International Edition. By Kuang-Hao Huang. This edition: Performance/Accompa...(+)
International Edition. By
Kuang-Hao Huang. This
edition:
Performance/Accompaniment
CD;
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD.
Alfred Music #00-50107.
Published by Alfred Music
(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), ar...(+)
(BWV 1021, BWV 1023, BWV
1026) Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Meniker Zvi, edited by
Andrew Manze, Peter
Wollny. Score; Set of
Parts; Urtext Edition for
violin and basso
continuo. Published by
Baerenreiter-Ausgaben
(German import).
Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited...(+)
Arrangement for Piano.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Christian Schaper,
Ullrich
Scheideler, and
Marc-Andre
Hamelin. Arranged by
Feruccio
Busoni. Henle Music
Folios.
Classical. Softcover. 28
pages. G. Henle #HN1479.
Published by G. Henle
By Johann Sebastian Bach (1685-1750). Edited by Hans Ludwig Berger. Genres: Hymn...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Hans Ludwig Berger.
Genres: Hymn settings;
Choral Collections for
Mixed Choir; Use /
Occasion: Eucharist,
Morning, Midday, Evening,
Psalms, Mourning, Death;
Use during church year:
Special Days, End of the
church year, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Choral collection. 24
pages. Published by Carus
Verlag
(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book; CD;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 32 pages.
Published by Alfred Music
(Violin Part). Composed by William Preucil, Jr. and Shinichi Suzuki. For Violin....(+)
(Violin Part). Composed
by William Preucil, Jr.
and Shinichi Suzuki. For
Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Published by
Alfred Music
(Piano Acc.). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revised...(+)
(Piano Acc.). Composed by
Dr. Shinichi Suzuki. For
Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 40 pages.
Published by Alfred Music
(Brandenburg Concerto No. 3 in G Major, BWV 1048 , Mvt. 1. Composed by Johann ...(+)
(Brandenburg Concerto No.
3 in
G Major, BWV 1048 , Mvt.
1.
Composed by Johann
Sebastian
Bach. Arranged by Larry
Clark.
Harmony. Score. Excelcia
Music
Publishing #HSO2305FS.
Published by Excelcia
Music
Publishing
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-16. Published by
Breitkopf and Haertel
(BR.OB-4065-16).
ISBN
9790004303450. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-17. Published by
Breitkopf and Haertel
(BR.OB-4065-17).
ISBN
9790004303467. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-15. Published by
Breitkopf and Haertel
(BR.OB-4065-15).
ISBN
9790004303443. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Arranged by Emil
(Cadenza) Platen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Set of
parts. 26 pages. Duration
11'. Breitkopf and
Haertel #OB 4065-60.
Published by Breitkopf
and Haertel
(BR.OB-4065-60).
ISBN
9790004338162. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-21. Published by
Breitkopf and Haertel
(BR.OB-4065-21).
ISBN
9790004303498. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-25. Published by
Breitkopf and Haertel
(BR.OB-4065-25).
ISBN
9790004303528. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-27. Published by
Breitkopf and Haertel
(BR.OB-4065-27).
ISBN
9790004303535. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-20. Published by
Breitkopf and Haertel
(BR.OB-4065-20).
ISBN
9790004303481. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-23. Published by
Breitkopf and Haertel
(BR.OB-4065-23).
ISBN
9790004303504. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-19. Published by
Breitkopf and Haertel
(BR.OB-4065-19).
ISBN
9790004303474. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
SKU: CA.400500 Composed by Johann Kuhnau and Johann Sebastian Bach. Edite...(+)
SKU: CA.400500
Composed by Johann Kuhnau
and Johann Sebastian
Bach. Edited by Hans
Ludwig Berger. This
edition: Paperbound.
Hymns by Martin Luther:
Gelobet seist du, Jesu
Christ. German title:
Chorale, Heft 2 Mit 20
Satzen Zu Kirchenli.
Sacred vocal music, Hymn
settings, Psalms, German,
Advent, Lent and
Passiontide, Christmas,
Morning, midday, evening,
Psalms, Mourning, death.
Collection. Carus Verlag
#CV 04.005/00. Published
by Carus Verlag
(CA.400500).
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
With 2 Violin Parts (1 Part with editorial annotations) - for Violin and Piano (...(+)
With 2 Violin Parts (1
Part with editorial
annotations) - for Violin
and Piano (Harpsichord).
By Johann Sebastian Bach.
Edited by H. Eppstein.
Violin. Pages: Score = 53
* 2 Vl Parts = 22 each.
Urtext edition without
fingering-paper bound.
Published by G. Henle.
Violon et Piano [Conducteur et Parties séparées] G. Henle
(1 Part with editorial annotations) - for Violin and Piano (Harpsichord). By Joh...(+)
(1 Part with editorial
annotations) - for Violin
and Piano (Harpsichord).
By Johann Sebastian Bach.
Edited by H. Eppstein.
Violin. Pages: Score
(Pno) = VIII and 126 * 2
Vl Parts = 43 each.
Urtext edition-paper
bound. Published by G.
Henle.
Piano SKU: HU.HN164 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN164
Composed by Wolfgang
Amadeus Mozart. Edited by
Ernst Herttrich. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. Piano
Sonata C major K.545
(facile). Classical.
Softcover Book. 16 pages.
G. Henle #HN164.
Published by G. Henle
(HU.HN164).
All-Time Favorites Piano Album. Composed by Various. Henle Music Folios. Bar...(+)
All-Time Favorites Piano
Album. Composed by
Various.
Henle Music Folios.
Baroque,
Classical, French,
Impressionist, Russian.
Softcover. 48 pages. G.
Henle
#HN1750. Published by G.
Henle
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas,
Fantasias and Fugues II /
Early Versions and
Variants to I (Volume 5)
and II (Volume 6).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dietrich Kilian / Peter
Wollny. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach. Organ
Works 6 | BARENREITER
URTEXT. Preludes,
Toccatas, Fantasias and
Fugues II / Early
Versions and Variants to
I (Volume 5) and II
(Volume 6). Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA5266).
Composed by
Various. String Duet.
Classical. Softcover. 64
pages. Published by Hal
Leonard (HL.348319).
ISBN 9781540097354.
UPC: 840126930016.
9.0x12.0x0.201
inches.
Classical
Themes for Violin Duet is
designed for violinists
familar with first
position and comfortable
reading basic rhythms. In
each two-page
arrangement, violin 1 and
violin 2 take a turn
playing the melody for a
fun and challenging
ensemble experience. It
includes 30 well-loved
melodies by J.S. Bach,
Beethoven, Debussy,
Gershwin, Grieg, Liszt,
Mussorgsky, Tchaikovsky,
Vivaldi, Wagner, and
more.
