SATB choir - Grade 2

SKU: KJ.8661

Composed by Daniel Burton. Collection. Secular, Choral. Octavo. Neil A. Kjos Music Company #8661. Published by Neil A. Kjos Music Company (KJ.8661).

Fun to Sing Tale of A False Lover Who Finally Meets His Match. Ideal For Changing Voices. Grade 2.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105223

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 3. Cantatas, End of the church year, Trinity. Single Part, Oboe 3. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/23. Published by Carus Verlag (CA.3105223).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105214

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, End of the church year, Trinity. Single Part, basso continuo. Composed 1726. BWV 52. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.052/14. Published by Carus Verlag (CA.3105214).

ISBN 9790007206345. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105224

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Bassoon. Cantatas, End of the church year, Trinity. Single Part, Bassoon. Composed 1726. BWV 52. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.052/24. Published by Carus Verlag (CA.3105224).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105249

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Organ. Cantatas, End of the church year, Trinity. Single Part, Organ. Composed 1726. BWV 52. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.052/49. Published by Carus Verlag (CA.3105249).

ISBN 9790007206369. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105231

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Horns 1 and 2. Cantatas, End of the church year, Trinity. Single Part, Horn 1 and 2. Composed 1726. BWV 52. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.052/31. Published by Carus Verlag (CA.3105231).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105209

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.052/21 oboe 1, 1x 31.052/22 oboe 2, 1x 31.052/23 oboe 3, 1x 31.052/24 bassoon, 1x 31.052/31 horns 1 and 2, 1x 31.052/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/09. Published by Carus Verlag (CA.3105209).

ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105219

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/19. Published by Carus Verlag (CA.3105219).

ISBN 9790007206352. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105213

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Cantatas, End of the church year, Trinity. Single Part, Viola. Composed 1726. BWV 52. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.052/13. Published by Carus Verlag (CA.3105213).

ISBN 9790007206338. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105205

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Choral Score. Composed 1726. BWV 52. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.052/05. Published by Carus Verlag (CA.3105205).

ISBN 9790007187385. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105211

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 1. Cantatas, End of the church year, Trinity. Single Part, Violin 1. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/11. Published by Carus Verlag (CA.3105211).

ISBN 9790007206314. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105212

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 2. Cantatas, End of the church year, Trinity. Single Part, Violin 2. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/12. Published by Carus Verlag (CA.3105212).

ISBN 9790007206321. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105200

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Full score. Composed 1726. BWV 52. 40 pages. Duration 18 minutes. Carus Verlag #CV 31.052/00. Published by Carus Verlag (CA.3105200).

ISBN 9790007181512. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105203

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Vocal score. Composed 1726. BWV 52. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.052/03. Published by Carus Verlag (CA.3105203).

ISBN 9790007187637. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105221

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 1. Cantatas, End of the church year, Trinity. Single Part, Oboe 1. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/21. Published by Carus Verlag (CA.3105221).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105222

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Cantatas, End of the church year, Trinity. Single Part, Oboe 2. Composed 1726. BWV 52. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.052/22. Published by Carus Verlag (CA.3105222).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Arranged by Greg Gilpin. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Folk; Secular. 16 pages. Published by Alfred Music

Choir Secular (SATB choir)

SKU: AP.49755

Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Secular. Choral Octavo. 16 pages. Alfred Music #00-49755. Published by Alfred Music (AP.49755).

UPC: 038081568423. English.

It's a dynamic duo of fabulous '50s holiday hits! Choral singers will enjoy the traditional harmonies and laid-back swing of this mini-medley that clocks in at just over three minutes. The doo-wop falsetto pops near the end provide a nifty nod to nostalgia. For even more fun, add some showmanship with Santa hats, jingle bells, and riser choreography. SoundPax includes parts for a standard rhythm section.

SATB double choir, a cappella (SATB) - Moderately Difficult

SKU: OU.9780193413450

Composed by David Bednall. Secular Choral - Mixed Voices. New Horizons. Vocal score. 16 pages. Duration 5'. Oxford University Press #9780193413450. Published by Oxford University Press (OU.9780193413450).

ISBN 9780193413450. 10 x 7 inches.

for SATB double choir unaccompanied
A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a piano reduction is included for rehearsal purposes.

About Oxford New Horizons

N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

SATB Choir and Piano

SKU: HL.14024495

Composed by Robert Pearsall. Music Sales America. Classical. Choral Score. Music Sales #NOV450309. Published by Music Sales (HL.14024495).

By Donald Patriquin (1938-). For SATB choir and piano. Secular. Octavo. Published by Earthsongs . Octavo. Secular.

SATB choir

SKU: ST.B642

Edited by Geoffrey Bush and Michael Hurd. Edited by Geoffrey Bush and Michael Hurd. Seven glees and madrigals by Horsley, Mornington, Pearsall, Spofforth, Sullivan and T. F. Walmisley.. SATB. Vocal Score. Stainer & Bell Ltd. #B642. Published by Stainer & Bell Ltd. (ST.B642).

ISBN 9790220208744.

CONT ENTS
HORSLEY, William: When in the silent midnight grove
MORNINGTON, Lord: Here in cool grot
PEARSALL, R. L.: Shoot false love, I care not; Sweet as a flower in May
SPOFFORTH, Reginald: Come bounteous May
SULLIVAN, Arthur: Joy and sorrow alternate
WALMISLEY, Thomas: Music, all powerful.

SATB Choir

SKU: BT.MUSMF272

Composed by Blandet Kor Antologi. Arranged by Svend-G. Asmussen and Thomas Alvad. Hymns & Chorals. Book Only. Composed 2013. 184 pages. Edition Wilhelm Hansen #MUSMF272. Published by Edition Wilhelm Hansen (BT.MUSMF272).

ISBN 9788774840954.

Anth ology for mixed choir. Suitable for use colleges, high schools etc.

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913613

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1722/23. TVWV 1:1328. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.136/13. Published by Carus Verlag (CA.3913613).

ISBN 9790007216054. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

SATB choir

SKU: ST.EM39

Composed by George Kirbye. Edited by Ian Payne. Library Volumes. Edited Ian Payne. Paperback. Madrigals. Choral collection. Stainer & Bell Ltd. #EM39. Published by Stainer & Bell Ltd. (ST.EM39).

ISBN 9790220209895.

CONT ENTS
A wise man poor (SAATB)
As sudden death (SSAATB)
But when himself (SSATB)
Farewell, false love (SSAB (or T))
From the Tarpeian Rock (SSATB)
Mourn now, my Muse (SSAATB)
My lady wept (SSATB)
My mistress is a paragon (SAATB)
O help, alas (SSAATB)
O Jesu, look (SSATB)
O shall I die (SSAATB)
O When my love (SSAATB)
See, what is life (SAATB)
Sleep aye, fond Hope (SSATB)
That man that climbeth (SAATB)
The ivy green (SSATB)
The tyrant Love (SAATB)
Unkind, alas (SSAATB)
Use thyme whose tender plant (SAATB).

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913619

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1722/23. TVWV 1:1328. Duration 15 minutes. Carus Verlag #CV 39.136/19. Published by Carus Verlag (CA.3913619).

ISBN 9790007144258. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and parts available separately - see item CA.3913600.

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913603

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Vocal score. Composed 1722/23. TVWV 1:1328. 16 pages. Duration 15 minutes. Carus Verlag #CV 39.136/03. Published by Carus Verlag (CA.3913603).

ISBN 9790007074173. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.

SAB vocal soli, SATB choir, [2 oboes], 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.3913612

Cantata for St. Michael's Day. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Siehe, Es Hat Uberwunden Der Lowe. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1722/23. TVWV 1:1328. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.136/12. Published by Carus Verlag (CA.3913612).

ISBN 9790007216047. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.