(Cantique De Noel) Christmas Anthem. By Adolphe-Charles Adam. Arranged by William Dressler. Text: John S. Dwight. For SATB, Soprano Solo, Tenor Solo, Piano, Organ. Choir Loft Choral Series. Choral. Piano/Vocal Score. 6 pages. Published by Theodore Presser Company.

Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords; Worship Resources. Contemporary Christian; Gospel; Sacred. 152 pages. Published by Alfred Music

By Dr. Leon Burton, Dr. Charles Hoffer and Dr. William Hughes, with contributing editor June Hinckley. Music Appreciation. Adventures in Music Listening. Level: Grades 6-8. Book. 60 pages. Published by Alfred Publishing.

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

By William Byrd (1540-1623). Edited by Charles Evans. For Brass Quartet - 2 trumpets (Bb or C) & 2 trombones (or horn in F for trombone 1). Chamber Music. Easy. 8 pages. Published by GIA Publications

For School and Studio (Second Year) - Medium Low. By Adolf Jensen; Anonymous; Charles Fonteyn Manney; Christian Sinding; Edvard Grieg; Franz Schubert; George Henschel; Johannes Brahms; John H. Densmore; Lily S. Strickland; Peter Ilyich Tchaikovsky; Robert Franz; Robert Schumann; William Arms Fisher. Edited by Alfred Spouse, Mabelle Glenn. Arranged by Heinrich Kiehl. Text: Arthur Westbrook; Friedrich Ruckert; H. Holty; H. Ibsen; H. Lilljebjorn; Hans Schmidt; Heinrich Heine; Helen Oushman Mitchell; Hermann Almers; J.W. Von Goethe; Lily S. Strickland; Ludwig Uhland; Mary Macmillan; Nicholaus Lenau; Sara Teasdale. For Medium Low Voice, Medium-Low Voice. Piano/Vocal Score. 64 pages. Published by Theodore Presser Company.

High Voice (E-Flat) and Organ. By Adolphe-Charles Adam. Arranged by William Stickles. Vocal Solo. Size 9x12 inches. 8 pages. Published by G. Schirmer, Inc.

Concert Band Concert Band - late intermediate

SKU: RU.10301S

Composed by William H. Kiefer. Edited by Timothy Rhea. Arranged by Edited by Timothy Rhea. Contest/Festival. Legacy of the March. Score. RBC Publications #10301S. Published by RBC Publications (RU.10301S).

9 x 12 inches.

It is ironic that Kiefer’s most popular march was not published until 1921, the year after his death. It was published by Charles L. Barnhouse who may have given the march its name as few composers use their own names in their music titles. Kiefer’s Special is an all-purpose march which, depending on the tempo, can be used to accompany a circus routine, move the troops from one location to another, enliven a football half-time show, or entertain a concert audience.

Brass Band - Grade 3

SKU: BT.AMP-106-130

Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Score Only. Composed 2004. Anglo Music Press #AMP 106-130. Published by Anglo Music Press (BT.AMP-106-130).

Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.

Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.

Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances.

By William Eisenhauer and Charles Gouse. For Saxophone. Woodwind - Saxophone Method or Collection. Learn to Play. Book. 48 pages. Published by Alfred Publishing.

By Charles Ives. Arranged by William Schuman. Concert band/stage band. Classical. Full Score - Large. 40 pages. Duration 7:00. Published by Theodore Presser Company.

Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Softcover. 192 pages. Novello and Co Ltd. #NOV164681. Published by Novello and Co Ltd.

SATB choir, sop solo, brass quintet, percussion & piano (2 tpt, hn, tbn, tba, per, pn) - Moderately Difficult

SKU: OU.9780193860087

Composed by Libby Larsen. Choral Works (inc. Oratorios). Vocal score. 96 pages. Duration 30'. Oxford University Press #9780193860087. Published by Oxford University Press (OU.9780193860087).

ISBN 9780193860087. 12 x 8 inches.

For SATB, solo soprano, brass quintet, piano, and percussion A brilliant choral celebration of seven American legends (Phillis Wheatley, George Washington, Jenny Lind, Harriet Beecher Stowe, Clyde William Thornbaugh, Charles Lindbergh, Louis Armstrong). Energetic and appealing, the music culminates in a wordless finale which celebrates Louis Armstrong and the jazz clubs of the 1930s by mixing up six familiar classics.

SKU: ST.MB94

Composed by Various. Edited by Peter Lynan. Library Volumes. Edited by Peter Lynan. First published in 2013. Pages: 432. Format: Hardback. Dimensions (mm): 330 x 254 x 37. Score. Stainer & Bell Ltd. #MB94. Published by Stainer & Bell Ltd. (ST.MB94).

ISBN 9790220223419.

This anthology presents organ, harpsichord and piano concertos - the majority not hitherto published in modern editions - by Handel's contemporaries and successors, including works by Felton, Cooke, William Hayes, Arne, Chilcot, Philip Hayes, Hook, Rush, Stanley, Charles Wesley, Crotch, Samuel Wesley and Russell, from among the 200 examples surviving from the period c.1740-c.1815. Among the most versatile genres of the time, it found popularity in pleasure garden, theatre, concert room and the home. The contents of this volume show the form adapting well to the stylistic evolutions of the period from late Baroque via continental gallant styles to a mature Classical style, though retaining a strong native tradition linked with Handelian oratorio in the idiomatic distinction between virtuoso piano concerto and concertos for organ.

For Studio, Concert, Recital - Book 1, Low Voice. By Daniel Pinkham, Ann Scott, Edvard Grieg, Charles Bennett. Edited by Richard D. Row. Arranged by Del Arden; John Edmunds; Richard D. Row; Samuel Endicott; Stewart Wille. Text: Edward Teschemacher; F. Von Holstein; Fet; Frederic Brough; Guy D'Hardelot; John Milton; W.B. Rands; William Shakespeare. For Low Voice, Piano. Piano/Vocal Score. 72 pages. Published by Carl Fischer.

Flute; Recorder; Violin; Orchestra; Early Music

SKU: UT.GCE-20

Composed by Francesco Geminiani. Edited by Rudolf Rasch. Francesco Geminiani Opera Omnia. Classical. Score. Ut Orpheus #GCE 20. Published by Ut Orpheus (UT.GCE-20).

ISBN 9790215328259. 9 x 12 inches.

Given that appendices have since been included in other volumes, it now seems appropriate to compile an appendix for Volume 1A in the form of a separate publication, Volume 1C of the series. Even with a whole volume available, however, it is impossible to include all known arrangements. Such a publication would be of disproportionate size: it would require about 600 pages, due largely to the two complete or near-complete sets of concerto arrangements. The present volume thus includes only selections from these sets of concerto arrangements and also only a selection from Edward Finch’s complete set of arrangements in the form of transverse-flute sonatas. The smaller sets of arrangements—eithe r as solo sonatas or as trio sonatas—are included in their entirety.
The available arrangements fall into three distinct categories: solo sonatas, trio sonatas, and concertos. There are fourteen arrangements by Edward Finch for transverse flute with figured bass; they are found in the so-called Armstrong-Finch manuscript and comprise a full set of twelve plus two duplicate versions. Four of these arrangements are included in the present volume. Three more arrangements for transverse flute or recorder with figured bass are found in anthologies of sonatas for these instruments published in the 1720s; they are all of them edited here. Geminiani’s Sonatas VII-XII were transformed into trio sonatas by Francesco Barsanti and published in this format in 1727. These arrangements are included here in complete form as well. A near-complete set of concerto arrangements—Sonat a XI is missing—was composed by Charles Avison and a complete set by Gerhard Christoph Raupach, both sets composed probably in the 1730s. From each of these two sets, two examples were selected for inclusion in the present volume. They are supplemented by single concerto arrangements by William Hayes (after Sonata IV) and Johan Helmich Roman (after Sonata VI), composed at all probability in the 1730s as well. None of these concerto arrangements was published in the eighteenth century.

By Charles H. Gabriel, Martin Luther, William J. Kirkpatrick, J.E. Spillman. Arranged by Donald Ripplinger. Text: attributed to Martin Luther. For SATBB Choir. Christmas. Duration 3:15. Published by Jackman Music Corporation.
Level: Medium.

Christmas. Composed by Adolphe-Charles Adam (1803-1856). Arranged by William Simon. With Standard notation. 8 pages. Carl Fischer Music #CM7225. Published by Carl Fischer Music (CF.CM7225). 0.5

SKU: CA.201699

Composed by Various. Sacred vocal music. Chorbuch England. Begleit-Cd. Sacred vocal music. Compact Disc. Carus Verlag #CV 02.016/99. Published by Carus Verlag (CA.201699).

The choral tradition of British cathedrals and universities is world famous. Over the centuries, an immense trove of musical treasures came into being on the British Isles: euphonious choral settings which, in the meantime, have become increasingly popular on the European continent. The figuralchor koln conducted by Richard Mailander has recorded some of the most beautiful motets and anthems in the original language. The settings by notable composers such as Thomas Tallis, William Byrd and Charles Villiers Stanford provide a comprehensive overview of the long tradition of English sacred choral music from the 16th to the 19th century. Score available separately - see item CA.201600.

Composed by Arthur Gottschalk. For bass clarinet and piano. Classical; 21st century. Piano score and part. Composed 2009. 30 pages (score); 12 pages (part). Published by Alea Publishing

(Sami Folksongs). Composed by Eriks Esenvalds (1977-). For 2 Solo Voices, SSAATTBBB choir, and Jew's Harp in C. Score. Composed 2013. Published by Musica Baltica

Fun and Easy Arrangements for Beginning and Amateur Guitarists. By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Theodoricus Petrus Of Nyland; Thomas Helmore. Edited by Bill Rhoads. Arranged by Bill Rhoads. Text: Anonymous; Charles Wesley; John Francis Wade; John M. Neale; William Sandy. For Guitar Solo. Level: easy. Piano/Vocal Score. 23 pages. Published by Carl Fischer.

(A Musical Celebration of Authors, Poets, and Reading). By Mark Burrows. For unison choir and performance/accompaniment CD. General music

Choir

SKU: BR.SON-442

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Clemens Harasim. Linen. Complete Works. Romantic period. Complete Works. 188 pages. Breitkopf and Haertel #SON 442. Published by Breitkopf and Haertel (BR.SON-442).

ISBN 9790004803509. 10 x 12.5 inches.

This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.