Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. 2
violoncellos. Sacred
vocal music, End of the
church year. Single Part,
2 Cellos. Composed 1715.
BWV 163. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.163/15. Published by
Carus Verlag
(CA.3116315).
ISBN
9790007208998. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, End of the
church year. Set of
Orchestra Parts. Composed
1715. BWV 163. Duration
18 minutes. Carus Verlag
#CV 31.163/19. Published
by Carus Verlag
(CA.3116319).
ISBN
9790007141219. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and parts
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, End of the
church year. Single Part,
Organ. Composed 1715. BWV
163. 12 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/49. Published
by Carus Verlag
(CA.3116349).
ISBN
9790007209001. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, End of the church
year. Single Part, basso
continuo. Composed 1715.
BWV 163. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.163/14. Published by
Carus Verlag
(CA.3116314).
ISBN
9790007208981. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year.
Single Part, Violin 2.
Composed 1715. BWV 163. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.163/12. Published by
Carus Verlag
(CA.3116312).
ISBN
9790007208967. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year.
Single Part, Violin 1.
Composed 1715. BWV 163. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.163/11. Published by
Carus Verlag
(CA.3116311).
ISBN
9790007208950. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year. Single Part,
Viola. Composed 1715. BWV
163. 2 pages. Duration 18
minutes. Carus Verlag #CV
31.163/13. Published by
Carus Verlag
(CA.3116313).
ISBN
9790007208974. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Befiehl Dem Engel, Dass
Er Komm 10. Sacred vocal
music, Cantatas. Single
Part, Violone. BuxWV 10.
4 pages. Duration 5
minutes. Carus Verlag #CV
36.014/13. Published by
Carus Verlag
(CA.3601413).
ISBN
9790007213688. Language:
German.
Buxtehude
took the melody and words
from the evening hymn
Christ, der du bist der
helle Tag. The words are
embellished with
coloratures and a change
of meter enhances the
work's charme. This
composition goes beyond
the bounds of a
straightforward chorale
cantata through its use
of concertante elements,
which also applies the
voice parts. The title of
this work, on a copy made
by Gustav Duben, refers
to the accompanying
violin parts in the words
con due vel piu violini.
This may indicate that
each part should be
played by several
instrumentalists. Score
and part available
separately - see item
CA.3601400.
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Hymns by Martin Luther:
Erhalt uns, Herr, bei
deinem Wort. Erhalt Uns,
Herr, Bei Deinem Wort 27.
Sacred vocal music,
Cantatas. Single Part,
Violone. BuxWV 27. 4
pages. Duration 6
minutes. Carus Verlag #CV
36.015/13. Published by
Carus Verlag
(CA.3601513).
ISBN
9790007213725. Language:
German. Text: Luther,
Martin.
This
cantata combines two
texts: Erhalt uns Herr
bei deinem Wort and
Verleih uns Frieden
gnadiglich. The
Lubeckisches Gesangbuch
of 1703 included both
hymns, with a verse by
Johann Walter added, to
the melody Erhalt uns
Herr. This was the basis
for Buxtehude's
composition. The copy of
the tabulature of this
cantata in the Duben
Collection can be dated
to the summer or autumn
months of 1687. The
composition consists of a
four-part homophonic
performance of the
chorale verses, with a
ritornello played by the
accompanying instruments
between the verses. A
slightly polyphonic Amen
completes the work. Score
and part available
separately - see item
CA.3601500.
By Franz Josef Aumann. For SATB Choir, 2 Violins, Viola, Violone, Organ. Full sc...(+)
By Franz Josef Aumann.
For SATB Choir, 2
Violins, Viola, Violone,
Organ. Full score
available separately -
see item CA.2710100. Lent
and Passiontide. Part:
Violone. Language: Latin.
4 pages. Duration 5 min.
Published by Carus Verlag
(German import).
Membra Jesu nostri Chorale SSATB SSATB A Cappella [Conducteur] Carus Verlag
By Dieterich Buxtehude. Edited by Schlage, Thomas. For Soli SSATB, SSATB Choir, ...(+)
By Dieterich Buxtehude.
Edited by Schlage,
Thomas. For Soli SSATB,
SSATB Choir, 2 Violins,
Violone (Violoncello), 5
Viola da Gamba, Basso
continuo. BuxWV 75.
Oratorios; Use during
church year: Lent and
Passiontide. Score.
Language: Latin. 112
pages. Duration 63 min.
Published by Carus Verlag
(German import).
(Choralkantate). By Dieterich Buxtehude. Edited by Thomas Schlage. Arranged by P...(+)
(Choralkantate). By
Dieterich Buxtehude.
Edited by Thomas Schlage.
Arranged by Paul Horn.
For SSATB choir, 2
violin, violone, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Du Friedefurst,
Herr Jesu Christ 20.
Cantatas; Peace and
justice. Full score.
Language: German. BuxWV
20. 24 pages. Duration 5
minutes. Published by
Carus Verlag
SATB choir, horn 2
violins, violone, organ -
Level 4
SKU:
CA.4044513
Composed
by Franz Xaver Schnizer.
German title: Alma
redemptoris mater. Sacred
vocal music, Cantatas,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violone. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 40.445/13.
Published by Carus Verlag
(CA.4044513).
Composed
by Johann Rosenmuller.
Edited by Albrecht
Tunger. German title:
Also hat Gott. Sacred
vocal music, Cantatas,
Whitsun, Christmas.
Single Part, Violone.
Composed 1652. 4 pages.
Carus Verlag #CV
10.064/15. Published by
Carus Verlag
(CA.1006415).
Composed
by Dietrich Buxtehude.
Nun Danket Alle Gott 79.
Sacred vocal music,
Cantatas. Single Part,
Violone. BuxWV 79. 4
pages. Duration 12
minutes. Carus Verlag #CV
36.016/13. Published by
Carus Verlag
(CA.3601613).
ISBN
9790007213770. Language:
German.
This work
has survived in an
autograph, unfortunately
undated, preserved in the
Duben Collection. The
cantata is a setting of
Ecclesiasticus 50, verses
24-26. This composition
is one of the most richly
scored vocal compositions
of Buxtehude. A
ritornello, which
includes a fanfare of
trumpets, and a longer
vocal section based on
Nun danket alle Gott
create the work's
structure. In Nun danket
alle Gott Buxtehude
indicated in detail, in
at least one instance,
the use of an a cappella
entrance of the choir. If
the sections without
instrumental
accompaniment are sung by
soloists, the choir is
added in the tutti
passages. Score and part
available separately -
see item CA.3601600.
Composed
by Marco Gioseppe
Peranda. Edited by Peter
Wollny. Arranged by
Johann Sebastian Bach.
German title: Kyrie in c.
Sacred vocal music, Mass
sections. Single Part,
Violone. 2 pages.
Duration 8 minutes. Carus
Verlag #CV 35.306/15.
Published by Carus Verlag
(CA.3530615).
ISBN
9790007213282. Key: C
major. Language:
Latin.
Composed by Johann
Michael Bach. Edited by
Daniel R. Melamed. German
title: Herr, Der Konig,
Freuet Sich. Sacred vocal
music, Cantatas. Single
Part, Violone. 2 pages.
Duration 6 minutes. Carus
Verlag #CV 30.624/15.
Published by Carus Verlag
(CA.3062415).
ISBN
9790007204365. Language:
German/English.
Sco
re available separately -
see item CA.3062400.
Choralkantate.
Composed by Dietrich
Buxtehude. Edited by
Thomas Schlage. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Buxtehude. Du
Friedefurst, Herr Jesu
Christ 20. Sacred vocal
music, Cantatas, Peace
and justice. Single Part,
Violone. BuxWV 20. 2
pages. Duration 5
minutes. Carus Verlag #CV
36.034/13. Published by
Carus Verlag
(CA.3603413).
ISBN
9790007213992. Language:
German. Text: Ebert,
Jakob. Text: Jakob
Ebert.
The present
cantata is a setting of
the first three verses of
the hymn Du Friedefurst,
Herr Jesu Christ, with a
text by Jakob Ebert
(1549-1614). In the
variety of ways for
deploying the instruments
in concert and the
alternation between the
instrumental and vocal
parts, it goes beyond the
comparatively simple
model found in other
cantatas of Buxtehude.
Score and part available
separately - see item
CA.3603400.
Composed
by Johann Pachelbel.
Edited by Dietrich
Kruger. German title:
Jauchzet dem Herrn.
Sacred vocal music,
Cantatas, Psalms, German,
Whitsun, Praise and
thanks. Single Part,
Violone. 8 pages. Carus
Verlag #CV 10.157/16.
Published by Carus Verlag
(CA.1015716).
(The Lord's Prayer). Composed by Vincenzo Albrici (1631-1696). For SSATB choir a...(+)
(The Lord's Prayer).
Composed by Vincenzo
Albrici (1631-1696). For
SSATB choir and orchestra
(2 violin, 2 viola/violin
III-IV, violone/cello,
harpsichord/organ).
Choral score. Language:
Swedish. 8 pages.
Published by Gehrmans
Musikforlag
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Befiehl Dem Engel, Dass
Er Komm 10. Sacred vocal
music, Cantatas. Single
Part, Violin 1. BuxWV 10.
4 pages. Duration 5
minutes. Carus Verlag #CV
36.014/11. Published by
Carus Verlag
(CA.3601411).
ISBN
9790007213664. Language:
German.
Buxtehude
took the melody and words
from the evening hymn
Christ, der du bist der
helle Tag. The words are
embellished with
coloratures and a change
of meter enhances the
work's charme. This
composition goes beyond
the bounds of a
straightforward chorale
cantata through its use
of concertante elements,
which also applies the
voice parts. The title of
this work, on a copy made
by Gustav Duben, refers
to the accompanying
violin parts in the words
con due vel piu violini.
This may indicate that
each part should be
played by several
instrumentalists. Score
and part available
separately - see item
CA.3601400.
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Walts Gott, Mein Werk Ich
Lasse 103. Sacred vocal
music, Cantatas. Single
Part, Violone. BuxWV 103.
4 pages. Duration 8
minutes. Carus Verlag #CV
36.018/13. Published by
Carus Verlag
(CA.3601813).
ISBN
9790007213848. Language:
German.
This
six-verse hymn is based
on the melody Herzlich
tut mich verlangen, which
Buxtehude used both for
the solo cantata Herzlich
tut mich verlangen BuxWV
42 and for a chorale
prelude entitled Ach
Herr, mich armen Sunder
BuxWV 178. Apart from the
Amen, with coloratura
decoration, the text is
set in a simple four-part
texture. The accompanying
violins are used in the
prelude and interludes.
This piece exists in a
tabulatur copied by Duben
before June 1687. Score
and part available
separately - see item
CA.3601800.
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Befiehl Dem Engel, Dass
Er Komm 10. Sacred vocal
music, Cantatas. Single
Part, basso continuo.
BuxWV 10. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 36.014/14.
Published by Carus Verlag
(CA.3601414).
ISBN
9790007213695. Language:
German.
Buxtehude
took the melody and words
from the evening hymn
Christ, der du bist der
helle Tag. The words are
embellished with
coloratures and a change
of meter enhances the
work's charme. This
composition goes beyond
the bounds of a
straightforward chorale
cantata through its use
of concertante elements,
which also applies the
voice parts. The title of
this work, on a copy made
by Gustav Duben, refers
to the accompanying
violin parts in the words
con due vel piu violini.
This may indicate that
each part should be
played by several
instrumentalists. Score
and part available
separately - see item
CA.3601400.
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Befiehl Dem Engel, Dass
Er Komm 10. Sacred vocal
music, Cantatas. Choral
Score. BuxWV 10. Duration
5 minutes. Carus Verlag
#CV 36.014/05. Published
by Carus Verlag
(CA.3601405).
ISBN
9790007112257. Language:
German.
Buxtehude
took the melody and words
from the evening hymn
Christ, der du bist der
helle Tag. The words are
embellished with
coloratures and a change
of meter enhances the
work's charme. This
composition goes beyond
the bounds of a
straightforward chorale
cantata through its use
of concertante elements,
which also applies the
voice parts. The title of
this work, on a copy made
by Gustav Duben, refers
to the accompanying
violin parts in the words
con due vel piu violini.
This may indicate that
each part should be
played by several
instrumentalists. Score
available separately -
see item CA.3601400.
Composed
by Dietrich Buxtehude.
Edited by Thomas Schlage.
Befiehl Dem Engel, Dass
Er Komm 10. Sacred vocal
music, Cantatas. Single
Part, Violin 2. BuxWV 10.
4 pages. Duration 5
minutes. Carus Verlag #CV
36.014/12. Published by
Carus Verlag
(CA.3601412).
ISBN
9790007213671. Language:
German.
Buxtehude
took the melody and words
from the evening hymn
Christ, der du bist der
helle Tag. The words are
embellished with
coloratures and a change
of meter enhances the
work's charme. This
composition goes beyond
the bounds of a
straightforward chorale
cantata through its use
of concertante elements,
which also applies the
voice parts. The title of
this work, on a copy made
by Gustav Duben, refers
to the accompanying
violin parts in the words
con due vel piu violini.
This may indicate that
each part should be
played by several
instrumentalists. Score
and part available
separately - see item
CA.3601400.
Composed by George
Frideric Handel. Edited
by Felix Schroeder. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 7. Complete
edition, Score. HWV 48.
Baerenreiter Verlag
#BA04021_04. Published by
Baerenreiter Verlag
(BA.BA04021-04).
ISBN
9790006562091. 33 x 26.5
cm inches. Language:
German. Preface: Felix
Schroeder. Text: Barthold
Heinrich
Brockes.