Pre 1

SKU: CL.023-4819-75

Composed by Romeyn. Young Concert Band. Oversized, spiral-bound score. C.L. Barnhouse #023-4819-75. Published by C.L. Barnhouse (CL.023-4819-75).

For Guitar. Guitar Tab Method. Softcover Audio Online. Guitar tablature. 32 pages. Published by Hal Leonard

By Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. 274 pages. Published by Hal Leonard

This edition: Authentic Guitar TAB. Guitar Mixed Folio. Rock Charts. Book. 116 pages. Published by Alfred Publishing

Deluxe Annual Edition. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Greatest Hits. Pop; Rock. Book. 224 pages. Published by Alfred Publishing.

(Heavy Metal Guitar Meets 9 Masterpieces by Niccolo Paganini). By German Schauss. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. National Guitar Workshop. Metal; Rock. Advanced; Intermediate. 64 pages. Published by Alfred Music Publishing

For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Pop/Rock. Book. 92 pages. Published by Alfred Music Publishing

Piano

SKU: BT.MUSUMP22227

De Musica De Teclado. Classical. Book Only. 88 pages. Union Musical Ediciones #MUSUMP22227. Published by Union Musical Ediciones (BT.MUSUMP22227).

ISBN 9780711975545.

Volu me two of Spanish keyboard music by composers ranging from the 16th to 18th century including Fray Juan Bermudo, Joseph Ximenez, S de Albero and J. Haydn.

(BR)

SKU: HL.49041950

Composed by Berry. This edition: Paperback/Soft Cover. Paperback. Edition Schott. 374 pages. Schott Music #SP8358. Published by Schott Music (HL.49041950).

ISBN 9783795783587. German.

Chuck Berry ist der bedeutendste Komponist und Interpret des klassischen Rock'n'Roll. Viele Rockstars verdanken ihm ihre ersten Erfolge, ja sogar ihre Karriere: Die Beatles, die Rolling Stones, die Beach Boys, die Animals, Elvis Presley, Jimi Hendrix, Rod Stewart, Bruce Springsteen und viele andere spielten seine Songs wie Maybellene, Sweet Little Sixteen, Roll Over Beethoven, Reelin' and Rockin', Johnny B. Goode oder Rock and Roll Music.Mit schonungsloser Ehrlichkeit schildert Chuck Berry in dieser Autobiographie seinen Lebensweg: die ungewohnliche Karriere eines schwarzen Musikers, der eine Handvoll unsterblicher Songs schrieb, die erst durch die weissen Rockstars zu Welterfolgen wurden. Dies ist aber auch die Geschichte eines Mannes, dessen Leben stets skandalumwittert war.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Guitar

SKU: BT.MI0414

Composed by Silvio Astuto. Studies & Exercises. Book and DVD. Composed 2019. Play Music Italy #MI0414. Published by Play Music Italy (BT.MI0414).

Italian.

Con non meno di 100 esercizi di “ginnastica” per la chitarra, questo metodo vi permetter di essere tecnicamente più sicuri di voi stessi, di avere una mano più agile sulla tastiera, più sciolta, più rapida, più precisa e quindi anche più efficace… Praticando regolarmente questi esercizi, le vostre dita saranno rapidamente capaci di raggiungere qualsiasi nota, che sia nel registro acuto suonando un assolo o nel registro grave per formare un accordo, in un approccio verticale o durante uno spostamento laterale… in breve, in tutte le situazioni che incontrerete prima o poi in quanto chitarrista. Sul disco allegato al metodo, le registrazioni video (in formato mp4) mostrano i 100esercizi in modo che possiate osservare la posizione delle mani e delle dita. Sono spesso semplici dettagli che ci bloccano!

mon Kirke - Lessons from a Legend. Instructional/Drum/DVD. DVD. Published by Rockstarz

Welsh Folk Song. By Anonymous. Arranged by Larry Clark. Chamber o rchestra. Carl Fischer Performance Series - First Plus String Orchestra. Classical. Level: very easy. Score and parts. 8 pages. Published by Carl Fischer.

Guitar

SKU: BT.MUSAM985204

Composed by Paul McCartney. Arranged by Arthur Dick. Play Guitar With. Pop & Rock. Book with CD. Wise Publications #MUSAM985204. Published by Wise Publications (BT.MUSAM985204).

ISBN 9781846094767.

Play Guitar With... Paul McCartney on six of his greatest songs! Take over from Paul on guitar with 'soundalike' backing tracks and full instrumental demos on CD!

Orchestra (PART3)

SKU: HL.49015208

Leichte Satze alter Meister. Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 12 pages. Schott Music #ED 6160-16. Published by Schott Music (HL.49015208).

ISBN 9790001065788.

Clarinet and Piano. Composed by Philip Sparke (1951-). Arranged by Philip Sparke. Anglo Instrumental series. Educational Tool. Book [Softcover]. Composed 2004. 40 pages. Anglo Music Press #AMP 130-401. Published by Anglo Music Press

Guitar

SKU: GH.AIR-0967

Rock'n'Roll. Composed by Russ Shipton. Educational. Gehrmans Musikforlag #AIR 0967. Published by Gehrmans Musikforlag (GH.AIR-0967).

Basta handboken for rockgitarristen! Tag med den overallt! Far plats i gitarrfodralet.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0870080-215

Composed by Dizzy Stratford. Applause Series. Original Light Music. Score Only. Composed 1987. De Haske Publications #DHP 0870080-215. Published by De Haske Publications (BT.DHP-0870080-215).

Dizzy Stratford’s name has become synonymous with concert band music of the highest quality. Stratford’s characteristically simple, accessible harmonies and zesty melodies guarantee exciting musical entertainment. Patsy is no exception and also provides ample opportunity to feature individual sections or soloists.

Dizzy Stratford? Dat staat gelijk aan originele amusementsmuziek voor blaasorkest van grote kwaliteit! De typische, eenvoudige en goed in het gehoor liggende harmonieën en de swingende melodieën staan garant voor succes. Met Patsyhebt u bovendien de mogelijkheid om bepaalde registers en solisten in een aantrekkelijk wisselspel voor het voetlicht te plaatsen.

Der Name Dizzy Stratford steht für originale unterhaltsame Blasorchesterkompositione n von hoher Qualität. Stratfords typische einfache, eingängige Harmonik und schwungvolle Melodien sind Garant für erfolgreiche Unterhaltungsmusikkonzert e. Mit Patsy haben Sie zudem die Möglichkeit, einzelne Register und Solisten in einem reizvollen Wechselspiel zu präsentieren.

Le nom de Dizzy Stratford est étroitement lié la musique légère originale pour orchestre d’harmonie. Ses compositions, aux lignes mélodiques exceptionnellement entraînantes, sont simples et chatoyantes. Patsy vous offre la possibilité de mettre en avant plusieurs registres de solistes tout en créant une délicieuse interaction avec le reste de l’orchestre. Votre public sera charmé.

Dizzy Stratford è sinonimo di alta qualit nel campo della musica da intrattenimento. Le armonie semplici accompagnate da accattivanti melodie, garantiscono il successo del vostro concerto. Patsy offre la possibilit di presentare vari registri e solisti dell’orchestra.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2012. 20 pages. De Haske Publications #DHP 1115227-140. Published by De Haske Publications (BT.DHP-1115227-140).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor at Fukushima only increased the misery: a black day in the country’s history…One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments. It will take a long time before the damage suffered is repaired—and it will take great effort to overcome thepsychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers for a simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This piece immediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet de kernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ... Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haast onvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaal weer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten. Als bij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehouden en het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van der Roost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

2011 fut une année tragique pour le Japon : le 11 mars, le nord-est du pays connut un violent tremblement de terre qui entraîna un gigantesque tsunami, occasionnant de nombreuses pertes humaines et de gros dég ts environnementaux. La catastrophe du réacteur nucléaire de Fukushima ajouta encore ces malheurs : une période bien sombre de l’histoire du pays…Des événements aussi dramatiques ont souvent un impact négatif sur les arts culturels. Ce fut le cas au Japon : plusieurs orchestres d’harmonie des collèges des régions affectées perdirent leurs locaux de répétition et/ou leurs instruments. Il faudra beaucoup de temps pour que les choses reviennent la normale - et pour estomperles cicatrices psychologiques. S’intéressant particulièrement celles-ci, Yutada Nishida (directeur du programme radiophonique The Bandwagon) demanda quelques compositeurs d’écrire une œuvre simple pouvant être interprétée par de nombreux orchestres.Il se trouva que l’Harmonie Philharmonique d’Osaka (que Jan Van der Roost avait dirigée lors d’un concert exclusivement composé de ses œuvres, le 25 septembre) avait eu la même idée. Ce concert vit la création mondiale de Song of Hope, qui interpella immédiatement les musiciens et l’auditoire. Cette pièce débute sombrement dans le registre grave avant d’évoluer vers une conclusion plus pétillante, plus optimiste. Il est assurément permis d’espérer des temps meilleurs !

Il 2011 è stato un anno tragico per il Giappone; al devastante terremoto e al non meno catastrofico tsunami dell’11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quello della musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope è un brano che ha profondamente commosso esecutori e pubblico.Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro più sereno.

Orchestra (1ST/C)

SKU: HL.49006054

Leichte Satze alter Meister. Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 16 pages. Schott Music #ED 6160-11. Published by Schott Music (HL.49006054).

ISBN 9790001065733.