El Cabara by David Shaffer. Concert band. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Grade 2.5. Score and set of parts. Composed 2009. Duration 2 minutes, 8 seconds. Published by C.L. Barnhouse

Arranged by Nicholas Baratta. Concert Band. Concert Band. Belwin Young Band. Light Concert. Grade 2.5. Conductor Score. 20 pages. Published by Alfred Music Publishing

Concert Band Concert Band - 3 (Medium Easy) (grade 3)

SKU: AP.29606S

Composed by Vince Gassi. Concert Band. Belwin Concert Band. Form: Overture. Score. 28 pages. Duration 4:25. Belwin Music #00-29606S. Published by Belwin Music (AP.29606S).

UPC: 038081328270. English.

Journey to Aldebaran is a bright new overture of intergalactic proportions. Aldebaran is the brightest star in the constellation Taurus and one of the brightest starts in the night sky. The composition is reminiscent of science fiction movie themes but scored for the contemporary concert band. The wide variety of styles, from pensive melodic passages to driving dynamic bursts of energy, ensures that this bright new work will be a meaningful contribution to the concert band literature. (4:25).

By Vince Gassi. For Concert Band. Concert Band. Belwin Concert Band. Level: 3 (Medium Easy) (grade 3). Conductor Score and Parts. 238 pages. Published by Alfred Publishing.

(Wana Baraka). Arranged by John O'Reilly. Concert Band. Concert Band; Part(s); Score. Alfred Debut Series. Folk; Multicultural. Grade 1. 118 pages. Published by Alfred Music

Grade 2

SKU: CL.011-3835-01

Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Extra full score. Composed 2009. Duration 2 minutes, 8 seconds. C.L. Barnhouse #011-3835-01. Published by C.L. Barnhouse (CL.011-3835-01).

Written in the Spanish folk song style of the Corrida, this exciting composition will paint vivid images of the traditional Spanish bullfights. Although the technical demands are limited, the intense musical energy will captivate your students and entertain your audiences. Appropriate for festival and concert performances, El Cabara will be the piece that your students ask to play again and again.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

By J.Ed. Barat. Arranged by Andrew Glover. For concert band. Spotlight Series. Grade 3. Score and set of parts. Published by C.L. Barnhouse

( Barbara Allen ). Arranged by Joseph Kreines. Concert Band. Concert Band; Part(s); Score. Alfred Debut Series. Form: Variations. Folk. Grade 2. 122 pages. Published by Alfred Music

Performed by The Beach Boys. By Fred Fassert. Arranged by Michael Sweeney. Beginning Pops. Size 9x12 inches. Published by Hal Leonard.

Orchestra Concert Band

SKU: PR.416413660

For Violin and Orchestra. Composed by Behzad Ranjbaran. Perfect. Contemporary. Full score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366. Published by Theodore Presser Company (PR.416413660).

ISBN 9781598063578. UPC: 680160601899. 9x12 inches.

Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084520-140

Composed by George Gershwin. Arranged by Toshio Mashima. New Sounds for Concert Band. Pop & Rock. Score Only. Composed 2008. 20 pages. De Haske Publications #DHP 1084520-140. Published by De Haske Publications (BT.DHP-1084520-140).

9x12 inches. English-German-French-Dut ch.

Wie kent niet de meeslepende en toch lieflijke melodie van Summertime? Oorspronkelijk is dit een aria voor mezzosopraan uit de beroemde opera Porgy and Bess (1935) van de Amerikaanse componist George Gershwin. Het personageClara zingt het lied voor haar baby, aan het begin van de opera. In de loop der decennia is Summertime ook een eigen leven gaan leiden. Talloze zangers, zangeressen en instrumentalisten hebben zich eraan gewaagd. Erzijn vele bewerkingen van gemaakt. Toshio Mashima schreef een magnifiek arrangement voor harmonieorkest dat garant staat voor succes bij uw volgende concert.

Summer time ist ein Wiegenlied aus dem ersten Akt der American Folk Opera“ Porgy und Bess von George Gershwin, die 1935 uraufgeführt wurde. Noch berühmter als die Oper wurde das Lied Summertime, das in vielen Stilen, aber vor allem von Jazzgrößen, wie z. B. Ella Fitzgerald und Louis Armstrong, Billie Holiday, Miles Davis und vielen mehr interpretiert wurde. Dank Toshio Mashimas Blasorchesterbearbeitung kann sich Ihr Blasorchester elegant in diese illustre Liste einreihen!

Porg y and Bess a été écrit en 1935 par le compositeur américain George Gershwin (1898-1937). Cet opéra noir, dont l’action se situe dans le pittoresque quartier noir de Catfish Row, Charleston en Caroline du Sud, fait une large place au blues et au spiritual. Summertime est devenu l’air emblématique de cette œuvre ; un standard repris, par divers grands interprètes dont Barbara Hendricks et Ella Fitzgerald. Cette version pour Orchestre d’Harmonie est signée Toshio Mashima.

Concert band - Grade 2

SKU: RM.BARA01757-CO

Composed by Joseph Edouard Barat. Military marches. Orchestra. Conductor's score. Editions Robert Martin #BARA01757-CO. Published by Editions Robert Martin (RM.BARA01757-CO).

Concert band - Grade 2

SKU: RM.BARA01757-BA

Composed by Joseph Edouard Barat. Military marches. Orchestra. Full set. Editions Robert Martin #BARA01757-BA. Published by Editions Robert Martin (RM.BARA01757-BA).

ISBN 9790231017571.

Concert Band - Grade 2.5

SKU: AP.30779

Arranged by Nicholas Baratta. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Light Concert. Score and Part(s). 260 pages. Belwin Music #00-30779. Published by Belwin Music (AP.30779).

UPC: 038081351469. English.

The masters go to the circus. In this ingenious Nick Baratta arrangement, you'll hear the elephants and laugh at the clowns but all through the themes provided by Dvorak, Liszt and others. A musical tribute to these classic master-composers and all so very familiar from the rings of the circus. A real barn-burner, this one will have your students on the edge of their seats! This title is available in MakeMusic Cloud.

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Prog ram Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084356-140

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2008. 24 pages. De Haske Publications #DHP 1084356-140. Published by De Haske Publications (BT.DHP-1084356-140).

9x12 inches. English-German-French-Dut ch.

Geschreven in opdracht van de Tokai Village Wind Band, Ibaraki Pref. Dit werk is geschreven na de ontmoeting tussen de componist en Susumu Hara, een bevlogen dirigent en docent aan het Senzoku Gakuen College of Music. Toen SatoshiYagisawa hem ontmoette, spraken ze vol enthousiasme over muziek. De Tokai Village Wind Band - waarvan Susumu Hara de dirigent is - bestaat uit veel gedreven en toegewijde spelers. Hara liet de componist kennismaken met dit orkesten vertelde hem dat het bij uitstek geschikt was om een koraal uit te voeren dat kenmerkend is voor Yagisawa’s componeerstijl. Zo ontstond Cantilena.

Dieses Stück entstand nach einer Begegnung des Komponisten mit Susumu Hara, einem ausgezeichneten japanischen Musiklehrer und Dirigenten eines begeisterten Blasorchesters. Im Laufe einer enthusiastischen Diskussion über Musik kristallisierte sich der Wunsch nach einem sanften Stück, wie es typisch für Yagisawas Kompositionsstil ist, heraus. Und ein solches lieferte der Komponist mit Cantilena - ein elegantes Werk, das bei auch bei Ihrem Publikum gut ankommen wird!

Sous l’élégance de l’écriture aérienne se révèle une œuvre mélodieuse de style choral. Les couleurs sonores déambulent au gré de leur fantaisie en quête de poésie et de fraternité. Les notes s’égrènent, le charme de la cantilène opère.

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-1105029-013

Composed by George Gershwin. Arranged by Jan de Haan. Essential Elements European Band Series. Set (Score & Parts) with CD. Composed 2010. De Haske Publications #DHP 1105029-013. Published by De Haske Publications (BT.DHP-1105029-013).

9x12 inches. English.

George Gershwin’s only opera, Porgy and Bess, dealt with the socially sensitive issue of race. The composer even specified that it may only be performed by coloured actors. Summertime is easily the most well-known piece from this opera and has been covered numerous times, even by the likes of Ella Fitzgerald herself. Now it is your turn!

Die Oper Porgy and Bess von George Gershwin aus dem Jahre 1935 handelt von Afroamerikanern und darf nach einer Verfügung des Komponisten auch nur mit farbigen Schauspielern besetzt werden. Summertime ist eines der berühmtesten Lieder aus der Oper und wurde schon von Größen wie Ella Fitzgerald interpretiert - und jetzt auch von Ihren Nachwuchsmusikern!Spielba r ab Essential Elements Band 2, Seite 24

L’opéra Porgy and Bess (1935), du grand George Gershwin, est considéré comme un classique du patrimoine culturel américain. La trame fait une large place au blues et au spiritual. Summertime est devenu l’air emblématique de cette oeuvre ; un standard repris, par divers grands interprètes dont Barbara Hendricks et Ella Fitzgerald. Cette version pour Orchestre Junior ou petites formations incomplètes est signée Jan de Haan.

Summertime, l’aria emblematica della celebre opera Porgy and Bess di George Gerswhin del 1935, ora disponibile in un arrangiamento per orchestre principianti o ad organico ridotto firmato Jan de Haan.

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-1105029-143

Composed by George Gershwin. Arranged by Jan de Haan. Essential Elements European Band Series. Score with CD. Composed 2010. 8 pages. De Haske Publications #DHP 1105029-143. Published by De Haske Publications (BT.DHP-1105029-143).

9x12 inches. English.

George Gershwin’s only opera, Porgy and Bess, dealt with the socially sensitive issue of race. The composer even specified that it may only be performed by coloured actors. Summertime is easily the most well-known piece from this opera and has been covered numerous times, even by the likes of Ella Fitzgerald herself. Now it is your turn!

Die Oper Porgy and Bess von George Gershwin aus dem Jahre 1935 handelt von Afroamerikanern und darf nach einer Verfügung des Komponisten auch nur mit farbigen Schauspielern besetzt werden. Summertime ist eines der berühmtesten Lieder aus der Oper und wurde schon von Größen wie Ella Fitzgerald interpretiert - und jetzt auch von Ihren Nachwuchsmusikern!Spielba r ab Essential Elements Band 2, Seite 24

L’opéra Porgy and Bess (1935), du grand George Gershwin, est considéré comme un classique du patrimoine culturel américain. La trame fait une large place au blues et au spiritual. Summertime est devenu l’air emblématique de cette oeuvre ; un standard repris, par divers grands interprètes dont Barbara Hendricks et Ella Fitzgerald. Cette version pour Orchestre Junior ou petites formations incomplètes est signée Jan de Haan.

Summertime, l’aria emblematica della celebre opera Porgy and Bess di George Gerswhin del 1935, ora disponibile in un arrangiamento per orchestre principianti o ad organico ridotto firmato Jan de Haan.

Concert band - Grade 3

SKU: CL.012-4003-01

Composed by J. Edouard Barat. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR375). Extra full score. Composed 2012. Duration 3 minutes, 2 seconds. Opus III Wind Orchestra Publications #012-4003-01. Published by Opus III Wind Orchestra Publications (CL.012-4003-01).

Barat’s Andante and Allegro has been a staple of trombone solo repertoire for decades, and now the Allegro has been excerpted and arranged for the Barnhouse Spotlight series by Andrew Glover. An excellent solo to showcase your trombone, euphonium B.C., euphonium T.C., or horn soloist. Band accompaniment is a grade 3, and comes together with a minimum amount of rehearsal time. Solo part is grade 4. A great solo showpiece!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Concert Band - Grade 1

SKU: AP.41933S

Wana Baraka. Arranged by John O'Reilly. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Folk; Multicultural; Traditional. Score. 16 pages. Alfred Music #00-41933S. Published by Alfred Music (AP.41933S).

UPC: 038081481982. English. Traditional.

This piece is a joyous arrangement of the popular Kenyan song Wana Baraka. Repeating percussion patterns utilizing cowbell, claves, tom tom, and bass drum provide a solid rhythmic foundation for the catchy syncopated melody. A typical call-and-response section gives this arrangement an authentic African feel.

Concert band - Grade 3

SKU: CL.012-4003-75

Composed by J. Edouard Barat. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR375). Oversized, spiral-bound score. Composed 2012. Duration 3 minutes, 2 seconds. Opus III Wind Orchestra Publications #012-4003-75. Published by Opus III Wind Orchestra Publications (CL.012-4003-75).

Barat's Andante and Allegro has been a staple of trombone solo repertoire for decades, and now the Allegro has been excerpted and arranged for the Barnhouse Spotlight series by Andrew Glover. An excellent solo to showcase your trombone, euphonium, or horn soloist. Band accompaniment is a grade 3, and comes together with a minimum amount of rehearsal time. Solo part is grade 4. A great solo showpiece!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

By Nicholas M. Barratta. For Concert Band. Concert Band. Belwin Young Band. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 130 pages. Published by Alfred Publishing.

(Featuring: The Nile / Building the Pyramids / Sandstorm / The Pharaohs). By Nicholas Baratta. Concert Band. For Concert Band. Concert Band. Belwin Concert Band. 3 (Medium Easy) (grade 3). Score. 40 pages

(Featuring: The Nile / Building the Pyramids / Sandstorm / The Pharaohs). By Nicholas Baratta. Concert Band. Concert Band. Belwin Concert Band. Grade 3. Conductor Score and Parts. 264 pages

Concert Band - Grade 2

SKU: AP.36703S

Barbara Allen. Arranged by Joseph Kreines. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Form: Variations. Folk. Score. 12 pages. Alfred Music #00-36703S. Published by Alfred Music (AP.36703S).

UPC: 038081417615. English.

This lovely setting of the beloved American folk song Barbara Allen is presented for developing bands as a series of variations in which all sections of the band have an opportunity to play the melody. This arrangement, third in a series of wind band settings of familiar melodies, was written for and is dedicated to the Independence Middle School Band in Jupiter, Florida and their director, Randy Sonntag.

This is attractive teaching material . . .
- The Instrumentalist

(March). By K. Komzak. Arranged by Jaroc. For Concert Band. Marches. Marching Series. Score and Parts

Concert band - Grade 2

SKU: RM.DARL02248-CO

Composed by John Darling. Rock, latino, jazz. Orchestra. Conductor's score. Editions Robert Martin #DARL02248-CO. Published by Editions Robert Martin (RM.DARL02248-CO).