Choral (Mixed Choir) - intermediate to difficult SKU: HL.49019422 Mixe...(+)
Choral (Mixed Choir) -
intermediate to difficult
SKU: HL.49019422
Mixed Choir (4-8
parts). Composed by
Charles Villiers
Stanford. Edited by Klaus
Heizmann. This edition:
Saddle stitching. Sheet
music. Choral. Classical,
General Worship, Sacred.
Softcover. Op. 38. 28
pages. Schott Music
#C55206. Published by
Schott Music
(HL.49019422).
ISBN
9790001190268.
7.5x11.0x0.1 inches.
Latin.
Influenced
by Felix Mendelssohn
Bartholdy, the Irish
composer Sir Charles
Villiers Stanford
(1852-1924) developed an
English Romantic musical
language of his own. This
is noticeable especially
in his three Latin motets
in which a typically
'English' tone prevails,
characterized by
extremely flowing
melodies, smooth
harmonies and great
singability. These three
compositions are perfect
for church services and
concerts. Contents:
Iustorum animae •
Coelos ascendit hodie
• Beati quorum
via.
Ave Regina Chorale SSATB SSATB A Cappella [Vocal Score] Oxford University Press
Composed by Cecilia McDowall. Mixed Voices. New Horizons. Sacred, Choral Leafle...(+)
Composed by Cecilia
McDowall. Mixed Voices.
New Horizons. Sacred,
Choral Leaflet. Vocal
score. 8 pages. Duration
2'. Published by Oxford
University Press
(OU.9780193355576).
Ave Maria Chorale 3 parties SSA A Cappella [Octavo] Oxford University Press
By Cecilia Mcdowall. For SSA choir, a cappella. This edition: NH35. Upper Voices...(+)
By Cecilia Mcdowall. For
SSA choir, a cappella.
This edition: NH35. Upper
Voices. New Horizons.
Sacred Choral Leaflet.
Vocal score. 8 pages.
Duration 2'
For Choral (SATB). Music Sales America. Choral, Sacred, 20th Century. 18 pages. ...(+)
For Choral (SATB). Music
Sales America. Choral,
Sacred, 20th Century. 18
pages. Edition Wilhelm
Hansen #WH29975.
Published by Edition
Wilhelm Hansen . Choral,
Sacred, 20th Century.
SSAA choir SKU: CA.964200 No. 1 from Three Marian Motets. Composed...(+)
SSAA choir
SKU:
CA.964200
No. 1
from Three Marian
Motets. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music,
Advent, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Carus Verlag #CV
09.642/00. Published by
Carus Verlag (CA.964200).
ISBN 9790007143510.
Text language:
Latin.
Matsushita's
composition draws on
elements of the Gregorian
antiphon. It begins in
unison Gregorian chant,
as was typical of
Renaissance motets, and
the beginning of new
lines of text are also
derived from Gregorian
material. Matsushita
juxtaposes a syllabic,
rhythmic declamation with
this melody, constantly
alternating bars with
even and odd numbers of
beats, the octave C' -
C'' constantly repeated
by the outer parts and
leading towards the
climax at the text nomen
Jesu. After ascending D
major arpeggios, the
central word Jesu
radiates into F sharp
major, the following
repetition in the compass
of an octave on C is more
tranquil, ending
peacefully with an F
major chord, ppp.
Solo voices,treble chorus,organ/Harmonium (Soprano solo (2), Alto solo, Female c...(+)
Solo voices,treble
chorus,organ/Harmonium
(Soprano solo (2), Alto
solo, Female choir
(3voices), Organ or
Harmonium) - Level 2
SKU: BA.BA25151
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. N
163. 12 pages.
Baerenreiter Verlag
#BA25151_00. Published by
Baerenreiter Verlag
(BA.BA25151).
ISBN
9790006575176. 29.7 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Psalm
125. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
French Sacred Music. In
Convertendo (Psalm 125).
Sacred vocal music,
Psalms, Latin. Choral
Score. 16 pages. Duration
26 minutes. Carus Verlag
#CV 21.008/05. Published
by Carus Verlag
(CA.2100805).
ISBN
9790007161439. Language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Being performed in a
concert spirituel in
1751, In Convertendo was
poorly received; this
failure long continued to
pursue Rameau. Yet these
masterworks are testimony
to Rameau's great
contrapuntal mastery and
contain beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751. Score available
separately - see item
CA.2100800.
Psalm
83. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
French Sacred Music. Quam
Dilecta Tabernacula
(Psalm 83). Sacred vocal
music, Psalms, Latin,
Psalms. Choral Score. 16
pages. Duration 20
minutes. Carus Verlag #CV
21.006/05. Published by
Carus Verlag
(CA.2100605).
ISBN
9790007161415. Language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751. Score available
separately - see item
CA.2100600.
Psalm
45. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
French Sacred Music. Deus
Noster Refugium (Psalm
45). Sacred vocal music,
Psalms, Latin, Psalms.
Choral Score. 16 pages.
Duration 26 minutes.
Carus Verlag #CV
21.007/05. Published by
Carus Verlag
(CA.2100705).
ISBN
9790007161422. Text
language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751. Score available
separately - see item
CA.2100700.