By Antonin Dvorak (1841-1904). This edition: Urtext edition. Stapled. Score with parts. Published by Baerenreiter Verlag

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.114414110

Quintet for Piano and String Quartet. Composed by James Matheson. World Premiere: Borromeo String Quartet with Judith Gordon, piano. Contemporary. Set of Score and Parts. With Standard notation. Composed May 26 2010. 60+16+16+16+20 pages. Duration 20 minutes. Theodore Presser Company #114-41411. Published by Theodore Presser Company (PR.114414110).

UPC: 680160593811. 8.5 x 11 inches.

For a commission by the Cheswatyr Foundation for the Borromeo String Quartet, Matheson created a three-movement work on the construct of the Borromean rings - a chain of rings in which all rings are connected as a unit, but in which no two individual rings are connected. In this concept, each individual element is every bit as important and essential as the whole, and the whole collapses if any link in the chain is taken away. The work was premiered by the Borromeo String Quartet with Judith Gordon (piano). For advanced performers.

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441411S

Quintet for Piano and String Quartet. Composed by James Matheson. World Premiere: Borromeo String Quartet with Judith Gordon, piano. Contemporary. Score. With Standard notation. Composed May 26 2010. 58 pages. Duration 20 minutes. Theodore Presser Company #114-41411S. Published by Theodore Presser Company (PR.11441411S).

UPC: 680160596669.

For a commission by the Cheswatyr Foundation for the Borromeo String Quartet, Matheson created a three-movement work on the construct of the Borromean rings - a chain of rings in which all rings are connected as a unit, but in which no two individual rings are connected. In this concept, each individual element is every bit as important and essential as the whole, and the whole collapses if any link in the chain is taken away. The work was premiered by the Borromeo String Quartet with Judith Gordon (piano). For advanced performers.

Composed by Sergio Fidemraizer. Ensembles - Chamber Music. Score and Parts. Duration 12'. Periferia Music #CM3189PM. Published by Periferia Music

Composed by Duane Funderburk. For 2 violins, viola, cello, piano. Duane Funderburk Chamber Music. Lent, Communion. Medium. Published by MorningStar Music Publishers

By Charles Wuorinen. For 2 violin, viola, violoncello, piano. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration ca.22. Published by C.F. Peters.

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441123S

Composed by Samuel Adler. Score. With Standard notation. Theodore Presser Company #114-41123S. Published by Theodore Presser Company (PR.11441123S).

UPC: 680160016303. 8.5 x 11 inches.

The Quintet for Piano and String Quartet was written for the American String Quartet in the summer of 2000. It is in one movement but has two distinct parts. The first is a slow movement characterized by dotted rhythms. It is a fantasy with some long flowing lines interrupted by short fragments usually in the piano. After a rather agitated section in 6/8 time, this section comes to a quiet close on a G-sharp major chord. The second section of this thirteen-minute work is marked Fast and Energetic. It begins with chords that recur throughout the movement and after two measures a long main theme is introduced which is developed and altered during the rest of the fast portion of the work. One could call this second part a sort of rondo form since this long lyrical theme returns always after contrasts. When it does return, it is treated often by means of imitation, but at the climax returns played in unison by the strings while the piano renders an energetic sixteenth note background. The work ends on an E-flat major chord though the piece is certainly not in any one key, but rather features quick modulations. One might call this non-tonal music which nevertheless always feels like it has a tonal center. --Samuel Adler.