For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
The Big Book of Childrens Songs for Little Guitar Pickers composed by Tony Santo...(+)
The Big Book of Childrens
Songs for Little Guitar
Pickers composed by Tony
Santorella. For guitar
and voice. This edition:
Paperback. Collection.
Little Picker series.
Childrens. Book. Text
Language: English;
Tablature, chords and
lyrics. 180 pages.
Published by Santorella
Publications
(Windows / Macintosh). For Guitar. My Guitar is the perfect way to introduce...(+)
(Windows / Macintosh).
For
Guitar. My Guitar is the
perfect way to introduce
children to playing
guitar!
Gary the Guitar leads
kids
through the basics, like
tuning your guitar and
learning chords, and
moves
on to reading music and
playing songs. An
animated
fretboard, games, MIDI
tracks an. CD-ROM.
Published
by eMedia Music
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Amy Grant. For voice, piano and guitar chords. Format: piano/vocal/...(+)
Performed by Amy Grant.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and black and
white photos. Christian
rock, adult contemporary
and contemporary
christian. 64 pages. 9x12
inches. Published by Hal
Leonard.
Soprano voice solo, mixed choir and organ (piano) (Vocal Score) - difficult S...(+)
Soprano voice solo, mixed
choir and organ (piano)
(Vocal Score) - difficult
SKU: HL.49030540
Carol. Composed by
Sir Peter Maxwell Davies.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Playing
score. Composed 2004. Op.
256, no.1. 8 pages.
Duration 4'. Schott Music
#ED 12870. Published by
Schott Music
(HL.49030540).
ISBN
9790220123986. UPC:
884088109431.
8.5x11.75x0.088 inches.
English.
During his
time as Master of the
Queen's Music, Sir Peter
Maxwell Davies wrote a
new carol for Her Majesty
the Queen each Christmas.
Lullay, My Child, and
Weep No More was the
first in this series,
written for Christmas
2004. All 10 carols are
published in the Schott
Royal CollectionA setting
of the traditional
fifteenth century text
for soprano solo, SATB
choir and organ, Lullay,
My Child, and Weep No
More was first performed
in St. James's Palace by
the choir of the Chapel
Royal at the end of the
2004/2005 Christmas
period.
Blood Brothers Piano, Voix et Guitare [Partition] - Intermédiaire Music Sales
Book. Published by Music Sales. From Willy Russell's award-winning musical: Mar...(+)
Book. Published by Music
Sales. From Willy
Russell's award-winning
musical: Marilyn Monroe,
My Child, Easy Terms,
Shoes Upon the Table,
Kids Game, Shoes Upon the
Table (Reprise), Long
Sunday Afternoon/My
Friend, Bright New Day,
Marilyn Monroe 2, That
Guy, I'm Not Saying A
Word, Take A Letter Miss
Jones, Marilyn Monroe 3,
Light Romance, Madman,
Tell Me It's Not True.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
SSAA unaccompanied with hand drum (Upper Voices - 3 parts or more) - easy SKU...(+)
SSAA unaccompanied with
hand drum (Upper Voices -
3 parts or more) - easy
SKU:
OU.9780193530249
Composed by Sarah
Quartel. Secular Choral -
Upp. Voices. Songbird.
Vocal score. 8 pages.
Duration 4.5'. Oxford
University Press
#9780193530249. Published
by Oxford University
Press (OU.9780193530249).
ISBN 9780193530249. 10
x 7 inches.
For
SSAA and hand drum Sing,
my Child sets a joyful
text celebrating the
beauty found all around
us in everyday life.
Characterized by tight
harmonies and a dynamic
percussion line, the
buoyant 7/8 metre of the
opening drives the piece
forward.
By Martin Kutnowski. Edited by Dr. Helen Marlais. For Piano. The FJH Contemporar...(+)
By Martin Kutnowski.
Edited by Dr. Helen
Marlais. For Piano. The
FJH Contemporary Keyboard
Editions. Contents
include: Arrorro Mi Nino
(Sleep, Sleep, My Child),
Trumpets, Echo, Marching
Ants, Mist, Stubborn and
Cranky, Bedtime, Drizzle,
Enigma, El Gallo Pinto
(The Colorful Rooster),
The Sleepy Groundhog,
Galloping on the Ranch,
Hopscotch (Perfect and
Augmented Fourths), Tutu
Maramba, Barcarolla (A
Boatman's Song), Sobre el
Puente de Avignon (On the
Bridge of Avignon), The
Haunted Mansion, Bumpy
Country Road,
Boogie-woogie, Milonga in
G minor, Tango in C
minor. Contemporary.
Level: Elementary through
Intermediate. Book.
Published by The FJH
Music Company Inc.
SATB choir with medium voice solo SKU: LP.OR-2343 Composed by Danny Myric...(+)
SATB choir with medium
voice solo
SKU:
LP.OR-2343
Composed
by Danny Myrick & Tony
Wood. Arranged by Richard
Kingsmore. Anthems.
Inspirational and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-2343).
UPC:
765762125308.
Here
is a beautiful and
powerful ballad with a
very moving text. It was
made popular by the
Nelons. Richie's
arrangement features an
exquisite accompaniment
and a medium voice
solo.
(Trombone Feature). Performed by Billie Holiday. By Herzog And Holiday. Arranged...(+)
(Trombone Feature).
Performed by Billie
Holiday. By Herzog And
Holiday. Arranged by
Sammy Nestico. Jazz
Ensemble Library. Size
9x12 inches. Published by
Hal Leonard.
Piano seul [Partition] - Débutant Faber Music Limited
(for the Young Beginner). For piano. Faber Piano Adventures®. Written for ages ...(+)
(for the Young Beginner).
For piano. Faber Piano
Adventures®. Written for
ages 5 and 6, My First
Piano Adventure captures
the child's playful
spirit. Fun-filled songs,
rhythm games and
technique activities
develop beginning
keyboard skills.
Instructional and Method.
Young Beginner -
Pre-Reading.
Instructional book.
Accompaniment CD. 88
pages. Faber Music
#FF1619. Published by
Faber Music