SATB vocal soli, SATB choir SKU: CA.3103605 Cantata for the 1st Sunday...(+)
SATB vocal soli, SATB
choir
SKU:
CA.3103605
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Choral Score.
Composed 1731. BWV 36. 8
pages. Duration 31
minutes. Carus Verlag #CV
31.036/05. Published by
Carus Verlag
(CA.3103605).
ISBN
9790007172275. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.
Primary Colours Orgue - Intermédiaire Jackman Music Corporation
Organ - Intermediate SKU: JK.02065 Ten Organ Settings of Beloved Child...(+)
Organ - Intermediate
SKU: JK.02065
Ten Organ Settings of
Beloved Children's
Songs. Composed by
Various. Arranged by Clay
Christiansen. Christian,
Children, Children's
Musicals, Contemporary
Christian, Gospel,
Inspirational. Score.
Jackman Music Corporation
#02065. Published by
Jackman Music Corporation
(JK.02065).
UPC:
093285020658.
These
ten colourful organ
settings of beloved
primary songs combine
the bright joy
of primary
children with the
refined dignity of Clay
Christiansen's
compositions.
The acclaimed
tabernacle organist
brings you a volume
of accessible arran
gements that will
be beautifully suit
ed for prelude,
postlude, and special
musical numbers. This
volume may be considered
for ward/stake meet
ings, baptisms, and
primary
programs.
Contents
: Families Can Be
Together Forever He
Sent His Son I Think
When I Read That Sweet
Story I Will Follow
God’s
Plan Jesus Once Was a
Little Child Keep the
Commandments My
Heavenly Father Loves
Me Teach Me to Walk in
the Light Tell Me the
Stories of Jesus When
We’re Helping.
(Vocal Line with Piano Accompaniment). Composed by Brian Yorkey and Tom Kitt. Fo...(+)
(Vocal Line with Piano
Accompaniment). Composed
by Brian Yorkey and Tom
Kitt. For Vocal. Vocal
Selections. Softcover.
120 pages. Published by
Hal Leonard
Trio (acc,cym,perc) SKU: BR.KM-2524 Composed by Adriana Holszky. Chamber ...(+)
Trio (acc,cym,perc)
SKU: BR.KM-2524
Composed by Adriana
Holszky. Chamber music;
Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Munich, 1988
Opera;
Music theatre; Music
post-1945; New music
(post-2000). Performance
score. Composed 1988. 36
pages. Duration 5'.
Breitkopf and Haertel #KM
2524. Published by
Breitkopf and Haertel
(BR.KM-2524).
ISBN
9790004504376. 15 x 11.5
inches.
World
premiere Munich in 1988
Fassbinder Place
and time: Bremen 1831
Personae:
GEESCHE GOTTFRIED (Mezzo
Soprano) - MILTENBERGER
HER FIRST MAN (Baritone)
- TIMM HER FARTHER (Bass)
- MOTHER (Alto) -
GOTTFRIED HER SECOND MAN
(heroic Tenor) -
ZIMMERMANN A FRIEND
((dramatic Tenor) - RUMPF
A FRIEND (lyric Tenor) -
JOHANN HER BROTHER / BOHM
A COUSIN (heroic
Baritone) - LUISE MAUER A
FRIEND (Soprano) - PATER
MARKUS (Bass) - ONE
ALTO Scoring:
fl(picc.A-fl.B-fl).ob(cor
ang).clar(Eb-clar.B-clar.
db clar).bsn(dble bsn) -
trp(picc.trp.flugel hn).
- 2tbn -
perc.cymbal(dulcimer.gran
pno) - acc -
2vl.2vc.db Additional
instruments for members
of the vocal ensemble -
tape
Biblio
graphy:
Hie
kel Jorn Peter:
,,Chaotische Zustande
auskomponieren. Adriana
Holszkys
Musiktheaterstuck
,,Bremer Freiheit als
Werk des Durchbruchs in:
Adriana Holszky hrsg. von
Ulrich Tadday
(Musik-Konzepte Neue
Folge Heft 160/161)
Munchen: edition
text+kritik 2013 S.
43-56 Kostakeva
Maria: Metamorphose und
Eruption. Annaherung an
die Klangwelten Adriana
Holszkys Hofheim: wolke
2013 (S.
29-35) Spassov
Bojidar: Der Tod als
Wiederholungsspiel im
,,Bremer Freiheit von
Adriana Holszky in:
Katastrophe Suhne
Erlosung: Der Tod im
(Musik-)Theater hrsg. von
Jurgen Kuhnel Ulrich
Muller und Oswald Panagl
(= Wort und Musik.
Salzburger akademische
Beitrage 72)
Anif/Salzburg:
Mueller-Speiser 2010 S.
492-497
CD
Produktion der
Staatsoper Stuttgart
Ensemble avance cond.
Andras Hamary Wergo WER
5411 2
Piano solo SKU: HH.HH491-SOL Composed by Franz Joseph Haydn. Edited by Sa...(+)
Piano solo
SKU:
HH.HH491-SOL
Composed
by Franz Joseph Haydn.
Edited by Sarah Jenner.
Arranged by C.D.
Stegmann. Playing score.
Edition HH Music
Publishers #HH491-SOL.
Published by Edition HH
Music Publishers
(HH.HH491-SOL).
ISBN
9790708185017.
Hayd
n’s Symphony No.
48 was long thought to
have been written for,
and performed in honour
of the state visit of
Empress Maria Theresia to
Eszterháza in 1773.
However, research by
Robbins Landon has shown
that the symphony should
be redated to 1770.
Landon rightly comments
that although the
accepted soubriquet may
be mistaken, the message
is right, for in its
magnificence it is a
‘Symphony for
Queens and
Emperors’.
Piano SKU: BT.EMBZ8377 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano
SKU:
BT.EMBZ8377
Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 88
pages. Editio Musica
Budapest #EMBZ8377.
Published by Editio
Musica Budapest
(BT.EMBZ8377).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ14002 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14002
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 48
pages. Editio Musica
Budapest #EMBZ14002.
Published by Editio
Musica Budapest
(BT.EMBZ14002).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ8378 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano
SKU:
BT.EMBZ8378
Composed
by Gyorgy Kurtag.
Educational Tool. Book
Only. Composed 1979. 60
pages. Editio Musica
Budapest #EMBZ8378.
Published by Editio
Musica Budapest
(BT.EMBZ8378).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ8379 Composed by Gyorgy Kurtag. Contemporary Music. Boo...(+)
Piano
SKU:
BT.EMBZ8379
Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1979. 84
pages. Editio Musica
Budapest #EMBZ8379.
Published by Editio
Musica Budapest
(BT.EMBZ8379).
English-German-Hungari
an.
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. Playing - is
just playing. It requires
a great deal of freedom
and initiative from the
performer. On no account
should the written image
be taken seriously but
the written image must be
taken extremely seriously
as regards the musical
process, the quality of
sound and silence. We
should trust the picture
of the printed notes and
let is exert its
influence upon us. The
graphic picture conveys
an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
Piano SKU: BT.EMBZ14068 Tagebucheintragungen, persönliche Botschaft...(+)
Piano
SKU:
BT.EMBZ14068
Tagebucheintragungen,
persönliche
Botschaften. Composed
by Gyorgy Kurtag.
Contemporary Music. Book
Only. Composed 1997. 56
pages. Editio Musica
Budapest #EMBZ14068.
Published by Editio
Musica Budapest
(BT.EMBZ14068).
The idea of
composing 'Games' was
suggested by children
playing spontaneously,
children for whom the
piano still means a toy.
They experiment with it,
caress it, attack it and
run their fingers over
it. They pile up
seemingly disconnected
sounds, and if this
happens to arouse their
musical instinct they
look consciously for some
of the harmonies found by
chance and keep repeating
them. Thus this series
does not provide a tutor,
nor does it simply stand
as a collection of
pieces. It is a
possibility for
experimenting and not for
learning to play the
piano.Pleasure in
playing, the joy of
movement - daring and if
need be fast movement
over the entire keyboard
right from the
firstlessons instead of
clumsy groping for keys
and the counting of
rhythms - all these
rather vague ideas lay at
the outset of the
creation of this
collection. We should
trust the picture of the
printed notes and let is
exert its influence upon
us. The graphic picture
conveys an idea about the
arrangement in time of
even the most free
pieces. We should make
use of all that we know
and remember of free
declamation, folk-music
parlando-rubato, of
Gregorian chant and of
all that improvisational
musical practice has ever
brought forth.Let us
tackle bravely even the
most difficult task
without being afraid of
making mistakes: we
should try to create
valid proportions, unity
and continuity out of the
long and short values -
just for our own
pleasure! (BMC CD
139).
