Composed by Samuel Adler. For piano solo. Contemporary. Score and Part. Standard Notation. 8 pages. Duration 6 minutes. Published by Theodore Presser Company

For Viola and Orchestra. By Samuel Adler. For Viola Solo, Piano. This edition: Solo Part and Piano Reduction. Classical. Solo Part with Piano Reduction. Composed 1998. 33 pages. Duration 23:00. Published by Theodore Presser Company.

(A Scherzo for Solo Flute). By Samuel Adler. For flute solo. Solo part. 4 pages. Duration 3 minutes, 40 seconds. Published by Theodore Presser Company

By Samuel Adler. (SAB). TRANSCONTINENTAL MUSIC CHORAL. Jewish. 15 pages. Published by Transcontinental Music Publications.

(Solo Violin). By Samuel Adler. Solo instrument. For Violin. Premiere: Zvi Zeitlin, New York, 1977. Contemporary. Solo part. Standard notation. Composed DECEMBER 1975. 4 pages. Duration 8 minutes. Published by Carl Fischer . solo part. contemporary.

Composed by Samuel Adler. For violin and piano. Contemporary. Score and Part. Standard Notation. 10 pages. Duration 4 minutes. Published by Theodore Presser Company

Composed by Samuel Adler. For violin solo. Score. 4 pages. Duration 5 minutes. Published by Theodore Presser Company

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Timpani, Trumpet 1, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416415450

For Orchestra. Composed by Ludwig van Beethoven. Arranged by Samuel Adler. This edition: Orchestration by Samuel Adler. Sws. Classical. Full score. With Standard notation. Composed 2015. 44 pages. Duration 10 minutes. Theodore Presser Company #416-41545. Published by Theodore Presser Company (PR.416415450).

UPC: 680160632695. 8.5x11 inches. Key: C major. Orchestration by Samuel Adler.

Chamber Music String Quartet

SKU: PR.114416260

Composed by Samuel Adler. Contemporary. Set of Score and Parts. With Standard notation. Composed August 19 2013. 36+16+12+12+12 pages. Duration 15 minutes. Theodore Presser Company #114-41626. Published by Theodore Presser Company (PR.114416260).

ISBN 9781491101070. UPC: 680160620043. 9 x 12 inches.

Adler's milestone String Quartet No. 10 was composed for the Cassatt String Quartet for performance at the Bowdoin International Music Festival's 50th Anniversary season in 2014. Built in a single movement of contrasting sections, Adler's 10th will continue to be featured in upcoming concerts by the Cassatt Quartet, including a performance in Beijing in July.
The String Quartet No. 10 was written in 2013 for the 50th anniversary of the Bowdoin International Summer Music Festival and is dedicated to the Cassatt Quartet who premiered the work during the 50th anniversary celebration in July 2014.  The work was written with a generous grant from the Fromm Music Foundation.The 10th String Quartet is in one continuous movement but divided into four sections.  The first section is a slow introduction which presents the basic harmonic material of the entire work.  This is suddenly interrupted by a very agitated movement forming a great contrast to the calm of the beginning.  This rhythmic drive comes to a stop and is relieved by the third section which is a variation of the beginning, but is a bit longer and more developed.  This is followed by the final section which again captures the agitation of the second section and brings the work to a wild and most aggressive end.—Samuel Adler.

(Father to Son: A Hugo Chaim Adler & Samuel Adler Solo Collection). By Samuel Adler. Transcontinental Music Folios. Softcover. 114 pages. Transcontinental Music #993357. Published by Transcontinental Music

Chamber Music violin, piano

SKU: PR.114418650

A Klezmer Concerto. Composed by Noah Bendix-Balgley. Arranged by Samuel Adler. Set of Score and Parts. With Standard notation. 48+28 pages. Theodore Presser Company #114-41865. Published by Theodore Presser Company (PR.114418650).

UPC: 680160642977. 9.5 x 13 inches.

Bendix-Balg ley is a major young talent, currently serving as first concertmaster in the Berlin Philharmonic. Klezmer music was a background for his childhood and has been an influence in his life ever since. Upon writing his very own Klezmer Concerto, Bendix-Balgley was delighted to have the master of orchestration, Samuel Adler, produce performance versions for both full orchestra and a fully-realized piano reduction. Formerly concertmaster with the Pittsburgh Symphony Orchestra, Bendix-Balgley performed the premiere of this PSO-commissioned work in June, 2016 with the PSO, Maestro Manfred Honeck conducting. Adler's piano reduction of the work is now available.

(HORN/PIANO)

SKU: HL.48185210

Composed by Samuel Adler. Robert King. Classical. Softcover. 16 pages. Alphonse Leduc #AL28570. Published by Alphonse Leduc (HL.48185210).

UPC: 888680850586. 8.5x11.0x0.14 inches.

Samuel Adler: Sonata (Horn and Piano).

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441123S

Composed by Samuel Adler. Score. With Standard notation. Theodore Presser Company #114-41123S. Published by Theodore Presser Company (PR.11441123S).

UPC: 680160016303. 8.5 x 11 inches.

The Quintet for Piano and String Quartet was written for the American String Quartet in the summer of 2000. It is in one movement but has two distinct parts. The first is a slow movement characterized by dotted rhythms. It is a fantasy with some long flowing lines interrupted by short fragments usually in the piano. After a rather agitated section in 6/8 time, this section comes to a quiet close on a G-sharp major chord. The second section of this thirteen-minute work is marked Fast and Energetic. It begins with chords that recur throughout the movement and after two measures a long main theme is introduced which is developed and altered during the rest of the fast portion of the work. One could call this second part a sort of rondo form since this long lyrical theme returns always after contrasts. When it does return, it is treated often by means of imitation, but at the climax returns played in unison by the strings while the piano renders an energetic sixteenth note background. The work ends on an E-flat major chord though the piece is certainly not in any one key, but rather features quick modulations. One might call this non-tonal music which nevertheless always feels like it has a tonal center. --Samuel Adler.

Chamber Music String Quartet

SKU: PR.11441626S

Composed by Samuel Adler. Contemporary. Full score. With Standard notation. Composed August 19 2013. 36 pages. Duration 15 minutes. Theodore Presser Company #114-41626S. Published by Theodore Presser Company (PR.11441626S).

UPC: 680160620067. 9 x 12 inches.

The String Quartet No. 10 was written in 2013 for the 50th anniversary of the Bowdoin International Summer Music Festival and is dedicated to the Cassatt Quartet who premiered the work during the 50th anniversary celebration in July 2014.  The work was written with a generous grant from the Fromm Music Foundation.The 10th String Quartet is in one continuous movement but divided into four sections.  The first section is a slow introduction which presents the basic harmonic material of the entire work.  This is suddenly interrupted by a very agitated movement forming a great contrast to the calm of the beginning.  This rhythmic drive comes to a stop and is relieved by the third section which is a variation of the beginning, but is a bit longer and more developed.  This is followed by the final section which again captures the agitation of the second section and brings the work to a wild and most aggressive end.—Samuel Adler.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Chamber Music cello, piano

SKU: PR.114414310

For Cello and Piano. Composed by Samuel Adler. Sws each. 1st movement premiered 1992 in Rochester, NY; 2nd movement premiered 1980 in Hartford, CT; 3rd movement premiered 2009 in New York, NY. Contemporary. Set of Score and Parts. With Standard notation. Composed 1992, 1980, 2009. 20+16 pages. Duration 12 minutes. Theodore Presser Company #114-41431. Published by Theodore Presser Company (PR.114414310).

UPC: 680160594467. 9 x 12 inches.

Three diverse pieces by Samuel Adler are presented. Emunah (Faith) is a paean to his wife, Emily. L'olam Vaed dates back to 1978 and is printed in proportional notation, to better guide the musicians and to maximize the performers' expressive freedom. Tribute, the most recent of the three, was written to mark the reopening of Alice Tully Hall in 2009.

SKU: HL.48185098

Composed by Samuel Adler. Robert King. Classical. Alphonse Leduc #AL28443. Published by Alphonse Leduc (HL.48185098).

UPC: 888680879006. 9.0x12.0x0.22 inches.

Samuel Adler: 5 Mouvements (Quintet-Brass).