Jazz Piano Cocktails * Volume 3 with CD composed by Various. Arranged by Craig Stevens. For jazz piano. This edition: Paperback. Collection. Jazz Standards. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications

Choral (SATB)

SKU: HL.380893

Composed by Cindy Berry. Shawnee Sacred. General Worship, Pentecost, Sacred. Octavo. 12 pages. Duration 250 seconds. Published by Shawnee Press (HL.380893).

UPC: 196288019381. 6.75x10.5x0.024 inches. Hebrews 12:1-3, I Corinthians 9:24-27.

An inspiration in song, this anthem springs from New Testament scripture and issues a challenge to the community of faith. A solid choral foundation is established that builds a sturdy soundscape, bringing us with confidence to the memorable theme. A great exclamation point to a sermon, this piece will find many noble purposes in your worship planning.

Choral (Studiotrax CD)

SKU: HL.35031202

Composed by Joseph M. Martin. Shawnee Sacred. Anthem, General Worship, Love, Sacred, Wedding. CD. Duration 275 seconds. Published by Shawnee Press (HL.35031202).

UPC: 888680640736. 5.0x5.0x0.155 inches.

Uses: General, Wedding Scripture: Luke 6:31; Romans 12:9; I Corinthians 13:4-8 The Word becomes song in this scripture-based anthem for choirs seeking an expressive vehicle for worship. A melodically pleasing gesture with wide intervals opens simply before taking on a rich and effective harmonization. A significant developmental B section explores the color of the choir and builds to a passionate restatement of the main theme. The lush orchestration adds greatly to the overall sonic ambience, making this a stellar choice for concert presentations. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a digital download.

Guitar

SKU: SP.71657

Composed by Paul J. Newman. Instructional; Method. Book and CD. Santorella Publications #71657. Published by Santorella Publications (SP.71657).

ISBN 9781585605019. UPC: 728941716575.

It is often said that rhythm is the driving force of any music. In either case, rhythm is certainly an integral musical element much like, melody and harmony. The guitar is the instrument providing this rhythm especially in Rock, Jazz, Rhythm and Blues. The rhythm guitarist has important a role as the more celebrated lead guitarist in any band. In understanding this fact, Teach Yourself Rhythm Guitar by Paul J. Newman provides a comprehensive instructional approach to learning how to fill that essential Rhythm role. The explanations of musical notation, rhythm, styles of rhythm and technique are detailed and could certainly fill a book of their own. Some of the material surveyed is covered in greater detail in companion volumes such as Teach Yourself Chords and Progressions, Teach Yourself Scales and Modes and Teach Yourself Lead Guitar. All editions of Teach Yourself products are exclusively available from Santorella Publications including Teach Yourself Rhythm Guitar which stands alone, and to master its content would be an incredible reward. Chord Frames - Notation - Chords, Keys and the Guitar - The Minor Triad - Seventh Chord - Minor Seventh Chord - Major Seventh Chord - Notes - Beats - Strumming - The Triplet - Syncopation - Strumming 16th Notes - Blues Rhythm - Blues to Rock - Beyond Rock - Jazz - Reggae and Ska - Technique - The Release - Muting - The Choke - Bass Chord Patterns - Position Shifting - Songs 1-8; No Problem - I'll Drive - Free Swinger - Gentle Breeze - Circles - Spaces - Walk in the Park - Hi and Goodbye.

(Cantus solo, 3Altus solo, 4Tenor Voice Solo, 4Bassus solo, Mixed choir(2 Cantus, Altus, 2 Tenor, Bassus), 2 Fl, bassoon, 2 Trp, 2 trombone, 2 V, 2 Vlta, Va, Continuo(Org, Vo))

SKU: BA.BA05953-01

Composed by Heinrich Schutz. Edited by Bettina Varwig. This edition: complete edition, urtext edition. Linen. New Schutz Edition 1. Revised new editon of BA 1709. Complete edition, Score. SWV 435. Baerenreiter Verlag #BA05953_01. Published by Baerenreiter Verlag (BA.BA05953-01).

ISBN 9790006497652. 27.7 x 19.6 cm inches. Language: German. Preface: Varwig, Bettina.

In volume 1 of the New Schutz Edition Friedrich Schoneich presented the Historia der Geburt Jesu Christi. He had to accept that one source was considered lost. The volume was published in 1955 and, of course, Schoneich edited it within the framework of the musicological standards of his time.

For her new edition, Bettina Varwig has now been able to take all known sources into account including the first print, copies of parts of the work which have come down to us in the Duben Collection, as well as the score copy from the music archive of the Berlin Sing-Akademie, which had been known only from fragmentary copies until it had been returned from Kiew. This enables a fresh view of the Historia on how it presumably was performed. The edition maintains the original note values and generally follows the editorial principles of the New Edition of the Complete Works.

The Introduction centrally deals with the question how the Historia was performed at Christmas 1660 in the Dresden Schlosskirche and how it can be realised today. Also the scoring for singers and instruments (Evangelist movements versus concertante movements) is being appropriately discussed. Three appendices enable a greater understanding of the source traditions of the work which are documented in detail in the Critical Commentary and whose readings are critically examined there.

Replaces BA1709.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding