Concert band - difficult SKU: HL.49016218 Burlesque Suite. Compose...(+)
Concert band - difficult
SKU: HL.49016218
Burlesque Suite.
Composed by Krzysztof
Penderecki. Arranged by
Henning Brauel. This
edition: Paperback/Soft
Cover. Sheet music.
Schott Harmonie Serie
(Concert Band).
Classical. Score.
Composed 1995. 96 pages.
Duration 16'. Schott
Music #SHS1019. Published
by Schott Music
(HL.49016218).
ISBN
9790001115094. UPC:
884088675103.
9.0x12.0x0.32
inches.
Penderecki'
s opera 'Ubu Rex'
contains a small wind
band functioning as King
Ubu's 'military band'.
Therefore the idea to
arrange parts of the
opera for large concert
orchestra readily
presented itself. Henning
Brauel selected suitable
material and arranged
scenes from the opera
into a suite of five
movements without titles.
The best of contemporary
music for top ranking
orchestral
performances.
Picc
. * 2 * 2 * Es-Klar. * 3
* Altklar. * Bassklar. *
2 Altsax. * Tenorsax. *
Baritonsax. * 2 - 4 * 3 *
2 Flugelhr. in B * 2
Tenorhr. in B * 3 *
Bar./Euph. in C * 2 - P.
S. (Trgl.-baum *
Rohrengl. * 2 Kirchengl.
[Rohrengl.] * Schellen *
2 hg. Beck. * Beckenpaar
* Crotalenbaum * 3 Tamt.
* Tamb. * 3 Tomt. *
Ruhrtr. * Mil. Tr. * gr.
Tr. m. Beck. * Peitsche *
Guiro * Tempelbl. * Sage
* Glsp. * Marimba * Xyl.)
(5 Spieler) - Kb.
(funfsaitig).
In Praise of Autumn Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-1850-00 Composed by Bob Hilliard. Concert Band. Comma...(+)
Grade 3
SKU:
CL.012-1850-00
Composed by Bob Hilliard.
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR332). Score
and set of parts.
Composed 1986. Duration 4
minutes, 54 seconds. Opus
III Wind Orchestra
Publications
#012-1850-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-1850-00).
This fine
concert piece opens with
a very lyrical slow
section featuring a
clarinet and baritone
solo over expressive
jazz-like harmonies.
Energetic rhythms build
around a Latin flavored
melody in the middle
section before returning
to a beautifully
orchestrated quiet
ending. A marvelous
change of pace for your
next concert.
In Praise of Autumn Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-1850-01 Composed by Bob Hilliard. Concert Band. Comma...(+)
Grade 3
SKU:
CL.012-1850-01
Composed by Bob Hilliard.
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR332). Extra
full score. Composed
1986. Duration 4 minutes,
54 seconds. Opus III Wind
Orchestra Publications
#012-1850-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-1850-01).
This fine
concert piece opens with
a very lyrical slow
section featuring a
clarinet and baritone
solo over expressive
jazz-like harmonies.
Energetic rhythms build
around a Latin flavored
melody in the middle
section before returning
to a beautifully
orchestrated quiet
ending. A marvelous
change of pace for your
next concert.
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.2.0.1. -
0.0.0.0. - str - bc)
SKU: BR.EB-8052
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Arranged by Matthias (KA)
Grunert. Choir;
Softbound. Edition
Breitkopf. The Missa
Omnium Sanctorum is the
last of the three
transmitted Missae
ultimae. The piano vocal
score is based on the
score published by
Wolfgang Horn in volume
101 of the series Das
Erbe deutscher Musik, now
available as PB 5589.
Mass; Baroque.
Piano/Vocal Score. 100
pages. Duration 60'.
Breitkopf and Haertel #EB
8052. Published by
Breitkopf and Haertel
(BR.EB-8052).
ISBN
9790004185148. 7.5 x 10.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report. Zelenka's
artistic personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt)
The
Missa Omnium Sanctorum is
the last of the three
transmitted Missae
ultimae. The piano vocal
score is based on the
score published by
Wolfgang Horn in volume
101 of the series Das
Erbe deutscher Musik, now
available as PB
5589..
Grade 3 SKU: CL.032-3618-00 Composed by Stanton. Jazz Ensemble. Audio rec...(+)
Grade 3
SKU:
CL.032-3618-00
Composed by Stanton. Jazz
Ensemble. Audio recording
available separately
(item CL.991-2007-02).
Score and set of parts.
Composed 2007. Duration 4
minutes, 21 seconds. C.L.
Barnhouse #032-3618-00.
Published by C.L.
Barnhouse
(CL.032-3618-00).
Your band will
really swing with this
tasty chart that lays
right in the groove.
Every section gets to
play the melody while
easy dorian solo changes
over a blues style 12 bar
format makes the open
solo section approachable
by any instrument in the
band. The guitar helper
part includes tablature
and chord
shape/performance
suggestions. A written
piano solo and optional
vibes and vocal parts
enhance the performance
possibilities. Cool
Chart!
Grade 3.5 SKU: CL.032-3618-01 Composed by Stanton. Jazz Ensemble. Audio r...(+)
Grade 3.5
SKU:
CL.032-3618-01
Composed by Stanton. Jazz
Ensemble. Audio recording
available separately
(item CL.991-2007-02).
Extra full score.
Composed 2007. Duration 4
minutes, 21 seconds. C.L.
Barnhouse #032-3618-01.
Published by C.L.
Barnhouse
(CL.032-3618-01).
Your band will
really swing with this
tasty chart that lays
right in the groove.
Every section gets to
play the melody while
easy dorian solo changes
over a blues style 12 bar
format makes the open
solo section approachable
by any instrument in the
band. The guitar helper
part includes tablature
and chord
shape/performance
suggestions. A written
piano solo and optional
vibes and vocal parts
enhance the performance
possibilities. Cool
Chart!
Alto Sax SKU: HL.48183265 For Alto Sax. Composed by Ryo Noda. Ledu...(+)
Alto Sax
SKU:
HL.48183265
For
Alto Sax. Composed by
Ryo Noda. Leduc.
Improvisation,
Instruction. Softcover. 4
pages. Alphonse Leduc
#AL25302. Published by
Alphonse Leduc
(HL.48183265).
UPC:
888680788070. 9x12
inches.
Improvis
ations by Ryo Noda is
a set of two pieces for
solo alto saxophone.
Dedicated to Jean Marie
Londeix, these pieces
over 2 pages are written
to give the player
freedom of improvisation.
This score only features
Improvisations 2 and
3. Improvisations 1
exists as a separate
volume. Ryo Noda is a
Japanese saxophonist with
experience in all genres:
classical, romantic, and
baroque, among others. He
is also known for his
improvisatory work.
Orchestra SKU: HL.49009585 Composed by Charles Francois Gounod. Edited by...(+)
Orchestra
SKU:
HL.49009585
Composed
by Charles Francois
Gounod. Edited by Bill
Hopkins. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. 102 pages.
Eulenburg Edition #ETP
1380. Published by
Eulenburg Edition
(HL.49009585).
ISBN
9783795766740. UPC:
841886000735.
5.25x7.5x0.272 inches.
German -
English.
Gounod's
Faust opera (libretto by
Michel Carre and Jules
Barbier) is based on the
love story of Faust and
Marguerite which is but a
part of Goethe's Faust
drama. Consequently the
title of the opera is
unacceptable in Germany
where it is renamed
Margarethe, after the
heroine.
Book/Online Audio Oboe SKU: HL.400379 Music Minus One Oboe. By Fra...(+)
Book/Online Audio Oboe
SKU: HL.400379
Music Minus One
Oboe. By Frantisek
Kimmel. By Tomaso
Giovanni Albinoni. Sheet
music. Music Minus One.
Classical. Softcover
Audio Online. 16 pages.
Music Minus One #MMO3400.
Published by Music Minus
One (HL.400379).
ISBN
9781596153479. UPC:
884088188894.
9.0x12.0x0.056
inches.
Italian
Baroque Master Tomaso
Albinoni is sometimes
overlooked due to his
fellow countryman
Vivaldi's immense
popularity, but this
collection demonstrates
the immense gifts which
Albinoni exhibited as a
composer. These three
concerti are
representative of his
beautiful Baroque style.
Includes a high-quality
printed music score and
recordings containing a
complete performance with
soloist, then a second
version with the
orchestral accompaniment,
minus the soloist.
Performed by Frantisek
Kimmel, oboe
Accompaniment: Czech
Symphony Chamber
Orchestra Conductor:
Mario Klemens Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK ,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
SSAATBarB choir, tambourine ad lib. SKU: CA.743700 Composed by Stefan Van...(+)
SSAATBarB choir,
tambourine ad lib.
SKU: CA.743700
Composed by Stefan
Vanselow. Hymns by Martin
Luther: Nun freut euch,
lieben Christen g'mein;
Carus sheet music series:
Contemporary choral
music. Nun Freut Euch,
Liebe Christen Gimein.
Sacred vocal music, Hymn
settings, Advent,
Christmas. Full score. 20
pages. Duration 5
minutes. Carus Verlag #CV
07.437/00. Published by
Carus Verlag (CA.743700).
ISBN 9790007181802.
Language: German. Text:
Luther, Martin. Text:
Martin Luther.
For
the 500th anniversary of
the Reformation a
collection of all 35
hymns by Luther is being
released on a double CD
for the first time (Carus
83.469). The recorded
choral pieces, chorale
cantatas and chorale
settings come from six
centuries and cover a
wide stylistic range.
This piece was specially
written for this
collection.
Concert Time Saxophone Alto et Piano [Partition + CD] - Intermédiaire De Haske Publications
Alto Saxophone, Piano Accompaniment - intermediate SKU: BT.DHP-1074419-400(+)
Alto Saxophone, Piano
Accompaniment -
intermediate
SKU:
BT.DHP-1074419-400
Recital pieces - with
piano accompaniment.
Composed by Various. Book
with CD. Composed 2008.
52 pages. De Haske
Publications #DHP
1074419-400. Published by
De Haske Publications
(BT.DHP-1074419-400).
ISBN 9789043154185.
9x12 inches.
English-German-French-Dut
ch.
The pieces in
Concert Time are fun and
varied: they have been
written in diverse
styles, and different
time signatures are
featured. The piano
accompaniments are
included, especially for
live performances. The
accompaniments are also
on the CD - played on a
real grand piano. There
is a demo version of each
piece as well. This book
will undoubtedly lead to
success on stage!
De
voordrachtstukken in
Concert Time,
gecomponeerd door
hedendaagse componisten,
bieden speelplezier en
variatie: ze zijn
geschreven in diverse
stijlen en er komen
verschillende maat- en
toonsoorten aan bod. De
pianobegeleidingenzijn
meegeleverd, speciaal
voor liveoptredens. Ze
staan ook op de cd,
verder is er van elk stuk
een voorbeeldversie te
beluisteren. Dit boek
leidt ongetwijfeld tot
succes op het podium!
Inhoud: Chameleon Walk
Jolly JumperSentimental
Tune Baroque Concertino
e.a.
I brani di
Concert Time sono
variegati e divertenti:
sono scritti in diversi
stili, e sono proposti in
ritmi diversi. Le parti
del piano sono incluse
per permettervi di
suonare in pubblico. Sul
CD sono registrati gli
accompagnamenti di un
vero piano a coda.
Troverete una versione
demo di ogni brano.
Questa pubblicazione è
indispensabile per
trovare il successo sul
palco.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 60'.
Breitkopf and Haertel #OB
5578-19. Published by
Breitkopf and Haertel
(BR.OB-5578-19).
ISBN
9790004343500. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 60'.
Breitkopf and Haertel #OB
5578-16. Published by
Breitkopf and Haertel
(BR.OB-5578-16).
ISBN
9790004343494. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 40
pages. Duration 60'.
Breitkopf and Haertel #OB
5578-12. Published by
Breitkopf and Haertel
(BR.OB-5578-12).
ISBN
9790004343470. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 60'.
Breitkopf and Haertel #OB
5578-15. Published by
Breitkopf and Haertel
(BR.OB-5578-15).
ISBN
9790004343487. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 60'.
Breitkopf and Haertel #OB
5578-23. Published by
Breitkopf and Haertel
(BR.OB-5578-23).
ISBN
9790004343517. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 72 pages. Duration
60'. Breitkopf and
Haertel #OB 5578-30.
Published by Breitkopf
and Haertel
(BR.OB-5578-30).
ISBN
9790004343531. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 64
pages. Duration 60'.
Breitkopf and Haertel #OB
5578-11. Published by
Breitkopf and Haertel
(BR.OB-5578-11).
ISBN
9790004343463. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
By William Bay; performed by Ben Bolt. For Guitar (Classic). method. You Can Tea...(+)
By William Bay; performed
by Ben Bolt. For Guitar
(Classic). method. You
Can Teach Yourself.
Classic. Level:
Beginning. Book DVD. Size
8.75x11.75. 112 pages.
Published by Mel Bay
Publications, Inc.
Saxophone Quartet
(Bar) Score. Composed
by Gerald Resch. Woodwind
Ensemble. Chamber,
Classical. Softcover.
Duration 900 seconds.
Sikorski #SIK8913.
Published by Sikorski
(HL.50606906).
ISBN
9798350122183. UPC:
196288202097.
For
his saxophone quartet
Grid, Austrian composer
Gerald Resch has explored
grids and the
overlapping, shifting and
overriding of clear
regularities. In the
work, which consists of
six movements, Resch
deliberately favours a
“light†tone
that may be remotely
reminiscent of
Shostakovich and, in its
agile dynamics,
repeatedly allows jazzy
moments to shine
through.
SKU: HL.49018031 Elemental Music and Dance Education in interdisciplin...(+)
SKU: HL.49018031
Elemental Music and
Dance Education in
interdisciplinary
Contexts. Composed by
Nathanael Gottfried
Gruner. Edited by Barbara
Haselbach, Micaela
Gruener, and Shirley
Salmon. This edition:
Hardback/Hard Cover. Book
with DVD. Edition Schott.
Classroom Resources.
Softcover with DVD. 424
pages. Schott Music
#ED20211. Published by
Schott Music
(HL.49018031).
ISBN
9783795705961. UPC:
884088566340.
6.75x9.5x1.014 inches.
German -
English.
For
decades, the Orff
Schulwerk has influenced
educational, artistic and
therapeutic fields. But
the development of this
music and dance teaching
method at the Salzburg
Orff Institute and its
worldwide application are
also influenced and
inspired again and again
by new theories and
practical phenomena from
various areas.This
dialogical situation was
the topic of the
International Symposion
2006 'Orff-Schulwerk - In
Dialogue'. Contributions
from the fields of
educational science,
psychology, musical
ethnology, neurobiology
and music psychology take
up interdisciplinary
issues that every music
and dance teacher faces
in practice.
Contributions concerning
the education in art
introduce 'new ways to
the public'.