Concert band - Grade 2 SKU: RM.BACH03477-BA Composed by Johann Sebastien ...(+)
Concert band - Grade 2
SKU:
RM.BACH03477-BA
Composed by Johann
Sebastien Bach. Arranged
by Jean Pierre Pommier.
Classical music.
Orchestra. Full set.
Editions Robert Martin
#BACH03477-BA. Published
by Editions Robert Martin
(RM.BACH03477-BA).
Concert band - Grade 2 SKU: RM.BACH03475-CO Composed by Johann Sebastien ...(+)
Concert band - Grade 2
SKU:
RM.BACH03475-CO
Composed by Johann
Sebastien Bach. Arranged
by Jean Pierre Pommier.
Classical music.
Orchestra. Conductor's
score. Editions Robert
Martin #BACH03475-CO.
Published by Editions
Robert Martin
(RM.BACH03475-CO).
Concert band with choir/voice - Grade 3 SKU: RM.BACH02302-BA Composed by ...(+)
Concert band with
choir/voice - Grade 3
SKU:
RM.BACH02302-BA
Composed by Johann
Sebastien Bach. Arranged
by Michel Del Giudice.
Music with chorus,
voices. Orchestra. Full
set. Editions Robert
Martin #BACH02302-BA.
Published by Editions
Robert Martin
(RM.BACH02302-BA).
Concert band with choir/voice - Grade 3 SKU: RM.BACH00041-BA Composed by ...(+)
Concert band with
choir/voice - Grade 3
SKU:
RM.BACH00041-BA
Composed by Johann
Sebastien Bach. Arranged
by Foret. Music with
chorus, voices.
Orchestra. Full set.
Editions Robert Martin
#BACH00041-BA. Published
by Editions Robert Martin
(RM.BACH00041-BA).
Concert band - Grade 2 SKU: RM.BACH03476-CO Composed by Johann Sebastien ...(+)
Concert band - Grade 2
SKU:
RM.BACH03476-CO
Composed by Johann
Sebastien Bach. Arranged
by Jean Pierre Pommier.
Sacred music, Christmas.
Orchestra. Conductor's
score. Editions Robert
Martin #BACH03476-CO.
Published by Editions
Robert Martin
(RM.BACH03476-CO).
Prestige collection - Grade 5 SKU: RM.BACH04163-CO Composed by Johann Seb...(+)
Prestige collection -
Grade 5
SKU:
RM.BACH04163-CO
Composed by Johann
Sebastien Bach. Arranged
by Yann Edern Goas
Francois Julien Brun.
Transcription. Prestige
collection. Orchestra.
Conductor's score.
Duration 7 minutes, 55
seconds. Editions Robert
Martin #BACH04163-CO.
Published by Editions
Robert Martin
(RM.BACH04163-CO).
Prestige collection - Grade 5 SKU: RM.BACH02262-CO Composed by Johann Seb...(+)
Prestige collection -
Grade 5
SKU:
RM.BACH02262-CO
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry.
Transcription. Prestige
collection. Orchestra.
Conductor's score.
Duration 7 minutes, 18
seconds. Editions Robert
Martin #BACH02262-CO.
Published by Editions
Robert Martin
(RM.BACH02262-CO).
Concert band with choir/voice - Grade 3 SKU: RM.BACH00041-CO Composed by ...(+)
Concert band with
choir/voice - Grade 3
SKU:
RM.BACH00041-CO
Composed by Johann
Sebastien Bach. Arranged
by Foret. Music with
chorus, voices.
Orchestra. Conductor's
score. Editions Robert
Martin #BACH00041-CO.
Published by Editions
Robert Martin
(RM.BACH00041-CO).
Junior orcestra - Grade 1 SKU: RM.BACH04213-BA Composed by Johann Sebasti...(+)
Junior orcestra - Grade 1
SKU:
RM.BACH04213-BA
Composed by Johann
Sebastien Bach. Arranged
by Pierre Faure. Solo
woodwinds. Orchestra.
Full set. Duration 3
minutes, 53 seconds.
Editions Robert Martin
#BACH04213-BA. Published
by Editions Robert Martin
(RM.BACH04213-BA).
Orchestra - Grade 5 SKU: RM.BACH03926-BA Composed by Johann Sebastien Bac...(+)
Orchestra - Grade 5
SKU:
RM.BACH03926-BA
Composed by Johann
Sebastien Bach. Arranged
by Michel Sorlin.
Orchestra. Full set.
Duration 3 minutes, 39
seconds. Editions Robert
Martin #BACH03926-BA.
Published by Editions
Robert Martin
(RM.BACH03926-BA).
Orchestra - Grade 5 SKU: RM.BACH03926-CO Composed by Johann Sebastien Bac...(+)
Orchestra - Grade 5
SKU:
RM.BACH03926-CO
Composed by Johann
Sebastien Bach. Arranged
by Michel Sorlin.
Orchestra. Conductor's
score. Duration 3
minutes, 39 seconds.
Editions Robert Martin
#BACH03926-CO. Published
by Editions Robert Martin
(RM.BACH03926-CO).
Concert band with choir/voice - Grade 4 SKU: RM.BACH02381-CH Composed by ...(+)
Concert band with
choir/voice - Grade 4
SKU:
RM.BACH02381-CH
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry. Music
with chorus, voices.
Orchestra. Choral score.
Editions Robert Martin
#BACH02381-CH. Published
by Editions Robert Martin
(RM.BACH02381-CH).
Concert band - Grade 2 SKU: RM.BACH03474-BA Composed by Johann Sebastien ...(+)
Concert band - Grade 2
SKU:
RM.BACH03474-BA
Composed by Johann
Sebastien Bach. Arranged
by Jean Pierre Pommier.
Sacred music, Christmas.
Orchestra. Full set.
Editions Robert Martin
#BACH03474-BA. Published
by Editions Robert Martin
(RM.BACH03474-BA).
Concert band - Grade 2 SKU: RM.BACH03473-BA Composed by Johann Sebastien ...(+)
Concert band - Grade 2
SKU:
RM.BACH03473-BA
Composed by Johann
Sebastien Bach. Arranged
by Jean Pierre Pommier.
Classical music.
Orchestra. Full set.
Editions Robert Martin
#BACH03473-BA. Published
by Editions Robert Martin
(RM.BACH03473-BA).
Concert band with choir/voice - Grade 3 SKU: RM.BACH02302-CO Composed by ...(+)
Concert band with
choir/voice - Grade 3
SKU:
RM.BACH02302-CO
Composed by Johann
Sebastien Bach. Arranged
by Michel Del Giudice.
Music with chorus,
voices. Orchestra.
Conductor's score.
Editions Robert Martin
#BACH02302-CO. Published
by Editions Robert Martin
(RM.BACH02302-CO).
Concert band with choir/voice - Grade 3 SKU: RM.BACH00041-CH Composed by ...(+)
Concert band with
choir/voice - Grade 3
SKU:
RM.BACH00041-CH
Composed by Johann
Sebastien Bach. Arranged
by Foret. Music with
chorus, voices.
Orchestra. Choral score.
Editions Robert Martin
#BACH00041-CH. Published
by Editions Robert Martin
(RM.BACH00041-CH).
Prestige collection - Grade 5 SKU: RM.BACH22621-BA Composed by Johann Seb...(+)
Prestige collection -
Grade 5
SKU:
RM.BACH22621-BA
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry.
Transcription. Prestige
collection. Orchestra.
Full set. Editions Robert
Martin #BACH22621-BA.
Published by Editions
Robert Martin
(RM.BACH22621-BA).
Concert band - Grade 3 SKU: RM.BACH02862-CH Composed by Johann Sebastien ...(+)
Concert band - Grade 3
SKU:
RM.BACH02862-CH
Composed by Johann
Sebastien Bach. Arranged
by Michel Del Giudice.
Sacred music, Christmas.
Orchestra. Choral score.
Editions Robert Martin
#BACH02862-CH. Published
by Editions Robert Martin
(RM.BACH02862-CH).
Prestige collection - Grade 5 SKU: RM.BACH22620-BA Composed by Johann Seb...(+)
Prestige collection -
Grade 5
SKU:
RM.BACH22620-BA
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry.
Transcription. Prestige
collection. Orchestra.
Full set. Duration 7
minutes, 18 seconds.
Editions Robert Martin
#BACH22620-BA. Published
by Editions Robert Martin
(RM.BACH22620-BA).
Concert band with choir/voice - Grade 4 SKU: RM.BACH02381-CO Composed by ...(+)
Concert band with
choir/voice - Grade 4
SKU:
RM.BACH02381-CO
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry. Music
with chorus, voices.
Orchestra. Conductor's
score. Editions Robert
Martin #BACH02381-CO.
Published by Editions
Robert Martin
(RM.BACH02381-CO).
Prestige collection - Grade 5 SKU: RM.BACH22620-CO Composed by Johann Seb...(+)
Prestige collection -
Grade 5
SKU:
RM.BACH22620-CO
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry.
Transcription. Prestige
collection. Orchestra.
Conductor's score.
Duration 7 minutes, 18
seconds. Editions Robert
Martin #BACH22620-CO.
Published by Editions
Robert Martin
(RM.BACH22620-CO).
Prestige collection - Grade 5 SKU: RM.BACH22621-CO Composed by Johann Seb...(+)
Prestige collection -
Grade 5
SKU:
RM.BACH22621-CO
Composed by Johann
Sebastien Bach. Arranged
by Roger Boutry.
Transcription. Prestige
collection. Orchestra.
Conductor's score.
Editions Robert Martin
#BACH22621-CO. Published
by Editions Robert Martin
(RM.BACH22621-CO).
Junior orcestra - Grade 1 SKU: RM.BACH04213-CO Composed by Johann Sebasti...(+)
Junior orcestra - Grade 1
SKU:
RM.BACH04213-CO
Composed by Johann
Sebastien Bach. Arranged
by Pierre Faure. Solo
woodwinds. Orchestra.
Conductor's score.
Duration 3 minutes, 53
seconds. Editions Robert
Martin #BACH04213-CO.
Published by Editions
Robert Martin
(RM.BACH04213-CO).
Sarabande Orchestre [Conducteur] De Haske Publications
Orchestra SKU: BT.DHP-1135517-180 Suite for Group and Orchestra (1975)...(+)
Orchestra
SKU:
BT.DHP-1135517-180
Suite for Group and
Orchestra (1975). By
Paul Mann. By Jon Lord.
Score Only. Composed
2014. De Haske
Publications #DHP
1135517-180. Published by
De Haske Publications
(BT.DHP-1135517-180).
English.
Full
Score and Study Score of
this work are available
for sale. A set of
individual parts are for
rental only, not for
sale. Prices and
conditions are available
on request. Please
contact: Hal Leonard
Europe BV
-Rentaldepartment E-Ma
il: rental@hall
eonardeurope.nl Jon Lord’s
Sarabande was
composed during 1975 and
released as a solo album
the following year. This
newrevised edition of the
composer’s2010
concert version
represents the first
appearance of the work in
print in any form. Lord
intended it for his own
use in live performance,
as a companion to his
celebrated Concerto
for Groupand
Orchestra. It is a
brilliant showpiece for
thecombined forces of
rock band and orchestra,
taking inspiration from
the keyboard suites of
J.S. Bach. This new full
score is edited by Jon
Lord’s long-time
musicalcollaborator, the
conductor Paul Mann, and
makes use of many
previously
unavailablesources
including the
manuscriptscores of the
original version and a
copy of the score
corrected in consultation
with the composer
following the2010
premiere. It can
therefore be said to
represent as closely as
possible Jon
Lord’s final
thoughts onthe work.
Partitur und
Klavierauszug der
Sarabande können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über Leih-Bedingungen
und Preise erhalten Sie
auf Nachfrage. Bitte
kontaktierenSie:
HalLeonard Europe BV -
Rental
department E-Mail: rental@hall
eonardeurope.nl Jon Lords
Sarabande entstand
1975 und wurde im
darauffolgenden Jahr
alsSoloalbum
veröffentlicht.
Dieüberarbeitete
Ausgabe der
Konzertversion des
Komponisten aus dem Jahr
2010 erscheint hiermit
zum ersten Mal in
gedruckter Form. Lord
hatte diese Version
für seine eigenen
Live-Auftritte gedacht,
alseine Art Ergänzung
zu seinem berühmten
Concertofor Group and
Orchestra. Das Werk
ist ein brillantes
Paradebeispiel für die
vereinte Kraft von
Rockband und Orchester
und wurde von den Suiten
J. S. Bachs inspiriert.
Dieseneue Ausgabe der
Partitur wurde von Paul
Mann, Jon Lords
langjährigemmusikalisc
hem Freund,
herausgegeben. Sie
basiert auf zahlreichen
bisher nicht
zugänglichen Quellen
wie dem Manuskript der
Originalversion und einer
Kopie der inAbsprache mit
dem Komponisten
korrigierten Partitur
nach der Aufführung im
Jahr 2010. Eswerden somit
Jon Lords letzte Gedanken
zu diesem Werk so genau
wie möglich
dargestellt.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
[Cembalokonzert Nr. 1
D-Moll BWV 1052] Study
Score. Composed by
Johann Sebastian Bach.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7380. Published
by G. Henle
(HL.51487380).
UPC:
840126932881.
6.75x9.5x0.251
inches.
Bach's
harpsichord concerti,
extremely popular among
pianists, are presumably
reworkings of pieces
originally written for
the violin. Bach,
however, succeeded in
transferring the diverse
idiosyncrasies of violin
technique to the keyboard
with such ingenuity that
most of today's pianists
also include these
concerti in their
standard repertoire. The
first concerto in D minor
is perhaps the most
popular - not least
because of its jaunty
outer movements and the
eminently forceful solo
part. Now, as a prelude
to a series of all of
Bach's harpsichord
concerti, G. Henle
Publishers presents a
piano reduction and study
edition (score) of the
D-minor concerto. None
other than András
Schiff, the outstanding
Bach expert, has provided
fingering
suggestions.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
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research - fingerings and
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and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
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pages, and cues where you
need them
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experience (founded 1948
exclusively for Urtext
editions)
Urtext. Composed
by Johann Sebastian Bach.
Edited by Winfried
Hoffmann. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
The
aim of this combined
scholarly and practical
edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Full
score. 48 pages. Duration
25'. Breitkopf and
Haertel #PB 4063.
Published by Breitkopf
and Haertel (BR.PB-4063).
ISBN 9790004202395. 9
x 12 inches.
The
aim of this combined
scholarly and practical
edition of the
Brandenburg Concertos is
to offer a state of the
art performance material
of these standard works
of Baroque music
literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)
T
he aim of this combined
scholarly and practical
edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
The
aim of this combined
scholarly and practical
edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Full
score. 44 pages. Duration
19'. Breitkopf and
Haertel #PB 4068.
Published by Breitkopf
and Haertel (BR.PB-4068).
ISBN 9790004202449. 9
x 12 inches.
The
aim of this combined
scholarly and practical
edition of the
Brandenburg Concertos is
to offer a state of the
art performance material
of these standard works
of Baroque music
literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)
T
he aim of this combined
scholarly and practical
edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.