High Voice & Piano SKU: SU.00220338 For high Voice & Piano. Compos...(+)
High Voice & Piano
SKU: SU.00220338
For high Voice &
Piano. Composed by
Arturo Toscanini.
Vocal/Choral, Solo Voice.
Score. Subito Music
Corporation #00220338.
Published by Subito Music
Corporation
(SU.00220338).
Original
compsitions by Arturo
Toscanini for High Voice,
Piano Published by:
Subito Music Publishing
The first compilation of
its kind, The Songs of
Arturo Toscanini makes
available over 70 pages
of original songs, many
never before published.
Showcasing a mixture of
both mature and student
works, this song album is
suitable for all music
levels. The booklet also
contains in-depth
biographical material as
well as several pages of
helpful translations and
editorial notes.
Contents Toscanini as
composer Autunno I baci
Canto di Mignon
Desolazione Donna vorrei
morir Fior di siepe Forse
una volta Nevrosi Pagina
d'album Per album Il
pescatore Presentimenti
Primo bacio Quando cadran
le foglie Son gelosa!!
Sono sola Il sorriso e
l'anima di Margherita
Spes, ultima dea V'amo
Editorial Notes
Translations
Acknowledgments Also
available for
purchase:.
By Becki Slagle Mayo, Don Shaffer, Donna Butler, Lynn Shaw Bailey, Mark Patterso...(+)
By Becki Slagle Mayo, Don
Shaffer, Donna Butler,
Lynn Shaw Bailey, Mark
Patterson, Ruth Elaine
Schram, and Vicki Hancock
Wright. For Choral
(Unison Book/CD). Glory
Sound. 56 pages.
Published by GlorySound
Electric organ SKU: HL.49005800 For modern Sound and for any player(+)
Electric organ
SKU:
HL.49005800
For
modern Sound and for any
player. Edited by
John Parker. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 32 pages.
Schott Music #ED 5602.
Published by Schott Music
(HL.49005800).
Voice, guitar SKU: GH.GE-11404 Text & ackord. Text & ackord till n...(+)
Voice, guitar
SKU:
GH.GE-11404
Text &
ackord. Text & ackord
till nagra av de framsta
britpoplatarna - i ett
format som ar latt att ta
med sig! With lyrics and
chords. Gehrmans
Musikforlag #GE 11404.
Published by Gehrmans
Musikforlag
(GH.GE-11404).
Ar du ett fan
av Britpop kommer du
kanna igen de flesta av
latarna i denna bok. Band
som Suede, Blur och Oasis
- kraftigt influerade av
band fran den forsta
vagen av brittiska band
fran slutet av 60-talet -
blev under mitten av
90-talet
forgrundsgestalter i en
ny era av brittisk
gitarrbaserad pop.
Nationen fick ett nytt
soundtrack, amerikansk
grunge ersattes av latar
som Common People,
Wonderwall, Flowers in
the Window och The
Drugs Don't Work,
Tony Blair var ung, ny
och popular partiledare i
New Labour och London var
an en gang swinging och
redo att sprida
influenserna till resten
av varlden. Sa ta fram
gitarren, kamma luggen
och sjung: And after
all, you're my
wonderwall...
Varje lat ar noterad med
text och ackord - manga
latar har dessutom de
karaktaristiska riffen
noterade med
tabulatur.
Det
finns for narvarande atta
delar i serien Text &
Ackord.
Choral (ShowTrax CD) SKU: HL.345613 Choral Medley. By Various Arti...(+)
Choral (ShowTrax CD)
SKU: HL.345613
Choral Medley. By
Various Artists. Arranged
by Alan Billingsley. Pop
Choral Series. Medley,
Movies, Pop, Sixties. CD.
Duration 340 seconds.
Published by Hal Leonard
(HL.345613).
UPC:
840126920079.
5.0x5.0x0.15
inches.
This is
James Bond Medley you've
been
“Dieâ€-ing
for! This superlative
nine-song choral medley
features the best of the
ongoing spy series' theme
song catalog, from Adele
to Shirley Bassey, from
Paul McCartney &
Wings to Duran Duran. As
Ian Fleming's British
Secret Service agent 007
approaches his landmark
25th film No Time to Die,
don't miss this chance to
celebrate the best of
Bond... James Bond.
Includes: James Bond
Theme, The World is Not
Enough, Skyfall,
Goldfinger, Goldeneye,
You Know My Name, A View
to a Kill, Nobody Does It
Better and Live and Let
Die.
Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Tit...(+)
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Part(s);
Score. 130 pages.
Duration 2:00. Alfred
Music #00-45969.
Published by Alfred Music
(AP.45969).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical. Set
of parts. 42 pages.
Duration 6'. Breitkopf
and Haertel #OB 5267-30.
Published by Breitkopf
and Haertel
(BR.OB-5267-30).
ISBN
9790004332153. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-19. Published by
Breitkopf and Haertel
(BR.OB-5267-19).
ISBN
9790004332139. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-16. Published by
Breitkopf and Haertel
(BR.OB-5267-16).
ISBN
9790004332122. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 8 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-15. Published by
Breitkopf and Haertel
(BR.OB-5267-15).
ISBN
9790004332115. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Basso (cello/double bass)
(2.2.2.2. - 2.2.0.0. -
timp - str)
SKU:
BR.OB-5267-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-26. Published by
Breitkopf and Haertel
(BR.OB-5267-26).
ISBN
9790004332146. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 32 pages. Duration
6'. Breitkopf and Haertel
#PB 5267. Published by
Breitkopf and Haertel
(BR.PB-5267).
ISBN
9790004209936. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
(Piano Music Appropriate for the Auditions of the National Guild of Piano Teache...(+)
(Piano Music Appropriate
for the Auditions of the
National Guild of Piano
Teachers) Edited by
Ardella Schaub, June
Davidson, Leo Podolsky.
Collection for easy solo
piano. 48 pages.
Published by
Summy-Birchard Inc.
There's the Rub Ensemble Jazz [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz Ensemble. Jazz Ensembl...(+)
Composed by Gordon
Goodwin. Arranged by
Peter Blair. Jazz
Ensemble. Jazz Ensemble;
Part(s); Score. Young
Jazz Ensemble. Jazz.
Grade 2. 98 pages.
Published by Alfred Music
Piano SKU: BR.EB-4342 Instructive Edition. Composed by Ludwig van ...(+)
Piano
SKU:
BR.EB-4342
Instructive
Edition. Composed by
Ludwig van Beethoven.
Edited by Frederic
Lamond. This edition:
paperback. Solo
instruments; Softbound.
Edition Breitkopf. The
Scotsman and his
Beethoven - The 32 Piano
Sonatas in the
Instructive Edition,
edited and supplied with
fingerings by Frederic
LamondHave a look into EB
4342. Sonata; Classical.
Score. 316 pages.
Breitkopf and Haertel #EB
4342. Published by
Breitkopf and Haertel
(BR.EB-4342).
ISBN
9790004162873. 9 x 12
inches.
Whereas in
past decades Urtext
editions with assorted
aspirations and readings
by various editors were
the primary points of
departure in addressing
Beethoven's piano
sonatas, today it is more
often the question of
what significance
so-called instructive
editions have in the
history of
interpretation, what
additional benefit is
generated from them, and
wherein lies their
legitimacy. Unlike his
teacher Hans von Bulow in
his edition of the
sonatas, Lamond did not
allow any intervention in
the music text per se.
His indications give
instead interpretive
approaches, additionally
inspiring today's
musicians in the
realization of the
musical composition. By
the beginning of the 20th
century he was a
successful and celebrated
pianist, concertizing in
the US and across much of
Europe. He repeatedly
caused a stir with his
Beethoven projects such
as performing sixteen
sonatas as well as the
Diabelli and Eroica
variations within four
days at the Queen's Hall
in London (1925). Dating
from this period is also
his edition of
Beethoven's 32 piano
sonatas that first
appeared from Breitkopf &
Hartel in 1923. Frederic
Lamond thus epitomizes
Beethoven interpretation.
Even today his name is
still associated
primarily with Beethoven.
The present ,,Instructive
Edition of Beethoven's 32
Piano Sonatas is a part
of the ,,Breitkopf
Originals series on the
occasion of Beethoven's
250th Birthday in 2020.
Apart from the
established Urtext
editions, this reissue
opens up a fascinating
view on the
interpretation- and
performance practice of
one of the most important
Beethoven interpreters in
the 19th and 20th
century.
The
Scotsman and his
Beethoven - The 32 Piano
Sonatas in the
Instructive Edition,
edited and supplied with
fingerings by Frederic
Lamond.
Cantata for a
wedding. Composed by
Johann Sebastian Bach.
Edited by Solvej Donadel.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Wedding. Set of Orchestra
Parts. Composed 1708. BWV
196. Duration 14 minutes.
Carus Verlag #CV
31.196/19. Published by
Carus Verlag
(CA.3119619).
ISBN
9790007210496. Text
language:
German/English.
Esp
ecially due to the early
date of its composition,
from the pen of the just
turned 22-year-old Johann
Sebastian Bach, the
cantata The Lord careth
for us BWV 196 has its
charm, and through its
conciseness, as well as
its simple scoring, it is
quite accessible for
performance by ensembles
with only modest means.
The cantata was composed
on the occasion of a
wedding in the 1797/08,
the details of which
cannot be exactly
ascertained. The text of
the libretto contains no
freely written poetry,
rather is drawn solely
from the Bible (Psalm
115:12-13), there are no
recitatives, and the
arias are kept very
short. The scoring is
also of modest
propoportions: In addtion
to the solo voices
soprano, tenor and bass,
as well as a four-voice
choir, only strings and
basso continuo are
requried. The cantata
begins, as is typical
early Bach cantatas, with
a short instrumental
sinfonia and ends, not
with a chorale, but with
a choral movement. Score
and parts available
separately - see item
CA.3119600.
Cantata for a
wedding. Composed by
Johann Sebastian Bach.
Edited by Solvej Donadel.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Wedding.
Choral Score. Composed
1708. BWV 196. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
31.196/05. Published by
Carus Verlag
(CA.3119605).
ISBN
9790007210434. Language:
German/English.
Esp
ecially due to the early
date of its composition,
from the pen of the just
turned 22-year-old Johann
Sebastian Bach, the
cantata The Lord careth
for us BWV 196 has its
charm, and through its
conciseness, as well as
its simple scoring, it is
quite accessible for
performance by ensembles
with only modest means.
The cantata was composed
on the occasion of a
wedding in the 1797/08,
the details of which
cannot be exactly
ascertained. The text of
the libretto contains no
freely written poetry,
rather is drawn solely
from the Bible (Psalm
115:12-13), there are no
recitatives, and the
arias are kept very
short. The scoring is
also of modest
propoportions: In addtion
to the solo voices
soprano, tenor and bass,
as well as a four-voice
choir, only strings and
basso continuo are
requried. The cantata
begins, as is typical
early Bach cantatas, with
a short instrumental
sinfonia and ends, not
with a chorale, but with
a choral movement. Score
available separately -
see item CA.3119600.