Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Conducteur] Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Ryuichi Higuchi. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/34. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05062_01.
Published by Baerenreiter
Verlag (BA.BA05062-01).
ISBN 9790006463022. 33
x 26.3 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by George
Frideric Handel. Carus
Choir Coach. Messiah.Ccc
(3 Cds). Sacred vocal
music, Oratorios. Compact
Disc. Composed 1742. HWV
56. Duration 150 minutes.
Carus Verlag #CV
55.056/94. Published by
Carus Verlag
(CA.5505694).
Text
language: English. Text:
Jennens,
Charles.
George
Frideric Handel is
considered England's
first and foremost
composer of oratorios.
Above all, the Messiah is
regarded as the epitome
of sacred music and in
German-speaking countries
it is also one of the
most often performed
works in the genre. The
version of the Messiah
which is most often
performed today is a
combination of various
versions. Consequently,
the present critical
edition by Ton Koopman
contains all the
surviving alternative
versions of the solo
movements. A concordance
makes it possible to
assign these movements to
those various
performances of the work
conducted by Handel
between the Dublin
premiere in 1742 and the
London concerts which
took place up to 1759. In
accordance with the
wishes voiced by many
choral conductors and
singers, the vocal score
is available in separate
English and German
versions. Score available
separately - see item
CA.5505600.
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel
(1685-1759). Edited by
Ton Koopman / Jan
Siemons. Arranged by
Siegfried Petrenz. For
SATB soli, S(S0ATB choir,
2 oboes, 2 bassoons, 2
trumpets, timpani, 2
violins, viola, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Messiah kart
GA-Format. Oratorios.
Full score. Language:
English/German. Composed
1742. HWV 56. 328 pages.
Duration 150 minutes.
Published by Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.3124582
Version IV.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Single
Part, Laute. Composed
1749. BWV 245. 4 pages.
Duration 120 minutes.
Carus Verlag #CV
31.245/82. Published by
Carus Verlag
(CA.3124582).
ISBN
9790007211448. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Christen, atzet
diesen Tag. Sacred vocal
music, Cantatas,
Christmas. Choral Score.
Composed 1715. BWV 63. 16
pages. Duration 27
minutes. Carus Verlag #CV
31.063/05. Published by
Carus Verlag
(CA.3106305).
ISBN
9790007043681. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
available separately -
see item CA.3106300.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214).
ISBN
9790007213459. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Organ.
Composed 1715. BWV 63. 32
pages. Duration 27
minutes. Carus Verlag #CV
31.063/49. Published by
Carus Verlag
(CA.3106349).
ISBN
9790007206635. Key: C
major. Text language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and part available
separately - see item
CA.3106300.
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.4033140
Version IV.
Composed by Johann
Sebastian Bach. Arranged
by Paul Horn. Hymns by
Martin Luther: War Gott
nicht mit uns diese Zeit.
German title: Faksimile
Johannes-Passion Bwv 245.
Post card. Composed 1749.
BWV 245. 100 pages.
Duration 120 minutes.
Carus Verlag #CV
40.331/40. Published by
Carus Verlag
(CA.4033140).
ISBN
9790007104825. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score
available separately -
see item CA.4033100.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Viola. Op.
107. 12 pages. Duration
25 minutes. Carus Verlag
#CV 23.007/13. Published
by Carus Verlag
(CA.2300713).
ISBN
9790007037703. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Single
Part, Violin 2. BWV 195.
8 pages. Duration 16
minutes. Carus Verlag #CV
31.195/12. Published by
Carus Verlag
(CA.3119512).
ISBN
9790007210397. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score and
part available separately
- see item
CA.3119500.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Single
Part, Violin 1. BWV 195.
8 pages. Duration 16
minutes. Carus Verlag #CV
31.195/11. Published by
Carus Verlag
(CA.3119511).
ISBN
9790007210380. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score and
part available separately
- see item
CA.3119500.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Christen, atzet
diesen Tag. Sacred vocal
music, Cantatas,
Christmas. Set of
Orchestra Parts. Composed
1715. BWV 63. Duration 27
minutes. Carus Verlag #CV
31.063/19. Published by
Carus Verlag
(CA.3106319).
ISBN
9790007134068. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and parts available
separately - see item
CA.3106300.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.063/21 oboe 1, 1x
31.063/22 oboe 2, 1x
31.063/23 oboe 3, 1x
31.063/24 bassoon, 1x
31.063/31 trumpet 1, 1x
31.063/32 trumpet 2, 1x
31.063/33 trumpet 3, 1x
31.063/34 trumpet 4, 1x
31.063/41 timpani. German
title: Christen, atzet 9.
Sacred vocal music,
Cantatas, Christmas. Set
of Orchestra Parts.
Composed 1715. BWV 63. 30
pages. Duration 27
minutes. Carus Verlag #CV
31.063/09. Published by
Carus Verlag
(CA.3106309).
ISBN
9790007043704. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and parts available
separately - see item
CA.3106300.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Study score.
Composed 1725. BWV 151.
28 pages. Duration 19
minutes. Carus Verlag #CV
31.151/07. Published by
Carus Verlag
(CA.3115107).
ISBN
9790007092474. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score available
separately - see item
CA.3115100.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Choral
Score. BWV 195. 20 pages.
Duration 16 minutes.
Carus Verlag #CV
31.195/05. Published by
Carus Verlag
(CA.3119505).
ISBN
9790007181383. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score
available separately -
see item CA.3119500.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249).
ISBN
9790007141202. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213).
ISBN
9790007213442. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
Composed
by Various. Coppenrath
series, Hymns by Martin
Luther: Nun komm, der
Heiden Heiland. German
title: Beliebte
Repertoirestucke. Sacred
vocal music. Full score.
8 pages. Carus Verlag #CV
10.270/06. Published by
Carus Verlag
(CA.1027006).
ISBN
9790007132149. Key: B-dur
(b-flat major). Language:
Latin.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205).
ISBN
9790007213411. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200.