Par HOSAY JAMES L.. On hot summer nights all along the east coast of America thebeach front strip comes alive with the sights and sounds ofsummer as nightclubs and bands crack out their sizzling music. Incorporating the funky-rock sounds of east coast beachmusic of the 60s and 70s, Atlantic Avenue takes a nostalgicstep into the past whilst keeping a solid foothold in the present. With elements of doo-wop, soul and swing this piece is burstingwith surf, sand and sunshine / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. Certain to become a staple of Grade 3 band literature this great new composition represents James Curnow at his finest. Beginning and ending with an exciting fanfare that contrasts various melodic, rhythmic, harmonic and stylistic concepts, The Spirit Soars captures the enduring spirit of today’s youth in music. The joyous scherzo energized with buoyant energy and an exquisite contrasting lyrical theme, many moods, and a grandioso finale all combine to ensure this piece becomes a landmark of literature for this level. Plan your next concert around this great new piece from CMP!Take wing! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par CURNOW PAUL. Colorful lights, shining candles, sparkling bulbs, gifts beautifully wrapped and friends coming to visit. And with the friends come music, merry singing and joyous carols resounding through the house. When you think about and sing along to Good King Wenceslas and God Rest You Merry, Gentlemen, you can scarcely sit still. Then when Jingle Bells is heard, it seems as though you should stand and dance while singing. It is the Festive Season! / Niveau : 1 / Répertoire / Concert Band

Par CURNOW JAMES. erfect for a combined Choral/Band concert as an opener, closer or anywhere in between. This medley of familiar tunes is tied together by the recurring concept that MUSIC SHALL LIVE. A swingin' WADE IN THE WATER, a soulful NOBODY KNOWS THE TROUBLE I'VE SEEN, and an inspiring BATTLE HYMN OF THE REPUBLIC make it a crowd pleaser. The unison choral part makes sure the chorus can come through loud and clear and the performance can be prepared without a great deal of combined rehearsal time. Big, bold and powerful! (String parts and Beginning Band (simplified) parts are also available for large, All-City Band, Orchestra and Chorus performances) / Niveau : 2 / Pièce de concert / Répertoire / Concert Band

Par CURNOW JAMES. Contrasting colors and varied orchestration techniques make this majestic setting of OH LITTLE TOWN OF BETHLEHEM come alive for Christmas. Of the three different tunes that are commonly associated with the original carol text, this arrangement uses the melody that’s best known in England. ENGLISH CAROL FANTASY remains entirely accessible to bands at this level and plenty of cueing makes sure it’s useful for ensembles of all shapes and sizes. Feature your deserving young trumpet section leader on the easy solo, or let the entire first trumpet section play it soli. The low woodwinds and brass also get some “well doubled” exposure, so playing this one will be fun for all. Try it! / Niveau : 2 / Répertoire / Fanfare

Par HOSAY JAMES L.. This spirited new Christmas medley from the pen of James L. Hosay will be a delight for all as the crown jewel of your holiday performance. The unmistakable sounds of the Emerald Isle are artfully portrayed here by one of the finest band composers of modern times. A thrilling opening with the rhythmic counterpoint of a 6/8 against 3/4 effect introduces this festive holiday rhapsody of popular European Christmas carols in traditional Celtic settings. A CELTIC CHRISTMAS includes six of the classic melodies which bring the holidays alive for millions, including I SAW THREE SHIPS, AWAY IN A MANGER, HERE WE COME A WASSAILING, and others. This setting goes well beyond the usualholiday medley. You?ll find Gaelic gold when you unwrap this sparkling musical gift with your band this year ! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par DE HAAN JACOB. The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one, and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion, ” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together. ” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals. ” His vision is rejected, and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury, ” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep, ” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In the second movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world. ” Orc is fed at Enitharmon’s breast, which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race. The Web, third movement of The Book of Urizen is now available: DHP 1125252 / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. What a wonderful idea! Make beautiful music such as this available at the Grade 1 level! Even young bands love to play enchantingly beautiful melodies. You’ve spent a lot of time and effort in helping your students learn to play full value notes, breathe in appropriate places, and stretch out their phrases so that they sound more mature and less like beginners. IN THE BLEAK MID-WINTER by Holst is a perfect opportunity for them to truly realize the value of these things you’ve been teaching. Your musicians will come away from the experience of preparing this piece with a better understanding of how to shape a melodic phrase and play with warm, reserved elegance. Captivating! / Niveau : 1 / Répertoire / Concert Band

Par CURNOW JAMES. The islands come to a stage near you with this three movement suite of Jamaican folk songs. Titles include the round Mi Gallo, When the Moon Gone Round which is a Jamaican stone game, and Yes, Bar Limbo, a traditional ring game. This is a great opportunity to expose your students to the rich musical heritage of the Caribbean. / Niveau : 0.5 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Par JOHNSON JAMES WELDON / JOHNSON JOHN ROSAMOND (Arr.. James Weldon Johnson's 1900 poem was set to music by his brother in 1905, and has since become known as the Black National Anthem. With a theme of thanksgiving and affirmation, this is a stirring anthem for our times. / Date parution : 2022-09-27/ Répertoire / Concert Band

Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it. There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town. This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie

from Andrea Chanier. Par GIORDANI GIUSEPPE. It has been said, and wisely so, that if you wish to find TRULY dramatic music, look to opera. This is an essentially complete transcription of Act IV of Umberto Giordano's tragic opera ANDREA CHENIER. One night before French poet Andrea Chenier's impending execution, his lover Madeleine comes to the prison at St. Lazare and, wishing to die rather than live without him, through bribery manages to exchange places with a young woman who is, like Chenier, scheduled to mount the scaffold the following day. James Curnow fully utilizes his considerable orchestration skill with this immensely powerful transcription. Well performed, the ending is absolutely awe-inspiring. If yourgroup has the skill to play at this level you definitely MUST explore this significant transcription. / Niveau : 5 / Répertoire / Concert Band

Par HOSAY JAMES L.. This delightful medley of timeless Scottish tunes speaks to the piper in all of us. Richly orchestrated and profuse with creative contrast, it will be an exciting addition to your next concert appearance. Regarding preparation, the ranges, rhythms and mixture of styles are right on target for this level band, and Piper’s Rhapsody is sure to become a favorite with your musicians. A study of Scotland’s culture and how the bagpipe and hornpipe are important would be appropriate. A find! / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par BULLA STEPHEN. What can be more charming than a comely Irish folk melody? This is music that allows the band to play in the rubato style, with much room for expression. Found in an old British publication and simply called “Irish Air, ” this endearing arrangement is a rhapsodic treatment that takes fragments of the melody and develops them into a large symphonic work. The freedom of tempi allows you to work with your band in a sensitively conducted way that only a beautiful piece like this will allow. There is always room on a concert program for at least one lush, melodic contrast piece. Perhaps this one is for you. It’s so difficult to describe a thing of real beauty. Please listen tothe demo recording and hear it for yourself. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Par HANNICKEL MIKE. This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when “Go Tell It On The Mountain”, “Swing Low, Sweet Chariot” and “Who did Swallow Jo-Jo-Jonah” all come together in rousing counterpoint! THREE AMERICAN SPIRITUALS works wonderfully with the unpredictable instrumentation of so many youth bands, while it's contrapuntal nature allows every section to shine. THREE AMERICAN SPIRITUALS allows each parent to say honestly to their child 'I HEARD you play your part!' / Niveau : 1.5 / Répertoire / Concert Band ou Harmonie