Piano; Viola - easy to intermediate SKU: HL.49019370 Viola and Piano(+)
Piano; Viola - easy to
intermediate
SKU:
HL.49019370
Viola
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Op. 30/3. 6
pages. Schott Music
#ED21476. Published by
Schott Music
(HL.49019370).
ISBN
9790001189804. UPC:
884088992378.
9.0x12.0x0.052
inches.
'Songs
Without Words' - that's
what Felix Mendelssohn
Bartholdy (1809-1847)
called his lyrical piano
pieces, romantic
miniatures in which the
composer wanted to 'sing'
on the keyboard
instrument. With them, he
invented an entirely new
form of chamber music
playing in the 19th
century. These 'Songs'
are also perfectly
suitable for duet
playing: for a melodic
instrument with piano
accompaniment. The 'Song
Without Words' Op 30/3 is
a rewarding lyrical solo
piece.
Composed by Carter Pann (1972-). Solo part with piano accompaniment part. Com...(+)
Composed by Carter Pann
(1972-). Solo part with
piano accompaniment part.
Composed 2016. 48 pages.
Duration 22 minutes.
Theodore Presser Company
#114-41853. Published by
Theodore Presser Company
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.51481539 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.51481539
Violin and Piano
Marked and Unmarked
String Parts.
Composed by Sergei
Prokofiev. Edited by
Fabian Czolbe. Henle
Music Folios. Classical.
Softcover. 40 pages. G.
Henle #HN1539. Published
by G. Henle
(HL.51481539).
UPC:
196288308164.
9.25x12.0x0.16
inches.
During a
concert tour through
California in early 1920,
Prokofiev composed five
songs with piano
accompaniment and
textless voice parts,
which appeared in print
as Five Songs without
Words op. 35 and with a
dedication to the soprano
Nina Koshetz. The
quasi-instrumental
conception of the work as
vocalises accompanied by
piano suggested an
arrangement for violin
and piano, which the
composer then indeed
undertook in 1925.
Enriched with octave
transpositions, double
stops, harmonics and
pizzicati, the violin
part of the five pieces
gained an enormous
variety of additional
expressive possibilities.
No wonder the Five
Melodies op. 35a today
number among the Russian
master's most popular
chamber music works!
Henle is publishing them
for the first time as an
Urtext edition based on
all available sources.
Simon Morrison, a true
Prokofiev specialist,
contributed the
preface.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Concert band - Grade 3 SKU: CL.026-4133-01 Arranged by Stanton. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4133-01
Arranged by Stanton.
Concert Band.
Build-A-Band. Extra full
score. Composed 2012.
Duration 3 minutes, 22
seconds. C.L. Barnhouse
#026-4133-01. Published
by C.L. Barnhouse
(CL.026-4133-01).
An outstanding
new addition to the
Build-A-Band Series that
includes the Song Without
Words and Song of the
Blacksmith movements from
this famous suite. Can be
combined with Scott's
earlier arrangement of
the March movement the
same suite to make a
wonderful program for
concert and contest
performances. Now even
the smallest bands can
successfully perform this
great work which is such
a staple of the concert
band repertoire.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Flute & Harp SKU: SU.29050020 For Flute & Harp. Composed by Richar...(+)
Flute & Harp
SKU:
SU.29050020
For
Flute & Harp.
Composed by Richard
White. Woodwinds,
Flute/Piccolo, Harp, Harp
with Other Instruments.
Score & Parts. Subito
Music Corporation
#29050020. Published by
Subito Music Corporation
(SU.29050020).
Six Songs
Without WordsFlute & Harp
Duration: 14’
Composed: 2016 Published
by: Whitco Press.
Viola, piano (2 violas) (Viola, Piano (Violas (2))) - Level 2 SKU: BA.BA08991...(+)
Viola, piano (2 violas)
(Viola, Piano (Violas
(2))) - Level 2
SKU:
BA.BA08991
9
Recital Pieces in First
Position for Viola an
Piano or Two Violas.
Edited by Christoph
Sassmannshaus, Kurt
Sassmannshaus, and
Melissa Lusk. Stapled.
Barenreiter's
Sassmannshaus.
Performance score, Part.
12/14/9 pages.
Baerenreiter Verlag
#BA08991_00. Published by
Baerenreiter Verlag
(BA.BA08991).
ISBN
9790006565665. 30 x 23 cm
inches.
The nine
pieces in this second
volume of the
“Viola Recital
Album†augment
those appearing in volume
2 of the viola tutor.
There the pieces are
integrated in ascending
order of difficulty,
whereas the additional
pieces in the
“Recital
Album†can be
handled more freely and
inserted at any point for
the sake of
variety.
The
volume contains such
pieces as Carrie Williams
Krogmann's
“Rotkehlchens
Nachtgesangâ€
(“Robin's
nocturneâ€) or
Wilhelm Fitzenhagen's
“Russisches Lied
ohne Worteâ€
(“Russian song
without
wordsâ€).
Eac
h piece is accompanied by
duo version in which the
teacher or an advanced
learner can play the
second part. There is
also a piano part that
can be played by the
teacher or
parents.
All the
pieces in the four
“Viola Recital
Albums†represent
welcome additions to the
already varied repertoire
of Egon Sassmannhaus's
viola tutor “Early
Start on the
Violaâ€.
Kurt
Sassmannshaus is the
editor of many string
editions in the
Bärenreiter catalogue.
He continues in the
tradition of “Early
Start on String
Instrumentsâ€
founded by his father,
Egon Sassmannshaus. The
new editions mentioned
here were developed by
Kurt Sassmannshaus in
conjunction with his wife
Melissa Lusk and his son
Christoph
Sassmannshaus.
About
Baerenreiter's
Sassmannshaus
Children playfully
learn reliable technique
at the earliest age. For
more than three decades
the Sassmannshaus
Tradition has been the
household name for
excellence in beginner
methods in
German-speaking
countries. More than half
a million students have
successfully learned to
play using this
publication.
Thi
s tried and tested German
method is now available
in English! The
best-selling method that
gave generations of
European musicians their
foundation is now
available in English,
with content and songs
newly adapted for today's
English speaking
children.
What makes this method
so
special?
The child-friendly and
age-appropriate text
underlying the music
enables children to
perceive melodies as a
whole and to understand
their singable
qualities.
Songs
and scales in different
positions are easily
explained and mastered
within the first year.
This is an important
advantage over methods
that confine children to
the first position for
many years.
Note
reading is emphasized
from the first lesson -
children are brought up
to become proficient
sight-readers and play in
chamber music ensembles
as early as
possible.
In
contrast to other
beginner methods, The
Sassmannshaus Tradition
progresses swiftly by
introducing advanced
techniques in rudimentary
form, such as shifting
and varied bow
strokes.
Ensemble
playing is encouraged
from the very
beginning.
The
method is suitable for
single instruction as
well as for group and
class
lessons.
The
large print notes and
text as well as many
colorful illustrations
are particularly
child-friendly and very
attractive to pre-school
children and school
children
alike.
The
substantial volumes
contain comprehensive
material and carefully
calibrated learning
curves. They keep
children curious and
interested for many
months and
years.
Piano - Early Intermediate SKU: HL.645898 Level 3. Arranged by Wes...(+)
Piano - Early
Intermediate
SKU:
HL.645898
Level
3. Arranged by Wesley
Schaum. Educational
Piano. Folk,
Supplementary. Softcover.
24 pages. Duration 7200
seconds. Schaum
Publications, Inc. #0838.
Published by Schaum
Publications, Inc.
(HL.645898).
ISBN
9781495081811. UPC:
008148008384. 9.0x12.0
inches.
NFMC
2016-2020 Federation
Festivals Bulletin
selection for Elementary
I - III. When they
originated, folk songs
were passed along from
one generation to another
without written music.
Many times they were sung
unaccompanied. The melody
of a simple accompaniment
may also have been played
on fiddle, guitar, banjo
or whatever instrument
was available. Over time,
different performers made
little changes in both
melody and words. In some
instances, there are now
six or more variations of
the same song. The tunes
and lyrics in this book
may be a little different
than what is familiar to
the teacher or student.
Changes to music or words
may certainly be made;
however it is recommended
that any revised notes
and lyrics be written on
the pages where they are
used. Duet accompaniments
offer many possibilities
for recitals and school
events. The duets help
provide valuable rhythmic
training and ensemble
experience. The duets are
recommended for use at
home as well as at the
lesson. This volume
includes: Aura Lee *
Barbara Allen * Bill
Bailey * Down in the
Valley * He's Got the
Whole World in His Hands
* Home on the Range * On
Top of Old Smoky * Pop!
Goes the Weasel *
Scarborough Fair * and
more.
Piano - Late Elementary SKU: HL.645897 Level 2. Arranged by Wesley...(+)
Piano - Late Elementary
SKU: HL.645897
Level 2. Arranged
by Wesley Schaum.
Educational Piano. Folk,
Supplementary. Softcover.
24 pages. Duration 7200
seconds. Schaum
Publications, Inc. #0837.
Published by Schaum
Publications, Inc.
(HL.645897).
ISBN
9781495081804. UPC:
008148008377. 9.0x12.0
inches.
When they
originated, folk songs
were passed along from
one generation to another
without written music.
Many times they were sung
unaccompanied. The melody
of a simple accompaniment
may also have been played
on fiddle, guitar, banjo
or whatever instrument
was available. Over time,
different performers made
little changes in both
melody and words. In some
instances, there are now
six or more variations of
the same song. The tunes
and lyrics in this book
may be a little different
than what is familiar to
the teacher or student.
Changes to music or words
may certainly be made;
however it is recommended
that any revised notes
and lyrics be written on
the pages where they are
used. Duet accompaniments
offer many possibilities
for recitals and school
events. The duets help
provide valuable rhythmic
training and ensemble
experience. The duets are
recommended for use at
home as well as at the
lesson. This volume
includes 12 folk
favorites: Ash Grove *
Blow Away the Morning Dew
* Down by the Riverside *
Erie Canal * Frog Went a
Courtin' * Girl I Left
Behind Me * Goober Peas *
Hush Little Baby * I've
Been Working on the
Railroad * Men of Harlech
* My Bonnie Lies Over the
Ocean * Shenandoah.
Primer Piano - Early Elementary SKU: HL.645895 Primer Level. Arran...(+)
Primer Piano - Early
Elementary
SKU:
HL.645895
Primer
Level. Arranged by
Wesley Schaum.
Educational Piano. Folk,
Supplementary. Softcover.
24 pages. Duration 7200
seconds. Schaum
Publications, Inc. #0835.
Published by Schaum
Publications, Inc.
(HL.645895).
ISBN
9781495081781. UPC:
008148008353. 9.0x12.0
inches.
When they
originated, folk songs
were passed along from
one generation to another
without written music.
Many times they were sung
unaccompanied. The melody
of a simple accompaniment
may also have been played
on fiddle, guitar, banjo
or whatever instrument
was available. Over time,
different performers made
little changes in both
melody and words. In some
instances, there are now
six or more variations of
the same song. The tunes
and lyrics in this book
may be a little different
than what is familiar to
the teacher or student.
Changes to music or words
may certainly be made;
however it is recommended
that any revised notes
and lyrics be written on
the pages where they are
used. Duet accompaniments
offer many possibilities
for recitals and school
events. The duets help
provide valuable rhythmic
training and ensemble
experience. The duets are
recommended for use at
home as well as at the
lesson. This volume
includes 11 folk
favorites: Alouette *
Camptown Races * Lightly
Row * Little Nut Tree *
Mexican Clap-Hands Dance
* Old MacDonald * On the
Bridge at Avignon * Row,
Row, Row Your Boat * She
Wore a Yellow Ribbon *
When the Saints Go
Marching In * Yankee
Doodle.
Piano - Elementary SKU: HL.645896 Level 1. Arranged by Wesley Scha...(+)
Piano - Elementary
SKU: HL.645896
Level 1. Arranged
by Wesley Schaum.
Educational Piano. Folk,
Supplementary. Softcover.
24 pages. Duration 7200
seconds. Schaum
Publications, Inc. #0836.
Published by Schaum
Publications, Inc.
(HL.645896).
ISBN
9781495081798. UPC:
008148008360.
9.0x12.0x0.096
inches.
NFMC
2016-2020 Federation
Festivals Bulletin
selection for Primary
II-III. When they
originated, folk songs
were passed along from
one generation to another
without written music.
Many times they were sung
unaccompanied. The melody
of a simple accompaniment
may also have been played
on fiddle, guitar, banjo
or whatever instrument
was available. Over time,
different performers made
little changes in both
melody and words. In some
instances, there are now
six or more variations of
the same song. The tunes
and lyrics in this book
may be a little different
than what is familiar to
the teacher or student.
Changes to music or words
may certainly be made;
however it is recommended
that any revised notes
and lyrics be written on
the pages where they are
used. Duet accompaniments
offer many possibilities
for recitals and school
events. The duets help
provide valuable rhythmic
training and ensemble
experience. The duets are
recommended for use at
home as well as at the
lesson. This volume
includes 11 folk
favorites: Bear Went over
the Mountain * Bingo *
Clementine * Goodbye Old
Paint * John Jacob
Jingleheimer Schmidt *
She'll Be Comin' 'Round
the Mountain * Shoo Fly *
Skip to My Lou * and
more.
Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S).
UPC:
680160682119.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L).
UPC:
680160682126.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).