pop. Series: Hal Leonard Artist Transcriptions. 72 pages. 9x12 inches.

By John Edmondson, Anne McGinty. Band. For concert band. Program/technic book. Queenwood Beginning Band. Book G,7. Conductor's score and CD. Published by Queenwood Publications

By Roland Barrett. Concert Band. Concert Band; Part(s); Score. Belwin Young Band. Form: Dance. Folk; Multicultural. Grade 2. 264 pages. Published by Belwin Music

By Roland Barrett. Concert Band. Concert Band. Belwin Young Band. Form: Dance. Folk; Multicultural. Grade 2. Score only. 32 pages. Published by Belwin Music

(duet for drumset and multipercussion). By John Max McFarland. Multipercussion Duet. For Drumset (snare, kick, 4 toms), 4 octabons, timbales, 14 hihats, 13 hihats, low crash cymbal, 2 splash cymbals, high crash cymbal, 2 ride cymbals, sizzle cymbal, China cymbal, high and low jam blocks (w/pedal), cowbell (w/pedal), bongos, 3 roto toms, con (2 players). Percussion Duets. Advanced. Score and CD-ROM (containing printable parts). 16 pages. Duration 7'00 . Published by Tapspace Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2

SKU: CF.YPS257F

Composed by Mark Lortz. Yps. Full score. 12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257F. Published by Carl Fischer Music (CF.YPS257F).

ISBN 9781491161968. UPC: 680160920648.

Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through.
Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through.

Full Score. By George Frideric Handel. Arranged by Ebenezer Prout. (score). Choral Large Works. Size 9x12 inches. 356 pages. Published by G. Schirmer, Inc.

Composed by Traditional African American Spiritual. Arranged by Howard J. Buss. This well-known African American spiritual (the foot bone's connected to the leg bone, the leg bone's connected to the...), arranged by Howard Buss, makes a memorable concert feature as well as a rousing musical offering in church. African American Spiritual. Score and parts. Duration 2'30". Brixton Publications #B1021. Published by Brixton Publications

Percussion Feature. Composed by Chris M. Bernotas. Concert Band; Part(s); Score. Sound Innovations for Concert Band. Novelty. 142 pages. Published by Alfred Music (AP.44157).

By Scott Stanton. Jazz Ensemble. Grade 3. Score and set of parts. Composed 2005. Duration 0:03:06

World Music. Composed by Aleksey Igudesman. Score and part(s). With Standard notation. Universal Edition #UE33653. Published by Universal Edition

Composed by Traditional. Arranged by Anton Burger. For concert band. Solo and Band series. Level C. Score and parts. Duration 4'00''. Published by Molenaar Edition

By Richard Rigg. Orchestra. Part(s); Score; String Orchestra. Highland String Orchestra. Grade 2. 132 pages. Published by Alfred Music

How to Succeed in Business Without Really Trying by Frank Loesser. For Piano/Keyboard, Vocal. Vocal Score. 172 pages. Published by Hal Leonard