SKU: BT.DHP-1135412-010

9x12 inches. English-German-French-Dut ch.

Just a year after the English rock band The Zutons had considerable success with Valerie in Great Britain, Mark Ronson and Amy Winehouse released a cover version - a version that was funkier, more upbeat and, in typical Winehouse fashion, more soulful, which shot up the charts in many countries. Valerie is surely one of the hits that immortalises the singer who died in 2011 and will find a welcome place in the repertoire of every concert band.

Een jaar na het grote succes dat de Engelse rockband The Zutons in eigen land had met Valerie, verscheen de coverversie van Mark Ronson en Amy Winehouse. Deze vlotte, funky versie in soulstijl, zo typisch voor Amy Winehouse, veroverde in snel tempo de hitlijsten van vele landen. Het is een blijvende herinnering aan de veel te jong overleden zangeres. Met dit arrangement van Valerie presenteren wij een onsterfelijke hit die niet mag ontbreken aan uw repertoire!

Bereit s ein Jahr nachdem die englische Rockband The Zutons mit Valerie einen beachtlichen Erfolg in Großbritannien hatten, kam die Coverversion von Mark Ronson und Amy Winehouse heraus. Die funkigere, flottere und - typisch für Amy Winehouse - souligere Version des Songs eroberte rasch die Charts in vielen Ländern. Valerie ist sicherlich einer der Hits, die das Andenken an die 2011 verstorbene Sängerin unsterblich machten und gehört damit in das unterhaltsame Repertoire jedes Blasorchesters.

Un e seule année s’est écoulée entre la sortie de la chanson Valerie, interprétée par le groupe de rock anglais The Zutons, qui eu beaucoup de succès au Royaume-Uni, et la reprise de Mark Ronson et Amy Winehouse. Plus funky, plus optimiste et typiquement plus «winehousienne», cette version soul a rapidement conquis les hit-parades de nombreux pays. L’arrangement de Peter Kleine Schaars rend hommage la grande chanteuse décédée en 2011, avec ce titre récréatif et pétillant de fraîcheur !

Appena un anno dopo aver ottenuto un buon successo con Valerie, nell’interpretazio ne della rock band britannica The Zutons, Mark Ronson la riadattò con suoni jazz e con atmosfere vintage pensando bene di completare il tutto con la bellissima voce di Amy Winehouse. Questa versione si catapultò in vetta alle chart di molti paesi e rimane a oggi un ricordo struggente della straordinaria artista scomparsa nel 2011.

SKU: MB.30844M

ISBN 9781513464268. 8.75 x 11.75 inches.

Skip James was one of the most influential early Bluesmen, but his importance as a stylist remained undiscovered until he was brought out of a long retirement by the Folk/Blues revival of the early 1960â??s. Born in 1902 and raised in Bentonia, Nehemiah Curtis James was brought up in a religious family: his father was a bootlegger who reformed and became a Baptist preacher. Skip learned piano in school but picked up guitar from his friend Henry Stuckey. In 1931 Skip was picked up by a scout for Paramount Records and he cut 26 tracks, of which 18 were released, in a two day session at their Grafton, Wisconsin studios. These recordings presented a unique and haunting genius that influenced legendary bluesmen as Robert Johnson, Kansas Joe McCoy and Johnny Temple. But the recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.

< span style=font-family: Arial;> We have included as online downloads Skipâ??s 1931 recordings. The crackling sound of these rare recordings cannot obscure the brilliance of this seminal Blues master.

After over 30 yearâ??s retirement from music, Skip was rediscovered by Blues enthusiasts Bill Barth, John Fahey and Henry Vestine. They persuaded Skip to appear at the Newport Folk Festival in 1964, where his renditions of his old songs were still powerful and moving. His performances as well as his old and new recordings influenced a generation of new musicians: Eric Clapton, Alan Wilson of Canned Heat, Cream, Deep Purple, Chris Thomas King, Alvin Youngblood Hart, Derek Trucks, Beck, Big Sugar, John Martyn, Lucinda Williams and Rory Block to name a few.

Books on legendary Blues musicians written by white musicologists tend to offer a subjective perspective on how the artists felt, thought or reacted. A tainted picture is captured that has more to do with the writerâ??s social and musical experiences. This autobiography is different. The words, thoughts and feelings come directly from the artistâ??s lips. This is the story of Nehemiah â??Skipâ? James told by Nehemiah â??Skipâ? James.

SKU: BR.OB-5261-23

ISBN 9790004331781. 10 x 12.5 inches.

Robert Schumann wrote his B-flat major Symphony in the years 1840/41. After a run-through following its world premiere in Leipzig on 31 March 1841, Schumann thoroughly revised the work for the printing of the parts.We have used the virtually error-free first printing of the score (Leipzig: Breitkopf & Hartel, 1853) as the principal source of the present Urtext edition.This edition is in study score format, using Breitkopf familiar clear and uncluttered print. (Sheet Music).

SKU: BR.OB-5261-19

ISBN 9790004331774. 10 x 12.5 inches.

Robert Schumann wrote his B-flat major Symphony in the years 1840/41. After a run-through following its world premiere in Leipzig on 31 March 1841, Schumann thoroughly revised the work for the printing of the parts.We have used the virtually error-free first printing of the score (Leipzig: Breitkopf & Hartel, 1853) as the principal source of the present Urtext edition.This edition is in study score format, using Breitkopf familiar clear and uncluttered print. (Sheet Music).

SKU: BR.OB-5261-16

ISBN 9790004331767. 10 x 12.5 inches.

Robert Schumann wrote his B-flat major Symphony in the years 1840/41. After a run-through following its world premiere in Leipzig on 31 March 1841, Schumann thoroughly revised the work for the printing of the parts.We have used the virtually error-free first printing of the score (Leipzig: Breitkopf & Hartel, 1853) as the principal source of the present Urtext edition.This edition is in study score format, using Breitkopf familiar clear and uncluttered print. (Sheet Music).

SKU: BR.OB-5261-30

The 5 study scores of the symphonies (incl. early version of the 4 th symphony) in slipcase are temporarily out of print. The single editions are, however, still available.

ISBN 9790004331804. 10 x 12.5 inches.

Robert Schumann wrote his B-flat major Symphony in the years 1840/41. After a run-through following its world premiere in Leipzig on 31 March 1841, Schumann thoroughly revised the work for the printing of the parts.We have used the virtually error-free first printing of the score (Leipzig: Breitkopf & Hartel, 1853) as the principal source of the present Urtext edition.This edition is in study score format, using Breitkopf familiar clear and uncluttered print. (Sheet Music).

SKU: BR.OB-5264-23

ISBN 9790004333792. 10 x 12.5 inches.

Robert Schumann composed his D-minor Symphony in 1841, just after completing his Symphony No. 1 in B flat major op. 38. This version remained unpublished during the composers lifetime. After a thorough revision in late 1851, the work was given its first performance in Dusseldorf on 3 March 1853 under the composers direction. It was published that same year by Breitkopf & Hartel under the opus number 120 as Symphony No. 4.Joachim Draheims Urtext edition presents Schumanns Fourth Symphony in the 1851 version. The primary source is the first edition overseen by Schumann and practically free of errors.

SKU: BR.OB-5261-27

ISBN 9790004331798. 10 x 12.5 inches.

Robert Schumann wrote his B-flat major Symphony in the years 1840/41. After a run-through following its world premiere in Leipzig on 31 March 1841, Schumann thoroughly revised the work for the printing of the parts.We have used the virtually error-free first printing of the score (Leipzig: Breitkopf & Hartel, 1853) as the principal source of the present Urtext edition.This edition is in study score format, using Breitkopf familiar clear and uncluttered print. (Sheet Music).