Laurena Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-0981111-010 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-0981111-010
Composed by Johan Nijs.
Applause Series. Festive
and Solemn Music. Set
(Score & Parts). Composed
1998. De Haske
Publications #DHP
0981111-010. Published by
De Haske Publications
(BT.DHP-0981111-010).
For this
composition he Flemish
composer Johan Nijs takes
his inspiration from
people and events in his
life. It was written for
the birth and is
dedicated to his daughter
‘Laurena’.
It’s beautiful
simple melodic lines
makes it a perfect item
to ‘bring a little
peace and calm any
concert.
De
Vlaamse componist Johan
Nijs componeert veel over
mensen en gebeurtenissen
uit zijn nabije omgeving.
Zo schreef hij Santa
Pepita als
huwelijksgeschenk voor
zijn vrouw. De compositie
Laurena heeft hij
opgedragen aan
zijndochtertje. Het werk
kenmerkt zich door
eenvoudige en lieflijke
melodielijnen.
Der
flämische Komponist
Johan Nijs schöpft
seine musikalische
Inspiration häufig aus
Geschehnissen in seiner
näheren Umgebung. so
ist zum Beispiel bekannt,
dass er das Werk Santa
Pepita als
Hochzeitsgeschenk für
seine zukünftige
Ehefrau komponierte.
Seine neue Komposition
Laurena widmete er
seiner neugeborenen
Tochter. Charakteristisch
für diese Komposition
sind die einfachen und
lieblichen Melodielinien.
Laurena Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-0981111-140 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-0981111-140
Composed by Johan Nijs.
Applause Series. Festive
and Solemn Music. Score
Only. Composed 1998. De
Haske Publications #DHP
0981111-140. Published by
De Haske Publications
(BT.DHP-0981111-140).
For this
composition he Flemish
composer Johan Nijs takes
his inspiration from
people and events in his
life. It was written for
the birth and is
dedicated to his daughter
‘Laurena’.
It’s beautiful
simple melodic lines
makes it a perfect item
to ‘bring a little
peace and calm any
concert.
De
Vlaamse componist Johan
Nijs componeert veel over
mensen en gebeurtenissen
uit zijn nabije omgeving.
Zo schreef hij Santa
Pepita als
huwelijksgeschenk voor
zijn vrouw. De compositie
Laurena heeft hij
opgedragen aan
zijndochtertje. Het werk
kenmerkt zich door
eenvoudige en lieflijke
melodielijnen.
Der
flämische Komponist
Johan Nijs schöpft
seine musikalische
Inspiration häufig aus
Geschehnissen in seiner
näheren Umgebung. so
ist zum Beispiel bekannt,
dass er das Werk Santa
Pepita als
Hochzeitsgeschenk für
seine zukünftige
Ehefrau komponierte.
Seine neue Komposition
Laurena widmete er
seiner neugeborenen
Tochter. Charakteristisch
für diese Komposition
sind die einfachen und
lieblichen Melodielinien.
Wind orchestra SKU: FG.55011-556-9 Composed by Jean Sibelius. Large score...(+)
Wind orchestra
SKU:
FG.55011-556-9
Composed by Jean
Sibelius. Large score.
Fennica Gehrman
#55011-556-9. Published
by Fennica Gehrman
(FG.55011-556-9).
ISBN
9790550115569.
Jean
Sibelius (1865-1957) made
his first sketches for
material that would later
find its way into
Cassazione at the end of
the 1890s; there are
already hints of it among
the sketches for the
First Symphony, completed
in 1899. He conducted the
first performance of
Cassazione as the opening
number in a concert of
his music held at the
Helsinki University Hall
on February 8, 1904.
Described as ballad for
orchestra, the work is
structured in five
episodes. Robert J.
Ambrose's transcription
for wind band is based on
the original full
symphony orchestra
version (the full score
published by Fennica
Gehrman, ISMN
9790550112353). This
transcription gives an
opportunity to perform
the work with smaller
ensembles (down to 28
musicians) as well as
full wind band. See the
sample pages for
instrumentation and
performance notes.
Wind orchestra SKU: FG.55011-557-6 Composed by Jean Sibelius. Score & par...(+)
Wind orchestra
SKU:
FG.55011-557-6
Composed by Jean
Sibelius. Score & parts.
Fennica Gehrman
#55011-557-6. Published
by Fennica Gehrman
(FG.55011-557-6).
ISBN
9790550115576.
Jean
Sibelius (1865-1957) made
his first sketches for
material that would later
find its way into
Cassazione at the end of
the 1890s; there are
already hints of it among
the sketches for the
First Symphony, completed
in 1899. He conducted the
first performance of
Cassazione as the opening
number in a concert of
his music held at the
Helsinki University Hall
on February 8, 1904.
Described as ballad for
orchestra, the work is
structured in five
episodes. Robert J.
Ambrose's transcription
for wind band is based on
the original full
symphony orchestra
version (the full score
published by Fennica
Gehrman, ISMN
9790550112353). This
transcription gives an
opportunity to perform
the work with smaller
ensembles (down to 28
musicians) as well as
full wind band. See the
sample pages for
instrumentation and
performance notes.
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580).
ISBN
9781622776375.
Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra.