Solo voices, SATB chorus,piano/organ (Tenor solo (or Soprano solo), Baritone solo (or Mezzo-soprano solo), Mixed choir (SATB), Piano [or Organ]) - Level 2

SKU: BA.BA25146

Motet for Tenor (or Soprano) and Baritone (or Mezzo-soprano), four-part Mixed Choir and Piano [or Organ]. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Choral score. N 125. 4 pages. Baerenreiter Verlag #BA25146_00. Published by Baerenreiter Verlag (BA.BA25146).

ISBN 9790006575121. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
< /p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Baritone voice solo,mixed choir (SATTBB),organ,db adlib (Baritone solo, Mixed choir (SATTBB), Organ, Double bass ad libitum) - Level 2

SKU: BA.BA25138

Motet for solo Baritone, six-part Mixed Choir, Organ and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Choral score. N 28a. 4 pages. Baerenreiter Verlag #BA25138_00. Published by Baerenreiter Verlag (BA.BA25138).

ISBN 9790006575046. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices,organ,double bass ad lib (Soprano solo, Tenor solo, Baritone solo, Organ, Double bass ad libitum) - Level 3

SKU: BA.BA25142

Trio for Soprano, Tenor and Baritone, Organ and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Singing Score. Opus 54. 4 pages. Baerenreiter Verlag #BA25142_00. Published by Baerenreiter Verlag (BA.BA25142).

ISBN 9790006575084. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
< /p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soprano voice solo,organ/piano (Soprano solo (2), Organ or Piano) - Level 2

SKU: BA.BA25150

Motet for two Sopranos and Organ or Piano. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Stapled. Barenreiter Urtext. Singing Score. Opus 93. 7 pages. Baerenreiter Verlag #BA25150_00. Published by Baerenreiter Verlag (BA.BA25150).

ISBN 9790006575169. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
< /p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, SATBB chorus,organ,harp/piano,d ouble bass ad lib (Tenor solo or Soprano solo, Mixed choir (SATBB), Organ, Harp or Piano, Double bass ad libitum) - Level 3

SKU: BA.BA25143

Motet for solo Tenor or Soprano, five-part Mixed Choir, Organ, Harp or Piano and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Stapled. Barenreiter Urtext. Choral score. Opus 55. 11 pages. Baerenreiter Verlag #BA25143_00. Published by Baerenreiter Verlag (BA.BA25143).

ISBN 9790006575091. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
< /p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices,organ/piano,double bass ad lib (Baritone solo or Mezzo-soprano solo, Organ or Piano, Double bass ad libitum) - Level 2

SKU: BA.BA25140

Motet for Baritone oder Mezzo-soprano, Organ or Piano and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Singing Score. Opus 47/1. 4 pages. Baerenreiter Verlag #BA25140_00. Published by Baerenreiter Verlag (BA.BA25140).

ISBN 9790006575060. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
< /p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices,piano,organ/Harmon ium ad lib (Tenor solo or Soprano solo, Piano, Organ or Harmonium ad libitum) - Level 3

SKU: BA.BA25139

Cantique for solo Tenor or Soprano, Piano and optional Organ or Harmonium. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Stapled. Barenreiter Urtext. Singing Score. Opus 43/1. 6 pages. Baerenreiter Verlag #BA25139_00. Published by Baerenreiter Verlag (BA.BA25139).

ISBN 9790006575053. 29.5 x 21 cm inches. Text Language: French. Text: Wilder, Victor.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.
< /p>

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra String Orchestra - Medium Easy/Medium

SKU: CF.CAS34F

Composed by Sean O'Loughlin. SWS. Carl Fischer Concert String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #CAS34F. Published by Carl Fischer Music (CF.CAS34F).

ISBN 9780825861062. UPC: 798408061067. 8.5 X 11 inches. Key: E minor.

Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday- afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walt Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Composed by John Brimhall and Jonathon Robbins. Collection; Classical. Book. Santorella Publications #O114. Published by Santorella Publications

The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Chorus a cappella

SKU: BR.CHB-5363-00

Intercultural Choirbook. Composed by Hayat Chaoui. Edited by Hayat Chaoui. Choir; Softbound. Chor-Bibliothek (Choral Library). Coming Together, Singing Together, Growing Together - Cultural Exchange through Music. Music pedagogy. Choral score. 96 pages. Breitkopf and Haertel #ChB 5363-00. Published by Breitkopf and Haertel (BR.CHB-5363-00).

ISBN 9790004412930. 7.5 x 10.5 inches.

The choirbook Women of Our World is more than a simple song collection: In easy two- to three-part arrangements for women's voices, 40 pieces in 25 different languages from more than 30 countries are gathered here. Singable transcriptions for each piece as well as pronunciation guides and translations in the appendix enable an immediate access. Introductory texts inform on the origin and cultural background of the songs; chord symbols allow an instrumental accompaniment, too. Unique for choirbooks of this kind though are the contributions from women of international origin living in Germany; they are presented in portraits and describe their personal relation to singing in a choir. Women of Our World is the result of the yearslong work of editor Hayat Chaoui with international song repertoire as choir leader, singer and consultant. An interview with Mrs. Chaoui on the origin of the edition is found on our blog (German only).This praiseworthy resource could be used to support a range of choral projects, especially perhaps where songs might usefully be taught by rote. (Joy Hill, Choir & Organ)

Awarded the German Music Edition Prize 2021/22.

Piano - Grade 5

SKU: AP.36-M407191

Book 1. Composed by Stephanie Bruning. Method/Instruction. Ludwig Masters. Book. LudwigMasters Publications #36-M407191. Published by LudwigMasters Publications (AP.36-M407191).

ISBN 9781638870609. UPC: 753625230610. English.

This unique collection of Indian character pieces reveals a genre that has been neglected for many years, with much of the music having been out of print since the 1920's. Musically, the pieces are appealing to play and are a fascinating reflection of social and political issues our nation was facing at the turn of the 20th century. Contains detailed historical notes on this nearly forgotten aspect of American classical music, along with supplementary fingerings and practice suggestions added throughout by editor Stephanie Bruning, professor at Morgan State University, who is both a celebrated piano performer and expert in piano pedagogy.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano

SKU: ST.Y236

Composed by Morgan Hayes. 5 minutes. Score. Stainer & Bell Ltd. #Y236. Published by Stainer & Bell Ltd. (ST.Y236).

ISBN 9790220221934.

1st complete perf: Catherine Gordeladze, The Gasteig, Munich (Winners & Masters Series), 21 April 2007

Ideal for confident young pianists keen to explore cutting-edge new music, the second book of Strides by Morgan Hayes adds five more distinctively original miniatures to the three 'fugitive visions' already published in Strides Book 1.

Propulsive rhythm and melody mark out turbid expressive territory in the first two pieces, while the third Stride explores 'glacial' octaves, and the fourth and fifth add new fantasy to a Bach sarabande and a chaconne.

Specific technical challenges in each piece test the reflex and stamina of players of Grade 6 standard and above, who will also enjoy the impressive virtuoso impact Strides deliver in performance.

By Antonin Dvorak. Czech title: Tri duchovni zpevy op. 19b. Published by Praha (Czech import).

Soprano voice solo, SSA choir divisi and organ or piano - Early Intermediate

SKU: MN.56-0088

Composed by Howard Goodall. Christmas, Lessons and Carols, 21st Century. Duration 5 minutes, 27 seconds. MorningStar Music Publishers #56-0088. Published by MorningStar Music Publishers (MN.56-0088).

UPC: 688670220982. English.

Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 5:27.

Chorus and piano

SKU: BR.SON-453

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Clemens Harasim. Choir; Linen. Complete Works. Romantic period. Complete Works. 700 pages. Breitkopf and Haertel #SON 453. Published by Breitkopf and Haertel (BR.SON-453).

ISBN 9790004803639. 10 x 12.5 inches.

This Felix Mendelssohn Bartholdy anthology contains 19 sacred vocal works in various choral and sometimes additional solo settings, with organ, harpsichord, or basso continuo accompaniment. Among these pieces composed from 1821 to 1847 are six works that were not published during Mendelssohn's lifetime. Seven of the works presented are each extant in at least one other authorized version that has also been edited here. The occasions and circumstances of their composition vary as much as their musical structures and characteristics: Several were intended for specific performances; others were written from the outset for publication.