| Professional Piano Teaching, Volume 2 Piano seul [Livre] Alfred Publishing
(A Comprehensive Piano Pedagogy Textbook). Composed by Jeanine M. Jacobson. E...(+)
(A Comprehensive Piano
Pedagogy Textbook).
Composed
by Jeanine M. Jacobson.
Edited by E. L. Lancaster
and Albert Mendoza. For
Piano. Book; Reference
Textbooks; Textbook -
Piano.
Professional Piano
Teaching.
Advanced; Early Advanced;
Intermediate; Late
Intermediate. 452 pages.
Published by Alfred Music
$64.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blues Bass Play-Along Trax Basse electrique [Partition + Accès audio] - Facile Mel Bay
Play-Along Tracks for Developing your Blues Bass Performance Skill. Compo...(+)
Play-Along Tracks for
Developing your Blues
Bass Performance
Skill. Composed by
Frank De Rose and David
Barrett. School of Blues.
Book and online audio.
Published by Mel Bay
Publications, Inc
(MB.21064M).
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come, Now is the Time to Worship Chorale SATB SATB [Octavo] Hope Publishing Company
By Brian Doerksen. Arranged by Arnold B. Sherman. (SATB). Scripture References:...(+)
By Brian Doerksen.
Arranged by Arnold B.
Sherman. (SATB).
Scripture References:
Psalm 29:2 -- Psalm
95:6,9 -- Psalm 100:2 --
Isaiah 55:1 --
Philippians 2:5-11. Call
To Worship, Gathering,
Jazz/SwingStyle, Praise
and Worship, Worshiping,
Contemporary and Sacred.
Print Music Single (SATB
with optional Handbells
and Rhythm). 12 pages.
Published by Hope
Publishing Company.
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Gypsy Swing and Hot Club Rhythm II For Guitar Guitare notes et tablatures [Partition + CD] - Intermédiaire Musix
Composed by Dix Bruce. Saddle-stitched, Style, Swing, Technique, Theory, Referen...(+)
Composed by Dix Bruce.
Saddle-stitched, Style,
Swing, Technique, Theory,
Reference and Rhythm,
Gypsy. Instructional
video. Jazz; Play Along.
Book/CD set. 44 pages.
Musix #903BCD. Published
by Musix
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Chord Songs Ukulele Hal Leonard
Lyrics/Chord Symbols/Ukulele Chord Diagrams Ukulele SKU: HL.249573 Compos...(+)
Lyrics/Chord
Symbols/Ukulele Chord
Diagrams Ukulele SKU:
HL.249573 Composed by
Various. Ukulele Chord
Songbook. Pop, Rock.
Softcover. 176 pages.
Published by Hal Leonard
(HL.249573). ISBN
9781540005571. UPC:
888680711528.
6.0x9.0x0.396 inches.
Ukulele Chord
Songbook. This
series features
convenient 6″ x
9″ books with
complete lyrics and chord
symbols above the lyrics
for dozens of great
songs. Each song also
includes chord grids at
the top of every page,
and the first notes of
the melody for easy
reference. These books
are perfect for people
who don't read music but
want to strum chords and
sing, and are equally
ideal for more advanced,
music-reading ukulele
players who don't feel
like wading through
note-for-note notation.
This easy collection
features 60 songs you can
play with just four
chords: Brave •
Careless Whisper •
Cecilia • Drift
Away • Every Rose
Has Its Thorn •
Fields of Gold •
Good Riddance (Time of
Your Life) • Hey,
Soul Sister • Ho
Hey • Last Kiss
• Let It Be •
Mean • Peaceful
Easy Feeling •
Renegades • Stand
by Me • Teach Your
Children • Toes
• Viva La Vida
• What's Up •
Zombie • and many
more. $19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Professional Piano Teaching, Volume 1 Piano seul [Livre] - Facile
A Comprehensive Piano Pedagogy Textbook. Composed by Jeanine M. Jacobson. ...(+)
A Comprehensive Piano
Pedagogy Textbook.
Composed
by Jeanine M. Jacobson.
Edited by E. L. Lancaster
and Albert Mendoza. This
edition: 2nd. Book;
Reference Textbooks;
Textbook - Piano.
Professional Piano
Teaching.
$69.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lift Every Voice and Sing Chorale SATB SATB divisi, A Cappella Shawnee Press
Composed by J. Rosamond Johnson. Arranged by Heather Sorenson. Shawnee Sacred....(+)
Composed by J. Rosamond
Johnson. Arranged by
Heather
Sorenson. Shawnee Sacred.
Concert, General Worship,
Sacred. Octavo. 12 pages.
Duration 285 seconds.
Published by Shawnee
Press
$2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Weissenborn Method for Bassoon - Volume 2 Basson Hal Leonard
| | |
| Blues Bass Play-Along Trax Basse electrique [Partition + CD] - Débutant Mel Bay
By Frank De Rose and David Barrett. For Electric Bass. Play Along. School of Blu...(+)
By Frank De Rose and
David Barrett. For
Electric Bass. Play
Along. School of Blues.
Blues. Level: Beginning.
Book/CD Set. Size
8.75x11.75. 24 pages.
Published by Mel Bay
Publications, Inc.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Basic Guitar Chord Chart Guitare [Diagrammes] - Débutant Santorella Publications
Basic Guitar Chord Chart composed by Tina Tomlins. For guitar. Reference. Chords...(+)
Basic Guitar Chord Chart
composed by Tina Tomlins.
For guitar. Reference.
Chords. Chord chart. Text
Language: English. 2
pages. Published by
Santorella Publications
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bell Tree Descants Hope Publishing Company
Bell Tree SKU: HP.3001 Arranged by Jason W. Krug. Handbell score. 124 pag...(+)
Bell Tree SKU:
HP.3001 Arranged by
Jason W. Krug. Handbell
score. 124 pages. Hope
Publishing Company #3001.
Published by Hope
Publishing Company
(HP.3001). UPC:
763628130015. 45
Selections to Enhance
Hymn Singing For each of
these 45 descants to
familiar hymns there is
an intermediate and a
more advanced setting for
bell tree ringers. Many
of the tunes are offered
in more than one key to
make this collection
compatible with most
hymnals. Common title and
tune indexes are provided
for easy reference.
Adding the sparkle of
bells is sure to enhance
and enliven your
congregational hymn
singing. $46.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Roy Clark's Big Note Songbook for Guitar (with poster and decals) Guitare notes et tablatures [Posters & Prints|Collection / Songbook] - Débutant Santorella Publications
| | |
| Pop Warm-Ups and Work-Outs for Tenor/Bass [Partition + Accès audio] Hal Leonard
Book/Online Audio Choral SKU: HL.1148481 Arranged by Roger Emerson. Metho...(+)
Book/Online Audio Choral
SKU: HL.1148481
Arranged by Roger
Emerson. Methodology
Chorals. Choral
Resources, Vocal
Reference, Warm-Up.
Softcover Audio Online.
Published by Hal Leonard
(HL.1148481). ISBN
9781705185889. UPC:
196288118282.
8.5x11.0x0.203
inches. Unchanged,
changing, or changed
tenor/bass singers in
middle school and high
school may need a little
extra help in finding
their singing voices.
Roger Emerson has
developed a series of
warm-ups that uses
excerpts from classic
rock and roll tunes that
will provide the
motivation and repetition
they need to do just
that. Each song features
limited ranges, starting
moderately and gradually
ascending into the tenor
range and descending
through the bass range as
needed. The
professionally-produced
audio tracks present each
exercise with vocals so
your Tenors and Basses
have a model to emulate.
Exercies are based on the
following songs: Addams
Family Theme * Theme from
Jaws * Jump, Jive An'
Wail * Land of a Thousand
Dances * Mission:
Impossible Theme * Na Na
Hey Hey Kiss Him Goodbye
* Shake, Rattle and Roll
* Smoke on the Water * We
Will Rock You. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| PreSonus StudioLive Mixer Handbook Livre - Pas de partitions Alfred Publishing
(The Official Guide to Getting the Most from Your Console). By Bobby Owsinski. B...(+)
(The Official Guide to
Getting the Most from
Your Console). By Bobby
Owsinski. Book; Books and
DVDs; Method/Instruction;
Pro Audio; Pro Audio
Textbook; Reference
Textbooks. 220 pages.
Published by Alfred Music
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Drummer's Survival Guide Batterie [Partition] Centerstream
(Pre-Prepped Charts for Writing, Teaching, Learning and Reference). Percussion. ...(+)
(Pre-Prepped Charts for
Writing, Teaching,
Learning and Reference).
Percussion. Softcover. 64
pages
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Complete Book Of Chords, Scales, Arpeggios For The Guitar Guitare [Diagrammes] Centerstream
Written by Al Politano. Instructional book for guitar. With chord names, guitar ...(+)
Written by Al Politano.
Instructional book for
guitar. With chord names,
guitar chord diagrams,
introductory text and
instructional text. 88
pages. Published by
Centerstream
Publications.
(3)$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tarantella Carl Fischer
Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: ...(+)
Choral Double bass voice,
Piano, Viola, Violin 1,
Violin 2, SATB chorus
SKU: CF.CM9735
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS. Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata (Spirit of the Hudson) Flûte traversière et Piano Theodore Presser Co.
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano SKU:
PR.114418900 Composed
by Daniel Dorff. Set of
Score and Parts. 24+8
pages. Duration 14
minutes. Theodore Presser
Company #114-41890.
Published by Theodore
Presser Company
(PR.114418900). ISBN
9781491129517. UPC:
680160668632. A
welcome addition to the
bass flute repertoire,
Dorff’s 14-minute
sonata is designed as two
pairs of slow-fast
movements. While composed
as a complete 4-movement
sonata, either half may
be performed alone as a
7-minute recital work.
The movement titles are:
I. Sprawling, burbling;
II. Sparkling,
glistening; III. Under
Winter; and IV. Spring
Spirits. When Peter
Sheridan commissioned me
to write a piece for bass
flute and piano, his only
requests were a
sonata-like
multi-movement work, and
some kind of reference to
New York, where we both
grew up. Just the thought
of a bass flute, with its
broad and mighty
airstream, already
reminded me of the mighty
Hudson River: from the
dense woods of upstate
New York, through the
beautiful landscapes of
New Paltz and
Poughkeepsie, down
through the celebrated
Manhattan waterway.As I
daydreamed how to build a
sonata inspired by the
Hudson, I thought of its
deep primal nature carved
by the Ice Age, and the
life within the river and
on its shores long before
humans arrived. I thought
of how the river’s
magnetism drew Native
Americans who honored and
built their lives around
it. I thought of
beautiful trees and
wildlife, the annual
cycles of ecosystems, and
the natural symbiosis
between the river itself,
the life within, and the
life on land spawned by
the river’s
resources.I wondered what
if Thoreau had sat by the
Hudson rather than by
Walden Pond; I wondered
what if Hesse had set
Siddhartha in the Hudson
Valley with this river as
his metaphor for the flow
of life and time.I
wondered whether the
sonata should flow from
north to south, or have
chronological references.
I wondered if I should
allude to the many poets
and painters who have
drawn inspiration from
the mighty Hudson. Every
thought led to the
river’s essence,
its own spirit and life
— flowing through
raw nature, from skinny
trickles to mightiness
spawning cities;
supporting subtle life,
and becoming a central
commons for human
societies.The subtitle
Spirit of the Hudson
brings it all together.*
* *The sonata is built in
4 movements, with formal
inspiration from the
Baroque: A slow Mvt. 1
“Sprawling,
burbling†leads
directly to the rapid
Mvt. 2 “Sparkling,
glistening,â€
followed by another
slow-fast pair: Mvt. 3
“Under
Winter†which leads
directly into Mvt. 4
“Spring
Spirits.†In
addition to performances
of the complete sonata,
either pair of movements
may be performed on its
own for a shorter concert
segment.SONATA (SPIRIT OF
THE HUDSON) was premiered
at the International Low
Flutes Festival in April
2018 by its commissioner,
bass flutist Peter
Sheridan, with Hyeeun
Hahm as pianist. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bar Chords Guitare [Poster] Santorella Publications
Bar Chords composed by Phil Black. For guitar. This edition: Paperback. Referenc...(+)
Bar Chords composed by
Phil Black. For guitar.
This edition: Paperback.
Reference. Educational.
Color poster. Text
Language: English. 1
pages. Published by
Santorella Publications
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rhythmic Reading for all Instruments Piano Facile Mel Bay
Piano and keyboard - Beginning; Intermediate; Advanced SKU: MB.610451 ...(+)
Piano and keyboard -
Beginning; Intermediate;
Advanced SKU:
MB.610451
Rhythmisches Lesen for
alle Instrumente.
Composed by Dirk
Rosenbaum. Percussion:
Drum Set, Classical,
Perfect binding, Theory
and Reference - Other,
Technique, Theory and
Reference, Theory and
Reference, Percussion:
Snare Drum, Artist
Specific. Style. Book/CD
set. 192 pages. Mel Bay
Publications, Inc
#610451. Published by Mel
Bay Publications, Inc
(MB.610451). ISBN
9783899221725. 8.25 x
11.75
inches. Dieses Buch
richtet sich an alle, die
Musik spielen oder lernen
m?chten. Rhythmus spielt
eine gro?e Rolle, egal ob
Sie Instrumentalist,
S?nger, T?nzer, Student,
Lehrer, Amateur oder
Profi sind. Unabh?ngig
davon, ob Sie Anf?nger
oder Fortgeschrittener
sind, k?nnen Sie dieses
Buch als
Unterrichtsmaterial f?r
Ihre Sch?ler oder f?r den
eigenen Unterricht
verwenden, unabh?ngig vom
Stil. Der Anfang dieses
Buches erkl?rt
grundlegende Konzepte des
Rhythmus, die f?r die
?bungen notwendig sind.
Einige der schwierigeren
Passagen wurden mit
Z?hlen versehen, um diese
und andere ?bungen zu
meistern. Rhythmic
Reading ist somit eine
umfangreiche Sammlung von
rhythmischen
Konfigurationen in den
g?ngigsten Z?hlern. Zu
den Themen geh?ren: Die
Pyramide der Noten,
bin?re und tern?re
Rhythmen, gepunktete
Noten, Krawatten und
Synkopen. Im praktischen
Teil werden diese Themen
anhand gemeinsamer
Zeitsignaturen in einer
umfangreichen Sammlung
zusammengestellt. Die
?bungen sind nicht nur
f?r Schlagzeuger geeignet
- die Autoren geben auch
Interpretationsideen f?r
die rhythmische Notation
f?r Gitarristen,
Keyboarder und Bassisten.
Auf diese Weise ist
dieses Buch f?r alle
Instrumentalisten
geeignet, die Musik
machen m?chten. Fakt:
Dieses Buch vermittelt
Ihnen auf kompakte Weise
Wissen ?ber Rhythmus. Der
Leser erh?lt au?erdem
eine zus?tzliche Funktion
in Form einer CD, auf der
er die ?bungen anh?ren
kann. This book is for
everybody who plays music
or decides to learn it.
Rhythm plays a major role
no matter whether you are
an instrumentalist,
singer, dancer, student,
teacher, amateur, or
professional. No matter
if you are a beginner or
are advanced you can use
this book as instruction
material for your
students or for own
education, regardless of
style. The beginning of
this book explains basic
concepts of rhythm that
are necessary for the
exercises. Some of the
more difficult passages
have been provided with
counting which will help
in mastering these and
other exercises. Rhythmic
Reading is thus an
extensive collection of
rhythmic configurations
in the most common
meters.Topics include:
the pyramid of notes,
binary and ternary
rhythms, dotted notes,
ties and syncopation. In
the practical part, these
topics will be arranged
using common time
signatures in a
comprehensive collection.
The exercises are not
just suitable for
drummers - the authors
also give interpretation
ideas for rhythmical
notation for guitarists,
keyboard players and
bassists. In this way,
this book is suitable for
all instrumentalists who
want to make music.Fact:
this book presents you
with knowledge about
rhythm in a compact way.
The reader also gets an
additional feature in the
form of a CD where they
can listen to the
exercises. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ensemble de Studio Ghibli - Flute Ensemble Trio de Flûtes: 3 flûtes Yamaha
Flute trio SKU: YM.GTW01101264 Easy-Intermediate Piano Book. Compo...(+)
Flute trio SKU:
YM.GTW01101264
Easy-Intermediate
Piano Book. Composed
by Joe Hisaishi. Ensemble
de Studio Ghibli. Studio
Ghibli, Anime Song. Book.
Yamaha Music Media
#GTW01101264. Published
by Yamaha Music Media
(YM.GTW01101264). ISBN
9784636108958. 9 x 12
inches. This is a
collection of 23 popular
songs from Studio
Ghibli's works, arranged
for a duet, trio, and
quartet. The arrangements
are considerably
flexible, allowing the
trio to play as a duet
and the quartet as a
trio. Please refer to the
guide in the score if
full members are not
available. Many of the
pieces are arranged for
beginners, so they can be
enjoyed by anyone who has
just picked up an
instrument. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| All For Thee Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
By Henri A. Cesar Malan. Arranged by Jack Schrader. (SATB). Scripture Reference...(+)
By Henri A. Cesar Malan.
Arranged by Jack
Schrader. (SATB).
Scripture References:
Psalm 9:1 -- Psalm 51:15
-- 2 Corinthians 5:14-15.
Commitment, Dedication,
Devotion, Discipleship,
Hymntune, Stewardship,
Hymntune and Sacred.
Print Music Single
(SATB). 8 pages.
Published by Hope
Publishing Company.
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Just a Closer Walk Chorale SATB SATB [Octavo] Hope Publishing Company
Arranged by Jack Schrader. For SATB choir. Scripture References: 2 Corinthians 4...(+)
Arranged by Jack
Schrader. For SATB choir.
Scripture References: 2
Corinthians 4:7-12 -- 2
Corinthians 12:10.
Confidence, Blues,
Gospel, Spirituals,
Hymntune, Sacred
Spiritual. Choral octavo.
12 pages
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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