Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

Ce troisième volume de La Méthode de piano classique est destiné aux étudiants qui ont terminé Method Book 2, ou pour ceux qui ont déjà une base solide dans le piano et sont de retour à l'instrument. Clairement énoncée et progresser par petites étapes gérables le livre comporte répertoire intéressant, varié et bien connu de l'époque baroque, classique et romantique époques Comprend un enregistrement sur CD de toutes les pièces offrant des performances de modèle pour vous aider à apprendre. Peut être complété par un répertoire supplémentaire, Duo et livres de fitness doigts. / Piano

Allain Gaussin, a pupil of Olivier Messiaen at the CNSM in Paris, and a veritable alchemist of sound, created a sensual and sparkling work that aims to induce in listeners the sort of 'internal awakening? that the Japanese refer to as Satori - the title given to a piece for solo clarinet he wrote in 1998. Composed a decade later, Tokyo-City for solo Piano draws on the same inspiration, fuelled by several stays in Japan. Gaussin sets out to reproduce the various sensations he experienced during his walks around the Japanese megalopolis: a fear of being swallowed up by its vastness gives way to a bedazzlement in the face of a buzzing universe awash with harmonies and colours. The work follows a dual symmetrical structure (in terms of register and tempo): after an enigmatic start entrusted to the low notes of the piano, a musical figure gradually emerges from 'floating polyphonies?, producing a veritable toccata which is slowly deformed, like an ana­morphosis. Then, only a glimmering of crystal-clear harmonies remains, and the work ends sparsely on the highest notes of the piano. / Piano

24 Pieces For Piano. Par WOLF PETER E.. Péter Wolf (a doctoral graduate of the Franz Liszt Academy of Music in Budapest) has composed a number of large-scale compositions in recent years which have had success at the hands of distinguished performers: these include two piano concertos as well as concertos for oboe, clarinet, and violin. By entitling his newest set of pieces for piano Wolf-temperiertes Klavier, the composer was able to simultaneously indulge in wordplay based upon his surname and give a tip of the hat to German baroque master Johann Sebastian Bach. The work's likeness to Bach is not limited to its title - the manner in which a piece has been written in both major and minor keys for each tone of the chromatic scale is blatantly inspired by Bach. In the preface to this publication, Wolf offers the following insights: ''I think I managed to find expressive titles. The first piece, Epiclesis (a prayer for inspiration, patience, and support), was heard from above: I was able to work continuously and without inhibitions. The works could be born in every key, until the last one, the Epilogue, was completed. When I finally finished inscribing the pitches of Bach's name, I admit, a little shiver went through me.'' Of the character pieces, all were completely new with the exceptions of one being previously written and another whose theme Wolf borrowed from one of his own stage works. Wolf-temperiertes Klavier is recommended for advanced pianists who wish to push the boundaries between musical genres, as well as classical musicians interested in the harmonic language of jazz. / Niveau : Intermédiaire à Avancé / Musique contemporaine / Répertoire / Piano

Early to Later Intermediate Level. Par AUSTIN GLENDA. Each piano suite is addictive! Austin's Jazz Suite No. 2 in B-flat Major (2001) remains hugely popular, but this collection also features the charming first suite in F Major (one of her first published pieces), as well as the exciting third suite, also in F major and originally composed in 2019 for clarinet, cajon, and piano. The outer movements of all three suites are rhythmic and melodic, but it is the inner soulful movements that surprise and illuminate./ Répertoire / Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Musicals' Features all the big hits from the West End and Broadway shows. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal pieces for performance.Contents: Fame (Fame); Food Glorious Food (Oliver); If I Were A Rich Man (Fiddler On The Roof); Over The Rainbow (Wizard Of Oz); Send In The Clowns (A Little Night Music); Singin' In The Rain (Singin' In The Rain); Tomorrow (Annie)

Jazz Suite in Color for solo piano is an arrangement of the original Jazz Suite in Color, a trio for clarinet, trumpet, and piano. Now solo pianists can enjoy this exciting mix of jazz styles painted musically with a splash of color. As in the original, there are three movements, each with a distinctive jazz style. The first movement projects a jazzy feeling of celebration and happiness. The second movement is calm and serene, yet depicts the sadness of the blues. The third movement is a happy and carefree ragtime piece. / Piano

Become the featured soloist on twenty specially recorded arrangements of some fantastic hit songs from past and present! Part of the hugely successful Take The Lead series, this bumper edition gives you the opportunity to learn songs as diverse as Angels by Robbie Williams and Gershwin's Fascinating Rhythm , arranged as accessible Piano solos with Guitar chord symbols. The music is complete with two CDs - a set of full professionally recorded backing tracks and a disc of demonstration performances that will help you learn the songs. Take The Lead is an integrated series for Alto Sax, Clarinet, Flute, Trumpet and Piano. In each edition all the songs are in the same concert pitch key, so the different instruments can play together - ideal for school groups and ensembles. / Niveau : Facile / Recueil / Piano

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This piano accompaniment book is suitable for the flute, clarinet, alto saxophone, tenor saxophone, trumpet, french horn and trombone books and includes a CD that features various instrument demo tracks from the series. Also included are eight pages of colour photographs from the movie.Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.Titles include:Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

Comment jouer des accompagnements et des solos de piano dans le style Pop-Rock ' Avec cet ouvrage bien sûr... Tout d'abord les accompagnements, qui exposent clairement les principaux procédés harmoniques et rythmiques spécifiques...'allant de la ballade Slow-Rock en arpège aux rythmiques Rock plus 'pêchues', en passant par les tourneries Pop actuelles. Puis les solos, avec toutes les caractéristiques propres au style (gimmicks harmoniques et rythmiques, placement, respiration...). Des plans et des phrases typiques, de la British Pop d'antan à celle, plus moderne, d'aujourd'hui - de la Variété-Pop légère à une forme plus débridée, plus Rock... tout y est ! Des Beatles à David Bowie, en passant par Elton John, Keane ou Coldplay... les sources d'inspiration ne manquent pas pour évoquer ce style au piano ! Pour chaque accompagnement et solo, sont disponibles cinq enregistrements différents sur le CD'MP3 joint, répartis de la façon suivante : le piano seul, au tempo normal puis ralenti, la même partie de piano jouée cette fois sur son playback, et enfin le playback seul, là encore au tempo normal puis ralenti... pour permettre à chacun d'apprendre et de jouer à son rythme, selon son niveau et ses capacités. Soit plus de 4 heures de musique en tout ! / Piano

Le vrai piano latine rédigée par Kiki Sanchez apprend à jouer les rythmes latins les plus importants sur le piano, tels que: Salsa, Cumbia, Gaujira, Timba, Cumbia, Bolero et d'autres styles. En outre, le livre explique clairement comment effectuer des rainures Piano latines sur clave 2-3 et 3-2 ainsi que montrant la structure traditionnelle Salsa organisation et la façon d'effectuer Piano Montuno à l'aide d'harmonies jazz américains.Vision Sanchez est d'étendre vos capacités musicales et avoir une meilleure compréhension sur la façon de jouer plusieurs rythmes latins sur le piano. Ceux-ci seront non seulement vous aider avec vos capacités piano, mais permettra d'enrichir vos connaissances musicales en tant que producteur, arrangeur et éducateur. Dans ce livre Kiki introduit un montuno de son Pérou natal appelé le Festejo péruvienne. Comme Kiki éducateur a été de travailler avec Pati Vargas sur le voyage d'Amérique latine musicale, enseignement de la musique et les différentes cultures de l'Amérique latine dans plusieurs écoles et collèges publics de la région sud de la Floride.Le CD qui accompagne le livre comprend 50 pistes audio, 114 fichiers mp3 et 114 fichiers MIDI / Piano

Bien sûr moderne John Thompson pour le piano est la méthode Piano essentiel pour les étudiants débutants de tous âges. Clairement écrit, amusant et facile à comprendre, le cours moderne est un favori éprouvée avec les enseignants et les étudiants du monde entier pour piano, avec des millions d'exemplaires vendus. Cette mise à jour édition 2012 a mis à jour les diagrammes, la notation musicale plus claire et une meilleure conception globale.Ce livre First Grade offre un excellent début de vos études et comprend:50 est facile à jouer des morceauxUtiles exercices techniquesLeçons fondamentales sur des échelles et la théorie de la musiqueAider les élèves à la fois penser et de sentir musicalement, le cours moderne est le moyen le plus efficace et agréable d'apprendre le piano. / Piano

Lorsque Joseph Haydn compose son début de plus petites sonates, alors appelée divertimentos, il a gardé clairement le pianiste débutant et amateur à l'esprit. Avec seulement quelques exigences techniques, ces oeuvres est néanmoins un excellent aperçu du cosmos de musique pour piano de Haydn et introduisent le joueur de langage musical de Haydn, de manière exemplaire. Le courant édition combine quatre des plus populaires de ces sonates faciles pour les cours débutants, qui contiennent déjà des éléments essentiels du style viennois piano classique. Le texte est basé sur la nouvelle édition révisée par Ulrich Leisinger, qui est également responsable de l'édition urtext légendaire des sonates pour piano de Joseph Haydn par Christa Landon. / Piano

Par HALL PAULINE / MACARDLE FIONA. Conçu pour renforcer la confiance et la capacité, les livres Piano Temps lecture à vue sont aussi amusant énorme, entrecoupant de nombreux courts, exercices structurés avec des puzzles et des jeux. Le matériel est simple, imaginatif et clairement énoncés. Pauline Hall est diplômée de l'Académie Royale de Musique et a ensuite enseigné dans les écoles et en privé. Tout en vivant et enseignant à Harrogate elle se sentait le besoin d'un tuteur piano qui fait l'apprentissage amusant, et qui a progressé au rythme le plus lent de ses apprenants. Elle a commencé par écrire de petits airs dans les cahiers des élèves, et ces formé la base de Tunes for Ten Fingers, la série Piano Time développé à partir de cela./ Etude / Piano