| String Quartet No. 3: 'Hana No Hanataba' Quatuor à cordes: 2 violons, alto, violoncelle Schott
String Quartet SKU: HL.49047454 Score and Parts. Composed by Julia...(+)
String Quartet SKU:
HL.49047454 Score
and Parts. Composed
by Julian Anderson.
String Ensemble. Chamber,
Classical. Softcover. 148
pages. Duration 1380
seconds. Schott Music
#ED13989. Published by
Schott Music
(HL.49047454). UPC:
842819101086.
9.0x12.0x0.358
inches. My 3rd
String Quartet is in six
contrasted movements.
Certain musical figures
recur across the work,
but there are few themes
as such. The main
emphasis is on contrast
of mood, texture,
harmony, pacing and
timing. Unlike many of my
works this quartet had no
extra-musical
inspiration, and in
principle should have no
subtitle. Certain
features already present
in my music became more
prominent in this new
work: modes (limited
collections of pitches)
have always helped me to
focus musical character,
but here a sense of key
note for each mode became
much more pronounced, as
did the difference
between modes for each
section of the work. A
sort of hybrid key-system
emerged (even with
equivalents of major and
minor) which is not
normal tonality, nor does
it aim to imitate it.
Unlike tonality this
key-system includes
noises, extended
performance techniques
and intervals outside
Western tuning as
available resources. What
I hope it does is to
focus the listening
experience onto different
musical areas, to
encourage a sense of both
modulation from one area
to another and to give
the music a sense of
goal. No conscious
knowledge of this is
needed when listening:
the music should
communicate directly on
its own. Here, then, is
this collection of six
musical colours, related
and unrelated, different
yet belonging together,
variable yet in a set
order. Hence the
subtitle, chosen both for
both its sound and its
sense: 'hana no hanataba'
meaning, in Japanese,
'bouquet of flowers'. A
brief description: 1)
Moderately fast. Short
droplets of sounds gather
increasing momentum. 2)
Very fast. Canons and
bells at different
speeds. 3) Very slow -
fast - very slow - very
fast - very slow. The
main slow movement and
its main scherzo. An
emphasis on non-tempered
tunings and on inhaling
and exhaling waves of
sound. The slow sections
feature florid melodic
writing. In the exuberant
scherzo competing duos
and trios create
imaginary folk music. 4)
Extremely fast/extremely
slow. Open strings and
harmonics fuse into a
single string instrument
- like a sort of large
resonating Medieval
tromba marina. 5) Very
fast. A variation on
movement 2). Variation,
Schoenberg told Cage, is
just a sort of repetition
'with some things changed
and others not.' 6) Slow
- Very Fast - Fast -
Slow. The opening calm
harmonies and florid
melodies evoke movement
3) in different music.
The fast part features
one overt theme: a
fanfare-like call to
attention which is
subject to extensive
development. There is
much use of non-Western
tuning. At its climax the
music freezes into a
frieze - a wall of sound
standing in front of the
audience with increasing
obstinacy and certainty
as the work grinds
towards its cadence. $33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Basque Carol Carl Fischer
Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB...(+)
Choral Cello, Contrabass
voice, Piano, Viola,
Violin 1, Violin 2,
Violin 3, SATB chorus
SKU: CF.CM9734
Composed by Basque Carol.
Arranged by Christopher
Thomas. 12 pages.
Duration 2 minutes, 37
seconds. Carl Fischer
Music #CM9734. Published
by Carl Fischer Music
(CF.CM9734). ISBN
9781491161142. UPC:
680160919734. Key: A
minor. English. Basque
Carol. A Basque
Carol (also known as
Gabriel's Message) holds
a special place in
Western music. The carol
originates from Basque
country around the 13th
century, based on the
Latin hymn, Angelus ad
Virginem (likely of
Franciscan origin). The
tune quickly spread
throughout Europe,
finding popularity in
Britain where it was even
referenced in Chaucer's
Canterbury Tales: Playing
so sweetly that the
chamber rang; / and
Angelus ad virginem he
sang. . .. Interestingly,
the melody we know and
love today is derived
from the original Basque
version. In my view, this
tune is a perfect example
of melody-crafting. It is
at once hauntingly
beautiful, yet warm and
joyous. Its contours are
complex, dramatic, yet
singable. I believe this
melodic accessibility is
the key to the song's
lasting popularity. I
would also attribute A
Basque Carol's continued
popularity to its elegant
translation into English
(by Sabine Baring-Gould,
who rediscovered the
original Basque tune).
Translations often risk
sounding unimaginative,
coarse, and blunt. This
translation is strikingly
different. It was graced
with an especially poetic
translation including
lines such as his wings
as drifted snow, his eyes
as flame. I am very
excited to offer a new
perspective on this
classic carol, joining
the tradition of
composers preserving and
reimagining a priceless
medieval melody. My first
goal was to create a
flowing, richly-textured,
even cinematic string
accompaniment for the
choir. This approach was
very much inspired by the
dense, string-writing
style of English composer
Ralph Vaughan Williams.
My second goal was to
make the arrangement
flexible enough to be
performed with only
choir, only strings, or
(best of all) both
ensembles combined. To
further complement this
approach, I've added an
obligato line for a solo
recorder (solo flute or
violin work just as
well). If you listen
carefully, you will hear
a quote from my other
favorite holiday carol,
Jesu Bambino. I hope you
enjoy performing A Basque
Carol. I especially hope
that you sense the
ancient magic cast into
this tune, hearing the
ineffable qualities that
have compelled us to
sustain it for nearly a
millennium. Whether
you're a choir, a string
orchestra, or a combined
ensemble, this
arrangement of A Basque
Carol will surely be a
haunting and lovely
addition to your next
holiday program!. A
Basque Carol (also known
as Gabriel’s
Message) holds a special
place in Western music.
The carol originates from
Basque country around the
13th century, based on
the Latin hymn, Angelus
ad Virginem (likely of
Franciscan origin). The
tune quickly spread
throughout Europe,
finding popularity in
Britain where it was even
referenced in
Chaucer’s
Canterbury Tales:Â
“Playing so sweetly
that the chamber rang; /
and Angelus ad virginem
he sang. .
.â€.Interestingly,
the melody we know and
love today is derived
from the original Basque
version. In my view, this
tune is a perfect example
of melody-crafting. It is
at once hauntingly
beautiful, yet warm and
joyous. Its contours are
complex, dramatic, yet
singable. I believe this
melodic accessibility is
the key to the
song’s lasting
popularity. I would also
attribute A Basque
Carol’s continued
popularity to its elegant
translation into English
(by Sabine Baring-Gould,
who rediscovered the
original Basque tune).
Translations often risk
sounding unimaginative,
coarse, and blunt. This
translation is strikingly
different. It was graced
with an especially poetic
translation including
lines such as “his
wings as drifted snow,
his eyes as
flame.â€I am very
excited to offer a new
perspective on this
classic carol, joining
the tradition of
composers preserving and
reimagining a priceless
medieval melody. My first
goal was to create a
flowing, richly-textured,
even cinematic string
accompaniment for the
choir. This approach was
very much inspired by the
dense, string-writing
style of English composer
Ralph Vaughan Williams.
My second goal was to
make the arrangement
flexible enough to be
performed with only
choir, only strings, or
(best of all) both
ensembles combined. To
further complement this
approach, I’ve
added an obligato line
for a solo recorder (solo
flute or violin work just
as well). If you listen
carefully, you will hear
a quote from my other
favorite holiday carol,
Jesu Bambino.I hope you
enjoy performing A Basque
Carol. I especially hope
that you sense the
ancient magic cast into
this tune, hearing the
ineffable qualities that
have compelled us to
sustain it for nearly a
millennium. Whether
you’re a choir, a
string orchestra, or a
combined ensemble, this
arrangement of A Basque
Carol will surely be a
haunting and lovely
addition to your next
holiday program! $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sorensen String Quartet No 3 Quatuor à cordes: 2 violons, alto, violoncelle Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
$58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Basics (English Edition) Piano seul Voggenreiter
Piano SKU: M7.VOGG-808 Composed by Tom Peters. Sheet music with CD. 64 pa...(+)
Piano SKU:
M7.VOGG-808 Composed
by Tom Peters. Sheet
music with CD. 64 pages.
Voggenreiter #VOGG 808.
Published by Voggenreiter
(M7.VOGG-808). ISBN
9783802408083.
English. From the
basics of music notation,
the correct playing
position and simple
pieces covering a fifth,
to mastery of the
complete octave and a
refined playing
technique: This book
covers everything the
beginning pianist should
know. To prevent piano
playing from ever
becoming boring, it
covers a wide range of
musical styles from
Classical music to
Jazz.Other topics include
music theory and the
acoustic basics of piano
tone, thus laying a solid
foundation for future
studies in piano
playing.The included CD
makes practicing easy and
fun! $17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mike Springer: Medieval Tournament Piano seul [Feuillet] - Facile Alfred Publishing
Composed by Mike Springer. Single piece for solo piano. Level: Late Elementary. ...(+)
Composed by Mike
Springer. Single piece
for solo piano. Level:
Late Elementary. 4 pages.
Published by Alfred
Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tarantella Carl Fischer
Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: ...(+)
Choral Double bass voice,
Piano, Viola, Violin 1,
Violin 2, SATB chorus
SKU: CF.CM9735
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS. Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Festival Of Tunings for Fingerstyle Guitar Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.30957M Celtic, Perfect binding. Festival. B...(+)
Guitar - Intermediate
SKU: MB.30957M
Celtic, Perfect binding.
Festival. Book and online
audio. 244 pages. Mel Bay
Publications, Inc
#30957M. Published by Mel
Bay Publications, Inc
(MB.30957M). ISBN
9781513466101. 8.75 x
11.75 inches. This
collection shows a wide
variety of musical
approaches in open and
alternate tunings. The
arrangements come from
the playing of Davey
Graham, Pat Kirtley, Tony
McManus, John Renbourn,
John Fahey, Sandy Shalk,
Dave Evans, Martin
Carthy, El McMeen, Leo
Wijnkamp and Stefan
Grossman. The music
ranges from the medieval
La Rotta to Willie
Brown?s Future Blues from
the deep Mississippi
delta; from O?Carolan?s
Lord Inchiquin to
Waterbound, an old-time
folksong. From Celtic
airs and jigs to gospel
and blues you will
explore the world of
tunings. Hopefully, this
collection will help you
to discover new
approaches and techniques
to playing your
instrument. Along the way
you?ll have fingerpicking
challenges and fun. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Targeting Music [Partition + CD] Schott
Year 4. By William Mcvicker, Dorothy Taylor. This edition: ED12459. Schott. Book...(+)
Year 4. By William
Mcvicker, Dorothy Taylor.
This edition: ED12459.
Schott. Book with CD. 100
pages. Published by
Schott Music.
$30.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 3 'Angel's Music' Quatuor à cordes: 2 violons, alto, violoncelle Wilhelm Hansen
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. ...(+)
String Quartet SKU:
HL.14030980
Parts. Composed by
Bent Sorensen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00249.
Published by Edition
Wilhelm Hansen
(HL.14030980). ISBN
9788759871973.
12.0x16.0x0.285
inches. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angel's Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on
Angel's Music was started
in Rome, where I spent
the autumn of 1987
staying at The Danish
Academy. Whether this
stay has influenced the
quartet or not is
impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part of the
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of
Angel's Music is divided
into three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the general
pattern almost
fractionally into the
smallest cells of the
music, or more correctly;
crawl from the small
cells into the general
pattern.'. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Singer's Library Of Song - Book And 2 Cds (Medium) Voix seule [Partition + CD] Alfred Publishing
Choral/Vocal. Published by Alfred Publishing. (23506) ISBN 0739036645. The new...(+)
Choral/Vocal. Published
by Alfred Publishing.
(23506)
ISBN 0739036645. The
newest addition to our
Alfred Vocal catalog,
Singer's Library of Song
features 37 of the
world's best-loved songs
from the Medieval era
though the 20th century,
presented with historical
information and
performance suggestions
that are designed to
enhance and educate
developing vocalists. Art
Songs, Arias, Folk Songs,
Spirituals, and
Lieder-they're all here,
and they're all
beautifully laid out in
this comprehensive
200-page anthology for
vocal study. English,
Latin, Italian, German,
French, Spanish, and
Hebrew texts are
included, and accurate
translations and IPA
pronounciation guides
pave the way for serious
singers. Available in
low, medium, and high
editions with optional
accompaniment CDs (set of
2), Singer's Library of
Song is a must-have for
every voice teacher and
student.
$44.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singer's Library Of Song - Book And 2 Cds (High) Voix seule [Livre + CD] Alfred Publishing
Choral/Vocal. Published by Alfred Publishing. (23504) ISBN 0739036637. The new...(+)
Choral/Vocal. Published
by Alfred Publishing.
(23504)
ISBN 0739036637. The
newest addition to our
Alfred Vocal catalog,
Singer's Library of Song
features 37 of the
world's best-loved songs
from the Medieval era
though the 20th century,
presented with historical
information and
performance suggestions
that are designed to
enhance and educate
developing vocalists. Art
Songs, Arias, Folk Songs,
Spirituals, and
Lieder-they're all here,
and they're all
beautifully laid out in
this comprehensive
200-page anthology for
vocal study. English,
Latin, Italian, German,
French, Spanish, and
Hebrew texts are
included, and accurate
translations and IPA
pronounciation guides
pave the way for serious
singers. Available in
low, medium, and high
editions with optional
accompaniment CDs (set of
2), Singer's Library of
Song is a must-have for
every voice teacher and
student.
$44.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singer's Library Of Song - Book And 2 Cds (Medium) Voix seule [Partition + CD] Alfred Publishing
Choral/Vocal. Published by Alfred Publishing. (23505) ISBN 0739036602. The new...(+)
Choral/Vocal. Published
by Alfred Publishing.
(23505)
ISBN 0739036602. The
newest addition to our
Alfred Vocal catalog,
Singer's Library of Song
features 37 of the
world's best-loved songs
from the Medieval era
though the 20th century,
presented with historical
information and
performance suggestions
that are designed to
enhance and educate
developing vocalists. Art
Songs, Arias, Folk Songs,
Spirituals, and
Lieder-they're all here,
and they're all
beautifully laid out in
this comprehensive
200-page anthology for
vocal study. English,
Latin, Italian, German,
French, Spanish, and
Hebrew texts are
included, and accurate
translations and IPA
pronounciation guides
pave the way for serious
singers. Available in
low, medium, and high
editions with optional
accompaniment CDs (set of
2), Singer's Library of
Song is a must-have for
every voice teacher and
student.
$44.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F). ISBN
9781491152928. UPC:
680160910427. Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204). ISBN
9781491152249. UPC:
680160909742. Key: D
minor. Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Medieval Christmas Ensemble de cuivres [Conducteur et Parties séparées] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-324-030 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-324-030
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
324-030. Published by
Anglo Music Press
(BT.AMP-324-030). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries.
A Medieval
Christmas combines
three ancient melodies
that are stillpopular
around the world today.
Philip Sparke chose
Gaudete, a song of
praise from the middle
ages, Coventry
Carol, an English
song from the 14th
century, and In dulci
jubilo, which can
also be traced back to
the 14th century, toform
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval
Christmas staan drie
oude melodieën
centraal diewereldwijd
nog steeds populair zijn.
Het zijn het middeleeuwse
loflied Gaudete,
het Engelse Coventry
Carol en het bekende
In dulci
jubilo.
Weihna
chten ist auch ein Fest
des Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmasverwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, dasebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attraitimmuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines d'années.
A Medieval
Christmas emprunte
trois de ces ancestrales
mélodies, demeurées
populaires dans le monde
entier :
Gaudete,Coventry
Carol, et In Dulci
Jubilo.
Il
Natale é la festa
delle tradizioni e ciò
si riscontra facilmente
nei canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana.
A Medieval
Christmas propone tre
antiche melodie, ancora
oggi moltoattuali: il
canto di lode Gaudete,
Coventry Carol e
In Dulci Jubilo,
entrambe del XIV
secolo. $95.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-324-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-324-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
324-020. Published by
Anglo Music Press
(BT.AMP-324-020). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries.
A Medieval
Christmas combines
three ancient melodies
that are stillpopular
around the world today.
Philip Sparke chose
Gaudete, a song of
praise from the middle
ages, Coventry
Carol, an English
song from the 14th
century, and In dulci
jubilo, which can
also be traced back to
the 14th century, toform
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval
Christmas staan drie
oude melodieën
centraal diewereldwijd
nog steeds populair zijn.
Het zijn het middeleeuwse
loflied Gaudete,
het Engelse Coventry
Carol en het bekende
In dulci
jubilo.
Weihna
chten ist auch ein Fest
des Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmasverwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, dasebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attraitimmuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines d'années.
A Medieval
Christmas emprunte
trois de ces ancestrales
mélodies, demeurées
populaires dans le monde
entier :
Gaudete,Coventry
Carol, et In Dulci
Jubilo.
Il
Natale é la festa
delle tradizioni e ciò
si riscontra facilmente
nei canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana.
A Medieval
Christmas propone tre
antiche melodie, ancora
oggi moltoattuali: il
canto di lode Gaudete,
Coventry Carol e
In Dulci Jubilo,
entrambe del XIV
secolo. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-324-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Score
Only. Composed 2011. 32
pages. Anglo Music Press
#AMP 324-140. Published
by Anglo Music Press
(BT.AMP-324-140). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries. A
Medieval Christmas
combines three ancient
melodies that are still
popular around the world
today. Philip Sparke
chose Gaudete, a song of
praise from the middle
ages, Coventry Carol, an
English song from the
14th century, and In
dulci jubilo, which can
also be traced back to
the 14th century, to form
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval Christmas
staan drie oude
melodieën centraaldie
wereldwijd nog steeds
populair zijn. Het zijn
het middeleeuwse loflied
Gaudete, het Engelse
Coventry Carol en het
bekende In dulci
jubilo.
Weihnachte
n ist auch ein Fest des
Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmas verwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, das ebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attrait immuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines
d’années. A
Medieval Christmas
emprunte trois de ces
ancestrales mélodies,
demeurées populaires
dans le monde entier :
Gaudete, Coventry Carol,
et In Dulci
Jubilo.
Il Natale
è la festa delle
tradizioni e ciò si
riscontra facilmente nei
canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana. A
Medieval Christmas
propone tre antiche
melodie, ancora oggi
molto attuali: il canto
di lode Gaudete, Coventry
Carol e In Dulci Jubilo,
entrambe del XIV
secolo. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Medieval Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-324-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
324-010. Published by
Anglo Music Press
(BT.AMP-324-010). 9x12
inches.
English-German-French-Dut
ch. Christmas is
full of customs and
traditions, both old and
new. This is especially
evident in Christmas
songs, some of which have
been part of Christian
worship for centuries.
A Medieval
Christmas combines
three ancient melodies
that are stillpopular
around the world today.
Philip Sparke chose
Gaudete, a song of
praise from the middle
ages, Coventry
Carol, an English
song from the 14th
century, and In dulci
jubilo, which can
also be traced back to
the 14th century, toform
this joyous
suite.
Kerst is
een feest van tradities
en gebruiken. Dit komt
vooral naar voren uit de
kerstliederen die al
eeuwenlang een centrale
plaats innemen binnen de
christelijke cultuur. In
A Medieval
Christmas staan drie
oude melodieën
centraal diewereldwijd
nog steeds populair zijn.
Het zijn het middeleeuwse
loflied Gaudete,
het Engelse Coventry
Carol en het bekende
In dulci
jubilo.
Weihna
chten ist auch ein Fest
des Brauchtums und der
Tradition. Dies zeigt
sich ganz besonders in
den Weihnachtsliedern,
die oft schon seit
Jahrhunderten einen
zentralen Platz in der
christlichen Kultur
einnehmen. A Medieval
Christmasverwendet
drei dieser alten
Melodien, die sich heute
noch weltweit
größter Beliebtheit
erfreuen: das
mittelalterliche Loblied
Gaudete, das
englische Coventry
Carol aus dem 14.
Jahrhundert und das
bekannte In dulci
jubilo, dasebenfalls
auf das 14. Jahrhundert
zurückgeht.
Dan
s de nombreux pays,
Noël est un moment
privilégié,
célébré par de
nombreux chants et
mélodies dont beaucoup
constituent un
élément central du
culte chrétien. Le
fait que ces chants
anciens subsistent depuis
si longtemps témoigne
de leur attraitimmuable,
formant un lien tangible
avec les festivités de
Noël qui se
déroulaient il y a des
centaines d'années.
A Medieval
Christmas emprunte
trois de ces ancestrales
mélodies, demeurées
populaires dans le monde
entier :
Gaudete,Coventry
Carol, et In Dulci
Jubilo.
Il
Natale é la festa
delle tradizioni e ciò
si riscontra facilmente
nei canti natalizi che da
secoli occupano un posto
di primo piano nella
tradizione cristiana.
A Medieval
Christmas propone tre
antiche melodie, ancora
oggi moltoattuali: il
canto di lode Gaudete,
Coventry Carol e
In Dulci Jubilo,
entrambe del XIV
secolo. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Love songs. Song book with Singalong-CD Carus Verlag
SKU: CA.240800 Composed by Various. Edited by Mirjam James. Awards / Priz...(+)
SKU: CA.240800
Composed by Various.
Edited by Mirjam James.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition; LIEDERPROJEKT.
Liebeslieder, Mit
Mitsing-Cd. Secular
choral music, Wedding.
Songbook. 128 pages.
Carus Verlag #CV
02.408/00. Published by
Carus Verlag (CA.240800).
ISBN
9790007171391. What
would love be without
music - or music without
love! Many couples
associate unforgettable
beautiful hours, a first
meeting, or first kiss
with a particular song.
And composers have always
been inspired and
stimulated by love, have
celebrated romantic love
and longing from afar,
secret love, and
jealousy. In her
selection of 80 songs
from seven centuries,
Mirjam James evokes this
tremendous feeling with
the most beautiful songs
ranging from medieval
courtly songs, through
Beethoven's Ich liebe
dich, to the Beatles song
And I love her. Many of
the songs come from
German and English
language traditions, but
what would such a book be
without the fire of
southern Europe or a dose
of French charm, without
the moving melodies of
cool northern climes, or
the melancholy songs of
the Russian soul? This
beautifully-produced song
book is illustrated with
the sumptuous paintings
of Gustav Klimt, for whom
love was one of the great
themes of his life. The
song book contains a CD
with recordings of all
the songs in instrumental
versions so you can sing
along with the pieces and
get to know them. A piano
book is published
alongside the song book,
containing all the songs
in idiomatic, playable
accompaniments. Whether
it's for an engagement or
a wedding, for
Valentine's Day or an
anniversary, Liebeslieder
makes an ideal present
for those newly in love
or still in love, and who
also love music. $39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet Set Quatuor à cordes: 2 violons, alto, violoncelle Peermusic Classical
(Score and Parts). Composed by Lou Harrison (1917-2003). For String Quartet (Sco...(+)
(Score and Parts).
Composed by Lou Harrison
(1917-2003). For String
Quartet (Score and
Parts). Peermusic
Classical. Softcover.
Peermusic #70113-759.
Published by Peermusic
$36.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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