Written by Mark Harrison. For piano. Format: instructional book. With standard n...(+)
Written by Mark Harrison.
For piano. Format:
instructional book. With
standard notation, chord
names, instructional
text, performance notes,
introductory text and
glossary of musical
terms. Instructional. 498
pages. 9x12 inches.
Published by Harrison
Music Education Systems.
Piano, Voice (voice and orchestra) SKU: FZ.5750 Chant et piano (1830-1...(+)
Piano, Voice (voice and
orchestra)
SKU:
FZ.5750
Chant et
piano (1830-1849) -
Versions pour choeur et
orchestre, pour mezzo et
orchestre (1842 a
1851). Composed by
Hector Berlioz. Edited by
Isabelle Poinloup. This
edition: Facsimile.
Collection Dominantes.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5750).
ISBN
9790230657501. 24.00 x
33.00 cm
inches.
This
facsimile of an original
and the manuscript by
Hector Berlioz is part of
our Dominantes
collection. Melodies
Irlandaises (complete
sources): version for
voice and piano
(Schlesinger and Richault
editions) - autographe
manuscript of Helene,
version for male voice
and orchestra - version
for choir and orchestra
of the Chant Sacre
(Richault edition) -
version for mezzo and
orchestra of La Belle
Voyageuse (Richault
edition) version for
female choir and
orchestra of La Belle
Voyageuse (orchestral
material). Presentation
by Isabelle Poinloup:
Context of the creation
of the melodies
irlandaises - the
melodies irlandaises -
the Schlesinger and
Richault editions.
Formations: With piano:
tenor and piano - tenor
and bass, or soprano and
contralto, and piano -
choir for tenors, basses
and piano - large choir
for 2 soprano voices, 2
tenor voices, 2 bass
voices, and piano -
Soprano or tenor and
piano. With orchestra:
Tenor and bass, or
soprano and contralto,
and orchestra - large
choir for 2 soprano
voices, 2 tenor voices, 2
bass voices, and
orchestra - for mezzo and
orchestra - female choir
and orchestra. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches.
Facsimile of a copy
in the National Library
of Paris (France). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
For Vocal Tenor. Includes a printed vocal score on high-quality ivory paper, wit...(+)
For Vocal Tenor. Includes
a printed vocal score on
high-quality ivory paper,
with informative liner
notes; and a CD G
graphics-enabled compact
disc with complete
versions (with soloist)
followed by stereo
orchestral accompaniments
to each piece, minus the
soloist. Published by
Music Minus One
You Raise Me Up Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-140-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-140-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Score Only.
Composed 2011. 20 pages.
Music Sales #1891-12-140
MS. Published by Music
Sales
(BT.1891-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story nannte,
nach der Melodie des
irischen Traditionals
Danny Boy und bat
den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
Piano SKU: BT.SINF012 Composed by Maria Teresa Levati. Method. Book Only....(+)
Piano
SKU:
BT.SINF012
Composed
by Maria Teresa Levati.
Method. Book Only.
Sinfonica #SINF012.
Published by Sinfonica
(BT.SINF012).
ISBN
9788884001283.
Italian.
Raccolta
di composizioni per i
primi corsi e primi
elementi ed esercizi
sull'uso del pedale di
risonanza 33 brani tratti
dal repertorio pianistico
Barocco, Classico e
Romantico, composti da
autori conosciuti e da
altri meno noti. Con
questa raccolta gli
studenti dei primi corsi
hanno la possibilitÃ
di variare e completare
il proprio programma di
studio con una scelta
mirata di brani facili e
gradevoli. La raccolta si
conclude con esercizi
sull'uso del pedale di
risonanza.
Method.
Book Only. 30 pages.
Sinfonica #SINF061.
Published by Sinfonica
(BT.SINF061).
Italian.
Raccolt
a di composizioni ed
esercizi per i primi
corsi. La raccolta,
divisa in due parti,
comprende 33 composizioni
per oboe solo e per due e
tre oboi. Nella prima
parte vi sono 28 esercizi
ed una raccolta di scale
utili al consolidamento
dei primi rudimenti di
tecnica meccanica. I
brani, accuratamente
scelti dal repertorio
originale e non, spaziano
dalla musica del
Settecento fino ad alcuni
esempi di grafia
moderna.
Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
For piano. Format: piano solo book. With introductory text. Classical period and...(+)
For piano. Format: piano
solo book. With
introductory text.
Classical period and
romantic period. Series:
The World's Great
Classical Music. 240
pages. 9x12 inches.
Published by Hal Leonard.
Composed by Yukiko
Nishimura. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+2+8 pages.
Duration 4:39. Carl
Fischer Music #FAS110.
Published by Carl Fischer
Music (CF.FAS110).
ISBN 9781491151419.
UPC: 680160908912. 9 x 12
inches. Key: G
minor.
Featuring
long phrases in a slow
tempo, Interlude
Nightfall is a?perfect
composition to teach
musicianship with young
students using dramatic
harmonies. Yukiko
Nishimura's musical
imagery provides a great
opportunity for string
orchestras to showcase
their musical phrasing
and expression. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well.This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like
“risoluto.â€
The second section from
m. 29 is a kind of
“chorale,†so
all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion.Please enjoy the
thick harmonies.
You Raise Me Up Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-010-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-010-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Set (Score &
Parts). Composed 2011.
Music Sales #1891-12-010
MS. Published by Music
Sales
(BT.1891-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story
nannte, nach der
Melodie des irischen
Traditionals Danny Boy
und bat den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
A Comprehensive Source for All Musicians. By Keith Wyatt and Carl Schroeder. Mus...(+)
A Comprehensive Source
for All Musicians. By
Keith Wyatt and Carl
Schroeder. Musicians
Institute Press
(Instruction taken from
the curriculum of MI).
Size 9x12 inches. 160
pages. Published by
Musicians Institute
Press.
by Joe Pass. For all guitars. Jazz, solos and studies. Level: Intermediate-Advan...(+)
by Joe Pass. For all
guitars. Jazz, solos and
studies. Level:
Intermediate-Advanced.
Book. Method. Size
8.75x11.75. 60 pages.
Published by Mel Bay
Pub., Inc.
by Johnny Smith. For flatpick and plectrum guitar. Complete. All styles, jazz. ...(+)
by Johnny Smith. For
flatpick and plectrum
guitar. Complete. All
styles, jazz. Level:
Intermediate-Advanced.
Book. Technique. Size
8.75x11.75. 256 pages.
Published by Mel Bay
Pub.,
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-15. Published by
Breitkopf and Haertel
(BR.OB-5562-15).
ISBN
9790004342282. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str)
SKU:
BR.PB-5596-07
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Study Score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5596-07. Published by
Breitkopf and Haertel
(BR.PB-5596-07).
ISBN
9790004214060. 6.5 x 9
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Composed by Alexander Johnson. National/Emerson Fred Bock. Concert. Octavo. ...(+)
Composed by Alexander
Johnson. National/Emerson
Fred Bock. Concert.
Octavo.
12 pages. National Music
Publishers #NM1053.
Published
by National Music
Publishers
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str)
SKU:
BR.PB-5562
Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Full score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5562. Published by
Breitkopf and Haertel
(BR.PB-5562).
ISBN
9790004213728. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-16. Published by
Breitkopf and Haertel
(BR.OB-5562-16).
ISBN
9790004342299. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
101 Patterns for All Styles from Folk to Funk!. By Tom Kolb. Musicians Institute...(+)
101 Patterns for All
Styles from Folk to
Funk!. By Tom Kolb.
Musicians Institute Press
(Instruction taken from
the curriculum of MI).
Softcover with CD. Size
9x12 inches. 56 pages.
Published by Musicians
Institute Press.