Orchestra

SKU: LM.JJ06954

Composed by Tolia Nikiprowetzky. Classical. Score. Editions Jobert #JJ06954. Published by Editions Jobert (LM.JJ06954).

ISBN 9790230806954.

Composed by Feodosiy Rubtsov. Arranged by Veronica Sichivitsa. For SSAA choir. Russian Title: Veniki. Language: Church Slavonic. Published by Musica Russica

Selected romances and songs. Composed by Sergei Nikiforovich Vasilenko. Vocal music. With Language: Russian. Published by Noten Roehr (NR.93209).

By Nikita Koshkin (1956-). For 3 guitars. Mikulka Vladimir. Classical. Grade 3. Score. 3 + 3 pages. Published by Editions Henry Lemoine

Performed by Elton John. For keyboard (right hand only) and voice. Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names and big note notation. Rock and pop rock. Series: Hal Leonard E-Z Play Today. 224 pages. 9x12 inches. Published by Hal Leonard

Performed by Elton John. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Rock and pop rock. 96 pages. 9x12 inches. Published by Hal Leonard.

Orchestra

SKU: LM.JJ07555

Composed by Tolia Nikiprowetzky. Classical. Score. Editions Jobert #JJ07555. Published by Editions Jobert (LM.JJ07555).

ISBN 9790230807555.

Performed by Elton John. For voice, piano and guitar (chords only). Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Rock and Pop Rock. 240 pages. 9x12 inches. Published by Hal Leonard.

(E-Z Play Today Volume 248). By Elton John. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 80 pages. Published by Hal Leonard

Composed by Nikita Koshkin (1956-). Vladimir Mikulka. Classical. Score. 7 pages. Editions Henry Lemoine #25390. Published by Editions Henry Lemoine

Violin and piano

SKU: LM.JJ11132

Composed by Tolia Nikiprowetzky. Classical. Score. Editions Jobert #JJ11132. Published by Editions Jobert (LM.JJ11132).

ISBN 9790230811132.

School Concert Band

SKU: BT.PL0371

Set (Score & Parts). Composed 2000. Pierre Lafitan Editions #PL0371. Published by Pierre Lafitan Editions (BT.PL0371).

By Nikita Koshkin (1956-). Grade 4. Guitar part. 14 pages. Published by Les Editions Doberman-Yppan

SKU: CL.013-1084-00

Composed by Losey. Band. Score and set of parts. Composed 1933. C.L. Barnhouse #013-1084-00. Published by C.L. Barnhouse (CL.013-1084-00).

Voice and Organ or Piano Organ Accompaniment; Piano Accompaniment; Voice (Voice and Piano)

SKU: HL.49047076

Zur Ruh', zur Ruh' ihr muden Glieder / Wenn der Herr... Voice and. Composed by Johanna Senfter. Edited by Rolf Schö and nstedt. Vocal Collection. Classical, General Worship, Sacred. Softcover. 16 pages. Schott Music #ED23654. Published by Schott Music (HL.49047076).

ISBN 9781705184035. UPC: 196288115076.

There are only two sacred solo songs in the extensive oeuvre of the Oppenheim composer Johanna Senfter. Both songs, probably composed in 1917, are influenced by the catastrophe of the First World War. They are hereby presented as the first publication. JOHANNA SENFTER 1879 - 1961 Born and raised in Oppenheim/Rhein - First lessons from the mother (piano, violin) - School and university years in Frankfurt/Main -From 1895 parallel music studies at the Hoch Conservatory in Frankfurt, graduating in 1903 (piano, organ, violin, composition; especially dealing with J.S. Bach) - From 1907 private lessons with Max Reger - October 1908 to 1909 his student at the Leipzig Conservatory - 1909 Arthur Nikisch Prize for the best composition - Then worked in Oppenheim as a freelance composer and music teacher - Friendly relationship between the Reger family and Senfter - With Reger's death in 1916 she lost the protege for the advertising of her works (approx. 130) - 1921 founding of two music societies. ROLF SCHONSTEDT Born in Erfurt/Thuringia in 1944 - studied church music in Herford and Cologne - church music exams (B / A / artistic maturity exam / concert exam) Kantor positions in Remscheid, Wuppertal, Hamm/Westf. - KMD, state chairman of church musicians, state church music director, lecturer at the Westf. phil. (The organ song - a new genre on the threshold of the 20th century) - As an organist, harpsichordist,conductor, lecturer in Europe, Russia, North and South America, Africa - Co-founder of the 2nd Reger Festival in Argentina - Boardmember of the International Max Reger Society - Member of the Argentine National Academy for Art and Music - Honors and awards (national / international) - Publisher: Series The Spiritual Song / The Organ Works by Karl Hasse - Radio, television, disc /CD.

(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

Performed by Elton John. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 176 pages. Published by Hal Leonard.

Violin and piano

SKU: LM.JJ60178

Composed by Tolia Nikiprowetzky. Classical. Score. Editions Jobert #JJ60178. Published by Editions Jobert (LM.JJ60178).

ISBN 9790230860178.

Performed by Elton John. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Rock and pop rock. 94 pages. 9x12 inches. Published by Hal Leonard.

By Nikita Koshkin (1956-). For guitar. Mikulka Vladimir. Classical. Grade 4. Score. 6 pages. Published by Editions Henry Lemoine

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5558

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558).

ISBN 9790004213681. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.